Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

While participating in the Lights program, students can develop their songwriting, performing, and musicianship skills while exploring music from around the world. They will have extensive performance opportunities with a focus on music that inspires, uplifts, and spreads a music of unity and hope. Students will record their music in the One Mic studio and learn about the music industry and explore topics such as audio engineering, stage presence, graphic design, videography, website development and more while learning to use their music to be a force for change. Advanced students will have the opportunity to work towards touring locally and regionally with the Lights concert tour. They will also have the opportunity to regularly interact with and learn from LEAF resident artists. Students will be exposed to music from a diverse range of genres and cultures. Students will have the opportunity to see how music connects us on a deep level and how it can create joy, bring people together, and instigate change. LEAF lights will lift young leaders and give them a platform to make a difference in the lives of others.
Wednesdays at 5pm (Junior Group) & 6pm (Senior Group) at LEAF Global Experience (19 Eagle St, Asheville, NC, 28801)
Dates/times subject to change – interested in attending this class but unsure if it works with your schedule, or if it suits your student’s skill level? Reach out to us at [email protected]! We are always looking to adapt and expand our class schedules to accommodate new students!

Heralded by The New Yorker as “thrilling” and “genuinely moving.”
From the producer of The Lion King and Aladdin, Frozen, the Tony®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).
Frozen features the songs you know and love from the original Oscar®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.
An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.
Subscribers who have received seat assignments may now purchase additional single tickets for the 2021-2022 Broadway season through their account or by calling the Peace Center Box Office Monday – Friday between 9:30 am – 5:30 pm.
*Seat locations are based on currently available inventory. Additional tickets for Hamilton performances are not included. Please stay tuned for more information on when they will become available for purchase.
On his sprawling new record, Tompkins Park, Jack Symes makes his case as one of folk music’s most compelling new artists. Born during a road trip out to his new home in Brooklyn and his unmoored first months there, the 12-songs confront the question, “Are you on your own or are you all alone?”. It’s less tethered to Earth than his previous excursions, instead drifting skyward, buoyed by wide-reaching arrangements and dense washes of reverb that curl off his voice like thick plumes of smoke.
Inspired by uncertainty and crystallized in isolation, Jack Symes sophomore album is a testament to spending time with yourself and making peace with the parts of you that have been neglected. Written while uprooting his life, and recorded in the blurry ebb of life under a pandemic, the deeply personal songs are at once wholly universal.
a musician&songwriter based in brooklyn, ny.

Key Glock will be performing LIVE on the Indoor Stage at Salvage Station on Wednesday, April 6th! Doors open at 7PM and the music starts at 8PM. 18+ only (no exceptions)!
Root Down will be serving their delicious twist on Southern Soul food, PLUS we will have our FULL bar open for you to enjoy!
VIP PACKAGES INCLUDE:
-One general admission ticket
-Early entry into the venue
-Custom Key Glock mini basketball hoop + ball
-Limited edition Key Glock money clip
-Key Glock 4×6 lithograph
-Exclusive merchandise item
-Commemorative VIP laminate
*Limited availability
Foundation Woodworks announces the 2nd Annual Turned and Carved Wood Bowl Exhibition and Sale
River Arts District – Asheville, NC
April 1 – 30, 2022
During the month of April, Foundation Woodworks will feature work from a dozen local and regional wood turning and hand carved wood artisans. In conjunction with the show, the Gallery will offer a 10% discount on select turnings, as well as, turned and hand carved bowls.
Work will be featured from Warren Carpenter (bowls), Seneca, SC, Cris Bifaro (bowls and hollow forms) West Asheville, Bill Wanezek (pedestal bowls) Burnsville, Anne Henschel (bowls and vessels) Asheville, Bill and Tina Collison (embellished bowls) Unicoi, TN, Gary Bills (bowls and platters) Zirconia, Allen Davis and Mike Juett – Winchester Woodworks (segmented bowls) Waynesville, Paul Eisenhauer (hand-carved bowls) Burnsville, Greg Schramek (bowls and other turnings) Weaverville, Ryan Hairgrove – Rugged Woods (large bowls) Lexington, NC, Jo Miller (bowls) Asheville.
Spring is a good time to celebrate local artists – Come and see beautiful turned and carved work by a talented set of local woodworkers at Foundation Woodworks.
The gallery at Foundation Woodworks is open 7 days a week.
Monday – Saturday 11-5, Sunday 12-5.
17 Foundy Street, Asheville, NC
[email protected]
www.foundationwoodworks.com
Instagram: @foundationwoodworks
Kate Coleman is the Asheville Gallery of Art’s featured artist for the month of April. Visitors to the gallery will have the entire month to view her outstanding acrylic-on-wood paintings of nature. “Avian Skies” will run from April 1st to April 30th.
April is a lovely month. Winter has passed, the transformation of Spring is upon us, and warmer days are ahead. The fresh skies of Spring flaunt beautiful clouds and ominous storms in the distance. “The colors of paint that I choose are warm and bright, echoing the Spring colors that are emerging in nature. In creating this body of work, I focused on birds and the amazing skies of Spring.”
Kate Coleman can’t remember a time when she wasn’t an artist. “I believe that all children are artists, and I never grew out of it.” After Kate received her degree in Fine Art, she went on to design and create a studio pottery line with her husband. Upon discovery that she and her daughter share a passion for painting, Kate began her newest creative journey. She began on this path of mixed-media due to her passion for nature and her love of painting, and through this journey, she has found herself immersed in painting her unique portraits of birds and nature.
Defining them by more than simple appearance, Kate goes further by layering information, sourced by vintage books and maps, onto each specific piece. She searches used bookstores to find vintage books on birds and nature, and using the pages to apply visual texture to her paints, she applies more information specifically to each piece. The result is a very unique combination of visual texture and defining text, which presents a unique work. Her painted portraits of birds and nature are completed in acrylic paint on wood panels, and she often creates frames that further identify and explain each piece. Giving a warmth and light to each piece she creates, she attempts to reveal the true character of each distinctive image.
Kate’s painting of “The Peacock” is mixed media, acrylic, feathers, and book pages on wood. “I love the dramatic opening of the peacock’s feathers. This unique bird brings beauty to the world.”
“The Tanagers” is a 24 X 52 piece in mixed media, acrylic, book pages and wood. “The male and female Scarlet Tanagers’ differences in color intrigues me. I truly enjoy spotting this beautiful bird from time to time.”
On “Sunset in the Blue Ridge Mountains”, a work in acrylic, “This is a common scene from my home – the Red-Tailed Hawk with mobbing crows. Sunsets here are striking and each one is unique.”
Visitors to the Asheville Gallery of Art will be able to view Kate’s show from April 1st through April 30th in downtown Asheville, NC. Kate will be present for a special event on First Friday, April 1st, to meet the artist from 5pm-8pm.

The Art League is excited to offer free virtual demonstrations.
Watch for the announcement of our soon-to-come virtual workshops and classes.

All demonstrations are available on-line and on-demand. Simply click on the video link to participate.
NC State Parks’ Year of the Tree continues with a celebration of spring trees. Break out your camera and capture the transformation of trees from winter to spring as they show off their gorgeous blooms throughout the next few months. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park, two boat tour tickets from Lake Lure Tours, and dinner for two at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive two annual passes to Chimney Rock State Park and dinner for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and dinner for two at the Old Rock Café.
CONTEST RULES:
- There is no fee to enter the contest. All photographs must be taken of Chimney Rock at Chimney Rock State Park only in areas accessible to guests between April 1, 2022 – May 31, 2022.
The contest is open to amateur and professional photographers. - Up to three photos per person can be submitted via any of the following ways to be eligible to win:
- Facebook: First, like the Chimney Rock at Chimney Rock State Park page. Next, send us a private message including your contact information specified in rule #3.
- E-mail: If you don’t have access to social media, you may email your digital photo with your contact information specified in rule #3 to [email protected].
- Every entry should be clearly labeled with the photographer’s name, city & state, a brief photo caption, an email address and the best phone number to reach you.
- Photos should be available at a minimum resolution of 1200 x 1600 pixels (1 MB minimum) to be eligible to win. Photos taken via smart phones, tablets and other mobile devices are welcome if they meet minimum requirements.
- For entries showing human faces, you must list their name(s) and have written permission from any photographed person(s) to use their image.
- Entries should reflect the photographer’s interpretation of the theme. Emphasis will be placed on quality, composition and creativity. All entries may be used in promotions of Chimney Rock and park-related activities.
- Digital images can be optimized but not dramatically altered with photo editing software. Black and white photographs are welcome.
- Finalists will be chosen by Chimney Rock staff and the winner will be voted on by the public. Decisions regarding winners are final.
Winners will be notified personally and announced on Chimney Rock’s social media. For more information, call 1-828-625-9611, ext. 1812 or email us at [email protected].
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ARTSVILLE Collective at Marquee opens its first public exhibition showing guest artist Micah Mackenzie’s mixed media and Rhona Polonsky’s ceramics, along with the work of founding artists Daryl Slaton’s pop animation and Louise Glickman’s mixed media. Between the Lines will be on display from February 1 through April 24 at 36 Foundy in the RAD (Booth D11). The styles of each artist differs greatly but connect through thoughtful storytelling, coming alive in a mix of mediums, paint, clay, textiles and animation. The viewer is encouraged to consider how they come together, to read “between the lines.”
Micah Mackenzie mixes media with mark making into imposing layered abstracts mimicking memories from childhood: playfulness and whimsy with splashes of color, seemingly with abandon. A closer look reveals balance and harmony within the chaos. Coatings of storytelling lead us to consider the human condition from the subversion of mythology to the magic of science. He invites us to see inside to what is intrinsically beautiful and empowering.
Rhona Polonsky’s pottery uses the language of lines and spaces that merge and connect to reveal their meanings: lines as boundaries to be crossed or parallels to read between. Her doodling since childhood grew in expression as she traveled the world, teaching young international students for over thirty years in Asia and Africa, from Indonesia to India. Her sgraffito vessels, lively and offbeat, evoke amusement, playfulness, whimsy and enthusiasm. They speak to us in a special language that warm our hearts with both simplicity and sophistication.
Daryl Slaton’s work is overtly whimsical as he introduces his newest anthropomorphic character Gallagher, a playful tiger cub who entertains us through animation and augmented reality. Over twenty panels speak to us through the digital powers of augmented reality and the eyes and antics of Gallagher, a character staunchly loyal to people and place. These narratives bring both smiles and amazement evoking warm memories for adults with their own stories to tell their families.
Louise Glickman’s storytelling is revealed through weaving of nets and textures where lines move over, under and around using bits of fabric, paint and plant materials. Her highly textural works are largely connected through her own life experiences and a love of nature and travel. Select pieces reveal her special interest in understanding the yin and yang of countries and cultures that have informed her worldview, from her childhood in New Orleans to travel with the Penland School to Cuba, Japan and Denmark.



Saturday – September 17
Use code FUNNYGIRL
Code valid 4/7 10am – 10pm

Friday – June 24
Use code PEELCAVALRY
Code valid 4/7 10am – 10pmFlatland Cavalry is breaking out into a gallop. After years of hot trotting across their native Texas, the country outfit is primed for a breakout with the release of their third full-length album, the sonically sprawling and wistfully written Welcome to Countryland. The Texas sextet–bandleader and chief lyricist Cleto Cordero, guitarist Reid Dillon, bassist Jonathan Saenz, drummer Jason Albers, fiddle player Wesley Hall, and recent newcomer utility instrumentalist Adam Gallegos–continue to embrace their trademark sound while further pushing into the wild unknown. When it was time to embark on recording a new album, resting on their laurels was simply out of the realm of possibilities. After the release of 2019’s critically-acclaimed Homeland Insecurity and their 2016 full-length debut Humble Folks, they’ve been on a healthy trajectory rising through the country ranks.

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| Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery. |
American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.
In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.
Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.
Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.
Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?
Southern Rites is curated by Maya Benton and organized by the International Center of Photography.
Black Mountain College: Idea + Place
Lower Level Gallery with Companion Digital Exhibition
How can an idea inform a place? How can a place inform an idea? Would Black Mountain College have had the same identity and lifespan if it had been located in the urban Northeast, the desert Southwest, or coastal California? How did BMC’s rather isolated, rural, and mountainous setting during the era of the Great Depression and the Jim Crow South influence the college community’s decision-making and the evolution of ideas upon which it was based?
This exhibition seeks to delve into these questions and others by exploring the places of Black Mountain College: its two very different campuses, its influential predecessor the Bauhaus in Germany, and the post-BMC diaspora. Curated by Alice Sebrell, Director of Preservation
adVANCE! Modernism, Black Liberation + Black Mountain College
Upper Level Gallery with Companion Digital Exhibition
Featuring the work of contemporary sculptor Larry Paul King in conversation with Black Mountain College modernist masters including Jacob Lawrence, Gwendolyn Knight Lawrence, Josef Albers, Leo Krikorian, and Sewell Sillman. Premiering three Jacob Lawrence lithographs new to the BMCM+AC permanent collection. adVANCE! celebrates Black Mountain College’s role in early civil rights and the ongoing role of Black, modernist artists in the pursuit of liberation and justice.
Curated by Marie T. Cochran, Founder of the Affrilachian Artist Project
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| N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection |
The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.
N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.
Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.
Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.
Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.
This exhibition has been loaned through the Bank of America Art in our Communities® program.
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Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.
William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.
The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.
“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Queer Music Exploration with Kayla Lynn – Students will explore guitar, bass, drums, singing and piano with a focus on learning music by artists from the LGBTQ+ community. Students will have the chance to interact with their peers and share their experiences through music
TFAC will follow CDC and Polk County COVID recommendations. Participants will have space to social distance and appropriate face masks are strongly recommended. The program will also be available via Zoom.
Description

Registrations are for ONE HOUSEHOLD.
All sessions will be held on the first Thursday of the month, at 4:30 pm. A link will be sent out the morning of the session if zoom is desired.
Schedule:
February 3:
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Exhibition. Paintings. Music
A survey of 19th century Nationalism in the Arts through the works of Russian composers, members of the Mighty Five. Despite mockery from mainstream critics and audiences, the group members continued their pursuit of finding their unique voices. Their involvement with artists in other fields led to frequent connections between visual art and music. Join us on an expedition to the past as Mr. Begelman explores and deconstructs the rise of great Russian music through the works of prolific geniuses. Featured composer Musorgsky
March 3:

Impressions and Passions
Step into one of Claude Monet’s gardens and delight in the Impressionist period when music sought to convey moods or capture feelings, using unusual ways of looking at ordinary things. Mimicking the visual artists of the time, the structure of a work of art became subordinate to its effect. In the years containing the first movie theater and the invention of color photography, the world was brimming with opportunities to fill life with audio and visual encounters. Discover how a relatively small and rogue, in the eyes of many traditionalists, group of painters started one of the most recognized styles in the world that translated into music and literature. Be impressed and join us! Featured composers Debussy and Ravel
April 7:

Musical brush
Can a composer be inspired by a painting? Can a painting be brought to life with music by giving the canvas a voice? Can you paint sound? Can a story be told with brush strokes or notes instead of words? In search of answers, come with us on a journey through times to witness how visual and musical artists inspired each other and produced some of the most creative works of art. Featured composers Liszt, Respighi.
Asheville band Rooster is Annie Myers and Erin Kinard and was formed in 2016 around a campfire, but the two had performed separately for many years prior. Since then, they have performed throughout Western North Carolina, creating new songs and arrangements of beloved Americana. They perform an energetic combination of folk country and classic Americana, driven by their powerful vocal harmony and soulful drum/guitar instrumentation. Rooster’s debut album ‘Bloodroot’ was recorded in Swannanoa in 2019, released in March of 2020 and made it on WNCW’s top 100 albums of that year. Their orchestrations are clean and uncluttered, but with a raw, gritty edge. They seem right at home in a coffee house, wine bar, brew pub, honky-tonk or at a backyard barbecue.

The ASHEVILLE 8 STRING COLLECTIVE is a jazz/funk/blues/fusion group that features Dan Clare on 8-string hybrid guitar. A variety of local professional musicians bring their talents to the group in WNC for larger ensemble gigs

Gillian Laub, A Prom king and queen, dancing at the black prom, Vidalia, Georgia, 2009, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.
Today’s public tour is led by Jay Calloway, touring docent.
COVID-19 POLICY UPDATE: The Grey Eagle and American Vinyl Co. requires all patrons attending performances to provide proof of vaccination or negative test within 48 hours prior to the event. Currently Buncombe Co. mandates that masks be worn indoors. THIS MEANS YOU NEED TO MASK UP. Patrons will need to provide physical or digital documentation of COVID-19 vaccination or negative test. Professional negative test results must be dated no more than 48 hours prior to the event. At-home testing will not be accepted.
– ALL AGES
– DOORS 6PM / SHOW 7PM
– STANDING ROOM ONLY
DeeOhGee
DeeOhGee is the new chapter in the story of a band of brothers who’ve now been through it! Emerging on a fresh platform to share their unique blend of great American music.
Formerly touring under the name “Blackfoot Gypsies”, they have dropped the old name but kept the same spirit. A spirit arising from a life dedicated to Rock-n-Roll. The group established a loyal fanbase across the US and Europe, while releasing a catalogue of music documenting their journey. After going through inevitable changes over the course of hundreds of shows and thousands of miles – it only felt right right to start a new book, with a sharper sense of who they are and what they’re doing.
DeeOhGee is now comprised of Matthew Paige, Zack Murphy, and Dylan Whitlow. Each member contributes songs and brings different musical expertise to the table. These 3 musicians cover a huge spectrum of instruments – everything from timpani to pianos and banjos to harmoniums. Every single note and voice you hear on their recordings, is them. No studio musicians. They are beyond dedicated to their craft and eagerly work toward giving the world their life’s work. Collecting vibrations from every walk of life in this world and turning them into a hummable tune, with a wink of humor. Now, after all these years of honing their craft, the music is a concentrated serum exported from their souls, for all to share and enjoy. DeeOhGee is a band of people, made of people, for the people.
Vocals, Guitar / Matthew Paige
Bass, Vocals / Dylan Whitlow
Drums, Vocals / Zack Murphy
Next to Normal
book and lyrics by Brian Yorkey and music by Tom Kitt
Next to Normal, with book and lyrics by Brian Yorkey and music by Tom Kitt, explores how one suburban household copes with crisis and mental illness. Winner of three 2009 Tony Awards, including Best Musical Score and the 2010 Pulitzer Prize, Next to Normal was also chosen as “one of the year’s ten best shows” by critics around the country, including The Los Angeles Times, The Washington Post, Rolling Stone and The New York Times.
Dad’s an architect; Mom rushes to pack lunches and pour cereal; their daughter and son are bright, wise-cracking teens, appearing to be a typical American family. And yet their lives are anything but normal because the mother has been battling manic depression for 16 years. Next to Normal takes audiences into the minds and hearts of each character, presenting their family’s story with love, sympathy and heart.
***Advisory: This show has flashing light effects that could trigger people with epilepsy.
Trigger Warning: there is heavy focus on mental illness, electroshock therapy, and a suicide attempt in this show. Audiences are advised. Due to sexual situations and adult language, this show is not recommended for audiences under 16.
To attend a Brevard College Theatre performance in person, you must agree to follow COVID safety protocols of presenting identification and proof of vaccination at the Box Office. You must also wear a mask at all times inside the Paul Porter Center for the Performing Arts.
CAST
Diana: Talley Sugg
Gabe: Eli Hughes
Dan: Kristian Michels
Natalie: Naomi Firebaugh
Henry: Scott Douglas
Dr. Madden/ Dr. Fine: Jamie Glison
Co Directors: Abbey Toot & Andrea Boccanfuso
Music Director: Dan Toot
Music Accompanist: Richard Riccardi
Intimacy Coordinator: Abbey Toot
Scenic Design: Teila Vochatzer
Lighting Design: Andrea Boccanfuso
Costume, Hair & Makeup Design: Ida
Sound Design/ Sound Op (Mixing): Will Young
Sound Assistant: Gavin Martin
Production Stage Manager: Grace Dempsey
Rehearsal Stage Manager: Andrea Boccanfuso
Assistant Stage Manager: Rowe Davis
Technical Director: Logan Taylor
Props Supervisor/
Hair & Makeup Application Mgr: Emma Harris
Dressers: Oli Mason
Emma Harris
Sarah Hajkowski
Scenic Charge: Gabe Bernhard
Wardrobe Supervisor: Gwyn Jennings
Video Manager: Sarah Hajkowski
Master Electrician: Patrick Miller
Light Board Operator: Cassandra Dayton
Sound Assistant: Anna Ervin
Video Crew/ Run Crew: Bryan Barboza
House Manager: Seth Chepes & Oliver Morgan
Box Office Manager: Taylor Sparrow
Care Group Organizer: Oli Mason
Care Group Organizer: Sarah Hajkowski
Costume Construction Crew: Gabe, Will, Taylor, Grace

HCA-Mission is sponsoring Painting for Prevention, an education and fundraising event at the Russell and Armstrong Gallery, 24 N. Lexington Avenue, Downtown Asheville. Gallery owners Jeremy Russell and Alicia Anne Armstrong have made art for 20 years in Asheville. They have graciously opened their space to help us raise awareness about child abuse prevention. The itinerary for the evening includes speeches from prevention partners from Mountain CAC and BC Foster Care, refreshments, music, and an auction for one of Jeremy Russell’s pieces. Proceeds from the auction will benefit Mountain CAC’s prevention program.

Heralded by The New Yorker as “thrilling” and “genuinely moving.”
From the producer of The Lion King and Aladdin, Frozen, the Tony®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).
Frozen features the songs you know and love from the original Oscar®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.
An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.
Subscribers who have received seat assignments may now purchase additional single tickets for the 2021-2022 Broadway season through their account or by calling the Peace Center Box Office Monday – Friday between 9:30 am – 5:30 pm.
*Seat locations are based on currently available inventory. Additional tickets for Hamilton performances are not included. Please stay tuned for more information on when they will become available for purchase.








