Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

West Buncombe Elementary PTO is starting to plan for our silent and live auction event
scheduled for April 29, 2022. At this fun event we have a meal followed by a silent auction and
ending with a live auction of 10-15 big items. This event is typically attended by about 300
community members. Another highlight of the night is our raffle basket drawing. The event
proceeds will help pay for much-needed materials for our teachers and students.
We would greatly appreciate any donation to make our annual fundraiser a success. Should you
make a donation for the silent or live auction your business will be recognized on the auction
display as well as event flyers. We will also provide a donation receipt letter with the PTO’s tax
exempt ID number for your records. A list of needed items or ideas can be found at the bottom
of this letter.
If you have any questions or need further information please contact us via email
[email protected] or call 828-232-4282. On behalf of the students, parents, and
faculty of West Buncombe Elementary, we thank you.
Sincerely,
West Buncombe Elementary PTO
Raffle Basket Items needed for
1. Gift Card Basket (any gift cards to make this basket great)
2. Local Business Basket (Local business items that promote our community)
3. Family Fun Basket. (New Board Games, Sports Equipment, Movie Tickets. etc..)
Silent Auction Items:
New or Like New Items with a value of $25 to $100. (Popular items from the past.
1. Photography Session 2. Fishing Equipment 3. Small Appliances 4. Spa Services 5. Sporting
Event Tickets 6. Handmade Items from Local Craftsmen.)
Live Auction Items:
New or Like New Items with a value of $100 or more. (Popular items from the past.
1. Bicycles 2. Vacation Packages 3. Jewelry 4. Furniture 5. New Appliances 6. Musical
Equipment) 7. Monetary Donations will also be accepted.

Join us on a guided nature walk tour of the native trees and plants that are traditionally used in Eastern Band of Cherokee basket making.

Hickory Nut Gorge comes alive in the spring as wildflowers emerge along the trails.  Join a Park naturalist on this moderate hike and learn to spot and identify these spring blooms. The journey will take you along the Hickory Nut Falls Trail and down the Four Seasons Trail. Transportation will be provided back to the top lot.

Adult $25.00 (USD)  Goes On Sale
January 1, 2022 Adult Annual Passholder Ticketshow details +$8.00 (USD)  Goes On Sale
January 1, 2022 Youth (ages 5-15)show details +$15.00 (USD)  Goes On Sale
January 1, 2022 Rockin’ Discovery Passholder Ticketshow details +$6.00 (USD)  Goes On Sale
January 1, 2022

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

West Buncombe Elementary PTO is starting to plan for our silent and live auction event
scheduled for April 29, 2022. At this fun event we have a meal followed by a silent auction and
ending with a live auction of 10-15 big items. This event is typically attended by about 300
community members. Another highlight of the night is our raffle basket drawing. The event
proceeds will help pay for much-needed materials for our teachers and students.
We would greatly appreciate any donation to make our annual fundraiser a success. Should you
make a donation for the silent or live auction your business will be recognized on the auction
display as well as event flyers. We will also provide a donation receipt letter with the PTO’s tax
exempt ID number for your records. A list of needed items or ideas can be found at the bottom
of this letter.
If you have any questions or need further information please contact us via email
[email protected] or call 828-232-4282. On behalf of the students, parents, and
faculty of West Buncombe Elementary, we thank you.
Sincerely,
West Buncombe Elementary PTO
Raffle Basket Items needed for
1. Gift Card Basket (any gift cards to make this basket great)
2. Local Business Basket (Local business items that promote our community)
3. Family Fun Basket. (New Board Games, Sports Equipment, Movie Tickets. etc..)
Silent Auction Items:
New or Like New Items with a value of $25 to $100. (Popular items from the past.
1. Photography Session 2. Fishing Equipment 3. Small Appliances 4. Spa Services 5. Sporting
Event Tickets 6. Handmade Items from Local Craftsmen.)
Live Auction Items:
New or Like New Items with a value of $100 or more. (Popular items from the past.
1. Bicycles 2. Vacation Packages 3. Jewelry 4. Furniture 5. New Appliances 6. Musical
Equipment) 7. Monetary Donations will also be accepted.

Led by Stewart/Owen Dance Co-Directors, Vanessa Owen and Gavin Stewart, this open level adult contemporary dance class gradually awakens the body and senses through guided improvisation and a follow along warm-up, followed by foundational across-the-floor exercises and center-work combinations. All experience levels welcome!

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots. They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

Extension Master Gardener^SM volunteers maintain a composting demonstration site at the Western NC Farmers Market, at the Jesse Israel & Sons Garden Center. After a two-year hiatus, due to Covid, the site is reinstituting public demonstrations, beginning April 9, 2022.

When to Visit?
The site is staffed and provides demonstrations from 10:00am to 1:00pm on the second Saturday each month, April through September.

What Will You See?
There are five different composting methods on display at the site. There is a single bin unit, a tumbling composter, a wood pallet bin and a classic 3-bin system — we also usually bring an example of vermiculture on each demo day.  The site is stocked with informational pamphlets on the how-to and why of composting and they complement the information available in the composting video on this website. Click here to view the video: Making and Using Compost at Home.

An additional Composting demonstration area is located at The Learning Garden at the Extension Office, 49 Mount Carmel Road, Asheville, NC 28806.  Click here for details about The Learning Garden.

Let’s make rope and string from the natural world!  In this hands-on workshop, students will examine and learn to process a variety of natural fibers from plant and animal sources to make useful, strong and beautiful cordage suitable for a host of practical jobs, from tying shoes to building a house!  Using handwork techniques and traditional tools, we’ll learn how (and when and why) to make high-speed, extra-strong, and three-ply cord with excellent quality control.  All materials provided.

Why cordage? Cordage tied the ancient world together. It is one of the pillars of technology, allowing the invention of a long list of vitally important objects. This knowledge helps us to understand the otherwise hidden history of how regular people contributed to the world as we know it. The knowledge of hand techniques allows us to construct and repair things that would otherwise have to be bought new, saving money and resources. Best of all, it fosters a powerful can-do positive attitude, giving us confidence and self reliance.

Workshop Details

The class will be on April 9, 2022 from 10:00am – 4:30pm in Asheville, NC. It will be held outdoors in a covered pavilion. There will be a half hour break for lunch. Please bring a bagged lunch and a sharp knife and/or scissors to work with.

This class is for everyone interested in making cordage, from beginners to advanced. We will begin at the beginning and go until we learn things we never knew we could! Minimum age is 12, minors must be accompanied by an adult.

About the Instructor

Jeffrey Gottlieb, MS (in Biology), has been a Naturalist, Outdoor Educator and Primitive Skills Instructor for more than 40 years. He works with school groups, nature centers, museums, scout troops and summer camps, builds full-sized wigwams and longhouses and replicates primitive tools and artifacts for display.  His areas of special interest include fiber arts, flintknapping, basketry, edible and utilitarian plants, and nature awareness. He travels widely in the Eastern U.S. teaching at rendezvous, gatherings and historic fairs. He has written a how-to manual on building wigwams, an instructors’ manual entitled Teaching Primitive Skills to Children and a book on natural fibers and ropemaking called Fibers of Life.

Sliding Scale $125 – $45

Led by Stewart/Owen Co-Directors, Vanessa Owen and Gavin Stewart, this class begins with full body conditioning followed by a series of technical modern exercises, and culminates in either phrase creation or Stewart/Owen repertory. Dancers are encouraged to modify for their own bodies and spaces! We recommend this class to experienced dancers who are looking for a fast-paced contemporary class that pushes their physical and mental boundaries.

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots.They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

REGISTRATION DEADLINE IS WEDNESDAY, APRIL 6, 2022.

Spend the afternoon creating abstracted and realistic artworks inspired by shape, pattern, and color in the Museum’s exhibitions. Students will learn how to mix colors to paint a color wheel, make a cut paper portrait, and watercolor resist landscape.

Please note:

• Youth Studio is held indoors in the Museum’s John & Robyn Horn Education Center
• Space is limited to small groups of students; face coverings and social distancing are required.