Calendar of Events

Described as “the closest to ABBA you’ll ever get,” Abba The Concert brings one of the 20^th century’s greatest pop groups back to life with their dazzling performances of all the groundbreaking Swedish act’s greatest hits, including “Mamma Mia,” “S.O.S,” “Waterloo,” “Dancing Queen,” and many more. They’ve sold out venues throughout the U.S. and achieved critical and popular acclaim for their energetic performances.

ABBA The Concert visits Brevard as part of its popular BMC Presents series, which brings a diverse range of non-classical artists to the festival stage. In 2020, the series will also host guitarist Bryan Sutton, folk legend Judy Collins, the bluegrass-inspired sounds of Woody Platt and Shannon Whitworth, and the return of award-winning banjo virtuoso Bela Fleck.

For a complete 2020 summer music festival schedule including dates, times, and locations of all performances and events, please visit brevardmusic.org

Two local favorites – Jackson Grimm & Hannah Kaminer – will both be backed by their bands for this very special co-bill on February 23rd!
– ALL AGES
– 8PM SHOW, 7PM DOORS
– SEATED SHOW

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

Shapeshifters, the newest exhibition in the John Cram Partner Gallery. Shapeshifters brings together the works of two acclaimed regional artists, Cherokee-based Joshua Adams and Atlanta-based Jiha Moon, who use masks and other objects to explore culture, material, and representation, particularly in the contemporary American South.

Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Ikebana International of Asheville is opening 2020 with its first cultural program on February 25 at 10:00 a.m.  Ikebana, translated from Japanese as “living flowers,” is flower arrangement known worldwide for its grace and beauty.

What is sumi-e? “Sumi” in Japanese means ink that is made of soot, originally from pine branches, and “e” means paintings. So sumi-e is Japanese black ink painting on rice paper. Although it is steeped in tradition, it remains a spontaneous and expressive art form. Each stroke is made carefully because it cannot be painted over, changed or erased. It strives to capture the momentary essence of the subject.

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

Shapeshifters, the newest exhibition in the John Cram Partner Gallery. Shapeshifters brings together the works of two acclaimed regional artists, Cherokee-based Joshua Adams and Atlanta-based Jiha Moon, who use masks and other objects to explore culture, material, and representation, particularly in the contemporary American South.

Described as “the pulse of the gods” by Hanover, Germany’s Neue Presse, YAMATO The Drummers of Japan erupt with a thunderous energy in their newest program, Jhonetsu, meaning “passion.” An Asheville fan favorite from seasons past, Yamato’s drummers modernize a centuries-old Taiko tradition to create a thrilling, high-energy ride full of heart-thumping rhythms and explosive beats. Yamato is internationally recognized for its exhilarating performances — described as “pure energy meets spiritual high,” by Edinburgh’s The Scotsman. Strength, spirit and sheer endurance shine through in Yamato’s drummers, whose passion for performance is both joyous and entertaining. This season, the drummers return with dozens of impressive instruments, including a massive, 1,100-pound Odaiko drum.

Blue Ridge Concert Series

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

Shapeshifters, the newest exhibition in the John Cram Partner Gallery. Shapeshifters brings together the works of two acclaimed regional artists, Cherokee-based Joshua Adams and Atlanta-based Jiha Moon, who use masks and other objects to explore culture, material, and representation, particularly in the contemporary American South.

View all works acquired from the Appalachia Now! exhibition here.

The Asheville Art Museum is pleased to share that seven artists from the opening exhibition Appalachia Now! An Interdisciplinary Survey of Contemporary Art in Southern Appalachia have entered the Museum’s Collection of American Art of the 20th and 21st centuries.

Appalachia Now! was the inaugural exhibition of the newly renovated Museum that celebrated contemporary artists living and working in Southern Appalachia.

Considering available funds, the Museum’s curatorial team selected a range of works that reflect the diversity of Appalachia Now! These works were then presented to the Collectors’ Circle who voted to acquire them.

“It’s such an honor to be a part of the Asheville Art Museum’s expansion into new media,” says Lei Han, who is an associate professor and director of new media at the University of North Carolina at Asheville. “My collaborators and I are grateful for this recognition and we look forward to future collaborations with the Museum.”

“The Museum looks forward to following the careers of all the Appalachia Now! artists,” says Asheville Art Museum Executive Director Pamela Myers. “We are also very thankful for the Collectors’ Circle—for their generosity and ongoing support of the Museum, and their dedication to building the Museum’s important Collection for the enjoyment of all of our visitors.”

Whistle 100’s Future Stars & Guitars presented by Gilstrap Family Dealerships from Second Stage at SMA

Introducing: Lindsay Ell, Matt Stell, Travis Denning, and Noah Schnacky. A portion of proceeds will benefit St. Jude Research Hospital

$10 in advance / $20 Day-of-show

One morning near the end of August, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville, drinking coffee and shooting the breeze while his dog, Cowboy Jim, took a nap nearby. After awhile, Snider said to his guest, “I’ve got an album’s worth of songs, and I think the songs are telling me to make a folk record.”

This was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had “maybe drifted too far from the shore.” He was feeling the pull to start over, to go back to what he was doing when he first began, to return to his roots as a folksinger.

If Snider needed any further evidence that was the direction he should pursue, he got it a half hour later. Back inside his home office, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival, an event he had never done.

Snider mentioned he had been listening to Woody Guthrie’s Library of Congress Recordings, then crossed the room to the turntable and put the needle down on side one of the record. “Woody Guthrie sometimes gets me reset on why you do a song, instead of how,” Snider explains of the man who has long been a touchstone for him. “When I was young, there was something about him that made me want to do it. So once or twice a year, I’ll go back to him, I’ll go back to the source.”

Guthrie famously had the words “This machine kills fascists” printed on his guitar, and on several of the songs on Snider’s new album, Cash Cabin Sessions, Vol. 3, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016, and although only half the songs lean in that direction, there is one constant throughout the album: a man, his guitar, and the truth.

On display daily January 18 – April 19, from 9 a.m. to 5 p.m. in the upstairs gallery of the Education Center, the Asheville Printmakers’ newest exhibit, Natural Impressions, will feature a variety of two- and three-dimensional print pieces utilizing numerous printmaking processes. Works will inspire visitors to think about the beauty and fragility of plants and the natural world through various perspectives and printmaking techniques. All pieces are available for purchase and a portion of the sales will benefit The North Carolina Arboretum Society.

Founded in 2013, the Asheville Printmakers is an energetic group of artists dedicated to expressing ideas and imagery through the medium of print. The group encompasses a wide range of processes and content, including traditional methods, such as lithography, woodcut and screen printing, and contemporary photographic printing processes, such as carbon printing, platinum-palladium and photopolymer etching. 

Parking Fees

• Members: Free
• Personal Vehicles: $14
• Motorhomes / Vehicles (21’ or larger): $50
• Buses: $100

There are no other admission charges required for visitors to access the Arboretum’s grounds and facilities during the day beyond the standard parking fees listed above.

Blue Spiral 1’s most diverse annual exhibition presents artists who have never previously shown in the gallery. This year’s show features nine artists working in a range of media, including painting, ceramics, textiles, mixed media, photography, and wood.

Artists: Anna Buckner, Mark Flowers, David Knox, Hiromi Moneyhun, Kris Rehring, Ben Strear, Gregor Turk

Shapeshifters, the newest exhibition in the John Cram Partner Gallery. Shapeshifters brings together the works of two acclaimed regional artists, Cherokee-based Joshua Adams and Atlanta-based Jiha Moon, who use masks and other objects to explore culture, material, and representation, particularly in the contemporary American South.