Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Museum was closed for nearly six full months as a result of the COVID-19 pandemic, causing severe losses in revenue. Though we are now open, uncertainty still looms, and it will take a dedicated effort to recover to a position of strength and stability. Thanks to a generous grant from a longtime foundation supporter, the Museum has established the Asheville Art Museum COVID-19 Relief Fund and matching challenge to encourage additional operational support during this difficult year. We invite you to participate in the challenge and help secure the Museum’s future as we work to serve our community through engagement with the arts.
Through December 31, 2020, all Annual Fund donations and upgraded memberships will be matched dollar-for-dollar up to $75,000. Give any amount to the Annual Fund, and boost your impact at this critical time with the one-to-one match. You may also join the Masterpiece Society or renew at another upgraded membership level. Any gift in addition to your current renewal will be matched by this fund and will count toward your membership
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We will be collecting wet or dry cat or dog food, small animal/rabbit food, cockatiel/parakeet bird food, cleaning supplies, pet supplies (toys, blankets, and more), along with monetary donations at AHNA.
We will have a donation bin on our patio at AHNA for donated items. Items can be dropped off during regular business hours (M-F 7:30am-6:00pm, and Sat 8am-5pm).
Starting in December, we will be offering online donation collections through Amazon wishlist and direct donations to the organizations. Supplies can be ordered online and delivered to AHNA. We will distribute the donations after the first of the year to the Asheville Humane Society and Meals on Wheels.
Asheville Humane Society: https://www.ashevillehumane.org/donation-drive
Grove Arcade is thrilled to announce the return of its annual Winter Wonderland holiday celebration.
The Arcade has transformed into a wreath-bedecked showcase for Asheville’s finest local craftspeople and retailers. Smells of pine and holly will greet visitors as they tour—at a proper social distance!—Asheville’s stunning art deco gem to discover one-of-a-kind, handcrafted local gifts, enjoy holiday-themed beverages and dining specials, and winter-y feels within the warm Grove Arcade halls. Specially curated Christmas standards and the most extravagant holiday decorations in town will transport visitors to a truly unforgettable winter paradise.
We will be hosting a local MANNA Food Bank Drive! Drop-off barrels will be placed around several areas of the Arcade to be collected and distributed by MANNA to help during these uncertain times.
For the enjoyment and safety of everyone, Grove Arcade will be taking appropriate COVID-19 precautions during Winter Wonderland. All visitors and employees will be required to follow the CDC’s health recommendations, including social distancing and mask wearing.
Enjoy a safe and jolly visit to Grove Arcade’s Winter Wonderland! And from all of us at Grove Arcade, Happy Holidays!
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Help others this holiday season by donating blood at the American Red Cross Blood Drives being held at Asheville Outlets this December!
Schedule an appointment on:
Thursday, December 24 from 10:30 a.m. to 2:30 p.m.
Saturday, December 26 from 10:30 a.m. to 3:00 p.m.
Wednesday, December 30 from 10:00 a.m. to 2:30 p.m.
Thursday, December 31 from 10:30 a.m. to 2:00 p.m.
The December 30 blood drive will be held in the American Red Cross Bloodmobile; check-in will be in the food court. The three other donation drives will be held in Suite 348 across from the RH Outlet at the center. Donors are asked to register in advance by visiting RedCrossBlood.org/give and entering the sponsor code Ashevilleoutlets.
Andy Warhol: Silver Clouds
Andy Warhol’s Silver Clouds create an immersive experience born out of the iconic Pop artist’s interest in innovation and experimentation. Warhol collaborated with Bell Labs engineer Billy Klüver to transform the then-new material Scotchpak into an enlivened and interactive work of art. First shown in April 1966 at the Leo Castelli Gallery in New York City, these air- and helium-filled balloons float like pillows through a space which, combined with their metallic surface, garnered the name Silver Clouds. The clouds notably became part of the design and choreography of Merce Cunningham’s RainForest, which premiered in 1968.
To ensure the safety of Museum visitors and staff, Silver Clouds will be presented as a touch-free experience. Visitors are encouraged to view the work from a distance as the balloons, moved by gentle air currents, drift about the space while imagining the presence of Cunningham’s dancers. A video recording of RainForest in its entirety may be viewed in Reverberations: Exploring Movement in the Collection.
Beginning October 7, the three-hour documentary-styled art installation Question Bridge: Black Males will be on view at the Asheville Art Museum. This innovative transmedia project facilitates a dialogue between Black men from diverse and contending backgrounds, and creates a platform for them to represent and redefine Black male identity in America. The work will be on view during regular public hours from October 7, 2020 through March 15, 2021.
Question Bridge: Black Males is a project that explores critically challenging issues within the African American male community by instigating a transmedia conversation among Black men across geographic, economic, generational, educational, and social strata of American society. Question Bridge provides a safe setting for necessary, honest expression and healing dialogue on themes that divide, unite, and puzzle Black males today in the United States.
Dancing Atoms
Barbara Morgan Photographs
Barbara Morgan, a founding member of the Aperture Foundation, earned a reputation as a Modernist. Much of her work involves dance, photomontage, and a desire to capture motion. She often would design her images so that the figure was shown against neutral or blank backgrounds that heightened the energy of the motion. As proven in Morgan’s photographs, the exploration of movement is a theme that countless photographers have been drawn to in the past. Capturing the beauty and effort of kinetic energy on film takes not only a keen photographic eye, but, more importantly, an understanding of the science that creates such action. Morgan was one such photographer. Her legacy of observing life in relation to “dancing atoms” is forever preserved on film and on paper, providing a glimpse into her world of photography, painting, light, and modern dance.
This exhibition is organized by the Syracuse University Art Galleries.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Reverberations
Exploring Movement in the Collection
Movement in static mediums such as painting, drawing, and photography is difficult to express, yet many artists feel called to explore it. Movement serves as an impetus for creation—to either capture it or create it in entirely different mediums. The works here, selected from the Asheville Art Museum’s Collection, highlight additional approaches to rendering a lasting imprint of the ephemeral. Artists such as Walter Iooss and Blythe Bohnen are concerned with the motion of the human form, evoking a sense of elongated or contracted muscles, of limbs moving through space. Others, like Robyn Horn and Bernar Venet, approach the challenge through abstraction, foregoing representation yet communicating an atmosphere of dynamic change. Marianne Preger-Simon’s drawings of her fellow dancers at Black Mountain College in the summer of 1953 are not only portraits but also a dance of pencil on paper, created in the spirit of artist Josef Albers’s line studies as she simultaneously worked with choreographer Merce Cunningham. Each of these artists ultimately reflects on the time-based ephemeral nature of movement.
Asheville Gallery of Art’s December show, “#ArtSquared,” is amulti-artist show featuring a variety of original square paintings by gallery members. The show runs December 3-29 during gallery hours, 12-5 p.m. Thursday thru Sunday. You can also make arrangements for a private tour by emailing a request to [email protected].
purchases. (You can join the Friends at the bookstore). Anyone can donate books, CDs,
and DVDs at the store, but only during the hours it is open.
As with the book sales, everything at the bookstore is in excellent condition. Books are
shelved by author or subject so they are easy to find, and books are restocked
throughout the week. The store also sells CDs and DVDs.
The bookstore follows health guidelines. Anyone entering must wear a mask and
practice social distancing. Hand sanitizers are available. When the store is busy,
shopping is limited to 30 minutes.
a need for more volunteers to help at the bookstore. It is a great way to meet people
who love reading while also helping to support our library system.
|
Tribute Companies is requesting Artist Qualifications for a permanent art mural(s) for their mixed-use development, The Ironwood, located on Asheland/Coxe Avenue in Downtown Asheville.
This artwork should do the following:
● Create excitement and interest for the area. ● Honor the diversity of Asheville’s Southside community. ● Celebrate the vital role of African American history and culture in Asheville. ● Connect visually to the site through interpretation of historical and cultural aspects. ● Be durable, low maintenance, and appropriate to the location. Integral to creating this artwork(s), is the artists’ willingness to learn about the community and have a dialogue with interested community members to help inspire and guide content creation. A range of materials/applications will be considered, including painted murals and digitally printed murals. If digital, the work must be vector based, printable, and scalable to the site specifications. |
The Museum was closed for nearly six full months as a result of the COVID-19 pandemic, causing severe losses in revenue. Though we are now open, uncertainty still looms, and it will take a dedicated effort to recover to a position of strength and stability. Thanks to a generous grant from a longtime foundation supporter, the Museum has established the Asheville Art Museum COVID-19 Relief Fund and matching challenge to encourage additional operational support during this difficult year. We invite you to participate in the challenge and help secure the Museum’s future as we work to serve our community through engagement with the arts.
Through December 31, 2020, all Annual Fund donations and upgraded memberships will be matched dollar-for-dollar up to $75,000. Give any amount to the Annual Fund, and boost your impact at this critical time with the one-to-one match. You may also join the Masterpiece Society or renew at another upgraded membership level. Any gift in addition to your current renewal will be matched by this fund and will count toward your membership
Apply by Jan. 11 | Visual artists, applications are now open for the 2021 Southern Prize & State Fellowships. $80,000 in cash awards and residencies at The Hambidge Center for Creative Arts & Sciences will be awarded to celebrate the highest quality artistic work being created in the South.
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Kimpton Hotel Arras and local artists today unveiled, “Ode to Buskers & Asheville Music,” a locally created, life-size stainless steel sculpture located outdoors on the corner of Lexington and Patton at Kimpton Hotel Arras. Inspired by the city’s vibrant street musicians and their lively drum circles, artists Chukk Bruursema and Ash Knight sought to bring the unique rhythms of Asheville to life through this striking, collaborative piece, which was commissioned by the hotel.
“Asheville Music,” the large steel djembe drum sculpted by Chukk Bruursema, has West African roots, where the djembe is traditionally played as part of an ensemble, invoking feelings of community and togetherness. Adorning the drum is “Asheville Music,” Ash Knight’s five musical buskers depicted playing the spoons, the string washtub, jug, washboard, and the fiddle, with a dog observing from the ground below.
“We are pleased to officially introduce the “Ode to Buskers & Asheville Music” sculpture, a defining art piece that truly represents the spirit of our city, to the Asheville community,” said Kimpton Hotel Arras General Manager David McCartney. “This piece is an exciting addition to the hotel and expands our local artwork program, which works to highlight and supporting the work of local artists and purveyors.”
Following the unveiling, tours of the additional local artwork displayed throughout the hotel were offered with the artists in attendance to speak to their pieces, including John Wayne Jackson and Peter Roux. Kimpton Hotel Arras commissioned more than a dozen pieces of local artwork curated by local art consultant Liz Barr of Art Resouces.
Click HERE to view photos of “Ode to Buskers & Asheville Music” from the unveiling.
Grove Arcade is thrilled to announce the return of its annual Winter Wonderland holiday celebration.
The Arcade has transformed into a wreath-bedecked showcase for Asheville’s finest local craftspeople and retailers. Smells of pine and holly will greet visitors as they tour—at a proper social distance!—Asheville’s stunning art deco gem to discover one-of-a-kind, handcrafted local gifts, enjoy holiday-themed beverages and dining specials, and winter-y feels within the warm Grove Arcade halls. Specially curated Christmas standards and the most extravagant holiday decorations in town will transport visitors to a truly unforgettable winter paradise.
We will be hosting a local MANNA Food Bank Drive! Drop-off barrels will be placed around several areas of the Arcade to be collected and distributed by MANNA to help during these uncertain times.
For the enjoyment and safety of everyone, Grove Arcade will be taking appropriate COVID-19 precautions during Winter Wonderland. All visitors and employees will be required to follow the CDC’s health recommendations, including social distancing and mask wearing.
Enjoy a safe and jolly visit to Grove Arcade’s Winter Wonderland! And from all of us at Grove Arcade, Happy Holidays!
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Andy Warhol: Silver Clouds
Andy Warhol’s Silver Clouds create an immersive experience born out of the iconic Pop artist’s interest in innovation and experimentation. Warhol collaborated with Bell Labs engineer Billy Klüver to transform the then-new material Scotchpak into an enlivened and interactive work of art. First shown in April 1966 at the Leo Castelli Gallery in New York City, these air- and helium-filled balloons float like pillows through a space which, combined with their metallic surface, garnered the name Silver Clouds. The clouds notably became part of the design and choreography of Merce Cunningham’s RainForest, which premiered in 1968.
To ensure the safety of Museum visitors and staff, Silver Clouds will be presented as a touch-free experience. Visitors are encouraged to view the work from a distance as the balloons, moved by gentle air currents, drift about the space while imagining the presence of Cunningham’s dancers. A video recording of RainForest in its entirety may be viewed in Reverberations: Exploring Movement in the Collection.
Beginning October 7, the three-hour documentary-styled art installation Question Bridge: Black Males will be on view at the Asheville Art Museum. This innovative transmedia project facilitates a dialogue between Black men from diverse and contending backgrounds, and creates a platform for them to represent and redefine Black male identity in America. The work will be on view during regular public hours from October 7, 2020 through March 15, 2021.
Question Bridge: Black Males is a project that explores critically challenging issues within the African American male community by instigating a transmedia conversation among Black men across geographic, economic, generational, educational, and social strata of American society. Question Bridge provides a safe setting for necessary, honest expression and healing dialogue on themes that divide, unite, and puzzle Black males today in the United States.
Dancing Atoms
Barbara Morgan Photographs
Barbara Morgan, a founding member of the Aperture Foundation, earned a reputation as a Modernist. Much of her work involves dance, photomontage, and a desire to capture motion. She often would design her images so that the figure was shown against neutral or blank backgrounds that heightened the energy of the motion. As proven in Morgan’s photographs, the exploration of movement is a theme that countless photographers have been drawn to in the past. Capturing the beauty and effort of kinetic energy on film takes not only a keen photographic eye, but, more importantly, an understanding of the science that creates such action. Morgan was one such photographer. Her legacy of observing life in relation to “dancing atoms” is forever preserved on film and on paper, providing a glimpse into her world of photography, painting, light, and modern dance.
This exhibition is organized by the Syracuse University Art Galleries.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Reverberations
Exploring Movement in the Collection
Movement in static mediums such as painting, drawing, and photography is difficult to express, yet many artists feel called to explore it. Movement serves as an impetus for creation—to either capture it or create it in entirely different mediums. The works here, selected from the Asheville Art Museum’s Collection, highlight additional approaches to rendering a lasting imprint of the ephemeral. Artists such as Walter Iooss and Blythe Bohnen are concerned with the motion of the human form, evoking a sense of elongated or contracted muscles, of limbs moving through space. Others, like Robyn Horn and Bernar Venet, approach the challenge through abstraction, foregoing representation yet communicating an atmosphere of dynamic change. Marianne Preger-Simon’s drawings of her fellow dancers at Black Mountain College in the summer of 1953 are not only portraits but also a dance of pencil on paper, created in the spirit of artist Josef Albers’s line studies as she simultaneously worked with choreographer Merce Cunningham. Each of these artists ultimately reflects on the time-based ephemeral nature of movement.
Asheville Gallery of Art’s December show, “#ArtSquared,” is amulti-artist show featuring a variety of original square paintings by gallery members. The show runs December 3-29 during gallery hours, 12-5 p.m. Thursday thru Sunday. You can also make arrangements for a private tour by emailing a request to [email protected].
purchases. (You can join the Friends at the bookstore). Anyone can donate books, CDs,
and DVDs at the store, but only during the hours it is open.
As with the book sales, everything at the bookstore is in excellent condition. Books are
shelved by author or subject so they are easy to find, and books are restocked
throughout the week. The store also sells CDs and DVDs.
The bookstore follows health guidelines. Anyone entering must wear a mask and
practice social distancing. Hand sanitizers are available. When the store is busy,
shopping is limited to 30 minutes.
a need for more volunteers to help at the bookstore. It is a great way to meet people
who love reading while also helping to support our library system.
|
Tribute Companies is requesting Artist Qualifications for a permanent art mural(s) for their mixed-use development, The Ironwood, located on Asheland/Coxe Avenue in Downtown Asheville.
This artwork should do the following:
● Create excitement and interest for the area. ● Honor the diversity of Asheville’s Southside community. ● Celebrate the vital role of African American history and culture in Asheville. ● Connect visually to the site through interpretation of historical and cultural aspects. ● Be durable, low maintenance, and appropriate to the location. Integral to creating this artwork(s), is the artists’ willingness to learn about the community and have a dialogue with interested community members to help inspire and guide content creation. A range of materials/applications will be considered, including painted murals and digitally printed murals. If digital, the work must be vector based, printable, and scalable to the site specifications. |
Spring LEAF Retreat May 13-16 at Lake Eden
LEAF Downtown/ Reimagine August 27-28
Fall LEAF Festival October 14-17 at Lake Eden (Size TBD*)
These events will be limited in size but will retain all the LEAF Love. LEAF Members will have priority and at times exclusive access to these events. Please note that Spring LEAF Retreat will be members-only and tickets will be made available on January 4th, 2021. Members have kept LEAF Mission alive and at work in this wild year of 2020! Your membership empowered LEAF to maintain our support of LEAF International Culture Keepers in the 10 countries and local LEAF Schools & Streets Artists. When you support culture, artists and teachers you are investing in the community and young people’s future. Interested in becoming a member? Join membership today!
All $250+ memberships will receive the 2021 LEAF Calendar hot off the press and its going to be a great year!