Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Saturdays from 10:30 AM – 12 PM

The Museum recognizes Western North Carolina youth for their original artworks Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21. The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties. “I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum.  “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.” The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator. Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards. Visit the Museum’s website for more information about the student exhibition. Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer. Download Student Artworks

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Musicologist and sociocultural historian Mark Davenport will draw on his forthcoming book, Community, Art, Education, and the Search for Meaning: From Black Mountain College to the Gate Hill Cooperative, to shed light on Williams’s life as an artist, community builder and social activist. Davenport’s mother Patsy Lynch and Vera Baker were college roommates at BMC. His intimate talk will complement several special items in the exhibition and offer an exclusive opportunity to view archival photographs curated from his extensive digital image collection.

Vera B. Williams / STORIES: Eight Decades of Politics and Picture Making

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Nonpartisan Voter Outreach Canvass-January 27, 2024-11:30 am -1:30 pm.

WNC Votes, a nonpartisan voter outreach coalition, will hold its first canvass of the 2024 election season on Saturday, January 27 from 11:30 am to 1:30 pm. Join us and help get out the vote for the March 5 primary—and make a real difference! Nonpartisan door-to-door canvassing is one of the most effective ways to increase voting and engagement among sporadic voters.

No experience needed! We go out in pairs, and each canvass provides training, all materials, and support throughout.

Registration required—exact location provided upon registration.
Register: https://bit.ly/canvass-jan27

WNC Votes includes committed individuals and local nonprofits: YWCA of Asheville, Poor People’s Campaign NC – Western Region, Just Economics WNC, Asheville Food and Beverage United, and Indivisible AVL.

Please join us for an open house on the 2024 Affordable Housing Plan! This open house will feature 6 informational workstations where community members will have the opportunity to provide input on affordable housing priorities from subsidized rentals (rental assistance) to neighborhood stabilization. All members of the public in all housing types, whether renter, homeowner, or other are invited; we want your feedback. This input will shape the recommendation of the plan and guide staff for the next 5-10 years.

Near Barnes and Noble

PHONE RINGS, DOOR CHIMES, IN COMES COMPANY.

Winner of 5 Tony Awards including Best Revival of a Musical, COMPANY “strikes like a lightning bolt. It’s brilliantly conceived and funny as hell” (Variety).  Three-time Tony^® Award-winning director Marianne Elliott (War Horse, The Curious Incident of the Dog in the Night-Time, Angels in America) helms this revelatory new production of Stephen Sondheim and George Furth’s groundbreaking musical comedy, at once boldly sophisticated, deeply insightful, and downright hilarious.

It’s Bobbie’s 35^th birthday party, and all her friends keep asking, Why isn’t she married? Why can’t she find the right man and isn’t it time to settle down and start a family? As Bobbie searches for answers, she discovers why being single, being married, and being alive in the 21^st-century could drive a person crazy.

COMPANY features Sondheim’s award-winning songs “You Could Drive a Person Crazy,” “The Ladies Who Lunch,” “Side by Side by Side” and the iconic “Being Alive”. Let’s all drink to that!

“Dazzling! So vibrant, so alive!” – Hollywood Reporter

“GLORIOUSLY TRANSFORMATIVE. A GODSEND.” – The New York Times

“HANDS DOWN THE BEST MUSICAL PRODUCTION OF THE SEASON!” – New York Post

Official Website

Join us in person at East Asheville Library to celebrate the 10th Anniversary of John Lewis’s MARCH Trilogy with co-author Andrew Aydin and Preston Blakely, mayor of Fletcher, NC!

The event is free and open to the public. No registration is required.

Written in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole), March is a vivid first-hand account of John Lewis’ lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis’ personal story, it also reflects on the highs and lows of the broader civil rights movement.

Andrew Aydin is an award-winning comics writer. He was the Digital Director and Policy Advisor to the late Georgia congressman John Lewis, and his coauthor for March. He splits his time between Washington, D.C., and Hendersonville, NC.

Preston Blakely, a lifelong Fletcher resident, currently serves as mayor of the Town of Fletcher and is the youngest sitting mayor in North Carolina at 28-years-old. Prior to serving as mayor,  Preston was a Fletcher Town Council member. Preston is an advocate for rural communities,  equity, and supporting families. In addition to serving as mayor, Preston works for his family business, Quality Janitorial Group and serves on several boards and commissions including Thrive in Henderson County, Big  Brothers Big Sisters of WNC, Land of Sky Regional Council, the Governor’s Task Force for Racial  Equity in Criminal Justice, and the Commission on the the Future of NC Elections. He is steadfast and committed to his community and North Carolina.

Build a fort in our Children’s Room then pick a book to read inside it. We’ll provide the blankets, sheets, tablecloths, and other building materials; all you need to bring is your creativity! Open to children and teens of all ages and their caregivers. No registration required.

Beginning in January 2024, ASAP (Appalachian
Sustainable Agriculture Project) will partner with Blue Ridge Women in Agriculture and MountainWise
to expand Double SNAP for Fruits and Vegetables programs to more farmers markets, farmstands,
and groceries in Western North Carolina. This group has established the WNC Double SNAP Network
in order to bring together existing programs and expand to new sites, making SNAP incentives more
accessible throughout the region.
SNAP programs that center local food and farms can significantly improve individual and community
health. They make fresh fruits and vegetables more accessible, keep food dollars in the local
economy, and connect participants with positive food and social environments in their communities.
“ASAP, Mountainwise, and Blue Ridge Women in Agriculture currently operate successful SNAP
incentive programs at 26 sites, which connect participants with fresh food and farms in their
communities,” said Mike McCreary, ASAP’s Farmers Market Program Manager. “By combining efforts
and resources, we’ll not only be able to deepen the impact of our existing programs, but also create
adaptive programs that meet the needs of communities that don’t currently have access.”
The first phase of the project focuses on strengthening existing programs across sites operating
January through March, including:
● Asheville City Winter Market, 52 N. Market St., Saturdays, 10 a.m.–1 p.m.
● Winter King Street Market, 252 Poplar Grove Rd., Saturdays, 10 a.m.–1 p.m.
● Columbus Winter Market, 35 Locust St., 1st and 3rd Saturdays, 10 a.m.–1 p.m.
● High Country Food Hub, 252 Poplar Grove Rd., Boone, online ordering with Wednesday pick-up,
12–6:30 p.m.
● Jackson County Winter Farmers Market, 110 Railroad Ave., Sylva, 10 a.m.–1 p.m.
● Jarrett Brothers IGA, 191 Main St., Rosman, daily, 7 a.m.–9 p.m.
● North Asheville Tailgate Market, 275 Edgewood Rd., Saturdays, 10 a.m.–1 p.m.
● River Arts District Farmers Market, 350 Riverside Dr., Asheville, 3–5:30 p.m.
● Rutherford County Winter Farmers Market, 146 North Main St., Rutherfordton, 1st and 3rd
Saturdays, 10 a.m.–1 p.m.
● Saluda Winter Market, 64 Greenville St., 2nd and 4th Saturdays, 10 a.m.–1 p.m.
● Transylvania Farmers Market, 200 E. Main St., Brevard, Saturdays, 10 a.m.–12 p.m.
● Weaverville Tailgate Market, 60 Lakeshore Dr., Saturdays, 3–6 p.m

Enjoy a 3-Course dinner (see options below), from Chef Ryan Kline of Jargon, then sit back and let Doc astound you with his magical talent and unique style during his show entitled “Magic Show No. One”!  Doc Docherty has performed in many notable places such as the Magic Castle in Los Angeles, and the Chicago Magic Lounge.

Doors will open at 5pm for a cocktail hour, then guests will be seated for a 6pm dinner.  Then…the magic will begin following our dinner service.

Martin Luther King Jr. (January 15, 1929 – April 4, 1968) was a simple Baptist minister from Atlanta, GA who rose to be one of the most prominent leaders of the civil rights movement until his assassination in 1968. King advanced civil rights for people of color in the United States through the use of nonviolent resistance and nonviolent civil disobedience against Jim Crow laws and other forms of discrimination.

He was one of the leaders of the 1963 March on Washington, where he delivered his now infamous “I Have a Dream” speech on the steps of the Lincoln Memorial.

Please plan to join us for this commemoration of Martin Luther King Jr.

“The Commissioning” featuring

Christian Hip Hop Artist KB “Kevin Burgess”

This. Will. Be. Transformative! Come and experience a Jesus Movement that will impact the upstate in a historic way. This event exists to gather, mobilize, and empower our generation into their purpose! We believe this monumental event coming Jan 27th of 2024 will be a catalyst to reach not only the upstate but the world with the gospel. No matter where you’re in life, we want you here!

If you’re reading this, we want you to know that this event is not just a one-night moment. We’re inviting your generation into an extraordinary journey that we think will surprise you and compel you. People from all around the upstate and the world will be attending this night for many reasons.

– KB, Evangelist Jacob Ebersole, World Harvest Inc, Jesus Youth, and many other ministries, churches, missions organizations will be represented here. This is a collaboration and a gathering to respond to the need of the Upstate, the Nation, and the World.

– We believe thousands will literally be set on mission right there at the Spartanburg Memorial Auditorium. Not simply because this will be an amazing event, but because of what we will be offering you after. Young people and old will have an opportunity to partner with us on a global scale. Get your tickets fast!

– After the event in the lobby, you will have an opportunity to meet the leaders of this initiative. More importantly there will be a team present to greet you, speak with you about details, what your heart cry is, and to pray with you. Right there in the lobby you will have the opportunity to partner with World Harvest initiatives going on not just in the Upstate, but globally.

About World Harvest Inc.

World Harvest is a global missions movement set to reach every continent with the gospel of Jesus Christ. Founded by Evangelist Jacob Ebersole, who is actually from the upstate of SC – World Harvest has witnessed hundreds of thousands attend their crusades around the world. A few years ago the Herald Journey did a full story on Ebersole’s ministry which ended up on the front page of Sunday’s paper. This year, due to the impact of their campaigns, the story continues and his crusades have went viral on CBN, Christian Post, Charisma, and many more. Jacob’s heart cry has never been about social media, but about global impact. With that said, people are beginning to hear and wonder how they can be a part of this Jesus Movement as this is just the beginning.

About KB

KB for His Glory Alone! “To me, resistance carries with it a certain posture,” KB says. “The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.”Three studio releases in and KB is at his creative zenith. For years, the Tampa native has been something of an outlier in hip-hop, firmly placing a thumb print on the game while invoking the power of spiritual conviction. His lyricism is impassioned and astute, and he won’t be bent against his will. Given his commanding presence and consistent output, it comes as no surprise that the world has taken notice. The track “100” from the EP of the same name, took home the Dove Award for Rap/Hip-Hop Song of the Year in 2014. And his last LP, 2015’s Tomorrow We Live, garnered both critical and commercial acclaim, earning a Stellar Award nomination for Rap/Hip-Hop Gospel CD of the Year and debuting on the Billboard charts as the No.1 Christian Album and the No. 4 Rap Album overall.

Now — with the world in a social and political frenzy—KB is redefining what rebellion truly means. Today We Rebel, his third full-length album with Reach Records, is an exercise in zeal and imagination. No-frills, no filler. Just raw, uncut transparency through and through. KB follows his artistic impulses to great effect, lending his take on terms that are dominating the cultural conversation.

About Jesus Youth

From small beginnings, Jesus Youth has been focused on building an army! Established in 2022, many of the youth in Spartanburg came together to be the youth of this generation! Joining forces, putting aside differences, and uniting  under the name of Jesus, with strategic development, counsel, and leadership, what has been built up, will forever continue to affect the youth and generations to come!! What we see here is a move of God that cannot be stopped, the transformation of lives that cannot be denied, and the call to Christ that sounds to every age, race, and ethnicity. With Love in the center, Jesus Youth is pressing forward to win many souls for the kingdom of God! Not only do we focus on saving the lost, a revival is needed for the saved! Come join us for this night of being commissioned into the harvest that has been worked on for so long!

For more information and all other general inquiries about this event, please follow the link below to contact a member of World Harvest Inc.

WORLD HARVEST

An adaptation of Homer’s epic masterpiece into an evening of theater at its best: intimate, incisive, and urgent. The war in Troy is over – and the Poet saw it all. Back from the frontlines, he spins a tale of unquenchable rage, disputatious gods, and grieving widows. Telling the story of the war, like the war itself, both seduces and ravages the Poet; it emboldens, burdens, and threatens to overwhelm him. An Iliad weaves humanity’s unshakable attraction to warfare with the music of the muses, capturing the contradictory conditions of glory and violence with spellbinding modernity.

Carolina Hurricanes vs. Arizona Coyotes

Explore the dark side of Beer City on LaZoom’s Ghosted Tour!

Duration

1 hour

About

Come enjoy our most popular Asheville tour!

About

Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!

Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!

Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)

Age Restrictions

17 and up. No exceptions.

What’s Included

A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide

What’s Not Included

Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

For the fifth time in history, PBR’s (Professional Bull Riders) Pendleton Whisky Velocity Tour will buck into Greenville, South Carolina, returning to the Bon Secours Wellness Arena for the fourth consecutive season on Jan. 26-27, 2024, with PBR Greenville.

For two nights only, some of the best bull riders in the world will battle the sport’s rankest bovine athletes in the ultimate showdown of man vs. beast in one of the most exciting live sporting events to witness.

PBR’s return to Greenville comes on the spurs of one of the organization’s most dynamic individual seasons in 2023, as the Velocity Tour broke and reset numerous attendance and competition records en-route to its most successful season to date.

The upcoming PBR Greenville will mark the eighth event of the new individual season for the PBR’s expansion series. Eventgoers will watch on as riders vie for crucial points in the race to be crowned the 2024 PBR Velocity Tour Champion.

When PBR’s Velocity Tour was last in North Charleston in February 2023, Mauricio Moreira (Gaviao Peixoto, Brazil) rode supreme, delivering a 2-for-3 effort inside Bon Secours Wellness Arena to win PBR Greenville.

Moreira first put points on the board in Round 1 when he tied for the second-best score, marked 86.5 points atop Grinch (C Check Bucking Bulls). The charismatic Brazilian then surged to the event lead when he rode Chubs (J Bar W) for 82.5 points in the second round.

In the championship round, Moreira drew Gold Standard (Mike Miller Bucking Bulls) as his final animal athlete opponent. While he was upended in 2.36 seconds, Moreira’s initial scores were enough to clinch the victory.

Moreira left The Palmetto State having earned a crucial 115.5 Velocity Global points.

The bull riding action for PBR Greenville begins with Round 1 at 7:45 p.m. ET on Friday, January 26, followed by Round 2 and the championship round at 6:45 p.m. ET on Saturday, January 27. All 40 competing bull riders will get on one bull each in Round 1. The Top 36 riders from Round 1 will advance to Round 2 Saturday evening. The riders’ individual two-round scores will be totaled with the Top 10 advancing to the championship round for one more out and a chance at the event title.

Tickets for the two-day event go on sale Wednesday, September 20 at 10:00 a.m. EDT, and start at $15, taxes and fees not included. Tickets can be purchased online at BSWArena.com, ticketmaster.com and PBR.com, or by calling PBR customer service at 1-800-732-1727.

PBR Elite Seats are available for avid fans who want an exclusive VIP experience while enjoying the world’s top bull riding circuit. These tickets, available in three tiers, offer premium seats, personal on-site concierge at the PBR fan loyalty booth, and more. For more on elite seats call (800) 732-1727, or to purchase visit Ticketmaster.com.

For more information about the PBR and the 2024 PBR Pendleton Whisky Velocity Tour schedule, or to purchase tickets, visit PBR.com.

Stay tuned to PBR.com for the latest news and results and be sure to follow the sport on all social media platforms at @PBR.

About the PBR (Professional Bull Riders) Pendleton Whisky Velocity Tour:

The PBR’s Pendleton Whisky Velocity Tour (PWVT) began in 2014 as the premier expansion tour for the PBR. The Velocity Tour, the sport’s fastest-growing tour, brings the excitement and top-levels of cowboy and bovine talent that fans have come to expect from the sport to cities across the United States. The PWVT is proudly supported by Pendleton Whisky, Boot Barn, Cooper Tires, Rank 45, South Point Hotel & Casino, Tractor Supply, Kubota, the United States Border Patrol, Zip Recruiter and GovX. Every Velocity Tour event is carried on PBR RidePass on Pluto TV, PBR’s flagship digital network.

An evening of celebrating and lifting trans talent and joy! This is an open mic for transgender people, all are welcome to attend.

Modelface Comedy and Lauren Jones Comedy are teaming up to bring the Trans Talent Show to Asheville!

Join us on Janurary 27th for an evening of celebrating and lifting trans talent and joy! This is an open mic for transgender people. Trans people are able to go on stage and perform any and all talents and art forms. A screen will be available for those that need it. Art, music, improv, comedy, spoken word, etc.
10% of tickets and donations will be donated to a local Trans organization!

Performers will be given a video tape and professional photography of their set.

ISO volunteers! If interested in volunteering, please reach out via DM!

WHERE: Different Wrld – 701 Haywood Rd Suite 101, Asheville, NC 28806

WHEN: January 27th 2024

SCHEDULE:
7PM Doors open / Social Block(Great networking opportunity! Make friends!)

8PM Show begins

11PM Anticipated End

11:30PM Hard Stop

TICKETS: $20, pay what you can. No one turned away due to lack of funds, no questions asked.
Pay in advance on eventbrite to save your seat.
We will take Cash, Card, PayPal and Venmo at the door
10% of tickets and donations will be donated to a local Trans organization!

SIGNUP Between 6PM to 8PM at the ticket table. Order will be ‘bucket style’ (randomized). Priority given to people who have not performed the show before. BIPOC trans people can pick their spot (don’t have to wait to be drawn from the bucket). Sets will be either 4 minutes or 5 minutes depending on the amount of signups.

ACCESSIBILITY: Expect large crowds. Venue is accessible however getting on and off the stage might take assistance.
Greenroom in not accessible

RSVP: on Eventbrite or email [email protected] with questions

World Harvest Global Inc. is an international Christian mission organization focused on fulfilling the Great Commission. We do this through large scale, city wide Gospel campaigns that have resulted in hundreds of thousands of people responding to Jesus Christ.

We are embarking on something important, historic, and thrilling – and you are seeing it right from the beginning. God is transforming the lives of people across the globe and entire city populations are encountering the Gospel through our events. Right now, the Holy Spirit has revealed a plan and infrastructure to take the gospel to every continent at large scale.