Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Wet felting, the process of applying water to layers of wool and repeatedly agitating them until the fibers weave together, has become very popular in the past few years. It’s fun, easy, and can be very useful!

In just a few hours, Camille Daunno will teach you how to make a beautiful wet felted vessel using only wool fibers, a plastic “resist,” soap, water, a few additional household items, and good old-fashioned elbow grease.

Once you learn how to wet felt—and especially after you get comfortable using resists—you’ll be able to make pretty much anything you can make using cloth: apparel, bags, and other accessories to wear or decorative your home.

Bring your instruments, families, friends, lawn chairs and blankets and join us for good times at the Bascom Lamar Lunsford Stage. In 2022 Shindig on the Green, which features a stage show and informal jam sessions around the park, continues at its original location — formerly known as City County Plaza, now transformed into the new Pack Square Park. Locals and visitors alike come together downtown “along about sundown,” or at 7:00pm for those who wear a watch, until 10:00p.m. Concessions are available. Come experience the beautiful music and dance traditions of Southern Appalachia on a summer evening in the mountains.

Eats and Treats: Concessions are provided by The Hop Ice Cream Cafe, and there are plenty of other establishments nearby for food and drinks.

Parking: Parking is available in marked and metered spaces throughout downtown Asheville (free after 6pm) and the city’s municipal decks (evening rates vary). Very convenient to Shindig, Buncombe County’s Charlotte Street Parking Deck is directly across College Street from Pack Square Park and the Buncombe County Courthouse. Parking for buses is available at the Asheville Public Works Building parking lot at 161 S. Charlotte Street. This lot is vacant on Saturday nights. It is recommended that passengers unload at Pack Square Park before the bus is parked in the lot.

Dogs or Other Pets: Please leave your pets at home (unless it’s a service animal). The City of Asheville restricts pets from being present at outdoor special events. Pets, even the best behaved ones, are not allowed at Pack Square Park during Shindig.

Public Transit: There is a major transfer point on College St. for public transit. Check www.ridetheart.com for maps and schedules.. Route E1 provides Saturday evening service to and from the ART Station.

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Jessie B. Telfair, Freedom Quilt, 1983, cotton with pencil, 74 × 68 inches. Collection American Folk Art Museum, NY, gift of Judith Alexander in loving memory of her sister, Rebecca Alexander, 2004.9.1. © Estate of Jessie. B. Telfair, image Gavin Ashworth.

American Perspectives: Stories from the American Folk Art Museum Collection showcases over 80 stellar works of folk and self-taught art including assemblages, needlework, paintings, pottery, quilts, and sculpture. Organized by the American Folk Art Museum in New York, this exhibition will be on view in the Explore Asheville Exhibition Hall at the Asheville Art Museum from June 18 through September 5, 2022. Everyone has stories to tell from both the private and mutual experiences encountered throughout their lifetime. American folk and self-taught artists capture these stories in powerful visual narratives that offer firsthand testimonies to chapters in the unfolding story of America from its inception to the present. Beautiful, diverse, and truthful; the art illuminates the thoughts and experiences of individuals with an immediacy that is palpable and unique to these expressions. These artworks held meaning in the makers’ worlds filtered through their own perceptions. The artworks are organized into four sections—Founders, Travelers, Philosophers, and Seekers—that respond to such themes as nationhood, freedom, community, imagination, opportunity, and legacy. Evocative visual juxtapositions and accessible contextual information further reveal the vital role that folk art plays as a witness to history, carrier of cultural heritage, and a reflection of the world at large through the eyes, heart, and mind of the artist. “While the Asheville Art Museum exhibits many folk and self-taught artists, most are local to the Southeast,” says Whitney Richardson, associate curator. “American Perspectives adds a national voice to the conversation by adding New England, Midwestern, Southwestern, and West Coast artworks that the Museum could never achieve alone. The amount of creative output from folk and self-taught artists was (and still is) on a national level and this exhibition helps to put that into a clear context. Traveling to Asheville from the collection of the American Folk Art Museum in New York, this exhibition will complement and expand the Museum’s ongoing conversations around American history and storytelling through works of art.” This exhibition has been organized by the American Folk Art Museum, NY, with support provided by Art Bridges. Originally curated for installation at the American Folk Art Museum February 11, 2020–January 3, 2021 by Stacy C. Hollander, independent curator. Tour coordinated by Emelie Gevalt, Curator of Folk Art and Curatorial Chair for Collections, the American Folk Art Museum.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Join Show & Tell for a monthly Sunday Market celebrating and supporting local + indie craft, design, and vintage. Gather with friends and family in the open air at this one-of-a-kind outdoor venue in Downtown Asheville and shop vintage clothes, housewares, handmade jewelry, ceramics, apparel and more. Enjoy music, special activities, and drinks and bites by AVL Taco and AVL Brewing Co. Rabbit Rabbit, 75 Coxe Ave, Asheville. For more info, visit showandtellpopupshop.com.

Sunday Family Fun Days

Richard Misrach, Wall, Jacumba, California, 2009, pigment print, image: 60 × 80 inches, framed: 61 × 81 × 2 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco.