Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
The Teapot with Sarah Wells Rolland
Week-Long Workshop
Day/Time: Monday-Friday, 9am-3pm (open studio hours until 6pm)
The Teapot is every functional potters glorious pursuit and Sarah loves to explore the unique challenges that come with the making of teapots. It can be fun and does not have to be an intimidating. In this workshop we will explore all the elements of a teapot; multiple forms, pouring spouts. lids and approaches to handles. This class is designed to meet you where you are and equip you to push and refine your teapot making skills.
This class is going to be fun and lively. We will have an inspiring slide presentation where we study design elements of wonderful teapots made by potters who have truly mastered them. We will be challenged and loving it!
The weeklong workshop includes lively demonstrations, “what if ” critiques, interactive discussion, sharing with each other and concentrated time at the wheel.
During our week we will cover:
- Throwing with excellence
- Form and Function
- Integrated Design
- Balance
- A good pour
- Multiple approaches to spouts
- Handles, overhead, behind, and lugs for Reed or cane handles
- Inset lids and overhang lids. Lids that fit well and are integrated in the design of the pot.
This class is designed for the potter that wants to push into new territory and expand their skill set and it will not disappoint. By the end of the week you will be more skilled, have honed your eye for design, balance and function and be an even more passionate potter.
*An intermediate skill set is highly recommended. If you are a seasoned beginner and can center, open, and control clay when making walls you are ready for this class and take your skills to another level.: Potter should be able to effectively center, open and make multiple shapes.
Several weeks before the workshop you will receive the details of what to expect, what to bring, materials list, and directions to the studio.
Please contact The Village Potters Clay Center if you have any questions about this workshop.
Click HERE for suggested accommodations located near The Village Potters Clay Center.
Cancellation Policy:
- Cancellation up to 45 days prior to the start of class, students receive a full refund (minus a $75 administrative fee).
- Cancellation within 45-0 days of the start of class, students receive no refund.
The UNC Asheville Student Art and Ceramics Sale will be held Friday, April 21 from 4 to 8 p.m., and on Saturday, April 22 from 9 a.m. to 3 p.m., in the S. Tucker Cooke Gallery, Owen Hall.
A wide variety of functional and decorative pottery, prints and other artwork created by UNC Asheville students will be on sale. A portion of the proceeds will benefit the Department of Art and Art History.
The Sale is open to the public. Payment must be by cash or check.
The beginning of the year is a great time for Ashevillians of all ages to explore, connect, and discover. Asheville Parks & Recreation (APR)’s new winter-spring program guide is filled with registration dates, information, and listings for hundreds of fitness and active living offerings, sports and clubs, arts and culture programs, out-of-school time activities, outdoor recreation, special events, parks and facilities’ hours of operation, and more.
The free guide is available at all APR community centers and online as a PDF or enhanced digital flipbook. Community members may also download the APR app for iPhone or search programs on avlREC.com.
Winter-Spring 2023 Guide Highlights
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Exercise at fitness centers with a free membership (through June 30, 2023).
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Walk, roll, or run your way to 50 miles in February and March during the Fit 50 Challenge for a free T-shirt.
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Celebrate Black Legacy Month with food, art, and festivals throughout the city in February.
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Meet neighbors over cards, board games, bingo, trivia contests, and community meals.
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Get an up-close look at big trucks, small trucks, transit buses, construction rigs, rescue vehicles, and public works equipment during Truck City AVL on April 15.
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Experience the fun, fellowship, fitness, arts, and competition of Asheville-Buncombe Senior Games and Silver Arts Classic for local adults over 50..
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Flex creativity at art, painting, writing, scrapbooking, and crafting classes.
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Connect with neighbors over sports such as basketball, flag football, volleyball, pickleball, tennis, and archery for kids, teens, and adults.
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Enjoy the honor of dirty hands with community garden workdays and Green Thumbs Garden Club at Grove Street Community Center’s greenhouse.
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Witness the power of gravity at the Montford Pinewood Derby in May.
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Refine square, tap, line, and West African dance skills at multiple locations.
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And so much more!

Peter Werner will be demonstrating his tips and techniques for traditional broom-tying in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.
PREVIEW WED 19 1-3 pm
Estate Fundraiser featuring items donated by Guild members + supporters and WNC Bridge estate clients.
The Asheville Symphony Guild is a subsidiary of the Asheville Symphony Society and falls under its 501 (c) 3 determination as a not-for-profit institution.
Mission: The Asheville Symphony Guild (hereafter “the Guild”) works to support the Asheville Symphony Society by raising funds for the Symphony, sponsoring music education programs in area schools, encouraging an interest in music among Guild members and area residents, and providing opportunities to socialize with friends both old and new in the greater Asheville and Buncombe County community.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Food Scraps Drop Off
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
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- Monday – Friday, 7 a.m. – 6 p.m.
- Saturday, 8 a.m. – 2 p.m.
- Sunday, 12 – 4 p.m.
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
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- Dawn – Dusk
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
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- Monday-Friday, 8 a.m. – 4:30 p.m.
- Saturday, 8 a.m. – 12:30 pm
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Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)

Lynn Jenkins will be demonstrating wheel-throwing, as well as some carving and burnishing which change the surface of the pots. She will also explain how she fires her pots in a raku kiln (she’ll have photos, but the firing is not part of the demo) to achieve different results on both glazed and unglazed pots. Lynn will be in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.
The Craft Fair of the Southern Highlands is held twice every year (July & October) in downtown Asheville, North Carolina at Harrah’s Cherokee Center. It brings together hundreds of makers in what has become a key event for craft. These events are unique in that they offer attendees the opportunity to connect with the artists by purchasing directly from them. In an age of mass production and global imports, the connection to fine American craft and the individual maker is often lost but more significant than ever.
Hosted in downtown Asheville at Harrah’s Cherokee Center, artisans will fill both the concourse and arena levels of the venue, exhibiting a variety of craft ranging from contemporary to traditional in works of clay, wood, metal, glass, fiber, natural materials, paper, leather, mixed media, and jewelry. Join us for this unique shopping experience and enjoy live music and craft demonstrations during your visit. $10 tickets are available for individual days, online or at the door. Children under 12 are free.
Parking
The streets of Asheville will be bustling and parking can sometimes be problematic. In addition to Harrah’s Cherokee Center-Asheville’s parking garage below the building, the Asheville Chamber of Commerce parking lot is available (an 8-minute walk to the Craft Fair). For street parking, please utilize Asheville’s parking app for a real-time display of open parking spaces downtown. Asheville Parking App
On Saturday & Sunday, the following school parking lots will be empty for you to use:
Asheville Middle, Isaac Dickson, Montford North Star
This 2-Day class is the first in our Financial Series.
Financial Tools will introduce you to the basic financial management principles that all small business owners should know. Participants will walk away with the tools to understand the basics of business finance so they can make informed decisions on how to organize and manage their business finances. Topics discussed are record keeping; bookkeeping; accounting; creating, understanding and using financial statements and reports.
Class will be held virtually via videoconferencing platform, and be held over two sessions in two weeks, for a total of 5 hours of training.
This is a virtual class that will take place via Zoom. Videoconferencing details will be sent upon registration. Please email [email protected] with any questions or concerns.
We recommend following up the Financial Tools Class with the Intro to QuickBooks Online class. Take advantage of a Financial Series Pass to attend both Financial Tools and QuickBooks Online for a discount.
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Get ready to celebrate the many benefits of hemp at the Asheville Hemp Fest, returning to Pack Square Park from April 20th to April 22nd, 2023! Hosted by TheMariFairy, the festival is a three-day extravaganza of education, entertainment, and community engagement.
Asheville is known for its vibrant hemp industry, and the Asheville Hemp Fest is the perfect opportunity to learn more about this amazing plant. Attendees can expect to explore vendor booths showcasing a wide range of local businesses and hemp products, including natural remedies for health and wellness. Live music performances from talented local and regional artists is scheduled for all three days including performances from The Snozzberries, Fractured Frames, Granola Funk Express, and Rah Digga, as well as delicious options from the food trucks on site.
But that’s not all! The festival will also feature workshops and seminars led by Ed Rosenthal, where attendees can learn about the latest developments in the hemp industry, and more. And of course, the festival is open to all ages and is an alcohol-free event, so everyone can join in on the fun.
“We’re thrilled to bring back the Asheville Hemp Fest for another year of celebration and education,” said Festival Director Beau Ballard. “Hemp is an incredible plant with so many benefits, and we want to provide a platform for people to learn more about it and connect with like-minded individuals in our community.”
If you’re interested in reserving a vendor booth, email Kitty Savage at [email protected] for availability. Tickets for the festival are on sale now and can be purchased on the ticket co at theticketing.co/e/ashevillehempfest. Given the expected large turnout, it’s recommended to purchase tickets in advance.
For more information, visit the Asheville Hemp Fest website at www.ashevillehempfest.com or follow them on social media. And if you have any questions, don’t hesitate to contact Beau Ballard at [email protected] or call (828)-989-9581.
Don’t miss out on the Asheville Hemp Fest – it’s going to be a blast!
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
- An opportunity to view rarely-seen treasures from the Biltmore collection
- A first-hand look at the Vanderbilts’ lifestyle
- Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

2022 Market Season: Every Friday April – October
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On April 21, 2023 PARI is offering two ticket options to this Meteor Shower Experience. The first option is the OVERNIGHT CABIN PACKAGE for two people that includes dinner, a tour, sunset hike, observing the meteors, night sky observing, an overnight stay in a cabin quarter and breakfast. The second option is an OVERNIGHT CAMPING PACKAGE that includes dinner, a tour, sunset hike, observing the meteors, night sky observing, an overnight stay in a PARI campsite and breakfast on Saturday morning.
This is a rain or shine event. If weather does not permit viewing there will be alternate programming. No refunds will be issued!
Upon registration you will receive a confirmation email. If you do not get a confirmation email check your spam folder and make sure you add us to your address book.
Preregistration is required.

- May 19: Baba Commandant with Coconut Cake
- June 16: Victoria Victoria featuring Charlie Hunter with Josh Phillips
- July 21: The Rumble featuring Chief Joseph Boudreaux with Funk’N Around
- August 18: Asheville All-Stars with Asheville Rock Academy
- September 15: The Sensational Barnes Brothers with Alex Krug Combo
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
LUA FLORA
Lua Flora is the soundtrack of your favorite daydream. The Asheville, NC-based group’s sun-kissed melodies are rooted in the harmonies of Appalachia, rhythms of the West Indies, and lyricism of American folk. Live, the band allures listeners with gut-punching jams weaved between powerful lyrics. Lua Flora has supported Satsang, Franc Moody, Of Good Nature, Kendall Street Company, and more. Their recent debut album amassed over 150,000 streams in the first week.
“The musical embodiment of Asheville’s creative spirit” -Face The Current
“…easy and melodic — a light, laidback recluse from the grind.” -Top Shelf Music
“Lua Flora shows folk & reggae mix.” -Grateful Web







