Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Plan to collaborate with other musicians at Sideways Farm & Brewery in Etowah. Bring your instruments and voices and enjoy making music and networking with other artists, while enjoying the beautiful scenery. Food truck is on site and beverages available for purchase from Sideways (small
batch craft beers, hard jun, ciders, wine, and non alcoholic drinks). Family, fans, friends, and leashed dogs are all welcome!
During winter months enjoy playing under the covered, sheltered, heated porch! And during the summer months enjoy
collaborating in the fields, on the stage, or under the patio
Impending Joy
The absolutely unfettered energy of Asheville’s psych/garage band Impending Joy begs to be heard live. The driving surf punk-esque sound has to be enjoyed communally. It has the unifying spirit that solidifies what it means to be young or young at heart. It gleefully slams the point home, it rocks no matter what sub-genre you want to call it, somewhere between Surf Curse and OSEES is close enough. Impending Joy’s debut, self titled album is a journey through time carrying a twinge of nostalgic familiarity. The album is a collection of tracks that invites the listener to break free from the mundane and immerse oneself in more. Where truth is not just music; it’s a gateway to joy.
Tongues of Fire
Most bands fit cleanly within a genre but Tongues of Fire don’t. At their heart they are a punk band, their shows are unhinged, the music is straightforward and hard hitting, there is no trace of excessiveness but they are accessible and there is a well crafted feel to what they do.
Rob Robinson
Rob Robinson creates vocal driven electronica, house, and vaporwave sounds inspired by 90s educational aesthetics on his upcoming debut record, “The Worldhouse Collection,” which is imbued with the “rompler” sample-synth sounds of the Roland D-50 and Korg M1 synthesizers.
For nearly a decade, Oregon-bred indie-pop trio Joseph have performed a certain emotional alchemy with their music, channeling their deepest inner tensions into songs that spark a life-changing shift in perspective. In the making of their third studio album The Sun, Natalie Closner and her sisters, twins Meegan Closner and Allison Closner focused their soul-searching songwriting on the quietly damaging forces that keep us from living fully in our truth (e.g., gaslighting, cultural conditioning, unconscious yet painfully limiting self-beliefs). Rooted in a newly emboldened sound that lets their breathtaking three-part harmonies shine more brightly than ever, the result is a body of work that radically expands our sense of possibility, ultimately illuminating a path toward greater peace and self-reliance even in the most chaotic of times.
The follow-up to Good Luck, Kid—a 2019 release that reached #4 on Billboard’s Heatseekers Albums chart—The Sun builds from its predecessor’s cinematic pop and imbues a thrilling new energy into each elegantly sculpted track. In bringing the album to life, Joseph worked with acclaimed producers like Tucker Martine (My Morning Jacket, First Aid Kit, Laura Veirs), Christian “Leggy” Langdon (Meg Myers, Amos Lee, BANKS), Jessica Dobson (Deep Sea Diver), and Joey Burns (Calexico), alongside songwriting collaborators including, Tayla Parx and Wynne Bennett, known for their work with artists such as Janelle Monae, Twin Shadow, Haim, Khalid, Normani and Ariana Grande. Collectively shaping an irresistibly vibrant sound encompassing everything from the moody grandeur of the album-opening “Waves Crash” to the pure anthemic glory of tracks like “Kicking Up The Light.” With the band taking a decidedly more hands-on role in the production process, The Sun continually achieves the exquisite feat of spinning incredibly complex concepts into sing-along-ready pop songs, providing a captivating backdrop for Joseph’s fearlessly personal storytelling.
One of the first songs recorded for The Sun, the album’s shimmering title track served as something of a sonic breakthrough for Joseph. “We’d already played that song live so many times and sung it in a particular way that was more dramatic and had a kind of gravitas to it, but Leggy took it in a more buoyant and summery direction,” Natalie explains. Inspired by Meegan’s experience in working through the lessons of a past relationship, “The Sun” now centers on a lush arrangement of galvanizing rhythms, radiant piano tones, and gorgeously euphoric harmonies—all of which lend a profoundly triumphant spirit to the song’s statement of self-celebration (“I thought I was the light switch you turned on/But I was the Sun”). As Natalie acknowledges, that shift toward a more joyful and resplendent presentation perfectly mirrors The Sun’s underlying narrative. “The whole album is a sort of thinking through of the story that you tell about yourself, to yourself,” she says. “It’s about looking at whatever is diminishing you or making you believe in these limitations you’ve put on yourself, and then finally asking, ‘What if I’m more than that?’”
“All of our therapists were a huge influence on this album,” Meegan noted. The Sun endlessly reveals Joseph’s commitment to the clear-eyed self-reflection that’s guided the band since their earliest days. Raised in a musical household (their father was a jazz singer and drummer, their mother was a theater teacher), the three sisters officially formed Joseph in 2014 and got their start playing house shows, quickly landing a deal with ATO Records. After making their widely lauded debut with 2015’s I’m Alone, No You’re Not, which featured their hit song, “White Flag,” the band went on to attract the attention of artists such as Billie Eilish, and tour with the likes of James Bay, Amos Lee and most recently The Shins, in addition to taking the stage at major festivals like Coachella, Bonnaroo, Austin City Limits, Glastonbury, and more. While Good Luck, Kid marked a bold departure from the dreamlike folk of their first full-length, Joseph felt called to push their musical boundaries even further on The Sun—an endeavor that repeatedly required them to assume a new level of courage and agency in the creative process. “We grew a lot in learning how to say ‘no’ and speak up for ourselves,” Allison points out. “The idea of saying ‘no’ in order to allow for a better ‘yes’ later on—that was a lesson that we had to learn,” Natalie adds. “It could be uncomfortable at times, but making sure that we stayed our course was really powerful for us.”
Over the course of The Sun’s 10 soul-stirring tracks, each member of Joseph adds new texture and detail to the album’s emotional arc by sharing her own distinct viewpoint on the journey toward self-realization. On the sweetly emphatic lead single “Nervous System,” for instance, Allison opens up about learning to undo the thought patterns that contributed to her longtime struggle with anxiety. “I know it’s not everybody’s experience, but I’ve found a lot of power in understanding my own ability to self-soothe, instead of turning to other people or some kind of distraction to try to feel okay,” she says. Meanwhile, on the wistful yet wildly effervescent “Fireworks,” the band speaks to the self-doubt and frustration that sometimes accompany refusing to compromise your romantic ideals.
For Joseph, the act of fiercely protecting their artistic vision closely aligns with the abundance of insights threaded throughout The Sun. “As Closners and as women—or maybe even just as humans—it can be very hard to tell someone that something isn’t working for you,” says Allison. “But this album was a unique experience, because we learned to step up and stand our ground and speak our truth when we needed to.” And with the release of The Sun, Joseph hope that listeners might undergo a similar transformation in their sense of strength and self-assurance. “I want people to feel empowered,” say Meegan. ”I want them to recognize the power with themselves, and to know that they’re good—that they’re more than they think they are.”
Hailing from all corners of the country, Kind Hearted Strangers began in the foothills of Colorado-where an impromptu open mic performance by songwriter Marc Townes quickly evolved into something much bigger. With genre bending improvisations from lead guitarist Kevin Hinder and bassist/vocalist Ace Engfer, KHS has become a dynamic full band capable of bridging the gap between allout rock n’ roll and their harmony-driven acoustic roots. The addition of drummer Eggy Gorman has seen the band grow into a road-driven force, hungry for live music, delivering high energy rock shows across the country. The debut record “East//West”(2021) explores both the sonic & stylistic origins of the band while giving listeners a taste of the group’s diverse influences. Out April 7th, 2023 the band’s 2nd LP entitled “Now.here” features a collaboration with visual artist/painter Dylan Lynch. This immersive project found the band working in a shared Richmond,VA warehouse space for 5 days. With no prepared material, the artists intentionally put pressure on themselves to create and deliver a Live Concert & Art Exhibition at the end of the week. The resulting album contains brand new material that was recorded live with the same raw energy and passion KHS has been delivering across the country during their busiest year of touring to date.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. February 3 – 24, 2024 Opening Public Reception & Awards Saturday, February 3, 2024 at 10:30 AM Showcase of Excellence features the exceptional artistic talent of high school students in our area. This premier event is a juried fine arts competition that offers young artists their first taste of a professional gallery environment. Cash prizes are awarded for the top student artists and teachers. Entry forms, Rules available soon.
Join us Saturday January 27th for our Second annual WINTERFEST festival! An all day extravaganza hosted by the Warriors Of Ash and Fae Nectar, this exciting Axe & Sword Fighting Event will be accompanied by a roaring bonfire, working blacksmiths, live music, axe throwing, pony rides, and a village of Artisans from lands near and far.
Liven up the quiet winter months by watching some authentic medieval combat with the Warriors of Ash in our tournament arena. Or try your hand at axe throwing while you enjoy the mystical battle music of Chris Welsh and his Sun and Moon Dance band. And don’t forget to browse our Artisan Village which features live blacksmithing demos, handmade jewelry, leathercraft, fantasy garb, and more!
Artisan Market – 11am to 5pm
Sword Fighting & Viking Battle Music – 12pm, 2pm, and 4pm
Our festive mead hall will be serving delicious mead and cider aplenty, beer, hot cocoa, and delicious food options including turkey legs and Irish stew!
A portion of the bar proceeds will support the enriching Artists in Schools program. There will also be raffles, including a chance to win a guitar and other exciting prizes!
This is a family-friendly event with something for everyone. Come for the music, enjoy the great food and drinks, and be part of a community that supports arts and education.All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.
All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.
All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.
ABOUT MUSCADINE BLOODLINE
Proudly independent and unapologetically Southern, country duo Muscadine Bloodline find their true voice on their upcoming new album, Dispatch to 16th Ave. Charlie Muncaster and Gary Stanton grew up in Mobile, Alabama, but didn’t cross paths until they each started to pursue their musical dreams. In 2012, they forged a friendship when Stanton opened a show for Muncaster’s band at Soul Kitchen in Mobile. Charlie’s contemporary vocals complimented by Gary’s harmonies and masterful guitar licks showcase a powerfully refreshing mix of talent, passion and unfiltered authenticity. Since naming themselves Muscadine Bloodline in 2015, they’ve had two Billboard-charting critically acclaimed EP’s, have sold out shows across the country, opened concerts for hundreds of artists and earned a standing ovation at their Grand Ole Opry debut in 2018. The guys’ Southern roots carry over to their band name as well: Muscadine grapes grow in the South while Bloodline represents their heritage. For more information visit muscadinebloodline.com.
AN ALL-FEMALE TRIBUTE TO THE MUSIC OF THE GRATEFUL DEAD, WITH RAINY EYES
Brown Eyed Women is an ensemble of powerful female players from popular bands around the country, celebrating the music of the Grateful Dead with a unique spin.
Members hail from Massachusetts, New Jersey, Florida, New York, and Pennsylvania. Their high-caliber musicianship and shared love of the Dead drew them together. This band is decidedly different in a field brimming with tribute acts. BEW brings authentic jams and a soulful new approach to the familiar Grateful Dead catalog.
Multi-faceted singer/songwriter A.J. Croce is hitting the road again in celebration of his father Jim Croce’s work and performing works from the legendary albums Life and Times, I Got A Name, and You Don’t Mess Around With Jim. The Croce Plays Croce 50th Anniversary show – which features a legendary band (drummer Gary Mallaber, bassist David Barard, guitar/violin James Pennebaker) and a moving presentation accompanying Jim’s songs – was inspired by A.J.’s connection to the fans, the players, and his father’s timeless music.
This 50th anniversary tour builds upon A.J.’s previous critically-praised performances where he shared intimate aspects of his father’s career, showcased his own musical style, and provided insights into Jim’s enduring musical canon. While Jim’s work still resonates on radio, streaming, movies, and shows, it is A.J.’s showmanship that enlivens the legacy of the music by inviting “the sold-out crowds into his father’s worldview and work mindset, culminating in the playing of Jim Croce tunes . . . making for an intimate experience riddled with wryness and humor.”
Two of Jim Croce’s finest albums Life and Times and I Got A Name were both released in 1973 and featured hits like “Bad, Bad Leroy Brown,” which peaked at #1 on Billboard’s Hot 100, as well as “I’ll Have to Say I Love You In A Song” and “Workin’ At The Car Wash Blues.” A.J. is focused on keeping the shows featuring these albums fresh and spontaneous by letting the musicians “have a level of improvisation that makes it a lot of fun.”
Fans and critics who attended last year’s shows are thrilled that A.J. is readying another affectionate interpretation of his father’s enduring legacy. The shows have renewed interest in Jim Croce and garnered praise for A.J: “I think they come as a Jim Croce fan but also leave as fans of mine. That’s something that has also made this whole experience really amazing.”
RUMOURS ATL – A FLEETWOOD MAC TRIBUTE
Jack’s Bluegrass Brunch kicks off every Sunday at 12 noon — with lively bluegrass tunes courtesy of The Jack of the Wood Bluegrass Brunch Boys from 1-3pm. Sip a Bloody Mary or Mimosa or a warm Irish coffee. Tasty brunch specials alongside our regular menu and 18 taps of rotating craft brews! Sláinte, y’all!
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
All aboard, sisters! The hysterical sequel to the smash-hit Menopause The Musical® is finally here! Five years after their chance encounter in a department store, we set sail with our beloved ladies for more high jinks on the high seas. Menopause The Musical 2: Cruising Through ‘The Change’® is a hilarious and heartfelt look at the joys of menopause and friendship — plus hot flashes, mood swings, and memory lapses! Join us on a trip of self-discovery, backed by a new soundtrack of toe-tapping parodied hits from the 70s, 80s and 90s. For these four ladies, menopause was not the end, but the beginning of a beautiful friendship where love conquers all, and friendships never fail.
MILESTONE MUSICAL EVENT RECREATED AT UNC ASHEVILLE
On February 4, 2024, at 3 p.m. in UNC Asheville’s Lipinsky Auditorium, UNC Asheville’s Music Department celebrates the 100th anniversary of the debut of George Gershwin’s American classic, “Rhapsody in Blue,” with a concert titled “Rhapsody 100 (The Experiment Continues).”
A crown jewel of the 2023-2024 UNCA Loves Piano concert series, this once-in-a-lifetime event features a full orchestra, a jazz combo and distinguished soloists and conductors.
The first set reprises, note-for-note, several concert pieces played at the February 12, 1924, concert at Aeolian Hall in NYC called “An Experiment In Modern Music” — the concert that debuted George Gershwin’s immortal “Rhapsody In Blue.” These selections will be directed by Asheville’s ”godfather of jazz” Russ Wilson, with the Rhapsody piano part played by Dr. Hwa-Jin Kim.
Jack’s long-running Traditional Irish Music Session is the perfect way to enjoy the Celtic-influenced sounds of talented pluckers from all over WNC & further afield! Stop in to enjoy a pint or afternoon Irish coffee with the music! Sláinte!
JLloyd & Jim Arrendell present: A Birthday Tribute to Bob Marley featuring musicians from Culture, Midnite, Mishka, Dubconscious, Cadillac Jones, Empire Strikes Brass & More!
JLloyd (of the JLloyd MashUp) and long time Asheville curator/ musician, Jim Arrendell, come together to present this amazing cast of musicians honoring the music of Bob Marley. Marley’s Birthday is February 6th and would be 79 this year.
The full casts is made up of:
Jim Arrendell (The Business) – Vocals
Jonathan Lloyd (JLloyd MashUp/Dubconscious/Cadillac Jones) – Vocals/ Trombone
Kneah Francois from St. Lucia (Midnite/Rocksteady Revue) – Guitar/Vocals
Ryan Wilson from St. Croix (Culture/Rocksteady Revue) – Bass/Vocals
Juhanis Darroux from Dominica (Mishka/Rocksteady Revue) – Drums/Vocals
James Keane (Dubconscious) – Guitar
Debrissa McKinney (Empire Strikes Brass/Free Radio) – Vocals
Reggie Headen (Artist at large) – Vocals
Will Scruggs (Cadillac Jones/Rocksteady Revue) – Sax
Lenny Pettinelli (Empire Strikes Brass) – Keys
Jonathan Cole (Dirty Logic/Electrolust) – Sax
“Sing your heart out every Sunday with Lyric Jones at our laidback basement bar. Whether you’re a classic crooner or want to relive your glam metal glory days, find your moment to shine between 8pm and 11pm. Remember: what happens at karaoke night, stays at karaoke night.
People in the biz get half off select appetizers and burgers all night!”
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
“BOB DYLAN’S SONGS HAVE NEVER SOUNDED SO HEARTBREAKINGLY PERSONAL AND UNIVERSAL.” – THE NEW YORK TIMES
GIRL FROM THE NORTH COUNTRY is the Tony Award®-winning new musical that the Chicago Tribune declares is “a Broadway revelation!”
Written and directed by celebrated playwright Conor McPherson and featuring Tony Award®-winning orchestrations by Simon Hale, Girl From the North Country reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before, including “Forever Young,” “All Along The Watchtower,” “Hurricane,” “Slow Train Coming,” and “Like A Rolling Stone.”
Adult Classes
Wednesdays
2:45-3:45 pm & 6:15-7:15 pm
Afternoon adult classes are for fiddle, beginning guitar, and beginning mandolin. Evening adult classes are for bluegrass jam, and beginning clawhammer banjo.
“If you don’t let things develop, it’s like keeping something in a bag and not letting it out to fly”
— Earl Scruggs
It’s never too late to learn to play and/or enjoy being part of the synergy that is created by adult PacJAMMERs!
Adult classes are $15/session, for a total of $210 for the 14-week session.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Sing with our Choir at a progressive church
Come join us! Contact Mark Acker for more information ([email protected]).
Rehearsals on Wednesday’s, 3:30-4:45
Beginning & Intermediate youth music classes on traditional and ol’ time instruments including but not limited to, fiddle, mandolin, banjo and guitar. Students will attend 40 minutes of music enrichment, including multiple flat-footing sessions led by Alice Kexel, story-telling, visits from guest musicians, as well as learn about the heritage of the music and the region. They will have 40 minutes of group music classes, and 40 minutes of singing or JAM rehearsal.
Advanced students will have 40 minutes of group instrument lessons, followed by 30 minutes of advanced singing including harmony and shape-note singing, and finish with 50 minutes of coached, small-ensemble rehearsal.
Classes are $15/session, for a total of $210 for the first student, and a 20% discount of $168 for each additional sibling. Parents may choose to split payments when registering. Inquire with Julie Moore at [email protected] or 864-420-6407 about scholarships.