A Life in the Wild  features more than 30 large-format images from award-winning nature photographer Thomas D. Mangelsen, who has devoted decades of his life to documenting wild places across the globe and the remarkable creatures that inhabit them. For this traveling retrospective exhibition of his works, Mangelsen has hand-selected several legacy photographs from his portfolio of more than 40 years, during which time he has captured thousands of breathtaking images of wildlife under natural — and sometimes harsh — conditions. With subjects ranging from black bears in the Great Smoky Mountains to plains zebras in the savannas of East Africa, this collection of photographs serves to remind us all to slow down and take a moment to connect with nature near and far. Named the 2011 Conservation Photographer of the Year by Nature’s Best Photography, among other accolades, Mangelsen has his work featured in the permanent collection at the Smithsonian’s National Museum of Natural History in Washington, D.C..

A Life in the Wild is on display daily, May 15 – September 5, 2021, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. Face coverings are required for visitors ages 5 years and older.

Exhibit support for A Life in the Wild is provided in part by The North Carolina Arboretum Society, Asheville Citizen-Times, Biltmore Farms Hotels, Gasperson Moving & Storage, RomanticAsheville.com Travel Guide and Smoky Mountain Living Magazine. 

THOMAS D. MANGELSEN – A LIFE IN THE WILD, produced by David J. Wagner, L.L.C., David J. Wagner, Ph.D., Curator/Tour Director.

Asheville Area Habitat for Humanity is currently building New
Heights, its most ambitious neighborhood to-date, and volunteers are invited to help build. Take an
active role in ensuring everyone has an affordable place to call home by learning new skills or
honing existing ones while working alongside community-minded people and future Habitat
homeowners.
Asheville Habitat has been bringing people together to build homes, communities and hope for
nearly four decades. The reasons people donate their time and talent to Asheville Habitat are as
varied as the volunteer themselves. Those who so enjoyed volunteering once on the Women Build
House that they keep coming back every week. Those that spent decades in a corporate
boardroom and simply want to do something totally different in retirement. Those that work for a
company that sponsors Asheville Habitat and therefore have the opportunity to participate in an
employee build day. Those that are in high school and learning about our region’s affordable
housing crisis. Those putting faith into action by working on a house their church sponsors. How
people come to volunteer with Asheville Habitat is wide-ranging. Why they continue to volunteer is
the same: Comradery. Meeting the families. Fulfillment. Fun. Making a difference. Feeling part of
something bigger.
If you are ready to be the change you want to see in the world, learn more and sign up to volunteer
at ashevillehabitat.org or call 828.251.5702. “Volunteers are truly an extension of our staff,” shares
Construction Services Volunteer Manager Stephanie Wallace. “We offer year-round opportunities
for those age 16+. It’s hard work, but very rewarding. Stepping back at the end of the day, you can
SEE the difference you’ve made and feel proud about it.”
If construction isn’t your cup of tea, contact Carrie at 828.210.9381 or
[email protected] to learn about volunteer opportunities in the Asheville and
Weaverville ReStores. Proceeds from ReStore sales support Habitat’s building programs, so your
volunteer efforts there directly support affordable housing, too. Volunteer positions include
customer service, such as running the cash register and providing sales support on the floor;
intake and receiving; sorting and processing donations; testing and repairing appliances; and other
fun opportunities. More description can be found at ashevillehabitat.org – join the team!
About Asheville Area Habitat for Humanity
Founded in 1983, Asheville Area Habitat for Humanity was the first Habitat affiliate in North Carolina. Through Habitat
homeownership and home repair programs, nearly 2,000 adults and children in Buncombe County have achieved the
strength, stability and self-reliance they need to build a better future. A decent place to call home and an affordable
mortgage enables Habitat homeowners to save more, invest in education, pursue opportunities and have greater
financial stability. Learn more about Asheville Area Habitat, a Charity Navigator 4-star non-profit, and how you can get
involved at ashevillehabitat.org.

Fairy Trail 2021

Join us on the magical Fairy Trail where your imagination is the only limit.

Developed by Fairies and dedicated volunteers, Bullington Gardens’ Fairy Trail is a whimsical treat for the young and the young at heart. Featuring playful vignettes and villages, the fairy trail will charm you with its thoughtful design, eye catching displays and secret woodland trail.

Rules of the trail:

Do not move or rearrange fairy displays. The fairies are very fond of their own decorating.

Do not leave trash on the trail. Fairies do not like litter in their town.

Please ensure children and pets are supervised at all times. Dogs and loud noises can scare the fairies into hiding.

Do not disturb wildlife or vegetation. The fairies depend on the vegetation to build their homes.

The trail is one way only. Please stay on the trail at all times.

P.S. the Fairies would like us to remind you that we are a non-profit and donations are greatly appreciated. Help us keep the fairies living in the style with which they’ve become accustomed.

Bullington Gardens and the Fairy Trail are closed on Sundays.

During this program, participants will learn how to manage a project by using the 5 phases of project management and several other critical topics related to being a successful project manager in any industry. Program participants will also learn how to lead small and large projects from initiation through close-out.

Included with admission

Our fun-for-all-ages botanical model train displays invite you to experience our grounds in an engaging new way. Located in the Conservatory in the Walled Garden, the displays feature replicas of structures connected with Biltmore and its founder George Vanderbilt. Each beautifully executed piece was handcrafted from such natural elements as leaves, bark, and twigs.

In compliance with state and local mandates related to COVID-19, all guests must enter the Conservatory via the ADA entrance in the back and follow a one-way route.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

Summer at Biltmore offers an abundance of opportunities to explore our 8,000-acre Blue Ridge Mountain backyard and create the kind of memories that last a lifetime. Wander through historic gardens, along winding trails, and within the spacious halls of America’s Largest Home^®. Enjoy extraordinary experiences and peace of mind in one spectacular setting: only at Biltmore.

Graduate Show 2021: Haywood Community College Professional Crafts Program

Bender Gallery is honored to present One Day I Will Disappear, a solo exhibition of current paintings by Czech American artist Tom Pazderka. His captivating work is deeply personal and is an elegant metaphor for life’s darker side: of landscape, of nature, of memory. The exhibition runs from July 3 through August 31 during regular business hours. There will be an opening reception for Pazderka on Saturday July 3, from 6 to 9 PM by RSVP only.

Pazderka is a painter, an installation artist, an intellectual, and a writer who spent his undergraduate years in the Asheville area. He was born near Prague in 1981 during the waning of the Communist era in Czechoslovakia. He lived in a panelák, a Soviet-style concrete apartment block, until emigrating to the US in 1994 at the age of twelve. Contrary to what we may envision in America, Pazderka has fond memories of his time there. Although life was basic and creativity was not encouraged, his family was never in need and they enjoyed regular visits to their family cottage in the country. However, most of Pazderka’s life has been lived in the US and he also considers himself American. His work and life are deeply influenced by what he describes as the “incompleteness of the immigrant experience”. Pazderka explores humanity’s quest for a universal truth. The work reflects his reverence for history and the failed Soviet promise of utopia of his native land. It is thus a balancing act between this history and his assimilation into the capitalist consumer culture of the United States.

The works shown in One Day I Will Disappear consist of oil, ash, and charcoal paintings on burned panel and paper. They feature clouds, mountains, portraits, ephemera, and remnants of nature. They are conceptually dark, yet haunting and beautiful at the same time. Pazderka uses humble materials such as found plywood panels that he burns with a torch before beginning the painting process. He transforms the painting surface with the destructive, yet creative power of fire. He states, “Materials and process are components of the work that are as important as the image and what the work is about”.

Pazderka chooses to work in a colorless palette reminiscent of aged black and white photographs. He explains, “Photographs interest me because it is a tangible memory, but photographs are really residue of the photographic process.”  They are themselves a memory of a memory. Much of Pazderka’s work is based on old family photographs and photos taken from nature and architecture relaying the past, the present, and the hope of a better future. The work appears otherworldly and fleeting, like ghosts of his memories. In Pazderka’s words, “The present is all there is in the end.”

Pazderka holds a BFA from Western Carolina University and an MFA from U.C. Santa Barbara. He has received many awards and fellowships and has held residencies in the US, France, and the Czech Republic. He lives and works in Ojai, CA.

Use code “ORVILLEPEEL” for Local Presale Code valid 7/29 10am – 10pm

Use code “MOTORBIKE” for
Local Presale
Code valid 7/29 10am – 10pm

Use code “STARSET” for Local Presale Code valid 7/29 10am – 10pm

Saturday – December 18
Sunday – December 19
Use code “RISINGOP” for Local Presale
Code valid 7/29 10am – 10pm

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas!

Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century.

Help local underprivileged students start the school year with the supplies they need for success! Asheville Outlets will host a Pack 2 School Supplies Drive from Saturday, July 10 through Saturday, August 7, 2021. Throughout the five-week drive, marked bins will be available in the food court for donation drop-off. Student supply needs include: #2 pencils, erasers, colored pencils, crayons, glue sticks, school scissors, folders, spiral notebooks, marbled composition notebooks, dry ease markers (pencil & regular size) and pencil pouches. Classroom needs include white & color copy paper, Band-Aids, Kleenex, hand sanitizer, Ziploc bags, disinfectant wipes, and hand soap. School children at four local elementary schools will be the recipients of supplies collected during the program. The campaign will conclude on Saturday, August 7 with a live remote broadcast with iHeart Radio and gift card giveaways. For more information, visit ShopAshevilleOutlets.com.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.