Calling all Leicester artists! The Leicester Library is celebrating its 20th anniversary in November 2021. To celebrate this beautiful library and its pastoral views, we are seeking local artist perspectives for a fun project.

20 Views of the Leicester Library is looking for artists to create pieces that celebrate the views from the inside and of the outside of the library.

Art can be in any medium, by any artist, of any age. Paintings, photography, drawings, collage, sculpture, needlework, etc. are all welcome. We are looking for heartfelt, fun and creative views of this branch that show what it has meant to patrons and community members. We welcome art by self-taught artists as well as trained artists. Examples could be a photo of a child reading a book in the library, a watercolor painting of the mountains off in the distance, or a charcoal sketch of the building itself. Or something totally abstract and unusual – that would be welcome too!

We are looking for anything that captures the essence of what this library represents to you, the Leicester community.

Artists are welcome to visit the grounds or come inside to gather inspiration during the library’s open hours. The library is currently open Tuesday and Thursday 10 a.m-8 p.m., Wednesday and Friday 10 a.m.-6 p.m., and Saturday from 10 a.m.-5 p.m.

All submitted art will be featured on the library’s social media accounts and displayed in the library as part of our 20th Anniversary Celebration in November 2021.

In addition, the Leicester Library will be offering a series of art classes at the library in August and September. The first class is Aug. 7 at 2 p.m. and will be a Creative Collage Workshop with visiting artist Evelyn Dufne. This class is free, but registration is required.

To participate or for more information, come by the library or email [email protected] for more information.

Learn to add a special touch to your dinner or cocktail napkins with an embroidery
demonstration and class with Echoview Fiber Mill. Attendees will also learn about natural
dyes, including dyes that can be made from kitchen scraps and plants in your own
backyard. Attendees will receive a kit with naturally dyed threads (five colors), one cloth
napkin, one embroidery needle and stitch templates from Echoview Fiber Mill in the mail
prior to the class. (Must register by August 1 to receive kit).

Hendersonville yoga studio, YAM, is offering free outdoor yoga at The Park at Flat Rock on Thursdays and Saturdays. Get outside and get moving with these fun and refreshing classes. Click to learn more about YAM’s community yoga.

Graduate Show 2021: Haywood Community College Professional Crafts Program

Bender Gallery is honored to present One Day I Will Disappear, a solo exhibition of current paintings by Czech American artist Tom Pazderka. His captivating work is deeply personal and is an elegant metaphor for life’s darker side: of landscape, of nature, of memory. The exhibition runs from July 3 through August 31 during regular business hours. There will be an opening reception for Pazderka on Saturday July 3, from 6 to 9 PM by RSVP only.

Pazderka is a painter, an installation artist, an intellectual, and a writer who spent his undergraduate years in the Asheville area. He was born near Prague in 1981 during the waning of the Communist era in Czechoslovakia. He lived in a panelák, a Soviet-style concrete apartment block, until emigrating to the US in 1994 at the age of twelve. Contrary to what we may envision in America, Pazderka has fond memories of his time there. Although life was basic and creativity was not encouraged, his family was never in need and they enjoyed regular visits to their family cottage in the country. However, most of Pazderka’s life has been lived in the US and he also considers himself American. His work and life are deeply influenced by what he describes as the “incompleteness of the immigrant experience”. Pazderka explores humanity’s quest for a universal truth. The work reflects his reverence for history and the failed Soviet promise of utopia of his native land. It is thus a balancing act between this history and his assimilation into the capitalist consumer culture of the United States.

The works shown in One Day I Will Disappear consist of oil, ash, and charcoal paintings on burned panel and paper. They feature clouds, mountains, portraits, ephemera, and remnants of nature. They are conceptually dark, yet haunting and beautiful at the same time. Pazderka uses humble materials such as found plywood panels that he burns with a torch before beginning the painting process. He transforms the painting surface with the destructive, yet creative power of fire. He states, “Materials and process are components of the work that are as important as the image and what the work is about”.

Pazderka chooses to work in a colorless palette reminiscent of aged black and white photographs. He explains, “Photographs interest me because it is a tangible memory, but photographs are really residue of the photographic process.”  They are themselves a memory of a memory. Much of Pazderka’s work is based on old family photographs and photos taken from nature and architecture relaying the past, the present, and the hope of a better future. The work appears otherworldly and fleeting, like ghosts of his memories. In Pazderka’s words, “The present is all there is in the end.”

Pazderka holds a BFA from Western Carolina University and an MFA from U.C. Santa Barbara. He has received many awards and fellowships and has held residencies in the US, France, and the Czech Republic. He lives and works in Ojai, CA.

Looking to get involved, stay active, and meet some new friends? Sand Hill Community Garden workdays take place on Wednesdays (6-8 p.m.) and Saturdays (10 a.m.-noon) from Feb. 27-Oct. 30, 2021, at Buncombe County Sports Park. The garden is located on 16 Apac Dr. in West Asheville/Enka-Candler.

Join friends and neighbors as they come together on common ground to raise fresh, organic vegetables and fruits for the Enka community.

Expect to wear a mask and maintain social distance throughout. Tools and hand sanitizer are available, but any gloves, loppers, pruners, or gardening tools you can bring will decrease the amount of contact between volunteers. Please wear work clothes to get dirty and closed-toe shoes. Sunscreen, water, and a hat are also handy items to have on hand.

Sand Hill Community Garden has been growing fresh produce since 2011 and raised over 1,200 lbs. of organic produce last year.

NOTE: Community workdays are weather dependent. Please join the community garden email list (send your info to [email protected]) to stay up on workday tasks and other garden news.

To receive the I Heart Parks monthly newsletter, sign up online. Follow Buncombe County Recreation on Facebook and Instagram for the latest updates.

During the month of August Second Gear has selected RiverLink as their monthly non-profit partner! They will be donating 1% of all the proceed they receive throughout the month. We are so thankful for their generous support of our mission to protect the French Broad River! Both of our organizations share a passion for the environment and helping our community experience it’s beauty. Their support will help us ensure that the French Broad River continues to be an excellent source of outdoor recreation.

Second Gear is a locally owned, independently run store based out of Asheville, North Carolina where they’ve been proudly serving the community since 2004. They buy and sell outdoor gear and help people prepare for their next outdoor adventure. So go get some gear this month and help support clean water!

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas!

Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century.

The exhibit was developed as part of the celebration of the 450th anniversary of the Juan Pardo expeditions. Several years ago, archaeologists identified a site near Morganton as the location of Joara, one of the largest Native American towns in what is today Western North Carolina.

Joara was occupied from approximately 1400-1600 A.D. Two Spanish expeditions led respectively by Hernando de Soto and Juan Pardo visited the town in the 1500s. The Pardo expedition was part of a larger effort to establish a string of forts from the coast of present-day South Carolina all the way to Mexico. In 2013, archaeologists confirmed that Joara was also the site of Fort San Juan, established by Pardo in 1567, nearly 20 years before the English settlement at Roanoke on the coast of North Carolina and 40 years before the settlement at Jamestown.

Through various artifacts uncovered by the archaeology, the exhibit showcases the Spanish occupation of Fort San Juan and the lives of the native people who lived in the Joara area.

The exhibit is on loan from the Exploring Joara Foundation Inc. Exploring Joara engages the public in archaeology in the Carolinas, and emphasizes the discovery of the Native American town of Joara and Fort San Juan. The exhibit will be on display at the Western North Carolina Historical Association’s gallery inside the Smith-McDowell House through December 15.

The gallery is open for visitation Thursday, Friday, and Saturday between 10:30am and 4:00pm. Reservations are recommended.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Contemporary art, interdisciplinary research communities, and the inspiration of Appalachia converge in Rural Avant-Garde: The Mountain Lake Experience. This exhibition showcases a selection of collaborative creative works that emerged from nearly four decades of the Mountain Lake Workshop series, a program sited in rural southwestern Virginia.

Founded by artist and scholar Ray Kass in 1980 and co-organized with influential art critics Dr. Donald B. Kuspit and Dr. Howard Risatti, as well as the Virginia Museum of Fine Arts (VMFA), the Mountain Lake Workshops integrated the arts and sciences in a dynamic experimental creative process that pushed past the traditional boundaries of art, dance, and performance.

Community-centered from its inception, the Mountain Lake Workshop demonstrated the relevance of the arts across disciplines, as well as social and participatory learning. This exhibition offers a focused look at art that investigated new conceptual limits, born of the region in southwestern Virginia, just a few hundred miles north of Asheville, NC. Works range from large-scale watercolors and photographic installation to relics of performances and other experimentations in artmaking.

Highlights include composer and conceptual artist John Cage’s New River Rocks and Washes(1990). A significant late-career work by Cage, this rarely exhibited watercolor extends nearly 30 feet in length, produced using methods of chance to trace stones gathered from the workshop’s natural surroundings.

This exhibition was organized by the Longwood Center for the Visual Arts at Longwood University. Generous funding was provided in part by the National Endowment for the Arts.

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.

The Friends of the Weaverville Library (FOWL) are excited to announce the opening of their used bookstore in Weaverville on Thursday, July 8. Located in the lower level of the Weaverville Library at 41 N. Main St., the store will be open Thursdays 1-5 p.m., Fridays and Saturdays 11 a.m.-2 p.m., with expanded hours beginning in September. The store is stocked with thousands of books, audiobooks, CDs, DVDs, and more. All adult books are priced at $1.50-$3.00, children and teen books at $1.00-$1.50, audio and video at $2.00.

There is also a bargain-priced area and a collection of special finds that are priced individually. Please feel free to contact us at 828-641-1812 or [email protected]. All proceeds from the store will benefit the Weaverville Library.

Hallie Jay Pope, Hear Our Voice, 2016, poster, 44 × 33 inches. Museum acquisition made possible by Amplifier Foundation and Asheville Color & Imaging, SC2017.01.33. © Hallie Jay Pope, courtesy Amplifier Foundation.

Join us for a fun art class at the LEAF Global Experience and see our Easel Rider Art Bar in action! Each Saturday we’ll have a different craft available that’s included with your admission. Drop-in from 1-3. We hope to see you there!