Extension Master Gardener^SM volunteers maintain a composting demonstration site at the Western NC Farmers Market, at the Jesse Israel & Sons Garden Center. After a two-year hiatus, due to Covid, the site is reinstituting public demonstrations, beginning April 9, 2022.

When to Visit?
The site is staffed and provides demonstrations from 10:00am to 1:00pm on the second Saturday each month, April through September.

What Will You See?
There are five different composting methods on display at the site. There is a single bin unit, a tumbling composter, a wood pallet bin and a classic 3-bin system — we also usually bring an example of vermiculture on each demo day.  The site is stocked with informational pamphlets on the how-to and why of composting and they complement the information available in the composting video on this website. Click here to view the video: Making and Using Compost at Home.

An additional Composting demonstration area is located at The Learning Garden at the Extension Office, 49 Mount Carmel Road, Asheville, NC 28806.  Click here for details about The Learning Garden.

Let’s make rope and string from the natural world!  In this hands-on workshop, students will examine and learn to process a variety of natural fibers from plant and animal sources to make useful, strong and beautiful cordage suitable for a host of practical jobs, from tying shoes to building a house!  Using handwork techniques and traditional tools, we’ll learn how (and when and why) to make high-speed, extra-strong, and three-ply cord with excellent quality control.  All materials provided.

Why cordage? Cordage tied the ancient world together. It is one of the pillars of technology, allowing the invention of a long list of vitally important objects. This knowledge helps us to understand the otherwise hidden history of how regular people contributed to the world as we know it. The knowledge of hand techniques allows us to construct and repair things that would otherwise have to be bought new, saving money and resources. Best of all, it fosters a powerful can-do positive attitude, giving us confidence and self reliance.

Workshop Details

The class will be on April 9, 2022 from 10:00am – 4:30pm in Asheville, NC. It will be held outdoors in a covered pavilion. There will be a half hour break for lunch. Please bring a bagged lunch and a sharp knife and/or scissors to work with.

This class is for everyone interested in making cordage, from beginners to advanced. We will begin at the beginning and go until we learn things we never knew we could! Minimum age is 12, minors must be accompanied by an adult.

About the Instructor

Jeffrey Gottlieb, MS (in Biology), has been a Naturalist, Outdoor Educator and Primitive Skills Instructor for more than 40 years. He works with school groups, nature centers, museums, scout troops and summer camps, builds full-sized wigwams and longhouses and replicates primitive tools and artifacts for display.  His areas of special interest include fiber arts, flintknapping, basketry, edible and utilitarian plants, and nature awareness. He travels widely in the Eastern U.S. teaching at rendezvous, gatherings and historic fairs. He has written a how-to manual on building wigwams, an instructors’ manual entitled Teaching Primitive Skills to Children and a book on natural fibers and ropemaking called Fibers of Life.

Sliding Scale $125 – $45

• March 17 to 20
• April 7 to 10
• April 14 to 17
• May 12 to 15
• June 2 to 5

Do you need help preparing your taxes? If so, Buncombe County Pubic Libraries can help. AARP Foundation Tax-Aide, in cooperation with the IRS, NC Department of Revenue, Buncombe County Library System, and Council on Aging, Inc. will offer free tax preparations for taxpayers of low and moderate-income, with special attention to those age 60 and older from Feb. 1-April 15.

You will need an appointment to speak with a tax help aide. At your appointment, you can drop off your tax documents and you’ll be given another appointment in about two weeks to pick up your paperwork and completed tax form.

How it works

1. Pick up a tax record envelope and instructions at Black Mountain, West Asheville, Weaverville or Pack Library during library hours.

2. Complete the Intake/Interview Booklet in your envelope by answering all questions. Then sign and date the last 3 pages. Place all your tax forms and any information relating to your tax return in your envelope.

3. Make an appointment to drop off your Tax Record Envelope and meet with a Tax-Aide volunteer.

Pack Memorial Library

Saturdays, appointments available between 10:30am and 2pm
To make an appointment for Saturday tax help at Pack Library, email [email protected] with your name and telephone number. A volunteer will contact you to set up your appointment. At your appointment, a tax volunteer will check all documents and give you a follow-up appointment to pick up your completed tax return and documents in 1 or 2 weeks. This tax help is provided by UNCA.

Time Slots: 11am – 1pm – 3pm

• Donut Decorating
• Egg Decorating
• Easter Basket Craft
• Flower Pot Craft with Plant
• Peeps Milkshake Treat
• Easter Themed Finger Foods
• Easter Bunny Available for Photos!

$35.00 per ticket
(Includes entry for 1 child & up to 2 adults)
Reservations required. Buy your tickets now!
Be sure to print and save your receipt, it will serve as your ticket.

Gillian Laub, Amber and Reggie, Mount Vernon, Georgia, 2011, inkjet print, 40 × 50 inches. © Gillian Laub, courtesy of Benrubi Gallery.

American photographer Gillian Laub (born New York, 1975) has spent the last two decades investigating political conflicts, exploring family relationships, and challenging assumptions about cultural identity. In Southern Rites, Laub engages her skills as a photographer, filmmaker, and visual activist to examine the realities of racism and raise questions that are simultaneously painful and essential to understanding the American consciousness.

In 2002, Laub was sent on a magazine assignment to Mount Vernon, GA, to document the lives of teenagers in the American South. The town, nestled among fields of Vidalia onions, symbolized the archetype of pastoral, small town American life. The Montgomery County residents Laub encountered were warm, polite, protective of their neighbors, and proud of their history. Yet Laub learned that the joyful adolescent rites of passage celebrated in this rural countryside—high school homecomings and proms—were still racially segregated.

Laub continued to photograph Montgomery County over the following decade, returning even in the face of growing—and eventually violent—resistance from community members and local law enforcement. She documented a town held hostage by the racial tensions and inequities that scar much of the nation’s history. In 2009, a few months after Barack Obama’s first inauguration, Laub’s photographs of segregated proms were published in the New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. The power of her photographic images served as the catalyst and, for a moment, progress seemed inevitable.

Then, in early 2011, tragedy struck the town. Justin Patterson, a twenty-two-year-old unarmed African American man—whose segregated high school homecoming Laub had photographed—was shot and killed by a sixty-two-year-old white man. Laub’s project, which began as an exploration of segregated high school rituals, evolved into an urgent mandate to confront the painful realities of discrimination and structural racism. Laub continued to document the town over the following decade, during which the country re-elected its first African American president and the ubiquity of camera phones gave rise to citizen journalism exposing racially motivated violence. As the Black Lives Matter movement and national protests proliferated, Laub uncovered a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Southern Rites is a specific story about 21st century young people in the American South, yet it poses a universal question about human experience: can a new generation liberate itself from a harrowing and traumatic past to create a different future?

Southern Rites is curated by Maya Benton and organized by the International Center of Photography.

Black Mountain College: Idea + Place Lower Level Gallery with Companion Digital Exhibition How can an idea inform a place? How can a place inform an idea? Would Black Mountain College have had the same identity and lifespan if it had been located in the urban Northeast, the desert Southwest, or coastal California? How did BMC’s rather isolated, rural, and mountainous setting during the era of the Great Depression and the Jim Crow South influence the college community’s decision-making and the evolution of ideas upon which it was based? This exhibition seeks to delve into these questions and others by exploring the places of Black Mountain College: its two very different campuses, its influential predecessor the Bauhaus in Germany, and the post-BMC diaspora. Curated by Alice Sebrell, Director of Preservation

adVANCE! Modernism, Black Liberation + Black Mountain College Upper Level Gallery with Companion Digital Exhibition Featuring the work of contemporary sculptor Larry Paul King in conversation with Black Mountain College modernist masters including Jacob Lawrence, Gwendolyn Knight Lawrence, Josef Albers, Leo Krikorian, and Sewell Sillman. Premiering three Jacob Lawrence lithographs new to the BMCM+AC permanent collection. adVANCE! celebrates Black Mountain College’s role in early civil rights and the ongoing role of Black, modernist artists in the pursuit of liberation and justice. Curated by Marie T. Cochran, Founder of the Affrilachian Artist Project

Led by Stewart/Owen Co-Directors, Vanessa Owen and Gavin Stewart, this class begins with full body conditioning followed by a series of technical modern exercises, and culminates in either phrase creation or Stewart/Owen repertory. Dancers are encouraged to modify for their own bodies and spaces! We recommend this class to experienced dancers who are looking for a fast-paced contemporary class that pushes their physical and mental boundaries.

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots.They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Asheville Outlets will host a Summer Camp Expo with Give to the Music on Saturday, April 9, 2022, from 1 p.m. until 4 p.m. The Expo will give parents and campers the opportunity to meet representatives from a variety of area camps, including traditional overnight, sports, arts, day, academic and more. The event is free and open to the public and provides lots of fun activities for kids. Booths will be located throughout the center.

Camps and organizations interested in presenting a booth at the Expo should contact Dena Clark at (828) 252-1888 or [email protected]. Booth registration is now open, and space is limited. 100 percent of booth fees will benefit Give to the Music, a local non-profit funding music lessons for kids in need. To make a donation to Give to the Music, visit GiveToTheMusic.org. For more information, or to register a booth, visit ShopAshevilleOutlets.com.

Get in the driver’s seat with a hands-on experience with vehicles of all kinds!

Join Asheville Parks & Recreation on Saturday, April 9 from 1pm-4pm at Asheville Outlets for a fun hands on experience. Get ready to jump in the driver’s seat of vehicles of all kinds! Fire trucks, ambulances, helicopters, transit buses, construction equipment, race cars, and more will be on display in the parking lot behind the food court.

Kids (and adults…) can touch, climb on, and ask questions about their favorite trucks and cars in a safe and supervised environment. Adult supervision is required.

Truck City AVL takes place rain or shine.

The expo will give parents and campers the opportunity to meet representatives from a variety of area camps, including traditional overnight, sports, arts, day, academic and more. The event is free and open to the public and provides lots of fun activities for kids. Booths will be located throughout the center.

Camps and organizations interested in a booth at the Expo should contact Dena Clark at (828) 252-1888 or [email protected]. Booth registration is now open, and space is limited. 100 percent of booth fees will benefit Give to the Music, a local non-profit funding music lessons for kids in need. Visit ShopAshevilleOutlets.com for booth registration. To donate to Give to the Music, visit GiveToTheMusic.org.

REGISTRATION DEADLINE IS WEDNESDAY, APRIL 6, 2022.

Spend the afternoon creating abstracted and realistic artworks inspired by shape, pattern, and color in the Museum’s exhibitions. Students will learn how to mix colors to paint a color wheel, make a cut paper portrait, and watercolor resist landscape.

Please note:

• Youth Studio is held indoors in the Museum’s John & Robyn Horn Education Center
• Space is limited to small groups of students; face coverings and social distancing are required.

The World-Famous Harlem Globetrotters are bringing their newly reimagined Spread Game tour The Well this Spring. The Spread Game Tour is a basketball event like no other. Ankle-breaking moves, jaw-dropping swag, and rim-rattling dunks are only some of the thrill you can expect from this fully modernized show. Part streetball from the players who defined it, part interactive family entertainment, the new tour will show off the best of the Globetrotters in a dazzling exhibition of talent and game.

The Spread Game Tour introduces new premium fan experiences with unprecedented access and interaction, including celebrity court passes, meet and greets with players, and in select markets, the #SQUADZONE, where fans have the opportunity to feel like part of the show.

For over 95 years, the Harlem Globetrotters organization has been committed to spreading joy through their artful athleticism and unparalleled basketball skill. The Globetrotters have always been global ambassadors of goodwill. The reimagined team is even more committed to bringing their voice to social justice conversations while inviting communities all over the U.S. to come together and recognize the power of our commonalities and celebrate our differences. The Globetrotters’ mission, to spread game and bring family entertainment to the world, continues to drive them today.

Heralded by The New Yorker as “thrilling” and “genuinely moving.”

From the producer of The Lion King and Aladdin, Frozen, the Tony^®-nominated Best Musical, is now on tour across North America and the critics rave, “It’s simply magical!” (LA Daily News).

Frozen features the songs you know and love from the original Oscar^®-winning film, plus an expanded score with a dozen new numbers by the film’s songwriters, Oscar winner Kristen Anderson-Lopez and EGOT winner Robert Lopez. Oscar winner Jennifer Lee (book), Tony and Olivier Award winner Michael Grandage (director), and Tony winner Rob Ashford (choreographer) round out the creative team that has won a cumulative 16 Tony Awards.

An unforgettable theatrical experience filled with sensational special effects, stunning sets and costumes, and powerhouse performances, Frozen is everything you want in a musical: It’s moving. It’s spectacular. And above all, it’s pure Broadway joy.

Official Website

Hosted by: The Buddhist Studies Institute

FREE – ONLINE – 30 MINUTES – DAILY
🌺Guided meditation support and community🌺

🌸Stabilization and Liberation:
In order to liberate our minds– we need stable calm.

🌸Consistency & Commitment:
Stabilizing in calm clear presence takes consistent training.

🌸Support & Community:
Daily Meditation is a container and support for your meditation focus.

Expand your meditation circle- join us online any day or every day!

Formerly known as 100 Days of practice to support a Tibetan Yogis tradition to practice 100 days in the winter, this has now been expanded to continue daily. To learn more and register: https://buddhiststudiesinstitute.org/daily-meditation/