Calendar of Events

#BlippiGVL

Blippi, is an energetic and loveable character clad is orange and blue that jumps off the screen with his goofy mannerisms and friendly demeanor. He’s taught millions of kids how to count, colors, letters, and much more.  In just a few years since his inception, Blippihas become one of the most popular YouTubers worldwide, with over 200 million views per month and billions in total across 139 countries and 7.4 million followers.

*Children ages 1 and over must have a ticket. Any child under 1 years old does not require a ticket to sit on a parent’s lap.

LIVE ON THE OUTDOOR STAGE

GENRE: Americana/Rock/Tex-Mex
AGE LIMIT: All Ages are Welcome

RAIN OR SHINE; NO REFUNDS

Masks and proof of vaccine or negative Covid test required for entry.

“At a show in Sacramento, in the space of five minutes, three people came up to me with life-changing stories. They told me how my music had helped them to deal with the loss of people close to them…” 

The White Buffalo is about engagement. The White Buffalo makes people laugh and cry. The White Buffalo is truth and wild imagination working together.

The White Buffalo is Jake Smith – singer, songwriter, guitarist, teller of stories, Emmy nominee; an artist whose voice – a timber-shakin’ baritone of gravitas and gravel – seems directly linked to a greater truth; an artist who will not be swayed by fashion or curtailed by genre.

And now, on April 17^th 2020, The White Buffalo releases new studio album, ‘On The Widow’s Walk’ – a loosely linked collection of dark thrills produced by Shooter Jennings, who also provides piano and keys. With an eclectic history and catalogue to his illustrious name, Shooter doesn’t believe in sticking to the rules. He works with a diverse selection of artists, from Marilyn Manson to Tanya Tucker, and his collaboration with The White Buffalo has produced a special, signature release.

Of the six studio albums and three EPs thus far released under The White Buffalo banner, this latest 11-track outing is the most collaborative and organic, the most sonically round. It’s also the first for Snakefarm Records, a young label within the Universal Music Group focusing on music that’s roots-driven and real.

Born in Eugene, Oregon, but raised in Huntington Beach, California, Jake Smith is master of his own domain. Like so many creative spirits, he is often drawn to the shadowy side of the street, unveiling scenarios – effectively mini-movies – that sometimes have their roots in reality, sometimes not, but either way are delivered with unswerving conviction.

General Admission Tickets are available on line :: Call the venue for Reserved Seating Tickets at 828-575-2737

Main Floor Reserved Tickets are available with dinner reservations only :::: There is a $20 minimum in food and beverage purchases per person with your dinner reservation :::: These are the only main floor tickets available :::: You MUST call venue to make a dinner reservation & purchase your tickets :::: General Admission Tickets are available for the Balcony only :: There is no dinner service for balcony seating

DJ Dance Party with Meseret & Zati  Every Friday Nigh it’s you, it’s dark house and the dance floor. NO COVER 21+

“Best News Ever”

Save 25% off tickets to MercyMe with special guest Micah Tyler

at the Bon Secours Wellness Arena on November 18!

Valid: Thursday, September 2 at 12:01am through
Tuesday, September 7 at 11:59pm

Use Code: LABOR

*Valid online only and on select seats.

Asheville’s Goombay Festival has celebrated African & Caribbean heritage here in Western North Carolina. This year, celebrating 40th Goombay Anniversary!

The festival celebrates the richness and diversity found in the food, music, and art across the African Diaspora.

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Goombay is free and open to anyone and everyone who wishes to attend!

From the days of playing greasy local juke joints to headlining major festivals, JJ Grey remains an unfettered, blissful performer, singing with a blue-collared spirit over the bone-deep grooves of his compositions. His presence before an audience is something startling and immediate, at times a funk rave-up, other times a sort of mass-absolution for the mortal weaknesses that make him and his audience human. Onstage, JJ Grey delivers his songs with compassion and a relentless honesty.
Tickets go on sale Friday May 15th! Get your ticket here before you sign up for this event.:
https://www.ticketweb.com/event/jj-grey-mofro-salvage-station-outdoor-tickets/11026345

From the days of playing greasy local juke joints to headlining major festivals, JJ Grey remains an unfettered, blissful performer, singing with a blue-collared spirit over the bone-deep grooves of his compositions. His presence before an audience is something startling and immediate, at times a funk rave-up, other times a sort of mass-absolution for the mortal weaknesses that make him and his audience human. When you see JJ Grey and his band Mofro live—and you truly, absolutely must—the man is fearless.

Onstage, Grey delivers his songs with compassion and a relentless honesty, but perhaps not until Ol’ Glory has a studio record captured the fierceness and intimacy that defines a Grey live performance. “I wanted that crucial lived-in feel,” Grey says of Ol’ Glory, and here he hits his mark. On the new album, Grey and his current Mofro lineup offer grace and groove in equal measure, with an easygoing quality to the production that makes those beautiful muscular drum-breaks sound as though the band has set up in your living room.

Despite a redoubtable stage presence, Grey does get performance anxiety—specifically, when he’s suspended 50 feet above the soil of his pecan grove, clearing moss from the upper trees.

“The tops of the trees are even worse,” he laughs, “say closer to 70, maybe even 80 feet. I’m not phobic about heights, but I don’t think anyone’s crazy about getting up in a bucket and swinging all around. I wanted to fertilize this year but didn’t get a chance. This February I will, about two tons—to feed the trees.”

When he isn’t touring, Grey exerts his prodigious energies on the family land, a former chicken-farm that was run by his maternal grandmother and grandfather. The farm boasts a recording studio, a warehouse that doubles as Grey’s gym, an open-air barn, and of course those 50-odd pecan trees that occasionally require Grey to go airborne with his sprayer.

For devoted listeners, there is something fitting, even affirmative in Grey’s commitment to the land of his north Florida home. The farms and eddying swamps of his youth are as much a part of Grey’s music as the Louisiana swamp-blues tradition, or the singer’s collection of old Stax records.

As a boy, Grey was drawn to country-rockers, including Jerry Reed, and to Otis Redding and the other luminaries of Memphis soul; Run-D.M.C., meanwhile, played on repeat in the parking lot of his high school (note the hip-hop inflections on “A Night to Remember”). Merging these traditions, and working with a blue-collar ethic that brooked no bullshit, Grey began touring as Mofro in the late ’90s, with backbeats that crossed Steve Cropper with

George Clinton and a lyrical directness that made his debut LP Blackwater (2001) a calling-card among roots-rock aficionados. Soon, he was expanding his tours beyond America and the U.K., playing ever-larger clubs and eventually massive festivals, as his fan base grew from a modest group of loyal initiates into something resembling a national coalition.

Grey takes no shortcuts on the homestead, and he certainly takes no shortcuts in his music. While he has metaphorically speaking “drawn blood” making all his albums, his latest effort, Ol’ Glory, found him spending more time than ever working over the new material. A hip-shooting, off-the-cuff performer (often his first vocal takes end up pleasing him best), Grey was able to stretch his legs a bit while constructing the lyrics and vocal lines to Ol’ Glory.

“I would visit it much more often in my mind, visit it more often on the guitar in my house,” Grey says. “I like an album to have a balance, like a novel or like a film. A triumph, a dark brooding moment, or a moment of peace—that’s the only thing I consistently try to achieve with a record.”

Grey has been living this balance throughout his career, and Ol’ Glory is a beautifully paced little film. On “The Island,” Grey sounds like Coleridge on a happy day: “All beneath the canopy / of ageless oaks whose secrets keep / Forever in her beauty / This island is my home.” “A Night to Remember” finds the singer in first-rate swagger: “I flipped up my collar ah man / I went ahead and put on my best James Dean / and you’d a thought I was Clark Gable squinting through that smoke.” And “Turn Loose” has Grey in fast-rhyme mode in keeping with the song’s title: “You work a stride / curbside thumbing a ride / on Lane Avenue / While your kids be on their knees / praying Jesus please.” From the profane to the sacred, the sly to the sublime, Grey feels out his range as a songwriter with ever-greater assurance.

The mood and drive of Ol’ Glory are testament to this achievement. The album ranks with Grey’s very best work; among other things, the secret spirituality of his music is perhaps more accessible here than ever before. On “Everything Is a Song,” he sings of “the joy with no opposite,” a sacred state that Grey describes to me:

“It can happen to anybody: you sit still and you feel things tingling around you, everything’s alive around you, and in that a smile comes on your face involuntarily, and in that I felt no opposite. It has no part of the play of good and bad or of comedy or tragedy. I know it’s just a play on words but it feels like more than just being happy because you got what you wanted — this is a joy. A joy that doesn’t get involved one way or the next; it just is.”

Grey’s most treasured albums include Otis Redding’s In Person at the Whisky a Go Go and Jerry Reed’s greatest hits, and the singer once told me that he grew up “wanting to be Jerry Reed but with less of a country, more of a soul thing.” With Ol’ Glory, Grey does his idols proud. It’s a country record where the stories are all part of one great mystery; it’s a blues record with one foot in the church; it’s a Memphis soul record that takes place in the country.

In short, Ol’ Glory is that most singular thing, a record by JJ Grey—the north Florida sage and soul-bent swamp rocker.

General Admission Tickets are available on line :: Call the venue for Reserved Seating Tickets at 828-575-2737

:Main Floor Reserved Tickets are available with dinner reservations only :::: There is a $20 minimum in food and beverage purchases per person with your dinner reservation :::: These are the only main floor tickets available :::: You MUST call venue to make a dinner reservation & purchase your tickets :::: General Admission Tickets are available for the Balcony only :: There is no dinner service for balcony seating

“Best News Ever”

Save 25% off tickets to MercyMe with special guest Micah Tyler

at the Bon Secours Wellness Arena on November 18!

Valid: Thursday, September 2 at 12:01am through
Tuesday, September 7 at 11:59pm

Use Code: LABOR

*Valid online only and on select seats.

Asheville’s Goombay Festival has celebrated African & Caribbean heritage here in Western North Carolina. This year, celebrating 40th Goombay Anniversary!

The festival celebrates the richness and diversity found in the food, music, and art across the African Diaspora.

​

Jack’s Bluegrass Brunch is every Sunday! Our menu kicks off at 12Noon with live tunes by Supper Break from 1-3pm. Try our $6 Bloody Mary or Mimosa, or grab a $15 Bottles of Champagne & OJ! Try one of our tasty brunch specials or order from our artisanal sandwich menu. Sláinte Y’all!

Mountain Makers Craft Market is a monthly indie art fair designed to cultivate community in Western NC. Located in Downtown Waynesville, we bring together 20+ artisans selling handmade and vintage goods that’ll make you smile! Join us on the first Sunday of each month from 12p-4p at 308 N. Haywood Street, and visit MountainMakersMarket.com

In conjunction with Sunday Sessions Live (and virtual) music: Food Truck Sundays will bring a new or rotating “staff favorite” cuisine each week to the Beechams Curve offerings.
Gan Shan West, our main culinary provider 6 days a week, is closed on Sundays. Enjoy the convenience, delicious variety and the music – all in one Sunday Funday stop!