Calendar of Events

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Join us for a story time designed for children ages 3 to 5 years as we share books, songs, rhymes, and activities.

Join us for a fun and interactive story time designed for children ages 18 months to 3 years.

Free + open to all

UNC Asheville Cultural Events/Equity & Arts Series

April 11-14, 2023 

About the Festival

During the weeklong residency, hip-hop Indigenous artists, graffiti artists and DJs will meet on the campus of UNC Asheville (Antokiasdiyi, Cherokee territory) to share and exchange their music and language with our community. This is a unique opportunity for the university and community to engage with contemporary Native American and Indigenous musicians. The three main rappers and artists will visit from Chile, Mexico and the US. In decolonizing academia, this week will provide an alternative space to learn about Indigenous land-based ways of being both in North America and Latin America. We are partnering with the Museum of the Cherokee Indian and local hip hop artists and community leaders.

What is sound? How does a person hear and listen to music? Why is it one of the most powerful expressions of humanity? All that exists creates sound. The tiniest elements of everything on this planet move, vibrate, and therefore create resonance or sound. This powerful force has the ability to heal and create or confuse and destroy. Once we understand what sound truly is, we have the ability to influence our consciousness, as well as our environment. Imagine a space where people of all ages can explore sound, view and play with instruments from around the world, and experience through music the commonalties of cultures. Music influences our social, emotional, cognitive, physical, spiritual, and creative selves. People will be able to understand the science behind how they listen and enjoy discovering about brainwave states and how sound effects the mechanics and of the body. That’s exactly what you can do in the LEAF Instrument Petting Zoo!

Join us for a lively language enrichment story time designed for children ages 4 to 18 months.

Free + open to all

UNC Asheville Cultural Events/Equity & Arts Series

April 11-14, 2023 

About the Festival

During the weeklong residency, hip-hop Indigenous artists, graffiti artists and DJs will meet on the campus of UNC Asheville (Antokiasdiyi, Cherokee territory) to share and exchange their music and language with our community. This is a unique opportunity for the university and community to engage with contemporary Native American and Indigenous musicians. The three main rappers and artists will visit from Chile, Mexico and the US. In decolonizing academia, this week will provide an alternative space to learn about Indigenous land-based ways of being both in North America and Latin America. We are partnering with the Museum of the Cherokee Indian and local hip hop artists and community leaders.

The name Hot Tuna invokes as many different moods and reactions as there are Hot Tuna fans — millions of them. To some, Hot Tuna is a reminder of some wild and happy times. To others, that name will forever be linked to their own discovery of the power and depth of American blues and roots music. To newer fans, Hot Tuna is a tight, masterful duo that is on the cutting edge of great music.

All of those things are correct, and more. For more than four decades, Hot Tuna has played, toured, and recorded some of the best and most memorable acoustic and electric music ever. And Hot Tuna is still going strong — some would say stronger than ever.

Orville Peck is country music’s newest outlaw. His handmade, fringed masks, which obscure his features except for a pair of ice blue eyes, belie his deeply personal lyrics, while his ornate Nudie suits recall the golden age of country. Peck’s masks and theatric stage presence immediately grab audience attention, similar to the way Dolly Parton and Johnny Cash’s larger-than-life images captured him as a young man. However, it’s his voice and his songwriting, influenced by Parton, Loretta Lynn, Townes Van Zandt, and Gram Parsons, that have captivated a fan base as extensive and diverse as his musical tastes. Citing artists from Ernest Tubb (the first country artist to use an electric guitar at the Grand Ole Opry) to Kacey Musgraves, Peck says, ”Every decade or so, there comes a new batch of artists that shake up the question of ‘what is country?’ “I’m in the middle of that more often than not these days. I kind of like it, because I think I’m in good company.” Orville Peck is taking his “Bronco Tour” to cities across the U.S. in 2023.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Join us for a story time designed for children ages 3 to 5 years as we share books, songs, rhymes, and activities.

Join us for a story time designed for children ages 3 to 5 years as we share books, songs, rhymes, and activities.

Every Wednesday Kids Storytime at Barnes and Noble, 11:00 a.m.

The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.

In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….

……..and there is NO COVER CHARGE.

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford.

Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

– ALL AGES
– STANDING ROOM ONLY

VANCOUVER SLEEP CLINIC

Vancouver Sleep Clinic is the lustful, ambient guise of 26-year-old singer-songwriter and producer Tim Bettinson. Across his catalogue, elements of anthemic indie rock, intimate R&B, and sophisticated folk provide a sweeping film soundtrack for Bettinson’s gentle vocal and expansive storytelling. Emerging from his native Brisbane, Australia on the strength of a series of singles including “Someone To Stay,” “Middle of Nowhere,” “The Wire,” and the bedroom-produced viral cover of “As It Was,” Vancouver Sleep Clinic is poised to shift from under the radar success story to 2023 global headline mainstay.

GHOSTLY KISSES
Music has always been around Margaux Sauvé, born in Quebec to a family of musicians; she picked up the violin at the tender age of five. Moving on to the Conservatoire in Quebec, she quit due to“missing the fun part of it” but still loved music so started to play violin in local bands. Singing came a bit later as she thought that “to be a singer you had to have a powerful voice and be loud”, something that doesn’t come naturally to her as a quiet, thoughtful person. Alongside this, the pop music on the radio whilst growing up in Quebec wasn’t connecting with her, so it wasn’t until she started to write music whilst studying psychology at University that the creativity and desire to express revealed itself: “it just opened a completely new path for me”.

Writing music as Ghostly Kisses arrived at a moment where Margaux was in “a living situation I was not able to get out of. A toxic relationship where I had a hard time understanding what was happening.” With this knowledge, it is understandable that most of her early music has a sorrowful but exploratory mood; knowing there were things she needed to express, but not understanding quite how instinctively she was writing until years later it became apparent what she was singing about.

And now, with ‘Heaven, Wait’, her mesmeric debut album ready for release, her songwriting has developed to the point that this is the first time she has written and felt like she was part of the conversation. Able to view herself with an external eye, the album reflects transitions and rebirth – still talking about difficult situations, but with the ability to cast someone else in the lead role, giving the music a deeply personal yet starkly universal appeal. One which Margaux feels has come from “a more mature, adult way of looking at it.”

Identifying key themes of the album, Margaux frames the album artwork within the context of the songs as being “from water towards the air, there’s a lot of dark around me and I’m just going through to the light.” And that feels like the crux of the album, that nothing is perfect – there are always difficult situations, but it is about trusting the process and working hard towards something positive.