Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Gates open at 5:30pm
All Ages – not recommended for children under 4
RAIN OR SHINE
CLEAR BAGS ONLY

Artistic powerhouses cellist Johannes Moser, “radiant playing” (The Baltimore Sun), and pianist Marc-André Hamelin, praised for his “Near superhuman technical prowess” (New York Times), join forces for a memorable and illuminating duo recital. They perform works by Hamelin himself and Nadia Boulanger, a paragon of 20th century classical music, plus sonatas by Claude Debussy and César Franck, two of the great masterworks of the cello-piano repertoire.

Canadian cellist Johannes Moser won silver at the 2002 International Tchaikovsky Competition and has since had a phenomenal touring career, from soloing with the New York, Los Angeles, and BBC Philharmonics, as well as the orchestras of Chicago, London, Tokyo NHK, and Bayerischen Rundfunks, to chamber appearances with the likes of Emanuel Ax, Joshua Bell, Midori, and Menahem Pressler. He’s also a prolific recording artist and a champion of new music who is heavily involved in commissioning.

Marc-André Hamelin is not only a pianist known worldwide for his unrivaled blend of consummate musicianship and brilliant technique who has performed wide-ranging repertoire in the world’s great halls, he is a well-known composer with more than 30 pieces to his name, including the commissioned work for the 2017 Cliburn Competition (where he was also a juror). His discography spans more than 70 recordings which have earned him 11 Grammy® nominations, seven Juno Awards, and a Lifetime Achievement Award from the German Record Critics’ Association.

PROGRAM

Nadia Boulanger (1887-1979) 3 Pieces for Cello and Piano

Marc-André Hamelin (b.1961) Four Perspectives for Cello and Piano

Claude Debussy (1862-1918) Cello Sonata

— Intermission —

César Franck (1822-1890) Sonata in A major for Cello and Piano

Auditorium seating is reserved.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

The Bob Moog Foundation is excited to announce our upcoming event, The Evolution of Modular Synthesis, featuring modular synthesis educator, musician, and inventor of vector synthesis, Chris Meyer, and legendary synthesizer pioneer and innovator Dave Rossum! 

The event will feature Michelle Moog-Koussa, Executive Director of the Bob Moog Foundation, interviewing Meyer and Rossum about the fascinating evolution and recent resurgence of modular synthesis from 1960s to present, followed by a concert with Meyer using his contemporary modular setup and a question and answer session with the audience. 

Due to current ticket demand, the event will take place on Wednesday, October 4, 2023 at 7pm at the Citizen Vinyl i n Asheville, NC. Tickets for the Asheville event are $20. 

SPACE IS LIMITED. 

More details from our press release:

Chris Meyer has led three lives in the music industry: creating electronic music instruments and tools for companies like Sequential, Digidesign, and Roland (including inventing Vector Synthesis); teaching electronic music synthesis through numerous magazine articles, online courses, and his website LearningModular.com; and now performing his own unique vision of emotional, impressionistic electronic music under the name Alias Zone. He is also the co-author of the acclaimed, Patch & Tweak with Kim Bjørn. 

Each of Chris’ compositions is based on a story that informs its creation. He starts with a sonic image that captures his imagination: a complex sound, an alluring rhythm, or a field recording that documents a specific time and place. The story they hint at then becomes the touchstone that determines each layer Chris adds to the piece, be they richly textured ambient environments, unique sounds he programs on his modular synthesizers, exotic percussion, and more. His goal is to convey emotions of mystery, longing, and joy, creating a deeply human experience. In contrast to many electronic music composers who focus primarily on studio work, virtually all Alias Zone tracks are conceived as live performances, and are then later edited into album form.

Fifty years ago, Dave Rossum dropped out of graduate school to found E-mu Systems.  In his role as E-mu’s Chief Wizard, he invented numerous modular synthesis technologies including ultra-stable oscillators, modular sequencers, polyphonic keyboards and analog synthesizer chips, before pioneering Digital Sampling Synthesis with the Emulator, and later the Drumulator, the SP-1200, and the Proteus.  Dave also assisted other companies in their groundbreaking products, such as the Oberheim 4-voice and the Sequential Prophet 5.  

In 1994, E-mu was acquired by Creative Labs, and Dave became their Chief Scientist.  During the Creative years, E-mu produced the E-64, ESI, Emulator IV, and other well known samplers.  Dave left Creative in 2011 for a 5 year stint as the architect of DSP ICs for cell phone audio.  Then in 2016, Dave founded Rossum Electro-Music, signed on as a Technical Fellow at Universal Audio, and began designing analog integrated circuits for Sound Semiconductor.  When he’s not inventing new synthesis technologies, you’ll find Dave running marathons, SCUBA diving, or backpacking in the High Sierra with his standard poodle, Lily.

________________________

Bob Moog was an innovator in the field of modular synthesis and beyond. The Bob Moog Foundation celebrates synthesis in all of its forms, and through this event celebrates the renaissance of modular synthesis. The organization’s interactive Moogseum, located in Asheville, NC, recently added Patching Sound, an exhibit that teaches visitors of all ages how to create sound with a modular synthesizer. 

“The Bob Moog Foundation is thrilled to provide this unique opportunity for people from all over the world to delve into the foundational aspects of modular synthesis, trace its use over many decades, and to explore the music that results from it,” noted Michelle Moog-Koussa, Executive Director of the Bob Moog Foundation. “We are honored to be examining this subject with two renowned figures from synthesizer industry. The pairing of Chris Meyer and Dave Rossum will provide for unique insights and reflections into this fascinating realm of sonic expression.”

TWO SPECIAL EVENTS –
MUSIC TO YOUR EARS: Houses of the Holy
MUSIC MOVIE MONDAY: The Song Remains the Same
For Immediate Release: Two special events in Asheville’s River Arts District celebrate
peak-period Led Zeppelin. On Wednesday October 4, Asheville Guitar Bar hosts the
latest entry in Bill Kopp’s Music to Your Ears discussion series, featuring Led
Zeppelin’s landmark 1973 LP Houses of the Holy. And on Monday October 9, Kopp’s Music Movie Monday series at Grail
Movie House will feature a screening of the Led Zeppelin concert film The Song Remains the Same, with a discussion to
follow.

In the early to mid 1970s, Led Zeppelin reigned supreme in the world of rock. Rising
from the ashes of seminal ‘60s band the Yardbirds, Led Zeppelin drew upon classic
American blues for its sound, but added levels of power, sophistication, nuance and
(sometimes) malevolence to create something remarkable and new. Every one of their
studio albums – eight released between 1969 and 1979 – went multi-platinum, often many
times over. Led Zeppelin concert tours were emblematic of the era, with the band playing
ot packed arenas across the globe. The excess of that era was on full display: the group
traveled in its own branded jet, and tales of backstage and hotel room mayhem were
legion.
But at the center of it all was the music. And While most all of Led Zeppelin’s music
enjoys critical acclaim commensurate with its commercial appeal, the band was arguably
at the pinnacle of its creativity on 1973’s Houses of the Holy. The music effectively
melded the subtlety and grace of Jimmy Page’s acoustic guitar with the crushing roar of
his electric work, and it all worked closely with Robert Plant’s distinctive vocals, John
Paul Jones’ underrated bass and keyboard playing, and the thunderous, commanding
percussion of John Bonham.

Houses of the Holy features several hit album tracks including “No Quarter,” “The Rain Song, “D’yer Maker” and “Over the
Hills and Far Away.” And the record holds together as a cohesive, complete work as well.
Touring in support of Houses of the Holy, Led Zeppelin would document its live show by filming a documentary, The Song
Remains the Same. Crews captured the sound and visuals of the band’s multi-night engagement at New York City’s Madison
Square Garden. The film was released to theaters in 1976; directed by Peter Clifton and Joe Massot, the film also included
arty, impressionistic fantasy sequences; it’s very much an artifact of the hedonistic 1970s.
The October 4 event at Asheville Guitar Bar will feature a discussion of Houses of the Holy, led by author, speaker and
music journalist Bill Kopp, joined by special guest Christopher Everett, lead guitarist with Hustle Souls. And the October 9
screening of The Song Remains the Same will include a moderated discussion led by Kopp. Both events are sponsored by
AshevilleFM. Don’t miss this special opportunity to convene with your fellow rock fans for these two interactive evenings.

The Last Revel
After a 5 year hiatus, The original trio has reunited to produce new music with a revitalized appreciation for camaraderie and creativity. Now living in three different cities across the US, these three independently talented singer-songwriters bring together the sounds of Nashville TN, Minneapolis MN, & Bozeman MT to create Front Porch Americana soundscapes that are equally original as they are timeless. Drawing influence from their salt-of-the-earth Midwest ethos the band’s songs so naturally blend the genres of Folk, Old Time String-Band, and Indie Rock to create a sound that echoes the current heartbeat of America.

The Last Revel utilizes their multi-instrumental abilities to bring the full spectrum of modern Americana to life with lush arrangements of three-part vocal harmonies, acoustic and electric guitars, upright bass, fiddle, and 5-string banjo to consistently support impassioned performances of their honest and heartfelt songwriting.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!