Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
In addition, the Fellows have the opportunity to publish their research in an article on Hyperallergic which will be featured in a special edition of Hyperallergic’s newsletter in Winter 2025, making it accessible to a national and international audience.
Grant Overview:
- $5,000 stipend to conduct research in an archive of choice
The Asheville Art Museum is excited to be celebrating its 75th anniversary this year! Over the past seven and a half decades, the Museum has served as the hub for artistic inspiration and education in Western North Carolina, bringing together artists and art enthusiasts from all walks of life.
As we approach the holiday season, we reflect upon the transformative power of art and the indelible impact it has on the young minds that visit the Museum. This year, we are especially grateful for the enriching experiences made possible by the Museum, experiences that extend far beyond the confines of our walls and into the hearts and minds of future generations.
Imagine the excitement of a 10th-grade class stepping through the Museum doors, wide-eyed and curious, ready to embark on a journey of artistic discovery. Your support of the Annual Fund has played a pivotal role in shaping these moments of inspiration, allowing us to provide an immersive and educational environment that fosters creativity.
During their recent visit, students were transported into the vibrant world of art, exploring diverse exhibitions that span decades and cultures. The Museum’s thoughtfully curated exhibitions became a canvas for their imagination. Witnessing the awe in their eyes as they encountered the beauty of creativity was a testament to the lasting impact of your generosity.
The following message was forwarded to the Museum’s Learning and Engagement department by Jennifer Riels, an educator and parent. “Our class of 10th grade students came to the Museum on Monday, October 30. It was wonderful. I can’t remember the name of the man who led our tour, but he did a phenomenal job asking questions and connecting the art to math. We enjoyed our visit and are grateful for the opportunity that the Asheville Art Museum provided our students!”
Your continued support and dedication not only facilitates these eye-opening field trips but makes it possible for the Museum to expand its educational outreach programs. Through your contribution, we can continue to inspire the next generation of artists, thinkers, and visionaries.
In the spirit of gratitude, we invite you to donate to our Fall Annual Fund. Your support ensures that we can continue to provide transformative experiences, empowering students to think critically, express themselves creatively, and develop a lifelong appreciation for the arts.
Your support is not just an investment in the Asheville Art Museum; it is an investment in the cultural enrichment of our community and the development of young minds. Together, we can continue to create moments of inspiration that resonate for a lifetime. Make your gift today by clicking the DONATE NOW button, visiting www.ashevilleart.org/donate or calling 828.253.3227 x114.
Come join us at the beautiful Barn at Honeysuckle Hill for a wreath making workshop you won’t soon forget!
There’s nothing quite like the anticipation of the holiday season. It’s a time when we gather with friends and family to celebrate the birth of our King and all that it means for us. Yet sometimes, in the busyness of the season, we fail to create space to pause and take in the wonder of it all. In this winter wreath workshop, not only will you make a beautiful wreath but but we will finish our time fireside with cider in hand reflecting on the year coming to a close and perhaps name some hopes for the one to come.
Get ready to put your hands to work as you craft your winter wreath with fresh mixed greens. You’ll have the opportunity to hand-select greenery of your choice and follow April step-by-step as she guides you through the simple process of creating your very own wreath, hand tied with a ribbon of your choice.
Select greens of: white pine, Frasier fir, cedar, eucalyptus, magnolia leaves and seasonal winter berries. All greenery will be treated with a preservative to make for a beautiful wreath all through the season.
Each wreath form measures 14 inches in diameter, your finished wreath will measure slightly wider.
Supplies and refreshments will be provided, just bring yourself!
Contact us with any questions you have! We hope you can join us.
Applications are open, and the deadline for submission is December 15, 2023. The WNC Center for Craft Artist in Residency program is trailblazing a new source of support for Western North Carolina (WNC) artists.
Grant Overview:
- Selected artists will receive a $10,000 honorarium, a testament to supporting the cultural sector in WNC.
- In addition, a $2,000 materials stipend will be provided to help artists realize their creative visions.
For a period of 8 weeks, artists will have exclusive access to dedicated studio space at the Center for Craft, conveniently located in the vibrant heart of downtown Asheville, NC.
The two selected artists will work alongside two Virginia A. Groot Material Exploration Residents in a cohort of four artists. This opportunity allows for each resident to have their own studio space and the time to work independently and to also build relationships with the other residents and participate in engagement with the Western North Carolina region through studio visits with curators, museums, and collectors and explore other regional craft schools.
This unique opportunity will empower artists to flourish in an environment designed to nurture their craft. Don’t miss the chance to be part of this groundbreaking initiative that’s redefining support for craft in the region.
In addition, the Fellows have the opportunity to publish their research in an article on Hyperallergic which will be featured in a special edition of Hyperallergic’s newsletter in Winter 2025, making it accessible to a national and international audience.
Grant Overview:
- $5,000 stipend to conduct research in an archive of choice
The Asheville Art Museum is excited to be celebrating its 75th anniversary this year! Over the past seven and a half decades, the Museum has served as the hub for artistic inspiration and education in Western North Carolina, bringing together artists and art enthusiasts from all walks of life.
As we approach the holiday season, we reflect upon the transformative power of art and the indelible impact it has on the young minds that visit the Museum. This year, we are especially grateful for the enriching experiences made possible by the Museum, experiences that extend far beyond the confines of our walls and into the hearts and minds of future generations.
Imagine the excitement of a 10th-grade class stepping through the Museum doors, wide-eyed and curious, ready to embark on a journey of artistic discovery. Your support of the Annual Fund has played a pivotal role in shaping these moments of inspiration, allowing us to provide an immersive and educational environment that fosters creativity.
During their recent visit, students were transported into the vibrant world of art, exploring diverse exhibitions that span decades and cultures. The Museum’s thoughtfully curated exhibitions became a canvas for their imagination. Witnessing the awe in their eyes as they encountered the beauty of creativity was a testament to the lasting impact of your generosity.
The following message was forwarded to the Museum’s Learning and Engagement department by Jennifer Riels, an educator and parent. “Our class of 10th grade students came to the Museum on Monday, October 30. It was wonderful. I can’t remember the name of the man who led our tour, but he did a phenomenal job asking questions and connecting the art to math. We enjoyed our visit and are grateful for the opportunity that the Asheville Art Museum provided our students!”
Your continued support and dedication not only facilitates these eye-opening field trips but makes it possible for the Museum to expand its educational outreach programs. Through your contribution, we can continue to inspire the next generation of artists, thinkers, and visionaries.
In the spirit of gratitude, we invite you to donate to our Fall Annual Fund. Your support ensures that we can continue to provide transformative experiences, empowering students to think critically, express themselves creatively, and develop a lifelong appreciation for the arts.
Your support is not just an investment in the Asheville Art Museum; it is an investment in the cultural enrichment of our community and the development of young minds. Together, we can continue to create moments of inspiration that resonate for a lifetime. Make your gift today by clicking the DONATE NOW button, visiting www.ashevilleart.org/donate or calling 828.253.3227 x114.
Applications are open, and the deadline for submission is December 15, 2023. The WNC Center for Craft Artist in Residency program is trailblazing a new source of support for Western North Carolina (WNC) artists.
Grant Overview:
- Selected artists will receive a $10,000 honorarium, a testament to supporting the cultural sector in WNC.
- In addition, a $2,000 materials stipend will be provided to help artists realize their creative visions.
For a period of 8 weeks, artists will have exclusive access to dedicated studio space at the Center for Craft, conveniently located in the vibrant heart of downtown Asheville, NC.
The two selected artists will work alongside two Virginia A. Groot Material Exploration Residents in a cohort of four artists. This opportunity allows for each resident to have their own studio space and the time to work independently and to also build relationships with the other residents and participate in engagement with the Western North Carolina region through studio visits with curators, museums, and collectors and explore other regional craft schools.
This unique opportunity will empower artists to flourish in an environment designed to nurture their craft. Don’t miss the chance to be part of this groundbreaking initiative that’s redefining support for craft in the region.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
The French Broad River Garden Club’s Annual Holiday Greens Market has been a tradition in Western North Carolina for nearly 100 years. This one-of-a-kind event features unique, handmade goods that are hand-crafted by regional artists – perfect for holiday gift-giving and home decorating. All of the greenery sold at the market has been harvested using accepted conservation principles.
This year, we are excited to host 35 vendors offering a wide variety of items including pottery, paintings and prints, jewelry, turned wood, soaps and botanical oils, blacksmith artistry, hand-crafted nutcrackers, greenery, flowers and bulbs, wreaths, garland, table centerpieces, ornaments, planters, letterpress greeting cards, cutting boards, nuts and jellies, honey, vinegars and dressings, homemade baked goods, and chocolate!
Influenced by the Club’s mission of environmental and horticultural education and practices, the Greens Market fulfills its mission by promoting conservation and sustainable use of natural resources in Western North Carolina. Proceeds from the Holiday Greens Market support local scholarships in horticultural and environmental studies. Please join us on Dec 2nd and 3rd in supporting a great cause!
URLs:
Facebook: https://go.evvnt.com/2089497-2?pid=10412
Instagram: https://go.evvnt.com/2089497-3?pid=10412
Category: Community | Fairs | Craft Fairs
Give the gift of holiday joy in the form of a unique, beautiful, locally made ornament! Handcrafted ornaments made by local artists will be for sale in our lobby on our Christmas tree through the middle of December. Gift the gift of art this year and support local artists in the process!
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair (Thx, Mountain Xpress!) every year since we began in 2008. We’re proud to boost our creative communities in all their go-for-broke, full-of-heart, boundary-pushing, human-scale, all-in, full-tilt glory.
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
Join us at Harrah’s Cherokee Center Asheville, December 2 and 3, Noon to 6PM, for 2 floors of beautiful art and community. Saturday is $10, Sunday is free
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair every year since we began in 2008. We’re proud to boost our creative communities in all their go-for-broke, full-of-heart, boundary-pushing, human-scale, all-in, full-tilt glory.
The Big Crafty was founded in 2008 by Brandy Bourne & Justin Rabuck. First held at The Grey Eagle, the event moved into its longtime home at the Asheville Art Museum before moving again to its current alternating homes at Pack Square Park and Harrah’s Cherokee Center Asheville.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
It is Christmas Eve and Clara and her brother, Fritz, are excited for the evening’s festivities to begin. Family and friends arrive in Greenville by train and admire the sights and sounds of beautiful Main Street. Clara’s magician Godfather, Herr Drosselmeyer, arrives and brings gifts for everyone. For Clara, he has a very special nutcracker. The celebration continues as all enjoy an evening of laughter and dancing. As one of the maids joins in on the dancing, she bonks Herr Drosselmeyer on the head in her excitement and he is knocked unconscious.
A magical star enters to guide Herr Drosselmeyer on a beautiful journey of Clara’s future. After all the guests have left, a lonely maid tidies up the room. She screams in fright as mice invade from every direction. The nutcracker doll, now life-sized, comes to save the day with an army of soldiers. A fierce battle between the mice and soldiers ensues. The Mouse King has The Nutcracker cornered, but Clara strikes the rodent and saves her Nutcracker who is transformed into a handsome prince. Herr Drosselmeyer’s journey continues with visions of beautiful angels and the well known Mice on Main in downtown Greenville. The city’s rich culture appears through Spanish, Arabian, Chinese, and Candy dancers as well.
Herr Dosselmeyer’s glimpse into Clara’s future happens upon her Debutante Ball complete with elegant waltzing dancers. The loving Godfather has watched his precious Clara’s coming of age and finds himself on her wedding day. The grown-up Clara is a beautiful bride and marries her dashing Nutcracker Cavalier. The magical wedding is one only dreams are made of. Or is it just a dream?
Music by Pyotr Ilyich Tchaikovsky(1840-1893)
The libretto is adapted from E.T.A Hoffmann’s story The Nutcracker and the Mouse King. Choreography by Hernan Justo is based on the original Marius Petipa and Lev Ivanov. Additional choreography by Anita Pacylowski Justo
Get ready to embrace the spirit of Christmas with Elf: The Musical, a heartwarming and hilarious adaptation of the beloved 2003 holiday film. This enchanting musical follows the journey of Buddy, a human raised by elves at the North Pole who embarks on a journey to New York City to find his real father. Through catchy, uplifting songs and zany comedic antics, Elf: The Musical serves a healthy dose of holiday cheer, laughter, and life lessons about identity, family, and the true meaning of Christmas. It’s a magical, festive spectacle guaranteed to light up the holiday season for all ages!
A talkback with the cast & crew of Elf: The Musical will be held following the performances on December 3rd and 10th.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
Christmas Program: Featuring Music Club Members and Friends
The Weaverville Music Study Club is now organized under the direction of a Board with a niece of the late Mrs. Clark, Harriet Holcombe Burnette serving as President. The Music Study Club along with area businesses and organizations sponsor music programs throughout the year. Offerings received at these programs provide scholarships for area high school students who wish to pursue music studies.
Jesse Sykes w/ Phil Wandscher
Sunn O)))) formed in March 1998 in Los Angeles. A synthesis of diverse: drone, ur, noise, metal, minimalism/maximalism; supported by a cast of collaborators, O))) has two core members: Stephen O’Malley and Greg Anderson. For twenty years, Sunn O))) have been challenging the way we think about music. From 1999’s The Grimmrobe Demos to 2015’s Kannon, core members Stephen O’Malley and Greg Anderson have forged connections between the worlds of Metal, Drone, Contemporary Composition, Jazz and Minimalism with startling results while remaining true to the eternal principles of volume, density and weight. Recently, Sunn O))) released their first full-length LP in six years, Kannon (2015), with its roots in recent collaborations with Norway’s Ulver (Terrestrials) and Scott Walker (Soused). The current live line-up, consisting of Stephen O’Malley, Greg Anderson, Attila Csihar, Stephen Moore and Tos Nieuwenhuizen continue live activities with dates across North America, Australia and Europe with remarkable performances at some of their favourite venues, as well as performing in new cultural spaces such as Italy’s impressive cultural complex Labrinto Della Masone, Germany’s Ruhrtriennale Festival of Arts, at The Barbican, London and Manchester International Festival being a few fine examples. All hail.
In addition, the Fellows have the opportunity to publish their research in an article on Hyperallergic which will be featured in a special edition of Hyperallergic’s newsletter in Winter 2025, making it accessible to a national and international audience.
Grant Overview:
- $5,000 stipend to conduct research in an archive of choice
The Asheville Art Museum is excited to be celebrating its 75th anniversary this year! Over the past seven and a half decades, the Museum has served as the hub for artistic inspiration and education in Western North Carolina, bringing together artists and art enthusiasts from all walks of life.
As we approach the holiday season, we reflect upon the transformative power of art and the indelible impact it has on the young minds that visit the Museum. This year, we are especially grateful for the enriching experiences made possible by the Museum, experiences that extend far beyond the confines of our walls and into the hearts and minds of future generations.
Imagine the excitement of a 10th-grade class stepping through the Museum doors, wide-eyed and curious, ready to embark on a journey of artistic discovery. Your support of the Annual Fund has played a pivotal role in shaping these moments of inspiration, allowing us to provide an immersive and educational environment that fosters creativity.
During their recent visit, students were transported into the vibrant world of art, exploring diverse exhibitions that span decades and cultures. The Museum’s thoughtfully curated exhibitions became a canvas for their imagination. Witnessing the awe in their eyes as they encountered the beauty of creativity was a testament to the lasting impact of your generosity.
The following message was forwarded to the Museum’s Learning and Engagement department by Jennifer Riels, an educator and parent. “Our class of 10th grade students came to the Museum on Monday, October 30. It was wonderful. I can’t remember the name of the man who led our tour, but he did a phenomenal job asking questions and connecting the art to math. We enjoyed our visit and are grateful for the opportunity that the Asheville Art Museum provided our students!”
Your continued support and dedication not only facilitates these eye-opening field trips but makes it possible for the Museum to expand its educational outreach programs. Through your contribution, we can continue to inspire the next generation of artists, thinkers, and visionaries.
In the spirit of gratitude, we invite you to donate to our Fall Annual Fund. Your support ensures that we can continue to provide transformative experiences, empowering students to think critically, express themselves creatively, and develop a lifelong appreciation for the arts.
Your support is not just an investment in the Asheville Art Museum; it is an investment in the cultural enrichment of our community and the development of young minds. Together, we can continue to create moments of inspiration that resonate for a lifetime. Make your gift today by clicking the DONATE NOW button, visiting www.ashevilleart.org/donate or calling 828.253.3227 x114.
Applications are open, and the deadline for submission is December 15, 2023. The WNC Center for Craft Artist in Residency program is trailblazing a new source of support for Western North Carolina (WNC) artists.
Grant Overview:
- Selected artists will receive a $10,000 honorarium, a testament to supporting the cultural sector in WNC.
- In addition, a $2,000 materials stipend will be provided to help artists realize their creative visions.
For a period of 8 weeks, artists will have exclusive access to dedicated studio space at the Center for Craft, conveniently located in the vibrant heart of downtown Asheville, NC.
The two selected artists will work alongside two Virginia A. Groot Material Exploration Residents in a cohort of four artists. This opportunity allows for each resident to have their own studio space and the time to work independently and to also build relationships with the other residents and participate in engagement with the Western North Carolina region through studio visits with curators, museums, and collectors and explore other regional craft schools.
This unique opportunity will empower artists to flourish in an environment designed to nurture their craft. Don’t miss the chance to be part of this groundbreaking initiative that’s redefining support for craft in the region.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.
Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.
Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words, “at fighting erasure by making objects that engage with these long-suppressed stories.”
Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
Give the gift of holiday joy in the form of a unique, beautiful, locally made ornament! Handcrafted ornaments made by local artists will be for sale in our lobby on our Christmas tree through the middle of December. Gift the gift of art this year and support local artists in the process!
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama