viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

THURSDAY JULY 31, 7:30Pm at The Orange Peel PULP
ENJOY standup comedy in a whole new way with picture and videos to go along with the fun in a bourbon bar comedy club! Hosted by Hilliary Begley from Netflix & Prime Video. Headliner Jordan Julius, winner of Slice Standup Comedy Contest. Featuring hot regional comics Sarah Love, Jason Reel & Lois Adjevi
FREE SNACKS, outside food ok!
Get you tix now, these shows sell out!

Standup Comedy Picture Show

Standup Comedy Picture Show with headliner Jordan Julius
Comics on the show do standup with slide show pictures to illustrate their sets! This is sure to keep you in your seats!

Thursday July 31, 7:30-9p in The Orange Peel’s comedy basement. PULP is a bourbon speakeasy (400+ varieties) located under the iconic stage. No food is served but we do have free snacks while they last and outside food is permitted (no drinks of any kind).
$17 tickets available at door or The Orange Peel’s website

Host is Hilliary Begley voted repeatedly Asheville’s Favorite comic in the Mountain Xpress. Film debut in the Netflix original Dumplin’ as Aunt Lucy, or “Jennifer Anniston’s fat sister,” and Austin Film Festival winning movie When We Last Spoke with Cloris Leachman, now streaming on Amazon Prime.

Headliner Jordan Julius is a Charlotte-based comedian and the winner of the 2024 Slice Standup Comedy Pageant, of which 20 great regional comics competed. He is a stand-up comedian fueled by caffeine, anime, and the kind of life choices that make great material (eventually). Blending pop culture, slice-of-life chaos, and way too many hours spent gaming, Jordon’s comedy hits that sweet spot between nostalgic and unhinged.

Sarah Love is a comedian based in Asheville, North Carolina. She’s performed all over the region including at Zanies Lab in Nashville, featured at The Comedy Zone Greenville, and is a regular on Don’t Tell Comedy shows across the Southeast. She is a wry yet kinetic comic with a rebellious streak. Her comedy is blunt, relatable, and just unhinged enough to keep you on your toes.

Also on the show is Sarah Love, Jason Reel & Charlotte comedian Loic Adjevi.
For more info contact Michele at [email protected]

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.