If you’ve ever collected small, perfectly smooth pebbles and wondered what to do with them, this two-day workshop is the perfect solution! Using diamond encrusted drill bits, students will drill through these materials and then fabricate sterling silver wire and sheet to create stunning jewelry which may include pendants, earrings, rings and bracelets. Students will also learn about the soldering process, bezel and prong setting and a small amount of forging.

No experience is necessary but good eyesight or magnification is a must.

Students are asked to bring:
Small pebbles, ceramic shards, shells and sea glass if they have any (the instructor will bring some for their use as well)
Notebook and pen/pencil
Ultra fine tipped Sharpie pen
$399 plus materials
A materials list for students to purchase will be provided upon registration.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Performances on both Tuesday, October 14th AND Wednesday, October 15th.

Aphorisms is a tribute to composer and Black Mountain College student Ursula Mamlok, inspired by her life, art, and triumph over persecution and oppression. The performance is choreographed by Miro Magloire and performed by the Momenta Quartet, flutist Roberta Michel, and the New Chamber Ballet. Presented here as a new performance iteration created especially for Black Mountain College Museum + Arts Center, this event integrates live chamber music and dance to celebrate Mamlok’s work and legacy. BMCM+AC will present two evening performances (Oct. 14th and Oct. 15th) in the museum’s main level gallery, in conjunction with the exhibition Points in Space: Performance at Black Mountain College.

About the Performances:

Aphorisms presents six works by Ursula Mamlok, performed live, enriched by Miro Magloire’s contemporary ballet choreography. Magloire, a former composition student of Mauricio Kagel and the founder of the New York City-based New Chamber Ballet, has pioneered a captivating new form of music-and-dance collaboration: ‘unplugged’, without stage sets or theatrical lights, and with the audience seated around the stage and up close to the performers.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Vote for your favorite comic of the night!!
The Slice of Life Comedy Asheville Fall/Winter Standup Contest – round 2
Thursday October 16, 7:30p-9:30p, doors at 6:30p
The Orange Peel’s Comedy Basement, Pulp Lounge
103 Hilliard Ave, Downtown Asheville
Tickets: $17 (available at door or The Orange Peel website)
These shows sellout!
Hosted by Hilliary Begley from Netflix & Amazon Prime!
Cocktails available while you laugh the night away to some of the area’s best Stand Up Comics in a ridiculously fun adult environment!!
Free snacks while availability lasts! You may bring your own food in (no drinks)!
How it Works:
Audience votes thru ballot. Comics on the show will do 4 minutes of comedy. This show’s 3 top comics will be brought back with winners from round one to compete in our pageant finale, date TBA.
Want to compete? These limited spots go fast. Free to signup if room is still available. Contact Michele at [email protected]!

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Open Studio Sip & Shop: Local Jewelry, Home Decor + Vintage Clothing

115 Elk Mountain Rd, Woodfin NC
Friday, October 17th
4-6:30PM

Additional parking at Woodfin Elementary

Asheville Plays is eeeek!cited to announce the 13th annual Haunted Trail; Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. The Adventure Center of Asheville is the host of this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. The show is loved by boils and ghouls from all over WNC and is proudly presented by our title sponsor Mellow Mushroom Asheville. The Treetop Adventure Park Aerial Glow Trail is available for purchase for guests 4 years or older to enjoy at this event! Climb on two aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early! *The Haunted Trail does not sell out, however the entrance closes at 9 pm. Join us in saying BOO! to hunger; Each Ticket purchased to this event raises 4 meals for MANNA foodbank. For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and allows any nervous little monsters to decide if they would like to re enter the line and receive the full show. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room, Live Mermaid Encounter with photo opportunity, and free pirate themed activities. In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be an entire festival with games, local vendors, food and brews, and new this year: a Cotton Candy Robot! Scare you there! Oct 3-4-10-11-17-18-19-23-24-25-26 6-9 PM

Fri, Oct 17 • 7 pm

In this visually stunning adventure for all ages, a friendly dinosaur discovers a glowing world and the true meaning of love. Lightwire Theater blends puppetry, technology and dance to tell tender-hearted stories that spark childlike wonder and (literally) light up the darkness.

“What you see looks like magic” —CBS Sunday Morning

“absolutely incredible” —Rolling Stone

Spotlight on Lightwire Theater:

Semi-finalists on America’s Got Talent and winners of truTV’s Fake Off
Recipient of the Jim Henson Foundation Grant for DINO-LIGHT
Each puppet is hand-built from recycled materials like skateboards, dryer ducts, and fishing poles
Characters glow with electroluminescent (EL) wire, taking 200+ hours to create

Come get down to some spooky, groovy, and funky disco house tunes!

Feat. a stellar lineup of local talent:

– Sketchy Decks
– Earl Grae
– Interstellar Noise
– Double Helix

$10 entry. Don’t miss this one!

🎉 Calling All Young Entrepreneurs! 🍅
We’re thrilled to partner with J&M Farms at their vendor market day in October!

🌟 Got a kid with a big idea? Whether it’s homemade crafts, baked goods, lemonade stands, or creative services—this is their chance to shine!

🍅 Visit kids markets.com

Sign up your child’s booth 🌽
Explore upcoming children’s markets 🎨
Support young local entrepreneurs 💼

Come support young business minds as they showcase their creativity, passion, and entrepreneurial spirit alongside your favorite local vendors.

Shop local and discover handmade crafts, delicious treats and unique finds from amazing vendors. It will be a day of family fun, and a perfect day to shop, explore, and be inspired by the next generation of innovators.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Mon Cher let’s get to it! Most requested faves Zydeco Ya Ya are back in the Big Barn for zydeco, swamp pop, second line, and Cajun swing. These guys always provide a fabulous groove and engaging show that makes you want to hop out onto the floor- or bob and weave from your chair, cold one in hand.

• HNG will be running a bar with local beers, NA beverage and snack cart.
• Barn Door Ciderworks will provide some sweet and snappy sips of their legendary cider brewed right here in Fairview.
• The Garden Foodtruck by chef Simone Jaramillo will be serving seasonal, sustainable, food-as-medicine MAGIC!
• Pro tip: we have picnic tables, benches & patio sets, but always bring a backup folding chair or picnic blanket JUST in case. It can get packed!

By purchasing your ticket online you will be on our Will Call list, admission will be checked in at the Cabana!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

BMCA Fall Dance Day!

Asheville Plays is eeeek!cited to announce the 13th annual Haunted Trail; Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. The Adventure Center of Asheville is the host of this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. The show is loved by boils and ghouls from all over WNC and is proudly presented by our title sponsor Mellow Mushroom Asheville. The Treetop Adventure Park Aerial Glow Trail is available for purchase for guests 4 years or older to enjoy at this event! Climb on two aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early! *The Haunted Trail does not sell out, however the entrance closes at 9 pm. Join us in saying BOO! to hunger; Each Ticket purchased to this event raises 4 meals for MANNA foodbank. For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and allows any nervous little monsters to decide if they would like to re enter the line and receive the full show. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room, Live Mermaid Encounter with photo opportunity, and free pirate themed activities. In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be an entire festival with games, local vendors, food and brews, and new this year: a Cotton Candy Robot! Scare you there! Oct 3-4-10-11-17-18-19-23-24-25-26 6-9 PM

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.