One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

Pumpkin Fest is a fun, family friendly and fantastic artistic event or great date night with 18 beautiful artist-designed lighted carved pumpkin displays on a newly-paved short walking trail. The event includes talented local musicians, food trucks and coffee house, games, storytelling, face painting, white squirrel scavenger hunt, games, dress ups, and the Silvermont historic mansion and second floor museum open for tours.

Admission $7 per person (ages 13 and over), $5 ages 3-12, and 2 and under free. We accept cards, cash or check with ID.

Onsite parking cost is $5 per car (cash preferred). Free parking is available offsite on nearby streets and Comporium and church parking lots 1 block away. Handicap sticker- free parking onsite.

The Blues Is Alright Tour comes to the Bon Secours Wellness Arena with the 7^th Annual Greenville Blues Festival on Saturday, October 4 at 7:00 p.m. The Blues is musical storytelling filled with stark emotion and a revolving reality check. It’s authentically raw; transforming tragedy, adversity, and heartache into a visceral and cathartic experience. This special night of emotive lyrics and guitar-driven accompaniment features performances by Tucka, King George, Pokey Bear, Lenny Williams, Theodis Ealey, and J-Wonn

Experience Appalachian music and dancing at this lively community gathering! Enjoy a live old-time string band as a caller leads fun, easy-to-follow dances—no partner or experience needed. Start the evening with a short flatfoot lesson and try your luck in the cake raffle. All ages are welcome!

Plenty of free parking is available at Haw Creek Elementary School (10 Bethesda Rd), just a short walk from the hall. Accessible spots are also available next to the dance hall at Haw Creek Commons.

Admission: $10 per person, $5 for children 12 and under. Pay at the door via cash, Venmo, or Zelle.

Sign up for email updates below!

https://mailchi.mp/39798f75c04a/signup_asheville-community-square-dance

WHERE: Third Room
WHEN: Saturday October 4, 2025
DOORS: 8pm SHOW: 8:30pm
GENRE: future breaks / edm
TICKETS: $25 early bird / $30 adv. / $35 d.o.s.

Getting in the spotlight at the young age of just 16 with brutally unique multi-genre music, IMANU has developed a presence on the bass music scene as one of the greatest producers of the new generation. Now in his twenties, he already released on top notch labels such as Deadbeats, UKF and Vision, and remixed the likes of Apashe, T OKiMONST A and What So Not & Skrillex, as well as delivering collaborations with artists like Noisia, KUČKA, The Glitch Mob, Flowdan, Pham and Josh Pan.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Lecture Demonstration Series for the Curious, the New, and the Devotee

Sun Oct 5 • 3 pm | 60 minutes

Louis and Duke were there at the beginning—and their influence echoes through every note that comes after. Louis taught the world to swing with joyful individuality. Duke, America’s greatest composer, gave us music that is sophisticated, soulful, and gloriously open. Between them, they laid the foundation—unshakably cool and warmly welcoming.

Jazz Is for Everyone is a series of five one-hour sessions exploring jazz music. Come to one or join them all—each session stands on its own and welcomes listeners at any level.

What You’ll Experience:
Guided listening
Live music demonstrations
Stories that connect the music to people, places, and intent
A space for questions, curiosity, and shared discovery

Jeremy Walker launched Jazz Is for Everyone in 2004 at his Brilliant Corners Jazz Club, with Wynton Marsalis serving as Artistic Advisor. The program was developed as an Educational Affiliate with Jazz at Lincoln Center. Since then, Walker’s been writing, composing, performing, producing, and speaking about why this music still matters.

Fellow Pynins is an award winning contemporary transatlantic folk duo with a keen and bucolic sense of vocal harmony and song craft. The live performance is a whimsically emotional escapade through the chasms of our, yes, feelings. Dashed with spontaneous and clever banter, mirth and woe, you will probably cry and quite possibly laugh, a lot. Wielding claw-hammer banjo, Irish bouzouki, mandolin, and acoustic guitar the duo sings predominantly original music as well as reworked traditional ballads gathered from their travels.

“Folk Music with a hefty touch of whimsy” – Bob Boilen (NPR)

Only Nashville could give birth to a band like the SteelDrivers: a group of seasoned veterans –each distinguished in his or her own right, each valued in the town’s commercial community – who are seizing an opportunity to follow their hearts to their souls’ reward. In doing so, they are braiding their bluegrass roots with new threads of their own design, bringing together country, soul, blues, and other contemporary influences to create an unapologetic hybrid that is old as the hills but fresh as the morning dew. This is new music with the old feeling. SteelDrivers fan Vince Gill describes the band’s fusion as simply “an incredible combination.”

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Witcher in Concert is coming to celebrate the 10th anniversary of the critically acclaimed The Witcher 3: Wild Hunt! Witness the open-world RPG’s timeless score brought to life with a live orchestra performance, featuring special appearances by Polish folk metal band Percival, the original co-composers of the game’s soundtrack.

This cinematic experience combines breathtaking in-game visuals with live music, making it a must-see event for fans of The Witcher and epic orchestral performances alike.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Aaron Lewis, the Vermont-born powerhouse first found success with Staind – the 2000s-era hard rockers who injected meditative muscle into an era better known for mindless aggression. But while that band is still very much alive, it was never enough to satisfy Lewis’ creative drive. Embracing his roots to earn a rare second round of success, a series of solo Country projects have led to two No. 1 Billboard Country Album debuts – TOWN LINE (2011) and SINNER (2016) – plus a PLATINUM collab with heroes George Jones and Charlie Daniels (“Country Boy”), and a GOLD-certified Billboard No. 1 with “Am I The Only One” in 2021. Lewis’ 2022 solo album followed suit, with FRAYED AT BOTH ENDS emerging as the best-selling Country album in America but he never wrote songs for the stats. No matter the sonic setting, Lewis writes and sings to get his truth out and his latest album THE HILL (2024) is no different.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Ben Folds With The Asheville Symphony is coming to the Thomas Wolfe Auditorium at Harrah’s Cherokee Center – Asheville on October 10, 2025.

Bursting onto the scene at just 16 with her multi-platinum debut The Soul Sessions, Grammy and Brit Award-winning artist Joss Stone has captivated audiences around the globe with her stunning vocals and fearless artistry. With over 15 million albums sold and a billion streams in the U.S. alone, she’s a true force in modern soul.

Stone has shared the stage with legends—James Brown, Stevie Wonder, Mick Jagger, Sting, Gladys Knight, and more—and made history with her Total World Tour, performing in every country on Earth.

Her latest chapter is just as bold: a West End musical (The Time Traveler’s Wife), a critically acclaimed live album (20 Years of Soul), and a brand-new studio album on the way in 2025.

WHERE: Third Room
WHEN: Friday October 10, 2025
DOORS: 8pm SHOW: 9pm
GENRE: psychedelic jam rock / jamtronic fusion
TICKETS: $15 adv. / $20 d.o.s.

PURCHASE: https://tixr.com/e/152971

Chalk Dinosaur:
WEBSITE: https://chalkdinosaur.com
HEAR SOME MUSIC: https://chalkdinosaur.bandcamp.com
SEE A VIDEO: https://youtu.be/_7Rk-D1vGEo?si=EUEEe68oOYw1eesw

Chalk Dinosaur was founded in 2008 as the artist project of Pittsburgh music producer John O’Hallaron, and is known for it’s colorfully diverse and prolific songwriting. Over the years, Chalk Dinosaur has released 28 albums and EP’s, ranging from indie and surf rock to psychedelic rock, electronic dance music, funk, and jam. Some albums are instrumental and some are vocally centered. Some are solo recording projects, while others are collaborative albums featuring the full band.
Chalk Dinosaur (Pittsburgh, PA) as a performance entity is a live electronic duo featuring a fusion of dance, funk and psychedelic rock. Distinctive melodic themes coupled with a groove-focused rhythm section augmented with synthesizers and electronic textures, the live shows are characterized by high energy and emotional diversity.

Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.