Calendar of Events

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Terpsicorps Theatre of Dance presents Appalachian Phoenix, a Celebration of Community, Resilience and Hope.

An evening of beauty and resilience through the art of dance, Terpsicorps’ world premiere of Appalachian Phoenix is more than a performance—it’s a testament to the strength, creativity, and unity of Western North Carolina. This powerful new work transforms real stories of kindness and perseverance in the wake of Hurricane Helene into breathtaking movement, music, and design. Terpsicorps, now in its 22nd season, features world-class dancers who will bring to life the true stories of local heroes, nominated by their communities. Their acts of kindness and courage shape the choreography, making Appalachian Phoenix a deeply personal and meaningful experience. Around 15,000 water bottles collected from the storm’s debris will be utilized to create a remarkable translucent backdrop that will frame the choreography and reflect abstracted images of WNC projected onto its surface. The original score was created by composer Jeff Schmitt, along with River Guerguerian and Chris Rosser, of Free Planet Radio. It blends the past and present into a dynamic, inspiring, and evocative composition. The score fuses old-time, bluegrass, Afro-Appalachian folk, hip-hop, funk, blues-rock, and Latin rhythms. Collectively, they’ve performed at venues ranging from Carnegie Hall to MerleFest, and the BBC Symphony Orchestra.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us for The HEAL Collective’s one-of-a-kind Summer Tour!

📅 Tuesday, July 29, 2025
🕔 5:00–7:30pm (doors open at 4:45)
📍 The Studio AVL — 34 Wall Street, Asheville, NC 28801

You’ve done the inner work.
You know how to name your patterns, ride the emotional waves, maybe even hold space for others.

But…
You still crave something deeper.
A place where your body can exhale.
Where healing doesn’t feel like a solo mission.
Where you can be held, celebrated, and activated alongside others who get it.

This is that space.

We’re Carissa & Eric—partners in love and in the wild vision of a more embodied, relational world.
We’ve walked through burnout, heartbreak, anxiety, and the kind of disconnection that healing work alone couldn’t quite touch.

This event is a call to come back into the body.
Into connection.
Into playful, powerful presence.

✨ What You’ll Experience:

❤️‍🔥 Grounding breathwork + guided meditation
❤️‍🔥 Somatic practices for regulation and joy
❤️‍🔥 Authentic relating & vulnerable connection
❤️‍🔥 Dance, movement, and community magic

🌟 You’ll Leave With:

💫 Practices to anchor yourself when the world feels chaotic
💫 Soul-nourishing connections with conscious humans
💫 A felt sense of possibility—in your body, your life, and your relationships

We believe healing is a path we must each walk ourselves, but we don’t need to walk it alone.
Healing can be embodied. It can be communal. It can be alive.

This isn’t just an event.
It’s the revolution.
A gathering of people who are ready to feel more free—together.

🎟️ Tickets
$44 – Individual
$77 – Bring a friend, partner, or fellow seeker and receive a discount

🍇 Light refreshments provided.
🌸 Space is intimate—reserve your spot early.

Come as you are. Leave more fully expressed.
We can’t wait to heal with you.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!