Calendar of Events

The oldest and most common advice poets hear is “show don’t tell.” But what does that mean, exactly? What is the difference between showing and telling? Why is “showing” better? Most of us write poems to tell readers something, to share our ideas. Many poets—from as far back as John Donne to as recent as Stephen Dunn–do a lot of telling in their poems. So why are we always advised not to tell? In this workshop we will discuss these questions. In the process, we will look at a few well-known poems to see how–or if—they show rather than tell, and we will do some writing exercises that may help us arrive at some conclusions about this persistent advice.

This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Microsoft Teams for the virtual connection. Sign up to attend the workshop at workshop link

Eric Nelson’s most recent poetry collection, Horse Not Zebra, won both a Da Vinci Eye Award for cover art and an Honorable Mention in Poetry from the 2023 Eric Hoffer Book Awarda. His poems have appeared in many journals, including Poetry, The Sun, The Oxford American, and The Missouri Review. Among his awards are the 2014 Gival Press Poetry Book Award for Some Wonder; the 2004 X.J. Kennedy Poetry Award for Terrestrials, chosen by Maxine Kumin; the Arkansas Poetry Award for The Interpretation of Waking Life (1991); the Split Oak Press Chapbook Award for The Twins (2009); the Georgia Author of the Year Award (2005), and fellowships to the Hambidge Center for the Arts and the Virginia Center for Creative Arts. He taught writing and literature courses at Georgia Southern University for twenty-six years before retiring in 2015 and moving to Asheville, where he lives with his wife, Stephanie Tames, and teaches in the Great Smokies Writing Program. www.ericnelsonpoet.com.

Poet Donika Kelly and memoirist Melissa Febos will present a reading at 7 p.m. on Thursday, Sept. 14 in UNC Asheville’s Highsmith Union, Blue Ridge Room.

Donika Kelly is the author of “The Renunciations,” winner of the Anisfield-Wolf book award in poetry, and Bestiary, the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award, and a Kate Tufts Discovery Award. A recipient of a fellowship from the National Endowment for the Arts, she is a Cave Canem graduate fellow and founding member of the collective Poets at the End of the World. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. She is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing.

Melissa Febos is the bestselling author of four books, including “Girlhood,” which won the National Book Critics Circle Award in Criticism and has been translated into seven languages; and “Body Work: The Radical Power of Personal Narrative.” Her fifth book, “The Dry Season,” is forthcoming from Alfred A. Knopf. Her work has recently appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, and New York Review of Books. Febos is a professor at the University of Iowa.

DJ SPENCE & DJ CAMARO

Virgos get in free

Ages 18+ (under 18 must be accompanied by a parent)

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Imagine this: it’s 2001 and you’re seeing No Doubt’s video for Hella Good for the first time. Maybe you’re sitting on a carpeted floor eating pop tarts and watching cable TV when it happens. Your aesthetic ideals have shifted since the matrix came out a couple years back and you find yourself wondering what it takes to become a badass. Quickly you determine that it has a lot to do with motorcycles, jet skis, wet looking hair and wearing black. You don’t even know about Evenescence yet but pop music is about to take some real dips into heavy riffs and darker themes. You’re for it—it makes you feel alive. Let’s run that one back, shall we?

⚡️Saturday, September 16th⚡️

☠️10pm-1am☠️

🏍️DJ Lil Meow Meow🏍️

⛓️at @littlejumbobar ⛓️

♥️$5 suggested donation♥️

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Ballet Hispánico is the largest Latine/Latinx/Hispanic cultural organization in the United States and one of America’s Cultural Treasures. Through its exemplary artistry, distinguished training program, and deep-rooted community engagement, Ballet Hispánico champions and amplifies Latinx voices in the field. As it looks to the future, Ballet Hispánico is pushing the culture forward on issues of dance and Hispanic creative expression.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

This electrifying combination of theatre, dance, and technology brings classic tales to new light.

We begin with Aesop’s classic fable of The Tortoise and the Hare but continue the story — which finds them 10 years down the road, now with children of their own and exploring modern day distractions. Smart phones and video games create a new landscape of lost connections to life experiences. The Next Gen features Tortoise Junior and Li’l Hare in a whole new kind of race, where their adventures lead them into unexpected territory. Old Man Tortoise and Big Daddy Hare must come together despite their differences to find and save their children. What hurdles will they have to overcome to make it to the finish line?

With dazzling visuals, poignant storytelling and the creative use of music from classical to pop, this production brings this tale into a new brilliant light. Recommended for grades K-5. Connect with the artists in a post-show Q&A.

The Student Series is open to school groups, homeschoolers, community groups and families.

*This production contains lasers and strobe lights.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Come Join us this Sunday for our Spooky Drag Brunch at Little Louie’s! We are super excited to Host Katarina Synclaire. We have Josie Glamoure, Leo Scott, & Nova Jynah.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

This workshop is for anyone who wants to bring their real-life stories to the page, whether for publication or simply to record stories for family and friends. Through focused prompts, we will revisit and write about important moments from our lives. Our session will include timed writing exercises, group discussions, and an opportunity to read one’s work aloud in a supportive setting. Please bring paper and a writing implement and come ready to write!

Space is limited, so registration is required.

Lori Horvitz’ first collection of memoir-essays, The Girls of Usually, won the 2016 Gold Medal IPPY Book Award in Autobiography/Memoir. Her creative nonfiction has appeared in a variety of journals including Hobart, South Dakota Review, The New York Times, The Guardian, and Hotel Amerika. Professor of English at UNC Asheville, Horvitz has been awarded fellowships from Yaddo, Cottages at Hedgebrook, VCCA, Ragdale, Blue Mountain Center, and Brush Creek. She holds a Ph.D. in English from SUNY Albany, and an MFA in Creative Writing from Brooklyn College.

Haywood County native Donald Davis was born into a world rich in stories and folklore. Although well versed in the more traditional Jack Tales, Davis was most interested in the stories of his own family and friends, as well as places of origin. He used these stories to enhance his sermons during a celebrated 25-year career as a Methodist Minister. Later he began telling stories at regional festivals, and upon retirement, became a notable author and performer.

The author of 18 books and 40 original recordings, Donald Davis is indeed a national treasure. He is the recipient of both The Circle of Excellence and the Lifetime Achievement Award from the National Storytelling Network.

Still from McCall’s Bauhaus Dances, Formentanz (Form Dance), photo by Debra McCall.

The Lecture and Film: Bauhaus Dances

As Master of the Theater Workshop at the Dessau Bauhaus in the 1920s, Oskar Schlemmer delivered a series of avant-garde lecture dances on the body in space, his lifelong opus. Schlemmer’s revolutionary ideas for a humanistic theater in the new technology age were transported to the US  with the arrival of Bauhauslers Josef and Anni Albers and Xanti Schawinsky, a Theater Workshop performer, to Black Mountain. Their ideas impacted the work of Robert Rauschenberg, John Cage, and Merce Cunningham at Black Mountain, who in turn disseminated Schlemmer’s emphasis on  pedestrian movement and “chance composition” to shape work of the Judson Dance Theater and New York’s downtown performance scene.

Believing Schlemmer’s Bauhaus lecture dances to be the tabula rosa of avant-garde performance art and dance of the late 1960s-70s, Debra McCall set out to East and West Germany in 1981 in search  of Schlemmer’s original notes and sketches for the dances, and to walk the stage of the then recently restored Bauhaus. She was challenged to complete these two tasks by the only surviving performer of Schlemmer’s pieces at the time, Andreas Weininger, and by Ise Gropius, Bauhaus founder Walter Gropius’s widow, who insisted McCall could only understand the architectonic nature of Schlemmer’s work by walking the stage Gropius designed for him. A series of fortuitous and occasionally harrowing events led to the premiere of her reconstructions, “Oskar Schlemmer’s 1920s  Bauhaus Dances,” at The Kitchen in New York in 1982. With the addition of more reconstructions, a second premiere occurred at New York’s Solomon R. Guggenheim Museum in conjunction with  the exhibition, “Kandinsky: Russian and Bauhaus Years 1915-1933.” Critical acclaim and sold-out houses led to tours of major museums and venues in the US, Europe, and Japan, including the first International Biennale de la Dance in Lyon, France, and a return to the original Dessau Bauhaus stage in 1994.

A narrative within a narrative, McCall will present the story of her reconstruction followed by a screening of a film of the reconstructions, premiered at New York’s Goethe House in 1987, featured  in American Dance Festival’s First International Festival of Film and Video Dance, and presently  residing at the New York Public Library for the Performing Arts at Lincoln Center.

Debra McCall is a dance historian, choreographer, Certified Movement Analyst, and performer best  known for her reconstructions of Oskar Schlemmer’s 1920s Bauhaus Dances. Recipient of  fellowships from the National Endowment for the Arts and the National Endowment for the  Humanities, she also received the Rome Prize in Design from the American Academy in Rome and a Fulbright-Nehru Professional and Academic Excellence Award for her documentation of medieval  reliefs of sacred dancers at the Thillai Nataraja Temple in Chidambaram, Tamil Nadu. McCall served  on the graduate faculties of New York University and Pratt Institute where she was Mellon Lecturer. Her Bauhaus work has been presented in a variety of venues including Performa 09, Artissima 17  Torino, and Harvard University’s “The Bauhaus and Harvard: 100 years.” She also directs  Performing Matters (www.performingmaters.org), an organization dedicated to the preservation of  endangered dance and dancers’ rights.

Watch a recording: vimeo.com/142663982

https://www.blackmountaincollege.org/film_screening/bauhaus_dances/

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

This is a family friendly event where you can bring the whole crew to dance-it-out with DJ Virtuous at The Regeneration Station! All are welcome to attend this “Glow Dance” and support one of your local nonprofits.

Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.

Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música  del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.

About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.

This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.

Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.

In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.

Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música  del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.

About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).

The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.

This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.

Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.

In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.