Calendar of Events

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Looking for a buzz-worthy event? Look no further than Asheville’s 4th Annual Honey Festival! Join the Center for Honeybee Research and Shanti Elixirs on Sunday, June 8th, from 12-6pm at Highland Brewing for a day of celebration, education, and community-building.

At the festival, you’ll enjoy live music, food trucks, and vendors showcasing the unique flavors of honey and other artisanal goods. But that’s not all: you’ll also be supporting a great cause, as proceeds from the festival will go towards saving pollinators and our planet.

The Center for Honeybee Research will be offering local and international honey for guests to sample and purchase, and you can even participate in the People’s Choice award for local honey vendors. Plus, we will be featuring the live finals of the 15th Annual International Black Jar Honey competition. Festival goers can watch as local celebrities determine the world’s best-tasting honey.

And don’t forget to come dressed in your best pollinator-themed costume! It’s all part of the fun at Asheville’s 4th Annual Honey Festival.

Personal water bottles are recommended, and families are encouraged to attend. So mark your calendars for June 8th, and come out to celebrate the wonderful world of beekeeping, honey, and all things pollinators. Together, we can help save the bees!

Join us in the beautiful Asheville neighborhood of Olivette for an outdoor concert by “writer song-singer” Heather Maloney.

BYOB • BYOC (chair) • $25 • KIDS ARE FREE!

Massachusetts-based artist Heather Maloney found music in the midst of three years at a meditation center, honing a sound moored in days of silent reflection and reverence for storytellers like Joni, Rilke, Ken Burns, and the anonymous authors of Zen parables.

With over 1,000 shows in the US & Canada, and 8 studio albums under her belt, she released her first live album, “No Shortcuts: Live at the Academy” in 2022.
Heather’s songs have played on NPR stations across the country and her live appearances have aired on syndicated programming like eTown and AudioTree. Her song “Nightstand Drawer” was used in the season finale of the CBS TV series “Elementary”, and her songs have also been featured on a number of editorial Spotify playlists & Starbucks’ in-store nationwide playlists.

Heather has toured throughout the US & Canada as a headliner and also in support of acts including Lake Street Dive, Shakey Graves, Gary Clark Jr., Rodrigo y Gabriela, Colin Hay (Men at Work), Mary Chapin Carpenter, Shawn Colvin, Dar Williams and many more.

The Brevard Branch of the American Association of University Women (AAUW) is sponsoring its 55th Annual Book Sale, the largest and best book sale in North Carolina. Net proceeds support local STEM and educational scholarships for girls (5th-12th grades) and women at Brevard College and Blue Ridge Community College.

Book donations are collected in Yellow Boxes at numerous community locations from early February to late May 2025. Walk-in donations are accepted each Thursday until May 22 from 10am-2pm at The Book Book, 170 S. Broad St., Brevard, NC.

The Brevard Branch of the American Association of University Women (AAUW) is sponsoring its 55th Annual Book Sale, the largest and best book sale in North Carolina. Net proceeds support local STEM and educational scholarships for girls (5th-12th grades) and women at Brevard College and Blue Ridge Community College.

Book donations are collected in Yellow Boxes at numerous community locations from early February to late May 2025. Walk-in donations are accepted each Thursday until May 22 from 10am-2pm at The Book Book, 170 S. Broad St., Brevard, NC.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Brevard Branch of the American Association of University Women (AAUW) is sponsoring its 55th Annual Book Sale, the largest and best book sale in North Carolina. Net proceeds support local STEM and educational scholarships for girls (5th-12th grades) and women at Brevard College and Blue Ridge Community College.

Book donations are collected in Yellow Boxes at numerous community locations from early February to late May 2025. Walk-in donations are accepted each Thursday until May 22 from 10am-2pm at The Book Book, 170 S. Broad St., Brevard, NC.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Pet a possum! Touch a snakeskin! Learn all about the wonderful wild animals that live in our beautiful WNC mountains! Join us at Hands On! Children’s Museum for an interactive presentation from Chimney Rock State Park Animal Encounters.
***Free with Admission***

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join the Center for Craft as we celebrate the 40 regional artists from Western North Carolina in our current exhibition, WNC Craft Futures: From Here. The show provides a view into the deep well of craft skill and creativity from here while also offering a glimpse of where our community can go in the aftermath of a devastating storm.
Live music, refreshments, hands-on craft-making activities, open studios, and more! Free and open to the public. RSVPs kindly requested to help us plan!

See how to make altered books and make a page for one of the volumes of Turning the Page on Helene. All supplies are provided free of charge. No previous art experience is necessary!

Turning the Page on Helene is a community-based art project that is using the transformative power of altered books to tell our communities’ stories of Hurricane Helene through the visual arts. The goal is to create a safe space for community members to share experiences of the hurricane as well as their hopes for rebuilding a better and brighter future.

Join us for a summer full of creativity in our fun and festive studio. Ages 6-10. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Join us in this hands on class where you will make a hammered sterling silver wide band ring. One of Ignite’s talented instructors will take you through the process step by step including soldering, shaping, hammering, and finishing your ring.

These also make great wedding bands!

You’ll leave with a beautiful ring made to size in our downtown Asheville metalsmithing studio.

$120 person *All Materials Included

*Class times and avialbalility are subject to change. SIgn up in advance online to ensure your time and space.

This is a Weekly Recurring Event
Runs from May 23, 2025 to Jun 27, 2025 and happens every:
Fridays: 1:15pm – 3:30pm Timezone: EDT
Saturdays: 1:15pm – 3:30pm Timezone: EDT

The WNC Nature Center continues roaring back to life with one of Asheville’s favorite summer traditions — Brews and Bears!

Starting Friday, May 9, from 5:30–8:00 p.m., this after-hours event invites guests to enjoy the Nature Center in the cool evening hours with live music, local food, and plenty of local brews and beverages.

The Brews and Bears Summer Series will take place on the second Friday of each month through August, and each event features a unique lineup of food trucks, musicians, and animal education programs—so no two nights are the same!

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Celebrate community, legacy, and the power of mentorship at this special event honoring the life and impact of Coach Bennie Lee Lake. Hosted by KL Training Solutions — home of My Daddy Taught Me That and My Sister Taught Me That — the day will feature youth voices, food, music, and a self-guided Legacy Trail showcasing the journey from humble beginnings to a thriving center for education, leadership, and peace.

Come meet the young people, mentors, and families building a brighter future in Asheville.

Free and open to all. Family-friendly!