Be sure and mark your calendars for SAFF 2025!

There are classes on Thursday. No shopping, no selling.  We are setting up.

Friday, October 24- (9 am – 5 pm)
Saturday, October 25 – (9 am – 5 pm)
Sunday, October 26- (9 am – 4 pm)

The event is located at the WNC Agricultural Center, in Fletcher, NC, across Hwy 280 from the Asheville Regional Airport. (Exit 40 off I-26).

Admission will be $5/person per day. $10 pass for 3 days. Youth under 13 yrs. old will be free. Bring cash! Only at gate..no early ticket sales

After having to pivot to an online format for last year’s sale in the wake of Hurricane Helene, we’re thrilled to share that the brand’s coveted Seconds Sale is returning in-person to Asheville this month.

For two days, Saturday, 10/25, and Sunday, 10/26, from 10 am – 3 pm, East Fork will be offering pottery “seconds” at 40% off retail price. Drop by the warehouse at 144 Caribou Road (Asheville, NC 28803) for deals you just can’t miss – the entire Seconds inventory will be available for purchase.

Stop by the sale and grab a free cup of coffee, courtesy of Counter Culture Coffee, to fuel your shopping!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Enter the world of Appalachia’s cryptids, ancient monsters, and weirdest wilds. What separates fact and fiction? What mysteries are still waiting to be solved? What do YOU really want to believe?

Get your tickets this month’s After Hours: CREATURE FEATURE.
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Meet community groups in WNC who are working to make you a true believer! Investigate the phenomena lurking in the darkness of our National Forests. Craft your own urban legend with Asheville’s best story crafters. Explore cryptozoology, animal science, and paleontology to see what myths might have some real teeth to them…

Bloodthirsty for more? Grab a custom-made cocktail and sign up for AMOS’ museum-wide scavenger hunt: The Search for Boojum. Western North Carolina’s most notorious cryptid has stolen a prized gem from our collection. Use a mix of puzzling, science experiments, and gemology to hunt down Boojum and return the stolen gem. But beware- you never know what’s coming to get you!

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Costumes are encouraged but cannot include masks that cover the entire face, weapons, or weapon-like objects. Pre-registration is strongly recommended. Tickets are $30 online or $35 at the door. Must be 21+.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Sheep Dog Club of WHHS is having this event for the community to earn money for our scholarship at the end of the year to a Senior who is entering Law Enforcement Training, Fire, EMS, or the military. We have secured food trucks to be available beginning at 10 am and craft vendors to sell their goods. Please join us to help our community of future leaders. The event is free to attend and purchase goods, and vendor tables are $25 each for up to two tables. Alternatively, you can bring your own tables and rent a space for $40.

This program series is designed for children and young adults who are enthusiastic about STEM. Each month will spotlight a different STEM professional and their career. The students will get to learn about what these professionals do, ask questions, and participate in exciting hands-on activities! Registration is open for one all sessions. Feel free to join us for just one session, a few of them, or all of the sessions!

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

🎉 Calling All Young Entrepreneurs! 🍅
We are so excited to partner with UNC-Asheville Men’s Soccer Game for a day of goals and great ideas!

🌟 Got a kid with a big idea? Whether it’s homemade crafts, baked goods, lemonade stands, or creative services—this is their chance to shine!

🍅 Visit kids markets.com

Sign up your child’s booth 🌽
Explore upcoming children’s markets 🎨
Support young local entrepreneurs 💼

Come support the Bulldogs on the field and young entrepreneurs on the sidelines as kids run their very own businesses—selling everything from handcrafted goods to tasty snacks.
It’s a fun, family-friendly event that celebrates local talent and community spirit!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Grovewood Gallery proudly presents Artful Living: The Spirit of the Craftsman Style, a group exhibition celebrating the enduring influence of the American Arts and Crafts movement. On view from October 18 through December 31, 2025, this curated showcase brings together the work of four contemporary makers who honor traditional craftsmanship while offering fresh perspectives on timeless forms.

Featured artists include ceramicist Leslie Green Guilbault, a Roycroft Artisan whose pottery blends nature, myth, and metallic luster; blacksmith Paul Garrett, known for his handcrafted metalwork and luminous mica lamps inspired by early 20th-century design; furniture maker Timothy Livingston, whose heirloom-quality pieces reflect a deep reverence for honest materials and joinery; and painter Shawn Krueger, a Roycroft Master Artisan whose landscapes echo the quiet mood and tonal beauty of historic plein air work.

Grovewood Gallery proudly presents Artful Living: The Spirit of the Craftsman Style, a group exhibition celebrating the enduring influence of the American Arts and Crafts movement. On view from October 18 through December 31, 2025, this curated showcase brings together the work of four contemporary makers who honor traditional craftsmanship while offering fresh perspectives on timeless forms.

Featured artists include ceramicist Leslie Green Guilbault, a Roycroft Artisan whose pottery blends nature, myth, and metallic luster; blacksmith Paul Garrett, known for his handcrafted metalwork and luminous mica lamps inspired by early 20th-century design; furniture maker Timothy Livingston, whose heirloom-quality pieces reflect a deep reverence for honest materials and joinery; and painter Shawn Krueger, a Roycroft Master Artisan whose landscapes echo the quiet mood and tonal beauty of historic plein air work.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

Grovewood Gallery proudly presents Artful Living: The Spirit of the Craftsman Style, a group exhibition celebrating the enduring influence of the American Arts and Crafts movement. On view from October 18 through December 31, 2025, this curated showcase brings together the work of four contemporary makers who honor traditional craftsmanship while offering fresh perspectives on timeless forms.

Featured artists include ceramicist Leslie Green Guilbault, a Roycroft Artisan whose pottery blends nature, myth, and metallic luster; blacksmith Paul Garrett, known for his handcrafted metalwork and luminous mica lamps inspired by early 20th-century design; furniture maker Timothy Livingston, whose heirloom-quality pieces reflect a deep reverence for honest materials and joinery; and painter Shawn Krueger, a Roycroft Master Artisan whose landscapes echo the quiet mood and tonal beauty of historic plein air work.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

Save the date for this year’s annual Handcrafted Holiday Market! This year’s show will run from November 7 through December 18, with the reception planned for Thursday, November 6, 5:30 – 7pm. Regional artists will fill the TACS Gallery with fine and handcrafted goods, rotating their inventory with each week and providing you with ample opportunities for holiday shopping! Stay tuned for more information regarding participating artists.

Our Li’l Angels Tree is filled with ornaments donated by area artists each year. By purchasing one of these ornaments, you are supporting our Youth Scholarship Fund, providing equal opportunities to creative kids!

TACS will be hosting a collection for Thermal Belt Outreach (TBO)! Items being donated will be distributed by TBO this holiday season.

Grovewood Gallery proudly presents Artful Living: The Spirit of the Craftsman Style, a group exhibition celebrating the enduring influence of the American Arts and Crafts movement. On view from October 18 through December 31, 2025, this curated showcase brings together the work of four contemporary makers who honor traditional craftsmanship while offering fresh perspectives on timeless forms.

Featured artists include ceramicist Leslie Green Guilbault, a Roycroft Artisan whose pottery blends nature, myth, and metallic luster; blacksmith Paul Garrett, known for his handcrafted metalwork and luminous mica lamps inspired by early 20th-century design; furniture maker Timothy Livingston, whose heirloom-quality pieces reflect a deep reverence for honest materials and joinery; and painter Shawn Krueger, a Roycroft Master Artisan whose landscapes echo the quiet mood and tonal beauty of historic plein air work.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Gallery of Art presents The High Country, an exhibition of oil paintings by John Davis Held. On view November 1–30, the collection invites viewers into landscapes that celebrate the majesty and the mysteries of the mountains. An opening reception will be held on November 7, from 5:00–7:30 pm.

The Black Mountain Public Library is excited to announce that registration is now open for the fourth annual “Write Local Read Local Author & Illustrator Fair” taking place Saturday, November 8, from 9:00 a.m. to 11:00 a.m.
This beloved community event brings together authors, illustrators, and book lovers from across the Swannanoa Valley for a morning of conversation, connection, and creativity. Participants will have the opportunity to meet the public face-to-face, hand-sell their books, and share their stories in a welcoming, literary atmosphere.
The fair is more than just a book signing—it’s a celebration of the incredible talent in our valley and an invitation for our neighbors to discover and support it.
Each registered participant will receive table space for the drop-in event at no cost. Whether you’re an emerging author, an established illustrator, or somewhere in between, this is your chance to be part of the vibrant Swannanoa Valley literary community. (If you participated in the 2024 event, we ask you to wait until next year unless you have published work since 11/2024. We appreciate your understanding.)

Grovewood Gallery proudly presents Artful Living: The Spirit of the Craftsman Style, a group exhibition celebrating the enduring influence of the American Arts and Crafts movement. On view from October 18 through December 31, 2025, this curated showcase brings together the work of four contemporary makers who honor traditional craftsmanship while offering fresh perspectives on timeless forms.

Featured artists include ceramicist Leslie Green Guilbault, a Roycroft Artisan whose pottery blends nature, myth, and metallic luster; blacksmith Paul Garrett, known for his handcrafted metalwork and luminous mica lamps inspired by early 20th-century design; furniture maker Timothy Livingston, whose heirloom-quality pieces reflect a deep reverence for honest materials and joinery; and painter Shawn Krueger, a Roycroft Master Artisan whose landscapes echo the quiet mood and tonal beauty of historic plein air work.