The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

We’re back in the heart of Hendersonville and we’re bringing some spirited fun—with an awesome new race shirt and shiny finisher medal for every participant. Costumes? Highly encouraged. FOMO? Guaranteed if you skip it. Run or walk through the Historic 7th Avenue District with a crowd of costumed runners, then keep the party going at the Fall Festival just steps from the finish line!

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Get ready to roll into fall! The Pumpkin Pedaller, benefitting Asheville on Bikes, is back on Saturday, Oct. 25th at New Belgium Brewing. Join the community for a fun, festive bike ride celebrating everything that makes riding in Asheville special.

Event Schedule:
1:30pm – 7pm: Pop-Up Bike Park
2pm: Pedal Prep (15 minute ride brief + safe rider habits talk)
1:30-2:30pm: Entry for Costume Contest
2:30pm: Costume Contest!
3pm: Rides stagger start and depart New Belgium
4-5pm: Staggered return
5pm – 7pm: Continued bicycle frolic

2025 Costume Contest Categories: Best Group, Best Kids Costume, Local Life, Best Use of Bike

Be sure and mark your calendars for SAFF 2025!

There are classes on Thursday. No shopping, no selling.  We are setting up.

Friday, October 24- (9 am – 5 pm)
Saturday, October 25 – (9 am – 5 pm)
Sunday, October 26- (9 am – 4 pm)

The event is located at the WNC Agricultural Center, in Fletcher, NC, across Hwy 280 from the Asheville Regional Airport. (Exit 40 off I-26).

Admission will be $5/person per day. $10 pass for 3 days. Youth under 13 yrs. old will be free. Bring cash! Only at gate..no early ticket sales

After having to pivot to an online format for last year’s sale in the wake of Hurricane Helene, we’re thrilled to share that the brand’s coveted Seconds Sale is returning in-person to Asheville this month.

For two days, Saturday, 10/25, and Sunday, 10/26, from 10 am – 3 pm, East Fork will be offering pottery “seconds” at 40% off retail price. Drop by the warehouse at 144 Caribou Road (Asheville, NC 28803) for deals you just can’t miss – the entire Seconds inventory will be available for purchase.

Stop by the sale and grab a free cup of coffee, courtesy of Counter Culture Coffee, to fuel your shopping!

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

After being cancelled last year due to Helene, our annual fundraiser Walk For Your Neighbor is BACK! Please join us on Sunday, October 26 at First Baptist Church of Swannanoa for a walk and block party! There will be music, as well as food and drink! The walk will start at 2pm, with the block party continuing until 5pm.

To register for Walk for Your Neighbor, just scan the QR code on this flyer, or follow the link below. Registration is by donation only, but we are encouraging a $20 minimum donation for those who are able. You can also ask family and friends to sponsor your walk using the donation link you receive when you register. To be cost and environmentally conscious, we will be using last year’s t-shirts.

Our valley is still recovering and needs remain high. The more we raise through this walk, the more we can tangibly share the love of Christ with neighbors in need through food, clothing, baby supplies, healthcare, home repairs, and so much more! We hope you’ll give generously, lace up those sneakers, and come walk with us!

Tours on the last Wednesday of the month, May through October: May 28, June 25, July 30, August 27, September 24, October 29
10:00 a.m. – 11:00 a.m.

This is an in-person program, held at The Learning Garden. Visit and Learn!

Visit informally Monday through Friday
9:00 a.m. – 5:00 p.m. (no docents or tours)

Docents and Presenters: Extension Master Gardener volunteers working in the garden.
Program Description: On the last Wednesday of the month from May to October you can join a more formal tour and be led through the gardens by a master gardener docent as you watch the other gardeners caring for the plants. See beautiful and interesting plants, delicious vegetables, native plants for beauty and pollinator interest.
The tours start at 10:00 a.m. and should last approximately an hour. The tours will begin outside the front door of the Buncombe County Extension Office.

Wear appropriate attire (hat, sunglasses and sturdy shoes and bring some water) as this event will be held outside. In the event of steady rain in West Asheville, the workday and the tour will be canceled.

The tour is free and registration is not necessary.
If you have questions, call 828-255-5522.

NOTE: The Learning Garden is open for informal visits Monday through Friday throughout the year, but if you visit on a Wednesday, during the growing season, you can meet the Master Gardeners working in the gardens and ask questions about the plants and their care. We invite you to visit often, observe the gardens, and ask questions as the Master Gardeners tend the gardens through the growing season. If you have questions, call 828-255-5522.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Sheep Dog Club of WHHS is having this event for the community to earn money for our scholarship at the end of the year to a Senior who is entering Law Enforcement Training, Fire, EMS, or the military. We have secured food trucks to be available beginning at 10 am and craft vendors to sell their goods. Please join us to help our community of future leaders. The event is free to attend and purchase goods, and vendor tables are $25 each for up to two tables. Alternatively, you can bring your own tables and rent a space for $40.

An in-person talk/demo.

Session 1: 10:00 a.m. – 11:30 a.m.*
Session 2: 1:00 p.m. – 2:30 p.m.*

* New this year, Saturday Seminars are being offered twice on the same day. The content of both sessions will be the same. Select the session that best fits your schedule

Location: 49 Mt Carmel Road, Asheville, NC 28806

Program: Dividing and Repotting Houseplants

Presenters – Marilyn Lonon & Nancy Humphries, Extension Master GardenerSMVolunteers

Description: Are your houseplants starting to look tired, leggy and ready for a new home? Now is the perfect time to repot or divide them to keep them healthy and thriving! Join Marilyn Lonon and Nancy Humphries, Extension Master Gardener℠ Volunteers, who together bring over 100 years of houseplant know-how. They’ll guide you through trimming, dividing, and repotting your plants.

This is a hands-on workshop—bring your houseplants and the pots you’d like to use. Potting soil will be provided. It’s a great time to start new plants for holiday gifts, and you may even go home with an extra plant or two!

* New this year, Saturday Seminars are being offered twice on the same day. The content of both sessions will be the same. Select the session that best fits your schedule.

Registration: The workshop is free but registration using Eventbrite is required. Please register at the link provided

If you encounter problems registering or have questions, call 828-255-5522.