Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
HOURS: ADMISSION:
Corporate Nights, Field Trips, and Birthday Party reservations are also available
: 2 Compton Drive, Asheville 28806
Learn more and purchase your tickets HERE: https://eliadacornmaze.mazeplay.com/
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Please join us for an exhibition walkthrough and book signing for artist Sharon Louden from 5-6pm. An opening reception for Barriers & Boundaries will follow from 6-8pm.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
HOURS: ADMISSION: Corporate Nights, Field Trips, and Birthday Party reservations are also available: 2 Compton Drive, Asheville 28806 Learn more and purchase your tickets HERE: https://eliadacornmaze.mazeplay.com/Join us on October 3, 2025, 6:00-8:30 pm, for an unforgettable outdoor experience on Tryon Arts & Crafts School’s (TACS) west campus, commemorating the anniversary of Hurricane Helene with a celebration of Appalachian tradition. Ticket sales to TACS’ Hearth & Anvil fundraiser will support the school, a 501(c)(3) nonprofit organization, allowing us to continue providing opportunities such as the Helene Relief Artist in Residency Program. While fortunate compared to some, TACS and neighboring Harmon Field were significantly impacted by the storm with property damage, temporary closure, and cancellation of key events and programs. Hearth & Anvil is an opportunity to reflect on the past year and support the school, while enjoying traditional open-flame cooking and interactive art demonstrations alongside our new Terra Flora sculpture. The sculpture was constructed using natural and found materials from the aftermath of the hurricane.
At the event you are sure to find the finest in handcrafted art that Asheville Area Artists have to offer. Skilled workers of Glass, Ceramics, Wood, Jewelry, and metal make their shops open to display to the public at every market. Positioned in the center of downtown Asheville the market has created over $1M in needed income for area artists. Many artists return to the market to welcome customers each year. Asheville is known as the hub of artistic activity that radiates throughout the area. Not only does Western North Carolina boast many excellent craft education programs, but it also plays host to many tourist each year. The vacationers marvel at the city as it’s arts and culture oozes out of every side of the artcentric mountainous region. Come start your next artistic adventure in the center of Asheville in Pack Square Park this June and October and take home some of the wondrous bounty that is Asheville Art.
Free to attend.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Raise a stein in the heart of Downtown! Asheville Oktoberfest returns to Pack Square Park for a full day of music, games, and German-inspired flare—this year the event is free and open to the public.
Taste the region: More than 20 Western North Carolina breweries and beverage producers are joining us, each bringing up to three styles—that’s 60+ beverages to explore.
Level up with a Prost Pass: Upgrade your day with a commemorative tasting cup + 20 tastes from participating breweries. Quantities are limited. (21+ only; valid ID required.)
On stage & in the park: Enjoy classic oompah energy from Lagerhosen and a hometown set from The Hillclimbers. Test your skills (or cheer from the sidelines) at the crowd-favorite Oktoberfest Games, sponsored by Aloft + Moxy Hotels.
Eat like you mean it: Your favorite food trucks will be serving German flavors—look for Haus Heidelberg and more.
Good to know: Entry is free; purchases required for food and the Prost Pass tasting experience. Family-friendly atmosphere; please drink responsibly.
Prost! See you in Pack Square Park on October 4.
HOURS: ADMISSION: Corporate Nights, Field Trips, and Birthday Party reservations are also available: 2 Compton Drive, Asheville 28806 Learn more and purchase your tickets HERE: https://eliadacornmaze.mazeplay.com/One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.
Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.
Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)
Show runs Oct. 4 – Nov. 7
Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
HOURS: ADMISSION: Corporate Nights, Field Trips, and Birthday Party reservations are also available: 2 Compton Drive, Asheville 28806 Learn more and purchase your tickets HERE: https://eliadacornmaze.mazeplay.com/Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
HOURS: ADMISSION: Corporate Nights, Field Trips, and Birthday Party reservations are also available: 2 Compton Drive, Asheville 28806 Learn more and purchase your tickets HERE: https://eliadacornmaze.mazeplay.com/At the event you are sure to find the finest in handcrafted art that Asheville Area Artists have to offer. Skilled workers of Glass, Ceramics, Wood, Jewelry, and metal make their shops open to display to the public at every market. Positioned in the center of downtown Asheville the market has created over $1M in needed income for area artists. Many artists return to the market to welcome customers each year. Asheville is known as the hub of artistic activity that radiates throughout the area. Not only does Western North Carolina boast many excellent craft education programs, but it also plays host to many tourist each year. The vacationers marvel at the city as it’s arts and culture oozes out of every side of the artcentric mountainous region. Come start your next artistic adventure in the center of Asheville in Pack Square Park this June and October and take home some of the wondrous bounty that is Asheville Art.
Free to attend.
BEFORE + AFTERPARTY
Saturday, October 11
8:30–11:00 pm
Suggested donation $40
Open to all
I Spy an immersive projection experience in the Center for Craft’s Ideation Lab. Curated cocktails, DJ, hands-on craft activities with Print House and Swannatopia, and a dance floor.
Bring an object to cast in acrylic. Record a message for the digital time capsule. Don’t miss it!
Sliding scale entry to support the Center for Craft’s mission to resource, catalyze, and amplify makers and scholars.
Activation and music by Frisson Studios.
Graphic design by Maxwell James Sauls.
Winter Market 2025
Join us for our Winter Market filled with handmade treasures, unique vendors, and delicious food. Get ready for a fun and festive experience!
We still have a couple of vendor and food truck spots left. Please contact Third Day Design at [email protected] to reserve space at the Winter Market or any future event at WOLT. Vendor/Food truck fee is $20.
Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.
Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Asheville locals look forward to the annual Scouting America Scout Troop 17 barbecue dinner fundraiser. The event, set for Saturday, October 11, 2025, offers tender, juicy Western North Carolina smoked BBQ dinners with all the fixin’s. Take out dinners will be served behind the Riceville Fire Department and Community Center, 2251 Riceville Road, Asheville, NC, 11:00AM – 4:00PM or while supplies last. Outside Creekside picnic tables are available for dining.
Pitmasters smoke premium North Carolina pork shoulders throughout the night prior to the event. Dinners include a generous portion of tender, juicy BBQ pork, homemade BBQ sauce, home baked beans, North Carolina BBQ slaw and a southern roll.
The charge for BBQ dinner plates will be $12.00. Reservations are not required. Creekside Picnic Tables available for all. Additional donations to benefit the Scouts are always appreciated.