Calendar of Events

Laura Gaskin will be demonstrating her embroidery techniques in the lobby of the Folk Art Center from 10-4pm. Come listen to the stories behind her pieces and watch as she paints scenes with stitches!

Nancy Graves, Parable of Nostalgia from the Tango portfolio, 1991, intaglio on cotton rag paper, edition 12/26, publisher: Iris Editions, New York, image: 26 × 17 5/8 inches, sheet: 35 3/4 × 26 inches. Asheville Art Museum. © Nancy Graves Foundation, Inc. / Licensed by VAGA at Artists Rights Society (ARS), NY.

A Dance of Images and Words: The Nancy Graves/Pedro Cuperman Tango Portfolio features a series of eight intaglio prints that depict plants and animals alongside eleven sheets of prose that explore the steps of the Argentinian dance, the tango. Organized by the Asheville Art Museum from the Museum’s Collection and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in The Van Winkle Law Firm Gallery at the Museum from September 29, 2021 through January 10, 2022.

The common idiom “it takes two to tango” is immediately called into question in both the imagery and words of the Tango portfolio. The portfolio is an expression of artist Nancy Graves (Pittsfield, MA 1939–1995 New York, NY) writer Pedro Cuperman’s (1936–2016 Buenos Aires, Argentina) meditations on the dance. Their imagery and words become paired in an illustrated book though their explorations take different formats and directions. Both Graves and Cuperman look towards humankind and nature as a place where beings come together in the experience of living. This exhibition presents Graves’s eight prints alongside the portfolio frontispiece and a page of Cuperman’s text to immerse visitors in the collaborative dance of the tango.

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.

Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. “We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian. “The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.” A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty. Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson. About the Museum of the Cherokee Indian Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Stop by the restaurant to enjoy 15% off of your order!

Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art. 

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.

Even though it’s getting colder, you can still find fresh, local food at area farmers tailgate markets. Several markets in Buncombe County will offer holiday markets or extended seasons in November and December. In addition to seasonal produce, meats, cheeses, and bread, these markets feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.

OAKS Afterschool Program
Pre-registration required. FREE for the 2021-2022 school year
September 7-December 17, 2021 | Monday-Friday | 2:30-5:30pm
An inclusive recreation program designed to support rising 1st5th graders and their families. OAKS will provide homework
assistance and opportunities to play through a variety of activities
and field trips. Participants will benefit from lower child to
staff ratios, continuation of scholastic goals (as applicable),
and individualized treatment plans (facilitated by LRT/CTRS
and program staff). Participants who cannot meet eligibility
requirements may attend with a 1:1 worker.
Location: Oakley

Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021-June 3, 2022 | Monday-Friday | 2:45-6pm
K-6th graders.
Does your child enjoy having fun and making new friends? Offering
arts, crafts, special events, homework assistance and more!
Families currently enrolled in the school system’s reduced or free
meal program, please contact your recreation center for discount
fee information.
Locations: Burton, Grant, Montford, Shiloh, Stephens-Lee

Montford Pre-Teen Afterschool Program
Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021 – June 3, 2022 | Monday-Friday | 3:30-6pm
5th-6th graders.
New program designed to meet the needs of your pre-teen.
Providing time dedicated to school assignments, life skills, arts,
communication, leadership, fitness, nutrition, and loads of fun.
Location: Montford

Teen Leadership Program
Pre-registration required. FREE for the 2021-2022 school year
August 23, 2021-June 3, 2022 | Monday-Friday | 3:30-6pm
6th-9th graders.
Looking for a cool and enriching alternative for your Teen to attend
this school year? We offer creative activities, diverse projects,
field trips, and more.
Locations: Grant, Shiloh, Stephens-Lee

THE POLAR EXPRESS™ with the Great Smoky Mountains Railroad is back in 2021! The 1¼ hour round-trip passenger excursion comes to life as the train departs the Bryson City depot for a journey through the quiet wilderness for a special visit at the North Pole. Set to the sounds of the motion picture soundtrack, guests on board will enjoy warm cocoa and a treat while listening and reading along with the magical story. Children’s faces show the magic of the season when the train arrives at the North Pole to find Santa Claus waiting. Santa will board THE POLAR EXPRESS™, greeting each child and presenting them with a special gift as in the story, their own silver sleigh bell. Christmas carols will be sung as they return back to the Bryson City Depot.

Join us EVERY Wednesday night for Kid’s Night! Children receive a free four-count kid’s meal with the purchase of an adult meal. See you on Wednesdays!

Bringing the party back in our lives! Gina Cornejo is a genuine seeker of a party, c’mon! Learn the choreography details of your favorite Zumba songs. Within this free 1-hour class, Gina will offer a breakdown of the intricacies of Zumba choreography and also provide the opportunity to let go and party. Her direction and care will build your confidence on the dance floor and allow for better memorization. Join Gina’s Zumba class to see and feel the improvement of your fitness. Her classes are spirited and sweet with a focus on empowerment through encouragement. All levels welcome — come as you are. A cool down is always offered.

Join us Wednesdays for a curated, intentional listening experience & original music with Open Folk — There’s no shortage of incredible songwriters in Asheville and it’s an honor to hold a space for them each week.

Admission: Open to the Public
Doors: 6pm // Music: 7pm // seating is first come first served

There are a couple of things you should know as Open Folk makes itself at home at Citizen Vinyl this month:

1. Masks are required at all times. The only time it can come off is when you’re actively eating or drinking. Delta is no joke.

2. Music starts at 7 sharp, come early to grab a drink and choose your seat.

3. We never announce who is playing until the night of the show; all six of the evening’s players are chosen and they are amazing.

Dust off your thinking caps, grab your friends, and join us for Trivia Night at the taproom every Wednesday at 6pm!

Winter Lights returns to the gardens November 19-January 1

Tickets are now sold PER VEHICLE, not per person.

We are thrilled to announce that the 2021 Winter Lights holiday event will welcome members and guests back into the gardens as it returns to the traditional outdoor walk-through open-air show format. The famously tall 50-foot lighted tree and the Quilt Garden will be back, outfitted with new designs in lights, while throughout the gardens, popular arrangements will mingle with ones never seen before.

You can find everything you need to know about Asheville’s Brightest Holiday Tradition at the tabs above, and be sure to secure your tickets now.

We hope you will join us this holiday season!

Winter Lights is the Arboretum’s largest annual fundraiser, and supports many parts of its mission driven programming.

Mary Lattimore is a Los Angeles-based harpist. She experiments with effects through her Lyon and Healy Concert Grand pedal harp, concocting half-structured improvisations which can include both ambient glitter and unsettling noise. Her first solo record, the Withdrawing Room, was released on Desire Path Recordings in 2014. The solo recordings that followed, At the Dam and Collected Pieces, were released by Ghostly International.

Mary has also recorded synth + harp duo projects with Elysse Thebner Miller (And the Birds Flew Overhead) and Jeff Zeigler (Slant of Light) and has co-written reimagined scores for the 1968 experimental silent film Le Revelateur, directed by Philippe Garrel (who approved of the project), and the Czech New Wave classic Valerie and Her Week of Wonders, and performed these scores live throughout the US with Jeff Zeigler and the Valerie Project, respectively. She has contributed and written harp parts for such artists as Kurt Vile, Thurston Moore, Sharon Van Etten, Meg Baird, Steve Gunn, the Clientele, Hop Along, Jarvis Cocker, Karen Elson, Ed Askew and Quilt.

Ghostly International released her third solo record in late spring of 2018.

WILLIAM TYLER

An excerpt from the M.C. Taylor-penned bio:

William and I bonded early in our relationship over Barry Hannah, a hellraising writer from Mississippi who practically reinvented the way that words could be assembled on a page. Like Hannah, William Tyler knows the South—as a crucible of American histories and cultures, an entity capable of expansive beauty and incomprehensible violence, often in the same beat—as his native place, the place that holds him and that he runs from. In the music of William Tyler, the South is not apart from America; the South is America condensed. And like Hannah—and this part is important—William moved to California, where Goes West was written. We don’t know how long William will stay—Hannah lasted just a couple of years, writing in the employ of director Robert Altman—but the change of scenery seems to suit him.

Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips. Perhaps this is down to the fact that William only plays acoustic guitar on the album, a clear and conscious decision considering that he is one of Nashville’s great electric guitarists. The band that performs Goes West alongside William—including guitarists Meg Duffy and Bill Frisell, bassist and producer Brad Cook, keyboardist James Wallace, drummer Griffin Goldsmith, and engineer Tucker Martine—is the best and most sympathetic group of players that William could have assembled to play these songs.

WALT McCLEMENTS

With synthesizer, drum machine, and pulsing accordion, it makes for a wild and piercing echo of Henry Flynt, Bruce Haack and/or Arthur Russell that gathers power as it moves along. – LA Record September 2018

Subtly epic pop music built on a simple foundation of gentle drums, winding accordion, and hushed vocals. – Bandcamp Daily October 2018

Lonesome Leash is the solo project of Walt McClements, an accordionist and multi-instrumentalist known for his previous work in Why Are We Building Such A Big Ship?, Dark Dark Dark and Hurray for the Riff Raff. McClements crafts stark yet complex songs, nervous and triumphant hymns to the restless. Despite being anchored by the often anachronistic accordion, the music ends up having less to do with contemporary purveyors of old world idioms, and more to do with an alternate history—one where angular accordion lines take prominence over the guitar in a nervy and strangely cinematic post-punk tradition

Disclaimer Stand-up Lounge is the longest running comedy open mic in Asheville happening every Wednesday night

The show starts at 8:00, and there is no cover. Anyone wanting to perform needs to sign up by 8pm, and will get five minutes on stage. Local and not-so-local, professional and not-so-professional comics perform or just anyone wanting to get up in front of people and try to make them laugh. Always fun. Always free.

Anyone wanting to perform needs to sign up by 8pm, and will get five minutes on stage. The order of sign-up is not necessarily the order of the show.

THE POLAR EXPRESS™ with the Great Smoky Mountains Railroad is back in 2021! The 1¼ hour round-trip passenger excursion comes to life as the train departs the Bryson City depot for a journey through the quiet wilderness for a special visit at the North Pole. Set to the sounds of the motion picture soundtrack, guests on board will enjoy warm cocoa and a treat while listening and reading along with the magical story. Children’s faces show the magic of the season when the train arrives at the North Pole to find Santa Claus waiting. Santa will board THE POLAR EXPRESS™, greeting each child and presenting them with a special gift as in the story, their own silver sleigh bell. Christmas carols will be sung as they return back to the Bryson City Depot.