Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
A native of Durham, NC, Jeremy Loeb embraced his lifelong love of piano when he launched his second career as a musician. Now living in Asheville, Loeb specializes in French and Chinese piano music. Support for Thursday Night Live is provided by an anonymous donor.
“Irresistible! A romantic fantasy. A contemporary fairy tale.” (The Hollywood Reporter)
After an incredible run on Broadway, Audience Choice Award-winner Pretty Woman: The Musical is coming to Greenville! One of Hollywood’s most beloved stories of all time, Pretty Woman: The Musical is brought to life by a powerhouse creative team representing the best of music, Hollywood, and Broadway. Featuring direction and choreography by two-time Tony Award® winner Jerry Mitchell (Hairspray, Kinky Boots, Legally Blonde), an original score by Grammy® winner Bryan Adams and Jim Vallance (“Summer of ’69,” “Heaven”), and a book by the movie’s legendary director Garry Marshall and screenwriter J.F. Lawton, Pretty Woman: The Musical will lift your spirits and light up your heart. “If you love the movie, you’ll love the musical!” (BuzzFeed News).
Featured in the musical is Roy Orbison and Bill Dee’s international smash hit song “Oh, Pretty Woman,” which inspired one of the most beloved romantic comedy films of all time. Pretty Woman the film was an international smash hit when it was released in 1990. Now, 30 years later, Pretty Woman: The Musical still “Dazzles!” (Deadline) and is “Big romance and big fun!” (Broadway.com). Pretty Woman: The Musical delivers on all the iconic moments you remember. Get ready to experience this dazzling theatrical take on a love story for the ages.
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
“Irresistible! A romantic fantasy. A contemporary fairy tale.” (The Hollywood Reporter)
After an incredible run on Broadway, Audience Choice Award-winner Pretty Woman: The Musical is coming to Greenville! One of Hollywood’s most beloved stories of all time, Pretty Woman: The Musical is brought to life by a powerhouse creative team representing the best of music, Hollywood, and Broadway. Featuring direction and choreography by two-time Tony Award® winner Jerry Mitchell (Hairspray, Kinky Boots, Legally Blonde), an original score by Grammy® winner Bryan Adams and Jim Vallance (“Summer of ’69,” “Heaven”), and a book by the movie’s legendary director Garry Marshall and screenwriter J.F. Lawton, Pretty Woman: The Musical will lift your spirits and light up your heart. “If you love the movie, you’ll love the musical!” (BuzzFeed News).
Featured in the musical is Roy Orbison and Bill Dee’s international smash hit song “Oh, Pretty Woman,” which inspired one of the most beloved romantic comedy films of all time. Pretty Woman the film was an international smash hit when it was released in 1990. Now, 30 years later, Pretty Woman: The Musical still “Dazzles!” (Deadline) and is “Big romance and big fun!” (Broadway.com). Pretty Woman: The Musical delivers on all the iconic moments you remember. Get ready to experience this dazzling theatrical take on a love story for the ages.
In the “old days” people used to dress up and go out to some place that had great music, great cocktails and great food. It was not just another night out. It was an EVENT! A time to put on your finest threads and spend an evening with the one you love (or meet the one you love!) in some classy joint. You dined and enjoyed the music. It was a night of style, class and (most importantly) romance!
Russ Wilson And His Famous Orchestra present A Vintage Valentine. An Evening of Style, Class and Romance.
Russ and his All Star Orchestra will play the beautiful love songs of 20’s, 30’s & 40’s.
Come enjoy an evening of live music, food and drinks at the Isis Music Hall. Reservations are highly recommended.
Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.
General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.
Currently, Only General Admission Tickets are available on line
You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
This year will feature an exhilarating blend of beloved productions, including Million Dollar Quartet, West Side Story, and Mamma Mia! The popular Music on the Rock® series, Studio 52 Family Programming, and a brand new Black Box series round out the 2022 season and mark a renewed beginning for FRP after a long pandemic shutdown.
Season subscriptions are on sale now. Music on the Rock® single tickets go on sale on January 24, 2022, and single tickets for all remaining shows go on sale on February 14, 2022.
The Music of Tom Petty
Feb. 24-March 5
Two Jews, Talking
A Hilarious Staged Reading
March 17-19
A side-splitting piece written by Ed. Weinberger, our characters take us on a rollicking romp through time! The two-act story brings Lou and Bud together in the Biblical past, and Phil and Marty together in contemporary Long Island. They philosophize about women, sex, food, the divine, and destiny in this tale of companionship and friendship.
The Music of Elton John
March 31-April 2
The Music of Neil Diamond
April 7-10
Catch Me If You Can
April 28-May 14
This comedy thriller is a classic gem with exciting twists and turns from beginning to end. “The final 15 minutes will reward you like a murder mystery should.” The New York Times
Million Dollar Quartet
May 20-June 19
Back by popular demand, the musical celebrates the historic Sam Phillips studio recording sessions of Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Elvis Presley.
The Music of the Eagles
An Outdoor Stadium Concert
June 18
Join Flat Rock Playhouse for another rockin’ evening of outdoor summer fun at West Henderson’s Athletic Stadium, Johnson Field.
West Side Story
July 1-30
The Romeo and Juliet inspired love story of Tony and Maria amid the Jets and Sharks gang rivalry. Ranked #1 in the most recent survey of theatre patrons.
Mozart to Pop Chart
The Musical Story Continues
August 5-13
Nat Zegree (Jerry Lee Lewis/Amadeus) is back to whisk you away on an all-new musical journey through the history and triumphs of music from Mozart to today’s current hits. Featuring many of the local region’s best rock and symphonic musicians!
Guess Who’s Coming to Dinner
August 19-Sept. 4
Don’t miss this fresh and relevant stage adaptation of the iconic film that starred the inimitable and great Sidney Poitier.
Introducing The Black Box Series.
September 15-October 9
You’ve never experienced a play on The Rock like before. The audience and artists share the MainStage for an intimate and immersive theatre experience. The Black Box Series will feature contemporary works, classics, and stories and playwrights from around the globe. Be among the first to join us on this new and exciting theatrical journey!
God of Carnage
Sept. 15-Oct. 8
A triple-Tony Award-winning Broadway sensation the New Yorker called “laugh-out-loud hilarity,” and “ninety minutes of sustained mayhem.”
Blood Knot
Sept. 16-Oct. 9
A play that asks us to dig beneath the surface of what makes us kin and what happens when we don’t like what we find there. By renowned South African playwright Athol Fugard.
Mamma Mia!
Encore Performance
Oct. 21-Nov. 13
The hugely popular mega-Broadway hit featuring the music of ABBA is back for an encore performance. Featuring songs like “Dancing Queen,” “Gimme! Gimme! Gimme!,” “Honey Honey” and so many more.
A Flat Rock Playhouse Christmas
November 25-December 22
The WNC tradition continues. Same great show, all new material. A Playhouse favorite that will leave you feeling merry and bright!
A Charlie Brown Christmas (Studio 52)
December 1-4
Everyone’s favorite holiday classic comes to life in a spectacular new production of A Charlie Brown Christmas. Adapted from Charles M. Schulz’s timeless story the whole family can enjoy. Join Charlie Brown, Snoopy, Lucy, Linus, and the whole Peanuts gang as they sing, dance, and learn the true meaning of Christmas!
To learn more about the 2022 lineup and how to purchase your tickets, please visit the website at www.flatrockplayhouse.org.
FLAT ROCK PLAYHOUSE
In 1937, a group of struggling performers, led by Robroy Farquhar, organized themselves as the Vagabond Players. The Vagabonds worked in a variety of places over the course of three years, and in 1940 found themselves in the Blue Ridge region of Western North Carolina. The local and tourist community welcomed them with open arms when they presented their first summer season of plays in a 150-year-old grist mill they converted into The Old Mill Playhouse at Highland Lake. So successful was that summer, they returned in 1941. After WWII, the Vagabond Players reorganized came back to the region and opened a playhouse in nearby Lake Summit. The Lake Summit Playhouse thrived during the post-war years and soon the Vagabond Players were looking for a larger and permanent home. In 1952, the troupe of performers, and a newly formed board of directors made an offer to buy an 8-acre lot in the Village of Flat Rock. This new home made the Vagabonds “locals” and a rented big top gave birth to Flat Rock Playhouse. As the beautiful Western Carolina region continued to grow, so did the Playhouse and in 1961, by Act of the North Carolina General Assembly, Flat Rock Playhouse was officially designated The State Theatre of North Carolina. What began as a few weeks of summer performances in 1940 is now a nine-month season of plays including Broadway musicals, comedy, drama, and theatre for young audiences. The Playhouse’s dual mission of producing the performing arts and providing education in the performing arts includes a professional series; a summer and fall college apprentice and intern program; and Studio 52, year-round classes and workshops in theatre and film for students from kindergarten through adults. Flat Rock Playhouse now hosts over 98,000 patrons annually and is a significant contributor to the local economy and the Arts in North Carolina.
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Spend Valentine’s Day with your loved one at the Grove Arcade. Flora Diva will be selling handpicked flowers and arrangements all day! Marc Keller will be playing a variety of guitar instrumentals and vocal music all day. They will also have their very own Catalina Rose doing hand-written couple’s poetry for free. This is a multi-day event taking place Feb 12-14th so take your Valentine to one of the most architecturally romantic places in town. No cover.
WORTHAM CENTER PRESENTS
Ryan & Ryan
From Rachmaninoff to Gershwin to Billy Joel, dynamic father-son piano duo Donald and Barron Ryan combine their talents to create a dazzling blend of old and new. Their expertise in classical, jazz, ragtime and funk allows these musicians to create exciting new music while giving fresh interpretations of old — all in one special Valentine’s Day performance. A native of Trinidad and Tobago, Donald came to the United States to study music, eventually becoming one of the most accomplished pianists in the world as a Steinway Artist. Following in his father’s footsteps, Barron began playing piano at age 4 and is an award-winning soloist in his own right. Together, they pair a charming father-son rapport with unstoppable musical energy to create an enthralling concert experience that mixes classical with contemporary.
Originally from Illinois, K.Flay started rapping and writing songs on a lark while attending Stanford University, and soon began releasing herself-produced mixtapes. Not long after the arrival of Every Where Is Some Where (her major-label debut), she took her kinetic live set to arenas around the world as support for Imagine Dragons, in addition to earning her Grammy nominations in the categories of Best Rock Song (for “Blood in the Cut”) and Best Engineered Album, Non-Classical. Through the years,she’s also brought her genre-bending sensibilities to an eclectic mix of collaborations, working with everyone from Linkin Park’s Mike Shinoda to Louis the Child to skate-punk bands like FIDLAR and Dune Rats. But despite that deliberate shape shifting, K.Flay’s output remains rooted in her undeniable lyrical skills, an element she attributes to her innate love of language and its infinite possibilities.In the making of her new EP Inside Voices, the two-time Grammy-nominated artist followed through on that newfound confidence by claiming total freedom in every aspect of the creative process. The result: a glorious primal screamin EP form, equal parts exhilarating and explosive and wildly illuminating.
The five members of Sun June spent their early years spread out across the United States, from the boonies of the Hudson Valley to the sprawling outskirts of LA. Having spent their college years within the gloomy, cold winters of the North East, Laura Colwell and Stephen Salisbury found themselves in the vibrant melting-pot of inspiration that is Austin, Texas. Meeting each other while working on Terrence Malick’s ‘Song to Song’, the pair were immediately taken by the city’s bustling small clubs and honky-tonk scene, and the fact that there was always an instrument within reach, always someone to play alongside.
Coming alive in this newly discovered landscape, Colwell and Salisbury formed Sun June alongside Michael Bain on lead guitar, Sarah Schultz on drums, and Justin Harris on bass and recorded their debut album live to tape, releasing it via the city’s esteemed Keeled Scales label in 2018. The band coined the term ‘regret pop’ to describe the music they made on the ‘Years’ LP. Though somewhat tongue in cheek, it made perfect sense ~ the gentle sway of their country leaning pop songs seeped in melancholy, as if each subtle turn of phrase was always grasping for something just out of reach.
Program Dates: June 23 – August 7, 2022 (full session only)
Deadline: February 15, 2022
Ages: 14-18
Tuition: $7850, includes all instruction, housing, and meals.
Scholarships: BMC offers both merit scholarship and financial aid support as part of the application process
Application fee: $65, apply now through MyBMC
Violinists – apply now to be considered for early acceptance on a rolling basis!
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
The Program
Orchestral performance forms the heart of the Brevard Music Center. Students who play orchestral instruments may enroll in the Orchestral Studies program for an intensive summer training experience.
All students in the High School Orchestral Studies program:
- rehearse daily and perform extensively in various ensembles
- receive weekly private lessons
- participate in formal chamber music study coached by BMC’s artist faculty
- may perform in solo and chamber concerts
- may participate in masterclasses
- may attend open rehearsals with world-renowned concert soloists
- may compete in the Jan and Beattie Wood Concerto Competition
- may attend other orchestra, chamber, solo, and opera performances
The High School Division is open to students who are at least 14 by the start date of their program and have not yet completed one year as a full-time college student. The program is a six-and-a-half week session, with numerous concerts presented by the High School participants during that time. Shorter sessions are not available in this program. Information about our on-campus safety procedures will be updated regularly on our FAQ page.
High School Strings
BMC High School Division string students perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.
Additional features of BMC’s High School string program include technique and orchestral repertoire classes, string quartet seminars and coachings, and mock auditions / audition preparation classes.
Concertmaster Studio
BMC’s Concertmaster Studio provides a select group of violin students with the opportunity to study with some of the world’s greatest concertmasters. Students in the Concertmaster Studio will receive weekly private lessons, orchestral leadership training, and will participate in studio classes and masterclasses. Acceptance into the Concertmaster Studio is by audition. Additional audition excerpts are required – see the “Audition Requirements” section below for a list. (Selection into the Concertmaster Studio does not guarantee a principal seat in orchestra.)
In 2022, guest concertmasters include Nikki Chooi (Buffalo Philharmonic Orchestra), Dennis Kim (Pacific Symphony), Charles Mutter (BBC Concert Orchestra), and Yuan-Qing Yu (Chicago Symphony Orchestra).
High School Woodwinds / Brass / Percussion
Students in the High School Division perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.
Woodwind, brass, and percussion students also participate in the Brevard Symphonic Winds under the baton of Kraig Alan Williams. The BSW commences its season with the traditional Patriotic Pops concert on July 4, always one of the Music Center’s most popular events. The Symphonic Winds feature performances of advanced repertoire not typically available to high school ensembles.
Additional features of BMC’s High School program include technique and orchestral repertoire classes, auxiliary instrument classes, and mock auditions / audition preparation classes. Woodwind students may also participate in reed-making seminars. Additional features of BMC’s High School Brass / Percussion program include participation in “Just Brass,” a concert that brings together all BMC brass players on campus, and participation in “Supersonic,” the annual percussion concert that includes all BMC percussion faculty and students.
Note: Saxophonists apply directly to the Saxophone Institute.
Tuition and Payment Schedule
The tuition for the six-and-a-half week High School Orchestral Institute is $7850. This includes all instruction, housing, meals, and the opportunity to attend on-campus concerts and other events. Each participant is responsible for travel to and from Brevard.
A non-refundable enrollment fee of $800 is due within 2 weeks of acceptance and applies toward the cost of tuition. The remaining tuition balance is due by May 15.
Refunds
All payments, except the $65 application fee and $800 enrollment fee, will be fully refunded if the Center receives notice of cancellation due to serious illness before May 15. Written verification from an M.D. is required before a refund can be made. No reduction in fees can be made for late arrival or early departure. No refunds will be made after May 15.
Scholarships
Brevard Music Center offers scholarship support according to a student’s audition and demonstrated financial need, and program need. In recent years, Brevard has provided scholarship support to more than 70% of its students. Scholarship support includes merit, need-based, and the BMC Opportunity Scholarship open to students of African-American and Latinx descent.
Please visit the Scholarship section of our FAQ page for more information.
Audition Requirements
Admission to the Brevard Music Center is determined by audition.
Accompaniment is optional. Total audition length should not exceed 12 minutes.
Audio or video recordings are accepted for all instruments except percussion (must submit a video audition). Upload audio recordings or link(s) to YouTube video auditions directly into your application. Submissions do not have to be one continuous take; once you add one selection, the option to add another will appear.
Choose your instrument or program to view specific audition requirements.
Program Dates: June 23 – August 7, 2022 (full session only)
Deadline: February 15, 2022
Ages: 14-18
Tuition: $7850, includes all instruction, housing, and meals.
Scholarships: BMC offers both merit scholarship and financial aid support as part of the application process
Application fee: $65, apply now through MyBMC
Violinists – apply now to be considered for early acceptance on a rolling basis!
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
The Program
Orchestral performance forms the heart of the Brevard Music Center. Students who play orchestral instruments may enroll in the Orchestral Studies program for an intensive summer training experience.
All students in the High School Orchestral Studies program:
- rehearse daily and perform extensively in various ensembles
- receive weekly private lessons
- participate in formal chamber music study coached by BMC’s artist faculty
- may perform in solo and chamber concerts
- may participate in masterclasses
- may attend open rehearsals with world-renowned concert soloists
- may compete in the Jan and Beattie Wood Concerto Competition
- may attend other orchestra, chamber, solo, and opera performances
The High School Division is open to students who are at least 14 by the start date of their program and have not yet completed one year as a full-time college student. The program is a six-and-a-half week session, with numerous concerts presented by the High School participants during that time. Shorter sessions are not available in this program. Information about our on-campus safety procedures will be updated regularly on our FAQ page.
High School Strings
BMC High School Division string students perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.
Additional features of BMC’s High School string program include technique and orchestral repertoire classes, string quartet seminars and coachings, and mock auditions / audition preparation classes.
Concertmaster Studio
BMC’s Concertmaster Studio provides a select group of violin students with the opportunity to study with some of the world’s greatest concertmasters. Students in the Concertmaster Studio will receive weekly private lessons, orchestral leadership training, and will participate in studio classes and masterclasses. Acceptance into the Concertmaster Studio is by audition. Additional audition excerpts are required – see the “Audition Requirements” section below for a list. (Selection into the Concertmaster Studio does not guarantee a principal seat in orchestra.)
In 2022, guest concertmasters include Nikki Chooi (Buffalo Philharmonic Orchestra), Dennis Kim (Pacific Symphony), Charles Mutter (BBC Concert Orchestra), and Yuan-Qing Yu (Chicago Symphony Orchestra).
High School Woodwinds / Brass / Percussion
Students in the High School Division perform in the Brevard Concert Orchestra, under BMC’s Artistic Director Keith Lockhart, and BMC’s Resident Conductor Ken Lam. The BCO maintains a regular schedule of sectional rehearsals in addition to the daily rehearsal of the full ensemble.
Woodwind, brass, and percussion students also participate in the Brevard Symphonic Winds under the baton of Kraig Alan Williams. The BSW commences its season with the traditional Patriotic Pops concert on July 4, always one of the Music Center’s most popular events. The Symphonic Winds feature performances of advanced repertoire not typically available to high school ensembles.
Additional features of BMC’s High School program include technique and orchestral repertoire classes, auxiliary instrument classes, and mock auditions / audition preparation classes. Woodwind students may also participate in reed-making seminars. Additional features of BMC’s High School Brass / Percussion program include participation in “Just Brass,” a concert that brings together all BMC brass players on campus, and participation in “Supersonic,” the annual percussion concert that includes all BMC percussion faculty and students.
Note: Saxophonists apply directly to the Saxophone Institute.
Tuition and Payment Schedule
The tuition for the six-and-a-half week High School Orchestral Institute is $7850. This includes all instruction, housing, meals, and the opportunity to attend on-campus concerts and other events. Each participant is responsible for travel to and from Brevard.
A non-refundable enrollment fee of $800 is due within 2 weeks of acceptance and applies toward the cost of tuition. The remaining tuition balance is due by May 15.
Refunds
All payments, except the $65 application fee and $800 enrollment fee, will be fully refunded if the Center receives notice of cancellation due to serious illness before May 15. Written verification from an M.D. is required before a refund can be made. No reduction in fees can be made for late arrival or early departure. No refunds will be made after May 15.
Scholarships
Brevard Music Center offers scholarship support according to a student’s audition and demonstrated financial need, and program need. In recent years, Brevard has provided scholarship support to more than 70% of its students. Scholarship support includes merit, need-based, and the BMC Opportunity Scholarship open to students of African-American and Latinx descent.
Please visit the Scholarship section of our FAQ page for more information.
Audition Requirements
Admission to the Brevard Music Center is determined by audition.
Accompaniment is optional. Total audition length should not exceed 12 minutes.
Audio or video recordings are accepted for all instruments except percussion (must submit a video audition). Upload audio recordings or link(s) to YouTube video auditions directly into your application. Submissions do not have to be one continuous take; once you add one selection, the option to add another will appear.
Choose your instrument or program to view specific audition requirements.
Option 1: Classic Rock for acoustic guitar
Join beloved Polk County musician Woody Cowan and learn YOUR favorite tunes. In this setting, the students pick the songs, and Woody leads the teaching. This friendly class is full of peer-to-peer encouragement and collaboration. Artists covered included Janis Joplin, Neil Young, Old Crow Medicine Show, & Grateful Dead. Whether you know a lot of chords or just a couple, this class will move you forward musically while taking you back through the best era of radio-played folk music.
Option 2: Beginner/Intermediate Folk Jam
World-class musician Gaye Johnson leads this class, gently raising your comfort level to play freely in a group setting. Rooted in traditional folk music, aspiring mandolin, and guitar students will join together to gain more comfort and self-assurance in a group setting, while also diving into rhythm techniques and ornamentations.
Option 3: Intermediate/ advanced band
Bob and Amy Buckingham guide adults on all instruments (guitar, clawhammer banjo, fiddle, mandolin, ukulele, & bass). Several songs are picked by the group at the start of the semester, and over the 10 week semester, the musicality and “setlist” grow exponentially. Adults love this format for
guided jamming.
Wednesday
4:00 pm – 5:30 pm
All beginning students receive 45 minutes of group instruction and 45 minutes of singing/storytelling.
Group song & story: Gaye Johnson (known for having the sweetest voice in the region) gives students the strong foundation they need for learning an instrument. To learn music most effectively, students must know the songs before they play them on an instrument – then the learning becomes intuitive. This fun class equips students with the classic songs and stories of the region and helps launch their musical abilities.
Instrument options:
Age ranges are suggestions. Please email Julie if your child is outside the age range for the class they wish to take.
Option 1: Beginning ukulele, ages 6-8
Option 2: Instrument Survey, ages 8-14
Continuing from last semester, this instrument survey class will focus on clawhammer banjo, plus one additional instrument to be chosen by the students.
Option 3: Beginning guitar, ages 8-14
Option 4: Beginner mandolin ages 8-14
Option 5: Beginner fiddle ages 8-14
*Please be sure to select the student’s 1st and 2nc\d instrument choices when registering.
Wednesdays
4:30 pm-6:00pm
All students with some experience under their belt will take an intermediate or advanced group instrument class, and a band class.
- 4:30-5:15
Jam Band: Phil Jenkins & Carson Moore help young musicians find their voice in a band environment.
- 5:15 – 6:00
Option 1: Intermediate Guitar
Option 2: Intermediate Fiddle
Option 3: Intermediate Mandolin
Option 4: Three-finger banjo- all levels
Clover Pickers: 4:00- 6:00
PacJAM’s house band gets rigorous coaching this semester from Emily Wait and special guest coaches. Clover Pickers will spend 5 weeks of the semester practicing their teaching skills from 4-4:45 weekly, and 5 weeks working on choosing and arranging songs for Clover Picker performance. Band rehearsal and coaching last from 4:45-6 for all 10 weeks. Clover Pickers band is by invitation and the commitment requires extra rehearsals as determined by the group.
Three decades after Travis Tritt launched his music career, the Southern rock-influenced artist continues to sell-out shows and stay true and relevant to country music fans across the globe. The highly abbreviated Tritt timeline started when the young Marietta, Georgia native incorporated his lifelong influences of Southern rock, blues, and gospel into his country during a honky-tonk apprenticeship that led him to Warner Bros. in 1989.
Tritt’s albums, seven of which are certified platinum or higher, led him to amass more than 30 million in career album sales, two GRAMMY Awards, four CMA Awards, an invitation to become a member of the world’s famous Grand Ole Opry and a devoted fan base that has filled venues coast-to-coast. Travis Tritt is dubbed one of “The Class of ’89,” which included Country music superstars Garth Brooks, Clint Black and Alan Jackson; all of whom dominated the charts in the early ’90s. Among his eleven studio albums and numerous charted singles are nineteen Top 10 hits, including “Modern Day Bonnie and Clyde,” “Here’s A Quarter” and “It’s A Great Day To Be Alive.” Tritt’s talents, however, are not limited to music as he has also appeared in numerous feature films and TV shows throughout his extraordinary career. Tritt is currently on tour performing solo acoustic and full band shows across the country.
The Legendary Shack Shakers’ hell-for-leather roadshow has earned quite a name for itself with its unique brand of Southern Gothic that is all-at-once irreverent, revisionist, dangerous, and fun. Led by their charismatic, rail-thin frontman and blues-harpist JD Wilkes, the Shack Shakers are a four-man wrecking crew from the South whose explosive interpretations of the blues, punk, rock and country have made fans, critics and legions of potential converts into true believers.
After taking more than a year off to work on other projects (including JD Wilkes’s book “Barn Dances & Jamborees Across Kentucky”), the band is re-mobilizing in the fall of 2014 much to the excitement of many a Shack Shaker fanatic. Despite the group’s time off, their reputation for intensity has stuck with them. On stage, JD has been compared to the likes of Iggy Pop, David Byrne, and Jerry Lee Lewis. The Nashville Scene named Wilkes “the best frontman in Nashville” in 2002, while former Dead Kennedys frontman Jello Biafra has called JD “the last great Rock and Roll frontman.” Having joined the band in early 2012, garage blues guitar player Rod Hamdallah–who also lends his prowess to Wilkes’s side project ‘JD Wilkes and the Dirt Daubers’–is back in the Shack Shakers’ lineup. The rhythm section is rounded out with Brett Whitacre on drums and Mark Robertson thumping out the upright bass.
Thursday – April 28 Use code OPVILE Code valid 2/17 10am – 10pm
Use code MYMORNINGRABBIT
Code valid 2/17 10am – 10pm
Sunday – July 3 Use code RAINBOWRABBIT Code valid 2/17 10am – 10pm
World-renown Celtic musical artist Jamie Laval presents a behind-the-scenes view of how he creates music. Months of research, creative inspiration, skilled application of technological tools and diligent practicing go into each new song before it is ready to be shared with the public. Learn about the process from inception to manifestation in this three-part lecture/performance series.
TFAC will follow CDC and Polk County COVID recommendations. Participants will have space to social distance and appropriate face masks are strongly recommended. The program will also be available via Zoom.
Description
Registrations are for ONE HOUSEHOLD.
All sessions will be held on Thursdays, from 4:30-5:30. For those desiring to participate by Zoom, a link will be sent out the morning of the call.
Schedule:
- February 10: Celtic Music: Cultural History and Performance Practice
- February 17: How I use Technology to Create Music
- February 24: Violins to Bagpipes and Beyond: All about Musical Instruments
Songwriter, musician and performer Mitski has released five full-length albums. The most recent of which, 2018’s Be The Cowboy, was named Album of the Year by the likes of Pitchfork, Vulture, Consequence, ESQUIRE, and FLOOD, and the #2 Album of 2018 by The New York Times (Jon Pareles), NPR Musicand SPIN. It launched Mitski from cult favorite to indie star, landing her an extensive profile in The New Yorker and performances on Austin City Limits and Jimmy Kimmel Live! (she played The Late Show with Stephen Colbert following the release of 2016’s Puberty 2). After being off the road since September 2019, Mitski makes a daring return with new single/video “Working For The Knife,” which signifies a new intensity we haven’t yet seen from her yet. She’ll tour in 2022, playing theaters throughout the country, including Radio City Music Hall in New York, Shrine Exposition Hall in LA, Ryman Auditorium in Nashville, and more.
Listening to Buffalo Rose is like driving on the open road with the windows down, letting the breezes of various musical styles wash over you. Buffalo Rose commandeers the shimmering and electrifying riffs of the mandolin (Bryce Rabideau), the cascading guitar arpeggios of folk and bluegrass (Shane McLaughlin), the ringing purity of the dobro (Malcolm Inglis), and the steady percussive thrum of upright bass (Jason Rafalak), providing a effervescent blanket of sound under and around which the ethereal harmonies of Lucy Clabby, Rosanna Spindler, and McLaughlin float. There’s a singular beauty in every Buffalo Rose song, whether the group is covering Madonna’s “Borderline” or delivering their stirring original material.
While their following grew in the Pittsburgh area, they gained national attention opening for bands such as the Infamous Stringdusters, Dustbowl Revival, and Dangermuffin. In March 2018, the band gathered the music they had been playing on the road and released their first full-length album, The Soil and the Seed. After Spindler replaced Reid in the fall of 2018, the band released their Big Stampede EP in November 2019, followed by Borrowed and Blue: Live Around One Microphone in May of 2020.
Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.
General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.
You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
Proof of Vaccination or Negative Covid Test w/i 48 Hours :: Masks are Required
All ticket sales are final.
Grab your girls and come dance!
AMG Late Nights is spicing up Thursdays with SENSE – Enjoy drink specials, Hookahs, and music by DJ AUDIO and No_Fxcking.Requests.
*No Cover until February*
*VIP Coming Soon*
*Lighting by Raydio*