Calendar of Events

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The Greenville Swamp Rabbits are much more than a professional hockey franchise playing in Upstate South Carolina; it is truly Greenville’s hockey team. Formerly known as the Road Warriors, the club rebranded to the Swamp Rabbits on August 26, 2015 in an effort to really ingrain itself in the fabric of the community. The name is inherently Greenville – specific to the city and unique in the sports world.

It’s the electrifying energy and unstoppable passion of Swamp Rabbits fans inside The Well combined with the award-winning game presentation that make attending a Swamp Rabbits game the BEST fan experience in the ECHL! From the moment you step inside the arena, you’ll find FREE concourse activities for the whole family, including sign-making, temporary tattoos, interactive games, music and there’s always a good chance you’ll run into the Swamp Rabbits mascot Stomper! Throughout the season, fans can also expect a lineup of special theme nights and exciting giveaways.

This is a hybrid event, meaning there is an option to attend virtually and a limited number of seats are available to attend the event in-store.

The event is free but registration is required for both in-person and virtual attendance. 

Please click here to register for the VIRTUAL event. The link required to attend will be emailed to registrants prior to the event.

Please click here to register for the IN-PERSON event. Note the important event details on the RSVP form.

This event includes a book signing. If you would like a signed book but can’t attend in person, use the order comments field when you order below to request a signed copy and tell us to whom the book should be personalized.

If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!

Glenis Redmond is the First Poet Laureate of Greenville, South Carolina. She is a Kennedy Center Teaching Artist, and a Cave Canem alumni. The Listening Skin (Four Way Books) is her sixth poetry book. She is presently working on a seventh collection, Port Cities: Portals of the Second (Domestic) Middle Passage. She received the highest arts award in South Carolina—the Governor’s Award—and was inducted into the South Carolina Academy of Authors. Redmond received her MFA in Poetry from Warren Wilson College. For more, visit http://www.glenisredmond.com

In The Listening Skin, Glenis Redmond returns to the ancestors and the deep knowing that comes from being ever ready to receive the wisdom they give us. She plants us again in the South Carolinian soil and reaches across decades and continents back to the motherland for historical context, for truth, and for healing. She does not flinch from racism nor the complexities of what it means to carry trauma inside the Black body. These poems are beautifully rendered but don’t shrink. I am grateful for the depth and breadth of the music and the keen use of the line in this collection, but mostly I’m taken by the way Glenis holds us up to the light. In her sure hands we shine!

—

Molly Rice has held several residencies teaching poetry, storytelling, theatre, film, and English as a Second Language in hundreds of schools, colleges, and organizations in North Carolina, the United Kingdom, Ireland, Russia, and Hungary. She has taught for seventeen years at St. Stephens High School where she is director of the Tractor Shed Theatre. She’s published in magazines including Fortnight Magazine, The Stinging Fly, and Iodine Poetry Journal. She resides with her husband and son in Hickory, North Carolina. For more, visit https://www.mollyrice.com

In Molly Rice’s Forever Eighty-Eights, there are “no crystal stairs” in her southern mill hill childhood. Yet, the poet pushes onward following an urgent pulse, while unflinchingly calling forth ghosts, wounds, and secrets of the past. She bids them to come out of their hiding places, while she battles both hardships and heartbreaks. In this work, Molly reckons, but she also fathoms beauty and pays homage by uplifting people, places, and moments deeply rooted in North Carolina. With her forging she creates a throughway—each poem a stair to “reach landings and turn corners.”

What: Asheville’s Premier Standup Feature & Open Mic comedy
When: Sunday, February 5, 6:30pm (Come early to get your food and drinks!)
Where: Asheville Pizza & Brewing Co., Theater 2
675 Merrimon Avenue in North Asheville (onsite parking)
Tickets: $14
Comedy open mic. [signup at the door to get 3-5m. Free entry for performing comics, free pizza at comics table]
Hosted by Morgan Bost featuring Allison Shelnut, Jess Cooley and Larry Griffin
FB: https://fb.me/e/3Yb5s4IfD

American music masters Sam Bush (mandolin/violin), Mike Marshall (mandolin) & Edgar Meyer (bass) join together with George Meyer (violin) for a special collaboration usually only heard on the summer bluegrass festival circuit! Expect to hear works from the genre bending Short Trip Home album of many years ago as well as new music written specifically for this tour.

Edgar’s son George is charting his own course in the musical world and represents the next generation of artists expressing their unique voices and perspective. He certainly has strong roots!

The Swingbillies are a newly founded eclectic acoustic band based out of Boone, NC. They play improvised music through a repertoire of traditional and classical styles from around the world.

The group is centred around award winning, conservatory trained musicians, Meade Richter and Savash Altuntas on fiddle and guitar and regularly features guests on bass and percussion.

Guitarist, Savash Altuntas, grew up singing and playing Flamenco style guitar in his homeland of Turkey and moved to the US to study French horn at Oberman School of Music at the age of 18. Fiddle player, Meade Richter, started playing Old-Time fiddle as a child and quickly made a name for himself in NC as a contest fiddle player. He became one of the first people to earn a 4-year-degree in Bluegrass Music Studies and went on to earn a Masters in Jazz Violin at the prestigious Norwegian Academy of Music.

The two have teamed up in an effort to guide audiences through a musical trip around the world focused on traditional styles and classic composers, with an emphasis on improvisation and personal expression. The Swingbillies transport listeners to distinct settings through their instruments and voices while creating something new and unique.

The City of Asheville’s Community and Economic Development Department is now accepting applications for CDBG and HOME grant funds, and for the Housing Trust Fund (HTF) for fiscal year 2023-24.

The Community and Economic Development Department manages and administers programs for Asheville and for a four-county consortium, consisting of Buncombe, Henderson, Transylvania and Madison Counties, that provide affordable housing, economic opportunities and other benefits for low-income residents.

The Community Development Block Grant (CDBG) and the HOME Investment Partnership Program (HOME) are federal grant programs through the Department of Housing and Urban Development (HUD) which provide grant funds for eligible projects to create affordable housing for low-income households and support community development activities to build stronger and more resilient communities.

The City of Asheville’s Housing Trust Fund was created in 2000 to provide a source of local funding to assist in the development of affordable housing in Asheville. Assistance is available in the form of repayable loans at a low rate of interest.

How to Apply:

To download the CDBG/HOME application documents and instructions visit the Community Development Funding Programs page. The deadline to submit an online application for CDBG/HOME funds is February 3, 2023 at 12:00 noon.

To download the Housing Trust Fund documents, view the HTF policy and access the application,  visit the Housing Trust Fund webpage. The deadline to submit an application for the Housing Trust Fund is February 10, 2023 at 12:00 noon.

Questions about the CDBG/HOME application process can be sent to the Community Development team via email: [email protected]. 

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours
  • Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
    • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations Holidays call for hours

Buncombe County Landfill – Convenience Center

85 Panther Branch Road, Alexander

• • Monday-Friday, 8 a.m. – 4:30 p.m.
  • Saturday, 8 a.m. – 12:30 pm

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

• • Library open hours

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

More than 400 local businesses could benefit from Paycheck Protection Program (PPP) loan forgiveness. According to reports from the Federal Government’s Pandemic Response Accountability Committee, Buncombe County businesses may be eligible for $15.8 million and your small business could receive full or partial loan forgiveness. “Small businesses were under huge stress from the COVID-19 pandemic and continue to face challenges with supply chain issues and inflation. PPP loan forgiveness represents an opportunity for small businesses to gain additional relief, keep their doors open and continue to provide high quality jobs in our community,” explains Intergovernmental Director Timothy Love.

Wondering if your business is eligible? It’s definitely worth taking a moment to find out. “The process and requirements are quick. In many cases, detailed documentation may not be required during the application process. Typical documents include bank statements, tax forms, and business costs,” says Love. “PPP loan forgiveness may not require any additional work with your lender and you can apply for direct forgiveness through the SBA portal.”

To apply or learn more, please see the below links (Please note: This program is administered by the federal government)

• Apply here (Borrowers may submit a loan forgiveness application any time before the maturity date of the loan, which is either two or five years from loan origination.)
• FAQs

Drawing is not a talent; it’s a skill anyone can learn. Whether you want to capture ideas for your next art project, take your painting to the next level, explore a new medium, or simply jumpstart your creativity, veteran instructor Terrilynn Dubreuil will teach you everything you need to get started.

Already have some basic drawing skills? This class is for you, too! Even intermediate artists can benefit from a review of drawing fundamentals.

In this foundational four-week course, you’ll learn how to draw simple 2D and 3D shapes using photos and “life objects,” eventually creating an artistic still life composition. Throughout the course, you’ll improve your ability to draw objects realistically by learning to notice, and then capture, object proportions, relationships between objects, tones and values, light and shading, simple perspective, and other aspects depending on the progress of the class. We may even draw some simple portraits!

Best of all? Terrilynn’s extensive all-levels teaching experience will make your learning easy and fun! You’ll leave the class newly inspired and with the knowledge, techniques, and confidence to draw anything.

Recommended for Grades 6-12

The fate of a nation hangs in the balance. Journey to a world of conspiracy and betrayal in Aquila Theatre’s striking new production of Julius Caesar by William Shakespeare. Aquila’s nationally-renowned work gives the classics modern relevance and enriches students’ understanding of English literature. With a modern take on ancient themes of war and violence, this production may contain mature content.

Reservations for individuals (10 people or less): $12 each. To reserve, call the box office at 828-257-4530 ext. 1, email [email protected], or complete the Student Series Reservation Form.

Reservations for groups (11 people or more): $11 each. To reserve, download and complete the Student Series Reservation Form. Please note that all group reservations require a deposit of $1 per ticket. Please contact the box office if you have questions.

Learn more about Aquila Theatre here.

Performance Length: Approx. 2 hours, 20 minutes

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Leonardo da Vinci – 500 Years of Genius exhibition created and produced by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Leonardo da Vinci – 500 Years of Genius at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Leonardo da Vinci – 500 Years of Genius

Immerse yourself in the world’s most comprehensive and thrilling Da Vinci experience as his brilliance and extraordinary achievements are brought to vivid life!

The Van Winkle Law Firm Gallery, Level 1 • On View January 25–March 6   The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional affiliates of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for more than 43 years. The WNC regional program is open to students in grades 7–12 across 20 WNC counties. The regional program is judged in two groups: Group I, grades 7–8; and Group II, grades 9–12. Out of 534 total entries, 156 artworks have been recognized by the judges and are featured in this new exhibition. The 2023 WNC Regional Judges are: Kelly Hider of Arrowmont School of Arts and Crafts, Alexandria Monque of YMI Cultural Center and Noir Collective AVL, and Lei Han of University of North Carolina Asheville. The judges carefully viewed each entry then selected Gold Key, Silver Key, and Honorable Mention award recipients across all media. Artworks receiving Gold Keys have been submitted to compete in the 100th-Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions—indicating their artwork is one of the Best in Show of the WNC regional awards. One of these American Visions nominees will be chosen to receive an American Visions Medal at the 2023 National Scholastic Art Awards. Since the program’s founding in 1923, the Scholastic Art Awards have fostered the creativity and talent of millions of students, and include a distinguished list of alumni including Andy Warhol—who received recognition from the Awards as a teen. National Gold Key medalists will be announced in March 2023 and honored during a special awards ceremony in June 2023. For more information about the Alliance for Young Artists & Writers and the Scholastic Art & Writing Awards, visit their website.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Do you ever think about where and how your clothes are made? What about who makes them? Come see the inside operations of a local sewing studio that’s reinventing the modern day factory! On this 30 minute micro-tour, you will learn about Sew Co.’s sustainable and transparent business practices, hear about our production processes and client collaborations , and receive a 10% day-of discount on our in-house clothing brand Rite of Passage!

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse – three distinct voices that together make a perfect vocal sound. Starting as a happy accident of solo singer-songwriters getting together for a one-time performance, the trio has earned their place as one of today’s most beloved international folk groups. Since releasing their first full-length album in 2004, the group has won a Juno Award (Canadian Grammy) for Roots & Traditional Album of the Year, a 2007 Folk Alliance Award for Contemporary Release of the Year, made frequent appearances on Garrison Keillor’s public radio show, and charted on the Billboard charts consistently.

Official Website

– ALL AGES
– STANDING ROOM ONLY

DURRY
Formed in 2020 in the depths of the pandemic, quarantined siblings Austin and Taryn Durry joined forces to make music together for the very first time. In 2021 their careers were launched by their tiktok viral track Who’s Laughing Now. Quickly gaining notoriety on social media and beyond, Durry is poised and ready to take on the music scene with their unique brand of Nostalgic Indie-Rock.

PINK BEDS

Pink Beds is a cerebral indie pop band formed in 2020 at the cusp of the initial lockdowns. Composed of four friends from Asheville, NC, they’ve cultivated a strong bond through a shared passion for lush soundscapes, artfully crafted tunes, and rhythms you can’t help but be moved by. The mélange of dream pop, new wave, lounge, and disco aims to create an ethereal listening experience with a combination of low-end groove, velvety guitar, silky keys, gritty synth, and catchy melodies.

Making good use of isolation, the group combined their songwriting abilities and production chops to manifest a lush, warm, and evocative sonic environment with their December 2020 debut LP, All I Have. From tracking and production to mixing and mastering, each stage of the process was kept entirely within the group. The essence of Pink Beds, like its namesake, should be enjoyed with your own senses and a group of good friends.

Along with two singles in 2021, the band released a live album in 2022, Live From Echo Mountain, from the fabled Echo Mountain Recording in Asheville, NC. After a productive 2022 securing a foothold in southeast markets, becoming a FloydFest On-the-Rise artist, and a Relix Magazine Sonic Showdown Finalist, the band is releasing a new album in the Spring of 2023.

Pink Beds comprises Aaron Aiken (Vocals & Guitar), Jackson Van Horn (Keys & Guitar), Ryan Sargent (Drums & Percussion), and Logan Hall (Bass).  “What started out as a casual jam to entertain a keg party has morphed itself into one of the most intriguing new musical acts in Western North Carolina.” Aiken, a Brevard native, now fronts an Asheville group that stands at the intersection of indie rock, psychedelic folk and cerebral pop. It’s a seamless blend, more so a vibrant flow, that harkens back to the sounds of early 2000s indie icons The Strokes and Keane, with a thick thread leading to the melodic camps of Tame Impala and Snow Patrol.”  — Garret K. Woodward, Rolling Stone Contributing Writer

Support:
Tommy Lefroy

Ages 18+

SAMIA VIP PASS

– One (1) GA ticket to the show
– One (1) Signed commemorative VIP Laminate
– One (1) Exclusive Tote Bag only available w/ VIP purchase
– Early Entry to the venue (‘Skip the Line’ 30 minutes prior to listed door time)
– Early access to the merchandise table
– Limited availability