Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Cost: no charge; no registration required
At this vendor’s booth, taste pure, raw, local honey, and safely observe a live honey bee hive.
Presented by HoneyBee Bliss, Randy and Pam Knowles.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Just Brew It is a homebrew competition and tasting in Asheville benefiting the work of Just Economics. The festival features 75+ different beers and 30+ amazing homebrewers. The competing homebrewers are some of the finest specialty homebrewers in the region with classic brews from traditional IPAs, lagers, sours, and stouts to unique beers brewed with specialty items like coffee, chocolate, spices, and fruit.
To attend, you must be a current member of Just Economics. This event is not ticketed, so you must purchase a membership prior to the event. Then, all Just Economics members can sample the homebrews and vote for their favorites!
Purchase your membership here: https://www.justeconomicswnc.org/donate/
Memberships are $30, which grants you entry to the event.
Memberships with a VIP package are $50, which grant you entry to the event an hour early (1:00pm) plus a souvenir glass, gourmet pretzel, and more.
This is a local festival you won’t want to miss and your membership supports the work of Just Economics to advance living wages, affordable housing and better transit! Hope to see you there!
Where the Heart Is is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, the Arts Council of Henderson County, the City of Hendersonville, Exceptional Papers, Inc., A Growing Concern Garden Center and the Carolina Ace Hardware and Garden Center.
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria O’Shaughnessy, who runs an unofficial North Carolina boarding house that’s home to several elders. Presented as a stage reading, actors don’t memorize scripts but read them while incorporating minimal staged movements.
Brevard playwright Stephen Marsh wrote Where the Heart Is over a few months. Born in Bournemouth, England, at age 15, Marsh participated in local theatre productions and was later accepted into drama school in London. Marsh later moved to California and then the East Coast, becoming a production designer in motion pictures, film and television that spanned his 45-year career.
The cast of Where the Heart Is features Natalie Broadway as Maria, Jeb Buffinton as Dan, Chris Hanks as Jim, Lyn Morton as Henry, Lynn Place as Mrs. Carlisle, Joan Rinchisen as Henderson, Don Schwartz as Toad, and Terry Terranova as Ted.
Where the Heart Is’ artistic team includes director Rowan Duncan and stage manager Amanda McLoughlin.
A Greenville, SC native, Duncan was recently seen on stage at HT in The Importance of Being Earnest, Calendar Girls and The 25th Annual Putnam County Spelling Bee. They currently works as HT’s Production Manager, and loves putting their theatre degree to use every day. Duncan studied theatre at North Greenville University and loves to act, direct, and costume design.
The show is rated PG due to mild language. Showtimes are 3 pm and 7:30 pm on Saturday, June 3. Running time is approximately 1 hour and 30 minutes with one 15 minute intermission. Hendersonville Theater has made masks optional for patrons, and no proof of vaccination is required to attend a performance.
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria Shaughnessy, who runs an unofficial boarding house that’s home to several elders. All goes well until… Presented in a reader’s theater format, actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing. Actors also use vocal and facial expressions, as well as hand and arm movements. All Seats: $15 and includes a glass of wine
With live music, by the Blushin’ Roulettes, a tea sommelier serving delicious teas made from herbs from the garden, food donations from local restaurants and our gardeners, and numerous activities for all attendees, this year’s EmpTea Bowls event has something fun for everyone! Admission is $25.00 for 15 and over, $10 14 – 4, and 3 and under are free. Proceeds from EmpTea Bowls funds the Community Garden internship program as well as educational special events.
Empty Bowls is an international fundraising model. If it is new to you, you are in for a treat! Local potters donate handmade tea bowls for the event. You will get to choose a bowl, enjoy drinking tea from it, and then take it home as a reminder of folks whose bowls are often empty. Taking part becomes your opportunity to keep our community’s bowls filled.
Providing food for hundreds of local families, the Dr. John Wilson Community garden is a vital resource for reducing food insecurity in the Swannanoa Valley. Each year, a community of over a hundred local residents and hundreds of volunteers come together to grow fresh produce that is distributed to families in need through Bounty and Soul. The garden relies heavily on the work of its seasonal interns to assist in the growing process and to educate the public on sustainable growing techniques.
The annual EmpTea Bowls fundraiser is an outstanding opportunity to learn about the purpose and benefits of the Dr. John Wilson Community Garden. This event is also one of the best ways to support the community garden and keep it thriving for years to come. This year’s goal is to raise $12,000 through ticket sales, donations and the silent auction.
The Dr. John Wilson Community Garden, located at 99 White Pine Drive in Black Mountain, is a program of Black Mountain Recreation and Parks. EmpTea Bowls is organized by Black Mountain Recreation and Parks, and the Friends of the Community Garden under the auspices of the Black Mountain Parks and Greenways Foundation, a 501(c)(3). The garden is currently accepting monetary donations as well as art, products, and services for our silent auction, and private and corporate sponsorship.
From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!
May 27th 5pm-8pm – Mama and the Ruckus
May 28th 5pm-8pm – The Lefties
June 2nd 5pm-8pm – Christina Chandler Trio
June 3rd 5pm-8pm – Laura Thurston
June 9th 5pm-8pm – Eddie Clayton
June 10th 1pm-4pm – Jacobs Well
June 10th 5pm-8pm – Natti Love Joys
June 16th 5pm-8pm – Rae and the Ragdolls
June 17th 5pm-8pm – Beer and Loathing
June 23rd 5pm-8pm – TBA
June 24th 5pm-8pm – Terry Haughton Trio
June 30th 5pm-8pm – Blue
July 1st 5pm-8pm – Brown Mountain Lightning Bugs
July 7th 5pm-8pm – Bayou Diesel
July 8th 5pm-8pm – Pioneer Chicken Stand
July 14th 5pm-8pm – Wyatt Espalin
July 15th 5pm-8pm – Christina Chandler Duo
July 21st 5pm-8pm – Terry Haughton
July 22nd 5pm-8pm – TG and the Stoned Rangers
July 28th 5pm-8pm – Blue
July 29th 5pm-8pm – Somebody’s Child
August 4th 5pm-8pm – Trial by Fire
August 5th 5pm-8pm – Andy Johnson
August 11th 5pm-8pm – Eddie Clayton Solo
August 12th 5pm-8pm – Eddie Clayton Band
August 18th 5pm-8pm – Big Deal Band
August 19th 1pm-4pm – Mckinney
August 19th 5pm-8pm – Funk N’ Around
August 25th 5pm-8pm – Wyatt Espalin
August 26th 5pm-8pm – Somebody’s Child
September 1st 5pm-8pm – TBA
September 2nd 5pm-8pm – Regatta 69
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Mark your calendars for Saturday, June 3 for this year’s Pardee Hospital Foundation Gala! Proceeds will help Pardee UNC Healthcare’s growing cardiology program.
This black tie affair is an elegant and exclusive evening, featuring:
- a gourmet dinner
- dancing
- live entertainment
- a silent auction
Plus, join us as we celebrate the Philanthropist and Physician of the Year!
All Ages – under 12 requires venue approval
THIS EVENT IS RAIN OR SHINE
NO BAGS ALLOWED
The Moppets present six student written and directed short plays June 2 & 3 at Attic Salt Theater.
“Kurt Vonnegut’s ‘2BR02B’ ” – Everything was perfectly swell. Or was it?
“The After School Superhero” – A small town where nothing happened and a hero no one asked for.
“A Holiday Song” – A grumpy businessman is warned to change his ways. Sound familiar? Prepare to be surprised.
“Mary, Mary” – A bloody history explored through the lens of a nursery rhyme.
“Salome” – A humorously re-told act in one tragedy.
“Swords, Lights and Nuts” – This is not your typical Nutcracker story.
By Andrew Lippa and John August
On the Steve Lloyd Stage
Directed by Candice Dickinson
What tall tales will we tell to be the hero of our own stories?
When Will finds out his father is dying of cancer, he is on a mission to find the truth behind the tall tales his father has always told him. Audiences will be in awe as they travel back and forth from Will and Edward’s stark reality to the beautiful and larger than life fantasies of Edward Bloom’s past. This charming, warm hug of a musical features Southern-fried music from Andrew Lippa and is based on the 1998 novel by Daniel Wallace that also inspired the 2003 big-screen adaptation directed by Tim Burton. A musical for dreamers, this show has sweeping melodies, gorgeous dance numbers, and celebrates the imagination, culminating in a thrilling theatrical experience. Full of giants, witches, mermaids, and, of course, an exceptionally large fish, Big Fish is about what’s real and what’s fantastic, what’s true and what’s not true, what’s partially true and how, in the end, it’s all true.
Suitable for all audiences.
DA CLASSROOM AIN’T ENUF
By Charles Payne
Directed by Katie Jones
Da Classroom Ain’t Enuf is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families, and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones. This choreopoem is inspired by the work of Ntozake Shange.
HAVING OUR SAY: THE DELANEY SISTERS’ FIRST 100 YEARS opens as 103-year-old Sadie Delany and 101-year-old Bessie Delany welcome us into their Mount Vernon, New York, home. As they prepare a celebratory dinner in remembrance of their father’s birthday, they take us on a remarkable journey through the last hundred years of our nation’s history, recounting a fascinating series of events and anecdotes drawn from their rich family history and careers as pioneering African-American professionals. Their story is not simply African-American history or women’s history. It is our history, told through the eyes of two unforgettable women as they look not only into the past, but also ahead into the twenty-first century.
All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!
Written and Directed by Skyler Goff
This World Premiere was penned by local playwright Skyler Goff and tells of the continuing adventures of our favorite Lost Boy. A fantastical way to kick off our season!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
Montford Park Players allows patrons to bring their favorite food and beverages to their shows and sells beer, wine and concessions at the shows. If you’ve never been to the Hazel Robinson Amphitheatre for a Montford show, there’s no better season than this one. If you have been, you know why you should come back and catch everything we have to offer!
By Lauren Gunderson
Produced by Immediate Theatre Project
Four badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
From the people who brought you Silent Sky comes this grand and dream-tweaked comedy about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.
Discretionary Content: Adult themes and badass ladies
Where the Heart Is is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, the Arts Council of Henderson County, the City of Hendersonville, Exceptional Papers, Inc., A Growing Concern Garden Center and the Carolina Ace Hardware and Garden Center.
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria O’Shaughnessy, who runs an unofficial North Carolina boarding house that’s home to several elders. Presented as a stage reading, actors don’t memorize scripts but read them while incorporating minimal staged movements.
Brevard playwright Stephen Marsh wrote Where the Heart Is over a few months. Born in Bournemouth, England, at age 15, Marsh participated in local theatre productions and was later accepted into drama school in London. Marsh later moved to California and then the East Coast, becoming a production designer in motion pictures, film and television that spanned his 45-year career.
The cast of Where the Heart Is features Natalie Broadway as Maria, Jeb Buffinton as Dan, Chris Hanks as Jim, Lyn Morton as Henry, Lynn Place as Mrs. Carlisle, Joan Rinchisen as Henderson, Don Schwartz as Toad, and Terry Terranova as Ted.
Where the Heart Is’ artistic team includes director Rowan Duncan and stage manager Amanda McLoughlin.
A Greenville, SC native, Duncan was recently seen on stage at HT in The Importance of Being Earnest, Calendar Girls and The 25th Annual Putnam County Spelling Bee. They currently works as HT’s Production Manager, and loves putting their theatre degree to use every day. Duncan studied theatre at North Greenville University and loves to act, direct, and costume design.
The show is rated PG due to mild language. Showtimes are 3 pm and 7:30 pm on Saturday, June 3. Running time is approximately 1 hour and 30 minutes with one 15 minute intermission. Hendersonville Theater has made masks optional for patrons, and no proof of vaccination is required to attend a performance.
Written by Brevard playwright Stephen Marsh, Where the Heart Is tells the story of Maria Shaughnessy, who runs an unofficial boarding house that’s home to several elders. All goes well until… Presented in a reader’s theater format, actors don’t memorize scripts but read them to the audience while using their voices and upper bodies to convey the roles they are playing. Actors also use vocal and facial expressions, as well as hand and arm movements. All Seats: $15 and includes a glass of wine

“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”
Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain/heart/world,” says Indigo. This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.”
Throughout Any Shape You Take, Indigo reflects on her relationships as she reckons with a deeper need to redefine how to fully inhabit spaces of love and connection. “It feels so important for me to see people through change. To accept people for the many shapes they take, whether those shapes fit into your life or not. This album is a reflection of that. I have undergone so much change in my life and I am so deeply grateful to the people who have seen me through it without judgment and without attachment to skins I’m shifting out of.”
Lead single “Kill Me,” written during the climax of a dysfunctional relationship, opens with the lines “Kill me slowly/ Take me with you.” This powerful plea, that begins within the quiet strum of a single electric guitar, is diffused by Indigo’s ironic apathy—a slacker rock nonchalance that refuses to take itself seriously: “I was really tired and fucked up from this relationship and simultaneously so deeply in love with that person in a special way that felt very vast and more real than anything I’d ever experienced.”
Across the table from that irreverence sits the sincerity of the single “Hold U,” a more energized, neo soul-inspired love song that substitutes apathy for a genuine expression of care. “I wrote ‘Hold U’ after I left that heavy season of my life and was learning how to love more simply and functionally. I wanted to write a love song that was painfully simple.”
Growing up in a conservative small town in the mountains of North Carolina, Indigo started playing guitar when she was nine years old. “Music was a natural occurrence in my life. My dad is a bossa nova guitarist and singer from Brazil and so I think I just had it in my blood from birth.” It wasn’t until moving to Asheville, NC that Indigo began to move into her current sound, developing a writing practice that feeds from the currents that surround her: “Sometimes it feels like I am soaking up the energies of people around me and making art from a space that is more a collective body than just my own.”
“Real Pain,” one of the most experimental tracks on the record, is Indigo’s attempt to make that phenomena more intentionally collaborative. Starting soft before dropping down into a cavernous pit of layered screams and cries, “Real Pain” collages the voices of strangers—audio bites Indigo received after posting online asking for “screams, yells and anything else.” “Hearing these voices join together and move with my own was really powerful. The whole record was a release for me. And I hope it can be that for others.”
At the forefront of all De Souza’s projects is her magnetism—her unique quality of spirit that is both buoyant and wise. While her backing band has undergone shifts between releases, her sound has stayed tethered to her vision. Any Shape You Take is the first full-length album that Indigo produced herself. Teaming up with executive producer Brad Cook (Bon Iver, Waxahatchee, The War on Drugs) and engineers/producers Alex Farrar and Adam McDaniel, Indigo recorded the album at Betty’s, Sylvan Esso’s studio in Chapel Hill, NC and finished it with additional production and mixing at Drop of Sun Studios in Asheville. Moving past the limitations of a home studio, Indigo could finally embody the full reach of her sound: “It felt really exciting to lean into my pop tendencies more than I have in the past and to trust my intuition to take the songs where I felt they should go. I had the tools to do it and collaborators who were willing to
go there with me.”
“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.
Support one of the greatest traditions at Flat Rock Playhouse!
2023 Apprentice Benefactors Charlotte and Bob Otto will match your gift 1:1 up to $25,000.
Flat Rock Playhouse’s 2023 Apprentice Program! Don’t miss this chance to DOUBLE YOUR IMPACT!
For over 65 years, a select group of college-age performers participate in an intensive summer at Flat Rock Playhouse that includes on-stage performance and mentoring from FRP professionals. They also perform Rootabaga stories four times a week at the Carl Sandburg Home National Historic Site and take original educational programs out to schools in four area counties. Apprentices come from prestigious theatre schools across the country and are chosen from more than 1000 students who audition.
Apprentice graduates have gone on to major professional engagements on and off-Broadway, on national tours, and in regional theatres. Notable alumni who have played on Broadway include Michael Luwoye (Hamilton in Hamilton, An American Musical), Adam Kaplan (A Bronx Tale), Ginna Claire Mason (Glinda in Wicked), Jared Goldsmith (Dear Evan Hansen) and Ben Hope (Once).
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We’ve got magic to do just for you!
We are beyond thrilled to invite you to our 77th Season at Asheville Community Theatre! Join us for a year of mystery and magic that is overflowing with spellbinding stories and captivating characters.
- Pippin
Performances: September 15-October 8, 2023- Elf: The Musical
Performances: December 1-23, 2023- Flyin’ West
Performances: February 9-25, 2024- Matilda: The Musical
Performances: April 12-May 5, 2024- Alfred Hitchcock’s The 39 Steps
Performances: June 21-July 7, 2024
Find your corner of the sky!
Whether you’re seeking the flexibility of choosing individual shows or the perks of a subscription, here’s everything you need to know in order to unlock the theatrical experience that’s right for you.
- June 1, 2023: Re-subscriptions
- Current Season Subscription holders get exclusive access to early bird prices and first choice of seating.
- June 14-27, 2023: Early Bird Subscriptions
- Reduced pricing for Season Subscriptions opens to the public and is available for two weeks.
- June 28, 2023: Season Subscriptions
- Regularly-priced Season Subscriptions go on sale for the remainder of the season.
- July 5-18, 2023: Single Tickets: Opening Weekend Discount
- New this year! Tickets for opening weekends are offered at a discount: musicals are 2 for $60 and plays are 2 for $50 – with no maximum ticket limit. The opening weekend discount is only available during this time period and does not include Elf: The Musical.
- July 19, 2023: Single Tickets
- All tickets for all shows are now on sale!
By Andrew Lippa and John August
On the Steve Lloyd Stage
Directed by Candice Dickinson
What tall tales will we tell to be the hero of our own stories?
When Will finds out his father is dying of cancer, he is on a mission to find the truth behind the tall tales his father has always told him. Audiences will be in awe as they travel back and forth from Will and Edward’s stark reality to the beautiful and larger than life fantasies of Edward Bloom’s past. This charming, warm hug of a musical features Southern-fried music from Andrew Lippa and is based on the 1998 novel by Daniel Wallace that also inspired the 2003 big-screen adaptation directed by Tim Burton. A musical for dreamers, this show has sweeping melodies, gorgeous dance numbers, and celebrates the imagination, culminating in a thrilling theatrical experience. Full of giants, witches, mermaids, and, of course, an exceptionally large fish, Big Fish is about what’s real and what’s fantastic, what’s true and what’s not true, what’s partially true and how, in the end, it’s all true.
Suitable for all audiences.
By Lauren Gunderson
Produced by Immediate Theatre Project
Four badass women lose their heads in this irreverent, girl-powered comedy set during the French Revolution’s Reign of Terror. Playwright Olympe de Gouges, assassin Charlotte Corday, former queen (and fan of ribbons) Marie Antoinette, and Haitian rebel Marianne Angelle hang out, murder Marat, and try to beat back the extremist insanity in 1793 Paris. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection…that ends in a song and a scaffold.
From the people who brought you Silent Sky comes this grand and dream-tweaked comedy about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world.
Discretionary Content: Adult themes and badass ladies
HAVING OUR SAY: THE DELANEY SISTERS’ FIRST 100 YEARS opens as 103-year-old Sadie Delany and 101-year-old Bessie Delany welcome us into their Mount Vernon, New York, home. As they prepare a celebratory dinner in remembrance of their father’s birthday, they take us on a remarkable journey through the last hundred years of our nation’s history, recounting a fascinating series of events and anecdotes drawn from their rich family history and careers as pioneering African-American professionals. Their story is not simply African-American history or women’s history. It is our history, told through the eyes of two unforgettable women as they look not only into the past, but also ahead into the twenty-first century.
DA CLASSROOM AIN’T ENUF
By Charles Payne
Directed by Katie Jones
Da Classroom Ain’t Enuf is an exploration of the intersection of Black and Brown communities, particularly in and around the American educational system. The play features an ensemble of four actors who play teachers, students, and their families, and is a mix of poetry, prose, and music, with original tracks by composer Richard Jones. This choreopoem is inspired by the work of Ntozake Shange.
We’ve got magic to do just for you!
We are beyond thrilled to invite you to our 77th Season at Asheville Community Theatre! Join us for a year of mystery and magic that is overflowing with spellbinding stories and captivating characters.
- Pippin
Performances: September 15-October 8, 2023- Elf: The Musical
Performances: December 1-23, 2023- Flyin’ West
Performances: February 9-25, 2024- Matilda: The Musical
Performances: April 12-May 5, 2024- Alfred Hitchcock’s The 39 Steps
Performances: June 21-July 7, 2024
Find your corner of the sky!
Whether you’re seeking the flexibility of choosing individual shows or the perks of a subscription, here’s everything you need to know in order to unlock the theatrical experience that’s right for you.
- June 1, 2023: Re-subscriptions
- Current Season Subscription holders get exclusive access to early bird prices and first choice of seating.
- June 14-27, 2023: Early Bird Subscriptions
- Reduced pricing for Season Subscriptions opens to the public and is available for two weeks.
- June 28, 2023: Season Subscriptions
- Regularly-priced Season Subscriptions go on sale for the remainder of the season.
- July 5-18, 2023: Single Tickets: Opening Weekend Discount
- New this year! Tickets for opening weekends are offered at a discount: musicals are 2 for $60 and plays are 2 for $50 – with no maximum ticket limit. The opening weekend discount is only available during this time period and does not include Elf: The Musical.
- July 19, 2023: Single Tickets
- All tickets for all shows are now on sale!



