Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us at the Weaverville Library for Tiny Tots Yoga with Ms. Brandon. This program is designed for children ages 1-3 and their caregivers. Space for this program is limited. Registration is required for individual sessions and dates. Please stop by the Weaverville Library or call (828) 250-6482 to reserve your space.

A lively language enrichment story time designed for children ages 4 to 18 months.

Join us for a fun and interactive story time designed for children ages 18 months to 3 years.

The Museum recognizes Western North Carolina youth for their original artworks Award winners will be featured in a student exhibition in the Museum’s Van Winkle Law Firm Gallery and Multipurpose Space from January 24–March 25, 2024. All regional award recipients will be honored at a closing reception on March 21. The Asheville Art Museum and the Asheville Area Section of the American Institute of Architects (AIA) are the Western North Carolina (WNC) regional Affiliate Partners of the National Scholastic Art Awards. This ongoing community partnership has supported the creative talents of our region’s youth for 44 years. The WNC regional program is open to students in grades 7–12, ages 13-18, across 24 counties. “I’m thrilled to witness the incredible talent showcased in the 2024 Western North Carolina Scholastic Art Awards exhibition,” said Susan Hendley, School & Teacher Programs Manager at the Asheville Art Museum.  “This is a celebration of original works by students across the WNC region and highlights the profound impact of arts education.” The regional program is judged in two groups: Group I, grades 7–9 and Group II, grades 10–12. Out of more than 500 total art entries, over 200 works have been recognized by the judges; Gold and Silver Key awards are featured in this exhibition, with select Honorable Mentions displayed digitally. The 2024 regional judges include Victoria Bradbury, Associate Professor and Chair of New Media at UNC Asheville, Andrew Davis, Studio Technician and instructor at Winthrop University, and Jenny Pickens, a native Asheville artist and educator. Those works receiving Gold Keys have been submitted to compete in the 101st Annual National Scholastic Art Awards Program in New York City. Of the Gold Key Award recipients, five students have also been nominated for American Visions, indicating their work is the Best in Show of the regional awards. One of these American Visions Nominees will receive an American Visions Medal at the 2024 National Scholastic Art Awards. Visit the Museum’s website for more information about the student exhibition. Thanks to our sponsors, Jon and Ann Kemske, Russell and Ladene Newton, and Frugal Framer. Download Student Artworks

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

The Asheville Gallery of Art is excited to present its February exhibit, “Reflections,” which features the virtuoso works of three new gallery artists: Carol Fetty, Annie Gustley, Sandra Brugh Moore. This exhibit of visual poetry runs February 1 to 28.

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Come build a blooming nest and dream of spring’s promise.
You will build an inspired nest with ingredients foraged from the beautiful winter forest, then fill it with daffodil and hyacinth bulbs, ferns, forsythia and pussy Willow branches and more woodland treasures. This unique container will last for a long time. Atter the bulbs are done blooming inside, when spring is actually here, it can be planted outside in your garden to enjoy for many years to come!
This is such a fun project! Just what we need to enjoy this winter season now as we dream of spring’s promise!

Everyday Orthodontics is a unique orthodontic practice with a focus on honest and affordable personalized care for all ages. Smiling is one of their highest personal art forms and we want everyone to have the confidence to flaunt it! Their services include braces, aligners, special needs care, TMJ treatment, sleep apnea treatment, jaw surgery, and complex orthodontics. They appreciate this community so much and it has always been their goal to create something that offers fantastic services built on trust, honesty and genuine relationships. A place that involves theirr patients in their treatment every step of the way and listens to them carefully. A place they truly love to visit.

Come join them at their practice to meet Dr. Liz and enjoy some food, drinks, and live music! Special discount cards off of comprehensive treatment will be available to all attendees!

Join us to meet primary candidates, have good conversation, and enjoy fellowship with Democratic and like-minded people! We will meet in the indoor dining area so that we can hear a few words from the candidates when they arrive. Wear Blue so we can spot you!

Who should attend: All Democratic and left-leaning voters in Black Mountain and elsewhere are encouraged to attend. Unaffiliated voters are welcome!

Join us to learn about the latest developments on planning and construction of the Ecusta Trail, as well as potential trail enhancements and connections that could occur in the future. Initial construction of the Ecusta Trail will be bare bones, but there is the potential for many types of amenities that will vastly improve the user experience and involve community collaboration. During this presentation, Mark Tooley, president of Friends of Ecusta Trail (FOET), will discuss some of the ideas that are being discussed for future development of the trail. Studies have found that the more connectivity a trail has to other trails and popular destinations, the more useful and desirable it becomes. Mark will share information about how the Ecusta Trail connects with existing trails or those being planned in the region which will help provide connectivity for an enhanced user experience.

For more information, contact Pam Torlina, [email protected].

As a poll greeter, you are the last source of guidance and information before voters cross the threshold to the ballot box. Your presence matters.

Plan to attend a 1-hour poll greeting training where you learn how to greet, guide, and support our voters with needed information. Your trainer walks you through a step-by-step process and best practices to make the greatest impact on voters. You’ll have the opportunity to sign up for your best day(s) and time(s) with our Mobilize app.

Free | Suggested Donation $12 | 

Limit: 100

Join this community Town Hall to discuss the timely and critical issues related to climate change and how residents and visitors to Western North Carolina can build and enhance resiliency strategies to address these changes. Meeting at UNC Asheville’s Reuter Center, the Town Hall will feature an address by noted climate scientist Allison Crimmins,  director of the Fifth National Climate Assessment. A select panel of eminent scientists and researchers engaged in climate change research will be led by Deke Arndt, the director of the National Oceanic and Atmospheric Administration’s (NOAA’s) National Centers for Environmental Information (NCEI). Reserve a spot to attend virtually (via Livestream) or in person through the form linked here.

Deke Arndt (Panel moderator), director of the National Oceanic and Atmospheric Administration’s (NOAA’s) National Centers for Environmental Information (NCEI); Allison Crimmins, director of the Fifth National Climate Assessment, detailed to the White House Office of Science and Technology Policy from the Environmental Protection Agency (EPA) Office of Air and Radiation; Ken Kunkel, lead scientist, Technical Support Unit for NCICS and director of the North Carolina Climate Science Report; Allyza Lustig, U.S. Global Change Research Program (USGCRP); and Laura Lengnick, award-winning soil scientist and author of “Resilient Agriculture: Cultivating Food Systems for a Changing Climate,” founder and principal at Cultivating Resilience, LLC.

Join us for Jazz Jam Thursday every Thursday from 7-10. There is a suggested donation of $10 and local craft beer and wine for sale. Come as you are or bring an instrument! Open jam starts at 8 after a House Band set guaranteed to fill your soul with groove and joy.
Public parking is available at Marjorie Street, across from Packs Tavern.

“BOB DYLAN’S SONGS HAVE NEVER SOUNDED SO HEARTBREAKINGLY PERSONAL AND UNIVERSAL.” – THE NEW YORK TIMES

GIRL FROM THE NORTH COUNTRY is the Tony Award^®-winning new musical that the Chicago Tribune declares is “a Broadway revelation!”

Written and directed by celebrated playwright Conor McPherson and featuring Tony Award^®-winning orchestrations by Simon Hale, Girl From the North Country reimagines 20 legendary songs of Bob Dylan as they’ve never been heard before, including “Forever Young,” “All Along The Watchtower,” “Hurricane,” “Slow Train Coming,” and “Like A Rolling Stone.”

A storytelling show about you—the audience—The Campfireball is created spontaneously out of whatever stories and lives happen to be gathered together inside Story Parlor at that moment in time. There’s nothing to prepare and nothing to fear—participation is never required, and the show is just as much fun to sit back and watch unfold as it is to play along. Come on out for a night of storytelling you will literally never be able to experience again. Never possible to know what’s coming next, each Campfireball slowly begins to reveal surprises, connections, and communitas as the space transforms from a room of strangers to a room of neighbors.

Workshopped and developed over two years in the master’s program for storytelling at East Tennessee State University and showcased at the 2023 Asheville Fringe Festival, host/storyteller Cory Howard (National Storytelling Festival, Moth Grand Slam winner) blends intimacy and absurdity in an effort to shepherd the audience through ridiculous yet reverent ways of drawing out their life experiences.

The February Campfireball theme is ‘LOVE BUGS’, a joyful deep dive into the full gamut that is being a person in the world with a beating heart. Whether your heart is broken, on your sleeve, bleeding, made of stone, made of gold, skipping a beat, or you just ate your heart out, this night of shared collective storytelling is just the ticket for your ticker.

In the tradition of The Vagina Monologues and For Colored Girls…, The Glorious World of Crowns, Kinks, and Curls is a collection of monologues and scenes exploring the often complex relationship Black women have with their hair. From Afros to braids, weddings, and funerals, falling in love to grieving a loss, these stories serve as a powerful reminder that for Black women in particular, hair is both deeply personal and political. These heartbreaking, heartwarming, and hilarious stories will take audiences on an unparalleled journey into the world of Black womanhood.

Purchase the Different Strokes! 23-24 Season 4 Production Package! Buy two tickets to each production and get two additional half-price tickets to every show in your package. Purchase your 4 Production Package through the link below and then call the box office at 828-257-4530, ext 1, to purchase your half price tickets.

Celebrate the Timeless Music of John Denver with this Spectacular Tribute Concert, featuring national tribute artist, Ted Vigil. An unforgettable evening of music and nostalgia honoring the legendary singer-songwriter, and you won’t believe the uncanny resemblance to the legend! From classics like “Take Me Home Country Roads,” “Annie’s Song,” and “Sunshine on My Shoulders,” this concert will showcase the breadth and depth of John Denver’s musical legacy.

With over 500 shows performed since its inception in 2014, Runaway Gin is the World’s Most Notable Phish Tribute Project. They have been voted the Best Phish Tribute in the World two years in a row and 2022 Charleston Jam Band of the Year. On July 4th, 2015, after the second show of the Grateful Dead GD50 run, Runaway Gin sold out the Hard Rock Cafe in Chicago and catapulting them from a Southeastern regional act onto the National scene. The band has also made numerous festival appearances including Rooster Walk Music and Arts Festival, Resonance Music and Arts Festival, the Woodlands Music and Arts Festival, Nextival (headliner), Hidden in the Hollow Festival and has headlined top national venues such as: the Norva, the National, Jannus Live, and the Georgia Theater.

The members of Runaway Gin have united with the goal of creating musical moments inspired by Phish. The band’s song list is constantly growing and their improvisational and communication skills are constantly developing independently and together. Like Phish, Runaway Gin will never play the same show or jam the same way twice making every show a unique experience and every moment pure artistic creation.

Carolina Hurricanes vs. Colorado Avalanche