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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
A lively language enrichment story time designed for children ages 4 to 18 months.
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
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Ride this excursion via Steam or Diesel locomotive power!
Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our First Class dining menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!
| 30m before departure | Boarding begins at Bryson City Depot |
| See schedule for departure time | Depart Bryson City, NC |
| 1h 45m | Reach top of the line |
| 2h 00m | Begin return |
| 2h 30m—3h 30m | Layover |
| 3h 30m | Depart Layover |
| 4h 30m | Arrive at Bryson City Depot |
| Time from Departure | Activity |
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.
This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.
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Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum. |
11am – 5pm Tuesday through Saturday
Born in Cleveland, Ohio, Joseph Fiore (1925-2008) first enrolled at Black Mountain College for the Summer Session of 1946, the summer that Josef Albers invited Jacob Lawrence to teach painting at BMC. Over the next three years, Fiore also studied with Ilya Bolotowsky, Willem de Kooning, and Jean Varda. In 1949, after Josef and Anni Albers’ departure, Joe was invited to join the faculty, and he taught painting and drawing until 1956 when the college leaders decided to close.
After BMC closed, Joe and his wife Mary, whom he met and married at BMC, moved to New York City. There he became involved with the 10th Street art scene of the late 1950s and 1960s, a group of galleries that exhibited the work of young artists on the rise. Eventually he resumed his teaching career at the Philadelphia College of Art, Maryland Institute College of Art, and the National Academy.
In May of 2001, Joseph Fiore was awarded the Andrew Carnegie Prize at the National Academy of Design in New York. The Carnegie Prize is awarded “for painting” at the National Academy’s Members’ Show.
This exhibition consists of paintings in our collection donated by the artist and by The Falcon Foundation. All of the paintings were made at Black Mountain College and show Fiore’s distinctive use of color and his ability to work comfortably in the spaces between abstraction and representation.
Curated by Alice Sebrell, Director of Preservation
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Check out the student ensembles Wayne Shorter Ensemble and Studio 18 on April 11 at 12 p.m., live on the Quad in front of Lipinsky! The ensembles will perform a variety of jazz music, instrumental and vocal.
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Join Barbara Schauer from Weaverville Yoga for a free one hour session of Chair Yoga. No Registration is necessary. Newcomers are welcome! Bring your own yoga mat if you have one, but don’t worry if you don’t. We’ll have extra mats on hand for participants. This simple practice does a myriad of things we all know are necessary: building strength, improving posture, developing better balance, healing the body by lowering stress and deepening breath, enhancing mood, and lifting energy calmly. Everyone feels better after a yoga practice. Huge thanks to the Friends of the Weaverville Library for sponsoring this program! |
Calling all Poets! The Weaverville Library is collaborating with Weaverville WORDPLAY to host poetry workshops at the Weaverville Library. We will be working on crafting our poetry and offering feedback to writers.
Bring a poem or two that you are working on and join us!
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The Reed Creek Greenway Feasibility Study is aimed at enhancing connectivity and promoting outdoor recreation opportunities for residents and visitors alike. As part of this ongoing initiative, in partnership with the French Broad River Metropolitan Planning Organization (FBRMPO), the City of Asheville is hosting a drop-in open house on April 11, 2024 to provide a project update.
The upcoming drop-in open house scheduled for April 11th is an excellent opportunity for community members to learn more about the Reed Creek Greenway Feasibility Study and actively participate in the planning process. Hosted by the FBRMPO and the City of Asheville, the meeting will provide a comprehensive project update, including key findings,recommended routes, and next steps.
Date: April 11, 2024
Time: 4:00 p.m. – 6:30 p.m.
Location: Montford North Star Academy, 90 Montford Avenue, Asheville, NC 28801
More information on the Reed Creek Greenway Feasibility Study
The Reed Creek Greenway Feasibility Study aims to identify the best routes for expanding the existing Reed Creek Greenway to the north and the south. The primary goals of the feasibility study include assessing the environmental impact, identifying potential routes, providing cost estimates, and soliciting input from stakeholders and residents to ensure that the project aligns with community needs and priorities. By conducting a feasibility study informed by public input and technical analysis, the project seeks to lay the groundwork for the development of a sustainable and inclusive greenway that benefits the entire community.
How to stay informed
If you’re unable to attend in-person, you can stay informed by visiting the project website.
Annual Chamber Trivia Challenge, sponsored by AdventHealth Hendersonville, Hannah Flanagan’s and Mars Hill University, will be held on Thursday, April 11th, beginning at 5:30 PM.
Teams of four will compete in three rounds of Q&A with trivia questions.
Proceeds from the Trivia Challenge will support the Workforce Development Division and Education efforts of the Henderson County Chamber of Commerce.
Download the registration form, 2024 Chamber Trivia Challenge Form, complete and return to Amy Muniz at the Chamber.
Join us for an informative session led by Adam Steurer, Hendersonville Utilities Director, who will present a summary of utility history, operations, project updates, and initiatives. Hendersonville provides 80,000 people with water service and 21,000 people sewer service in Hendersonville and surrounding Henderson County.
Welcome Reception- Formal Garden on Warren Wilson College Campus| Dinner & Live Entertainment- Morris Pavillion (Warren Wilson College)
Enjoy an evening of live entertainment, powerful testimonials, and fundraising to benefit Verner Center for Early Learning.
Saplings to Scholars: Verner’s Farm-to-Table Experience
Enjoy an evening of live entertainment, powerful testimonials and fundraising to benefit Verner Center for Early Learning. In addition, an elevated, three-course, farm-to- table dining experience that is sure to delight the palette will be prepared by Verner’s own Chef and Director of Food and Nutrition, Jason Treadway. Dress code is business casual!
Join us on April 11th as we celebrate Black History in Asheville!
“Black In Asheville” is a must-see documentary that shows the black history and cultural heritage of the Black community in Asheville. The film brings together Asheville residents and historians to recount the history of this community and preserve their stories for generations to come. It explores what life was like for slaves in Asheville during the Antebellum period, the conditions they were subjected to during the Civil War then the transition through Reconstruction, Jim Crow and Black Code Laws. It also shows how churches and schools were vital to the progression of Black Life. Join us and view this powerful film which will leave a lasting impact for everyone who watches it.
This film raises the question, “How much better off are Blacks today in a supposedly non-segregated Asheville and seeks to define where do we go from here?”
Don’t miss out on this incredible opportunity to learn and be inspired – admission is completely FREE! Food Trucks available.
Mark your calendars and spread the word!
APRIL 11th | 6-8pm | 8 River Arts Place Asheville 28801
Hosted at: BLACK WALL STREET AVL
Sponsored by: Franklin School of Innovation
Save your seat NOW, limited seating available!
This National Poetry Month, turn your sparks of inspiration into beautiful poetry in an all-new poetry workshop led by Greenville Poet Laureate Glenis Redmond. Whether you’re just dipping your toes into the world of poetry or you’ve been penning verses for a while, this workshop is tailor-made for you. From brainstorming ideas to crafting captivating lines, Glenis will guide you every step of the way. Unleash your inner wordsmith and explore the magic of poetry with a true master.
The $125 registration fee is for admission to the three-part workshop taking place at 6:00 PM on April 11, 18 and 25. Please bring paper and your preferred writing tool with you. The workshop culminates in a reading during the final session where participants can invite a guest to enjoy their poetry progress.
Many years ago, the Shag was born on the beaches of South Carolina, with songs like Carolina Girls, Myrtle Beach Days, and Give Me Just A Little More Time. Many young men and women danced their days and nights away with the carefree music of the Carolinas, and now you can too!
To harken back to those carefree days, Karen Workman and Roger Carr, local dance pros, will be teaching a four week session of Carolina Shag dance. Shag is now known as the state dance of both NC and SC. It is widely popular throughout the Southeast and danced in several local area shag clubs, including the Mountain Shag Club and the Rutherford County Shag Club. Karen and Roger have spent many years competing, teaching, and coaching Shag dancers throughout the Upstate and Western NC. They have been featured dancers in several Theater shows in the area, including Milltown Players and Tryon Little Theater.
Shag classes will be on Thursdays, beginning March 28 and will run through April 18. The classes will get underway at 6:30 pm in the Tryon Fine Arts Center Pavilion. The four week series will be $65 per person. For more information, contact the box office or visit the website at tryonarts.org.
Pure theatrical exhilaration awaits in this off-Broadway, Edinburgh Fringe-approved hit, which follows a spunky mountain woman on a journey through life “livin’ on love.” Painting a vivid picture of 20th century revivals, mine disasters, rural electrification, the Depression and three wars, The New York Times dubbed this stirring stage adaptation “a rare and heartfelt performance that pays tribute to the women of Appalachia, and to the heroism of strugglers everywhere.”
Actor and creator Barbara Bates Smith is joined on stage by musical accompanist Jeff Sebens.
Don’t miss your chance to check out some of the best pickers from all over WNC at our amazing Bluegrass Jam curated by the talented Drew Matulich — every Thursday starting at 7:00 pm! A real show-stopping performance only at Jack of the Wood! Open jam starts at 9:30 pm.
1 hour
Bachelorette/Bachelor Parties are not permitted on this tour. The Fender Bender Bus is bachelorette/bachelor friendly!
Learn about Asheville’s strange, sometimes sordid past from our ghoulish guides. You’ll laugh! You’ll scream! You’ll discover mysteries and chilling tales of scandal and murder on the blood-stained streets of this picturesque town!
Ghosted runs approximately 60 minutes. Beer and wine are welcome onboard, but no open containers, and absolutely no liquor, please! All beer and wine must be purchased from the LaZoom Room. (Passengers must be at least 21 years old to drink on the bus, and must have valid ID.)
17 and up. No exceptions.
A bunch of bus seats
History of murders, ghosts and tragedies in the Land of the Sky
Tongue-in-cheek comedy
A live (not dead) tour guide
Bathroom breaks (It’s 60 minutes long – plan accordingly!)
Beer or Wine (Purchase at our bar, the LaZoom Room, and take on the bus)
Laughing (we’ll give you the funny, but it’s up to you to laugh)
Gratuity (guides only accept dead president currency)
The Journals of Adam and Eve” will, for the first time in their own words, tell the true story of the legendary couple — the world’s first love story as only they could tell it. Among the famous events explained by the participants, it chronicles from Eden to exile … from their first date to their twilight years … from bachelor and bachelorette … to being the world’s first parents. “…Journals goes beyond the bare requirements of a night of Comfort Theatre, to become something that really does feel like it’s ready for prime time, which is to say, a more extensive engagement.” ~Variety
*Adult language and content. Parental discretion is advised.
Every week Modelface Comedy brings you the best comedians from all over the country and this week we are saying our goodbyes to James Harrod and Allison Shelnut before they move to Denver!
Two of Asheville’s best comedians are moving to the big big mountains and we are sending them off with a traditional comedy goodbye! A roast featuring a half dozen of local and regional comics that know and love James and Allison.
Featuring Ben Gibson, Cody Hughes, Derek Boskovich, Julia Macias, Marlene Thompson, Petey Smith McDowell and more!!
ages 18+
doors at 7pm, show at
Acclaimed as an “outstanding ensemble…cohesive yet full of temperament” (The New York Times), the Verona Quartet has firmly established itself amongst the most distinguished ensembles on the chamber music scene today. The group’s singular sense of purpose most recently earned them Chamber Music America’s coveted 2020 Cleveland Quartet Award, and a reputation for its “bold interpretive strength, robust characterization and commanding resonance” (Calgary Herald). The Quartet serves on the faculty of the Oberlin College and Conservatory as the Quartet-in-Residence. In addition to its position at Oberlin, the Quartet holds residencies at Nova Scotia’s Lunenburg Academy of Music Performance and North Carolina’s Chamber Orchestra of the Triangle. As committed advocates of diverse programming, the Verona Quartet curates the UpClose Chamber Music Series on behalf of the COT, electrifying audiences from concert halls to craft breweries with their “sensational, powerhouse performance[s]” (Classical Voice America).
The Verona Quartet has appeared across four continents, captivating audiences at venues such as Carnegie Hall, Lincoln Center (New York City), Kennedy Center, Library of Congress (Washington, D.C.), Jordan Hall (Boston), Wigmore Hall (U.K.) and Melbourne Recital Hall (Australia), and has performed at festivals including La Jolla Summerfest, Chamber Music Northwest, Caramoor, Alpenglow, and Bravo! Vail, and with the Chamber Music Society of Lincoln Center.
The 2022-23 season will see the Verona Quartet return to Carnegie Hall and Buffalo Chamber Music Society as well as debut at esteemed series including the Chamber Music Societies of Utica and Williamsburg, Clemson University’s Utsey Chamber Music Series, Feldman Chamber Music Music Society, Friends of Chamber Music Kansas City, and Howland Chamber Music Circle. The Quartet will also participate in guest artist residencies at the Yong Siew Toh Conservatory in Singapore, Massachusetts Institute of Technology and the University of Texas at Austin.
ARTISTS
Jonathan Ong, Violin
Dorothy Ro, Violin
Abigail Rojansky, Viola
Jonathan Dormand, Cello
PROGRAM
Felix Mendelssohn (1809-1847)
String Quartet No. 1, Op. 12
William Walton (1902-1983)
String Quartet No. 2 in A minor
— Intermission —
Antonín Dvořák (1841-1904)
String Quartet No. 14 in A flat major, Op.105
Auditorium seating is reserved.
This dance is fragrance-free (no perfume, cologne, strong deodorant, etc.), out of respect for those with sensitivities.
If this is your first time dancing with us, your second dance is free!
