Calendar of Events

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Arts Council of Henderson County is happy to announce this anticipated art show happening again in 2025!

Get ready for the most exciting event of the year! The Art on Main Fine Art and Craft Show is back, and it’s celebrating its 66th year. Can you believe it? For over six decades, this event has been a highlight in the art community, drawing in art enthusiasts from all over.
Historic Downtown Hendersonville sets the stage for this extraordinary event, adding a touch of charm and nostalgia to the whole experience. As you stroll through the streets lined with quaint shops and historic buildings, you’ll feel like you’ve stepped back in time. It’s the perfect backdrop for a celebration of art and creativity.
All mediums of fine art and fine craft will be represented.
Please join over 100 artists for this Main Street Art Show.
September 27th and 28th, 10 am – 5 pm

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Celebrating the women who made the Spartanburg Art Museum possible, this exhibition showcases the women of the Spartanburg art scene from the early 20th century to the present day. Women of Spartanburg Art features works from our permanent collection by Irma Howard Cook, Josephine Sibley Couper, Margaret Law, and Helen DuPre Mosely.

Spartanburg Art Museum is located on the campus of the Chapman Cultural Center at 200 E Saint John Street, Spartanburg, South Carolina, 29306.

The Museum and administrative office are on the first floor of the West Wing (Carlos Dupre Moseley Building) near Liberty Street.

The art studios are on the second floor of the East Wing (Montgomery Building) near S Converse Street.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

This is a commemorative gathering on the first anniversary of Hurricane Helene, both to remember the tragedy and celebrate the resiliency of WNC. Please come out to join with us in this special event as we raise funds for Habitat for Humanity and LEAF Global Arts, so that they might continue the good work they are doing in Asheville and surrounding communities since the storm. Music provided by the Mad Dog Blues Band and Red Clay Revival, featuring Lindsay Pruett. Also, we will attempt to set a world record for the largest drawing ever!

Join us on Saturday, September 27th for an interactive performance presented in conjunction with the 15th Annual ReVIEWING Black Mountain College International Conference. Kyriakos Apostolidis, gordon fung, Kim Nucci, Che Pai, and Kyle Price of //sense, a Chicago-based neo-Fluxus theater troupe, will stage an immersive “theater of mixed means” that weaves a metaphorical and metaphysical network through history, art, and life, paying homage to the legacy of BMC.

This performance invites audiences to collectively revisit the past and reimagine the future. Through the embodied actions of its artists, the troupe transforms time and space into heterotopic sites where multiple centers across eras converge in the present moment. Conceiving individuals as living time capsules, the performers fuse human experiences into intellectual rhizomes, cultivating a shared terrain of intelligence, consciousness, and the cosmic mind.

The Arts Council of Henderson County is happy to announce this anticipated art show happening again in 2025!

Get ready for the most exciting event of the year! The Art on Main Fine Art and Craft Show is back, and it’s celebrating its 66th year. Can you believe it? For over six decades, this event has been a highlight in the art community, drawing in art enthusiasts from all over.
Historic Downtown Hendersonville sets the stage for this extraordinary event, adding a touch of charm and nostalgia to the whole experience. As you stroll through the streets lined with quaint shops and historic buildings, you’ll feel like you’ve stepped back in time. It’s the perfect backdrop for a celebration of art and creativity.
All mediums of fine art and fine craft will be represented.
Please join over 100 artists for this Main Street Art Show.
September 27th and 28th, 10 am – 5 pm

Henderson County Gem and Mineral Society’s Annual Gem, Jewelry & Mineral Show

Dates:
SEPTEMBER 26-28TH, 2025
Time:
Fri-Sat 10am-6pm
Sun 10am-5pm

Address:
National Guard Armory
2025 Spartanburg Hwy
East Flat Rock, NC 28726

SHOW FEATURES:
16 exciting vendors
Grab bags
Snack and refreshments
Hourly prize drawings
Grand prize drawing
Raffle
Children’s activities
Live demos: cabbing,
faceting, & jewelry making

Admission: $5 adults (covers
all weekend)
Kids 12 & under: FREE with a
paying adult

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Join us on October 3, 2025, 6:00-8:30 pm, for an unforgettable outdoor experience on Tryon Arts & Crafts School’s (TACS) west campus, commemorating the anniversary of Hurricane Helene with a celebration of Appalachian tradition. Ticket sales to TACS’ Hearth & Anvil fundraiser will support the school, a 501(c)(3) nonprofit organization, allowing us to continue providing opportunities such as the Helene Relief Artist in Residency Program. While fortunate compared to some, TACS and neighboring Harmon Field were significantly impacted by the storm with property damage, temporary closure, and cancellation of key events and programs. Hearth & Anvil is an opportunity to reflect on the past year and support the school, while enjoying traditional open-flame cooking and interactive art demonstrations alongside our new Terra Flora sculpture. The sculpture was constructed using natural and found materials from the aftermath of the hurricane.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.