Calendar of Events

Buncombe County’s residents, especially those living in and at the edge of poverty, have been able to access valuable, life-saving emergency assistance benefits through Eblen Charities. For many years now, Eblen Charities has partnered with Buncombe County Health and Human Services (BCHHS) to administer the Emergency Assistance, Crisis Intervention, and Low Income Energy Assistance programs. Due to an increase in need from our neighbors and challenges with processing benefits between state and partner agency systems, BCHHS transitioned the administration of these programs from Eblen Charities to the County on November 13, 2023.

We recognize that this a change for our community as Eblen Charities has provided this assistance for many years and has been a vital resource for our neighbors in crisis. BCHHS began answering calls and processing online applications on November 13, 2023. Beginning December 1, 2023, with the start of Low Income Energy Assistance application processing, BCHHS will start taking in-person requests at 40 Coxe Ave. in downtown Asheville.

Low Income Energy Assistance provides a one-time annual vendor payment to help eligible families pay their heating expense. Households containing a person age 60 or older or disabled receiving services can apply starting December 1, 2023. All households can apply starting January 1, 2024. Low Income Energy Assistance applications are accepted until March 31, 2024 or until funds are exhausted.

To qualify for the Low Income Energy Assistance Program, households that meet the following criteria may be eligible:

• Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
• Meet income requirements.
• Be responsible for its heating costs.

The Crisis Intervention Program serves individuals and families who are experiencing or are in danger of experiencing a heating- or cooling-related crisis.

To qualify for the Crisis Intervention Program, households that meet the following criteria may be eligible:

• Have at least one U.S. citizen or non-citizen who meets the eligibility criteria.
• Meet the income requirements.
• Have an energy related crisis.
• Have a utility statement that shows how much is owed to alleviate the crisis.

For those who have previously received Low Income Energy Assistance Program assistance, the North Carolina Department of Health and Human Services will begin notifying eligible households by mail beginning November 19, 2023. Households will have 10 days to report any changes to their household. Applicants can report changes by contacting the BCHHS office or by making changes to the form that was mailed to you and return it to BCHHS, located at 40 Coxe Ave. in Downtown Asheville. If no changes are reported, the information from last year will be used to process this year’s automated Low Income Energy Assistance payment.

If you are interested in applying for these Energy Assistance benefits, you can quickly apply online at www.epass.nc.gov. If you would like to apply over the phone, have general questions about energy assistance, or need to check on the status of your case, please call us at (828) 250-6330. Beginning December 1, 2023, you may also visit us in person at 40 Coxe Ave. in downtown Asheville. Please bring your parking ticket with you inside of the building for free parking.

Buncombe County also will administer Emergency Assistance, which Buncombe County Social Work Services distributes as funds become available to our community. To apply for Emergency Assistance, go online to epass.nc.gov, call Buncombe County at 828-250-6330, or apply in person at 40 Coxe Ave.

BCHHS will continue to partner with Eblen Charities to assist families and individuals in our community during times of crisis and hardship. For more information on the services that are available in our community, visit www.buncombecounty.org/hhs.

• WNC Farmers Market, 570 Brevard Rd., Farmers Truck Shed #1, daily, 8 a.m.–5 p.m.

• Even though it’s getting colder, you can still find fresh, local food at area farmers markets. Nine markets in Buncombe County will offer extended seasons or special holiday dates in November and December. In addition to seasonal produce, meats, cheeses, eggs, and bread, these markets will feature local artists and handmade goods, such as wreaths, pottery, jewelry, and more.
• ASAP’s Double SNAP for Fruits and Vegetables and Farm Fresh Produce Prescription. Both programs offer participants free market tokens that can be spent on fresh fruits and vegetables. That includes in-season fall produce such as root veggies (including carrots, beets, radishes, and turnips), tubers (potatoes and sweet potatoes), brassicas (broccoli, cauliflower, and cabbage), winter squash, greens, and fruits like apples and persimmons.

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.

Our FEAST cooking and gardening program offers public school students the opportunity to learn food security skills that will last a lifetime. Not only that, we tailor our classes to grade level standard course of study and incorporate science, math, reading and history. Students get to taste and have hands on experience and we could use some supplies to help! Please let us know if you have any of the following you’d like to contribute:

Metal spoons and forks for tasting
Small one ounce Dixie cups – paper or reusable plastic
Mini Silicone Pinch Bowls
Soil for raised garden beds
Compost Now – donate your compost to us HERE
Kid friendly can opener
Cans of Black Eyed Peas
Honey
Tamari
Extra Virgin Olive Oil

Please reach out to [email protected] for more information or if you’d like to drop things off. Amazon items can be ordered directly with the links above.

Guests visiting the WNC Nature Center this spring and summer have seen many new animals! Over the past six months, 19 animals representing seven species have been born or brought to the Nature Center.

Come and See

In late April, the WNC Nature Center announced the birth of a large litter of critically endangered red wolf puppies. Six females (Babs, Bonnie, Ruby, Rufina, Sienna, and Toto)and one male (Tony) have grown up in front of guests and visitors and are now almost indistinguishable in size from their parents, Gloria and Oak. The WNC Nature Center anticipates that the red wolf pups will remain in Asheville for the next two years.

On the heels of the red wolf births came two coyote pups, Cal and Walker. They were also born in April and came to the Nature Center in late July from Izzie’s Pond Sanctuary in South Carolina. While Cal and Walker are not biological brothers, they were introduced to each other at a very young age, so they have bonded and will be companions. These coyotes are incredibly shy and are usually spotted by guests behind their open den shelter.

Quickly becoming a guest-favorite, bobcat kitten Tufts joined the Nature Center in early August. He came from the May Wildlife Rehabilitation Center in Banner Elk, North Carolina, and was named after Edgar Tufts, the founder of Lees-McRae College. The latest bobcat addition was Kohana in late November, a female bobcat who was found in the wild by the West Virginia Department of Natural Resources, she was born around the same time as Tufts, and the two will
be non-breeding companions.

Raccoons Grace and Frankie came to the WNC Nature Center in late September from Appalachian Wildlife Refuge. These kits have acclimated quickly with their curious behaviors and tactile foraging skills.

In our Care

To say the least, animal keepers and the veterinary care team at the WNC Nature Center have been busy keeping up with vaccines and immunizations, introducing the animals to their new habitats, and encouraging behaviors that will help with their care as they grow into adulthood.
“When you visit and see our animals, it’s important to understand why they are here with us,” says Erin Oldread. Animal Curator at the Nature Center. “Sometimes they were born under human care, like our red wolves. Other animals were permanently injured in the wild and need ongoing veterinary care. In the case of our new coyotes, bobcats, and raccoons, they were found to be unreleasable by the sanctuaries who received them. Oftentimes when you are rehabilitating a very young animal and feeding them from a bottle, they very quickly become dependent on and overly comfortable around humans. It can be harmful to them and humans if they were released back into the wild, so the WNC Nature Center is happy to give them a home.”

In the case of WNC Nature Center’s last collection of baby animals, sometimes the Center serves as a holding ground as animals develop and prepare to be released back into the wild. Appalachian Station, the Nature Center’s indoor exhibit for reptiles and amphibians, is currently housing two baby box turtles and two baby snapping turtles, all four of which are overwintering and will be released in spring 2024.

Also joining the WNC Nature Center this year are adult animals, Suli the Black Vulture and Morticia the Turkey Vulture. Suli was born in the wild but came under human care after a wing injury. She came to the Nature Center in late March from the NC Aquarium at Pine Knolls Shores. Morticia arrived from Hershey Park Zoo/Zoo America in October and joined the habitat next to Buzz, the longest living resident at the Nature Center at 33 years, in December.

Great time for a visit

Typically, the WNC Nature Center sees less crowds as Asheville enters the colder weather seasons. However, the animals who call the Nature Center home are generally more active during this time of year, and visitors can enjoy watching all the new additions encounter their first winter in Western North Carolina.

Check out the WNC Nature Center’s holiday gift guide at wildwnc.org/gift-guide to see all the ways you can support the animals who call the Nature Center home, including symbolic adoptions and purchasing items from the Animal Wishlist and Holiday Giving Tree.

About the Friends
The Friends of the WNC Nature Center are a vital partner with the WNC Nature Center. With their donors and members, the Friends enrich the Nature Center’s mission to connect people with the plants and animals of the Southern Appalachian Mountains. As a conservation organization, the Friends inspires a passion to know more, care more, and do more for the wildlife of the Southern Appalachian Mountains. They advance the critical work of the WNC Nature Center by supporting its growth and development through fundraising, membership, outreach education, marketing, and volunteer services.

About the WNC Nature Center
The Nature Center connects people of all ages with the plants and animals of the Southern Appalachian Mountains. Asheville’s wildlife park is located on 42 acres and is home to more than 60 species of animals, including red pandas, river otters, black bears, red and gray wolves, and bobcats. For more information, please visit www.wildwnc.org.

Levels 1+

Get ready for 2024. Set your intentions and release what needs to stay in 2023. This class includes an extra 30 minutes of chakra balancing, while you lie back or sit in meditation.

Pre-registration required.

In Ayurveda, the kapha dosha is cold, heavy, wet, thick, and slow, among other things. This dosha tends to be most present in winter and early spring. As a practice, we challenge that in yoga by building heat in the body and releasing excess water, so we can be our strongest and fittest, boosting our immune system and staving off depression.

Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell.

The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.

Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.

The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.

Throughout the history of painting from the mid-19th century forward, artists have used an endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process. Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel, bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world. This multigenerational survey demonstrates how the 35-mm camera, and later technological advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be. “Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.” Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant. This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan. This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Based on interviews and photographs of native American people, The Awakening of Turtle Island: Portraits of Native Americans — an award-winning touring exhibition created and designed by photographer Tracey Schmidt — has toured regionally to more than 16 museums and cultural centers since its premiere in Atlanta in 1996.  At its premiere, The Awakening of Turtle Island won the coveted Regional Designation Award in the Humanities, along with the Gwinnett Fine Arts Center, as part of the Cultural Olympiad.

The exhibition is on display at LEAF Global Arts in downtown Asheville, through December 31.

From the artist: “Seeking to create an intimate glimpse into native people’s lives, this exhibit explores the beauty, sacredness, and spiritual re-awakening of people struggling to revitalize and preserve their important and immense gifts. Turtle Island is the Iroquois name for the North American continent. The name The Awakening of Turtle Island therefore means the awakening of America.

“The impetus for The Awakening of Turtle Island is based on the observation that there is in America today a growing awareness both of our delicate relationship with the environment and of the original Native Americans who viewed themselves as an integral part of nature and as its stewards. This awareness is a part of the rebirth we are all experiencing, as we discover that our present day dilemma leaves us searching for something real, inclusive, and whole.”

Pictured: R. Teesatuskie, Eastern Band Cherokee, photo by Tracey Schmidt

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The Perspective Café is kicking off 2023 with a classic bang! Grab your friends and join us each Sunday from 2pm to 5pm in the Perspective Café to play an assortment of board and card games. You can even bring your own favorite games from home to share with new friends.

The Perspective Café will be offering special snacks and cocktails to savor while you play and make a memorable afternoon! Enjoy the galleries and then head up to the rooftop.