Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
Kids’ Comedy Tour: Wildly funny, this educational and entertaining tour features the perfect blend of Asheville’s history and kid-centric comedy. Geared specifically toward the 5–12 year old crowd, you’ll explore the town with our famously outlandish tour guides leading the way.
- Perfect for birthday parties
- Makes for memorable school field trips
- Tickets are $27 per person
- Beverages available for purchase at the LaZoom Room
- Departs from 76 Biltmore Avenue
Art on 7th will present its May 2023 Exhibition titled “The Mystic River of Dreams.” The show runs May 18 through May 28 and will kick off with a wine and cheese reception on May 18 from 4:00 p.m. to 6:00 p.m. All are welcome to attend.
Many of the gallery artists will present work interpreting the exhibition theme, which promises a variety of imagery from the creative minds of contemporary abstract artists. Participating artists include Laurie Adams, Amy Casteel, Stephen Hackley, Courtney Hoelscher, Barbara Jones, Michelle Marra, Robin Pedrero, Christopher Peterson and Julie Wilmot. Paintings, sculptures, and copper are on the list of works planned for the exhibition.
According to gallery owner Julie Wilmot, “These pieces of art won’t be river scenes typically represented in WNC galleries. As a contemporary art gallery, it’s fun to take what might be a classic theme and give it a contemporary twist. Art on 7th has a number of landscapes, waterfalls, and mountain scenes on our walls, but none of it is representational artwork.” Identifying the gallery’s audience Wilmot says, “Art on 7th sells contemporary art that is in harmony with our clients’ mountain lifestyles. And there are plenty of people in the area who love the nature and mountains of WNC but aren’t necessarily intent on carrying a literal design and décor representation, as such, into their homes.”
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Join Atelier Maison & Co. and Show & Tell Pop Up Shop for the monthly Makers Market in the Asheville Design District this Saturday, May 20!
The Makers Market is a monthly market of art & design, featuring vendors and artisans selling housewares, vintage clothing, original art, handmade crafts, fair trade imports, and more – happening on the third Saturday of each month at Atelier Maison & Co.
Shop from local artisans and check out Asheville arts and crafts. Each month, inside and outside the showroom of Atelier Maison & Co. you’ll find a wide variety of different artists and makers at these craft markets. We host vendors displaying everything from textiles to woodwork, fresh farmed flowers, or hand-blown glass.
From noon-5 on the third Saturday of the month, each market has dozens of vendors and hundreds of shoppers throughout the spacious grounds. The markets have a welcoming feel, often with a food truck, craft workshops, or complimentary beverages and treats for the whole family.
With roots in the Asheville Design District, Atelier Maison & Co. is the area’s home furnishings destination offering healthy, design-forward furniture, accessories, and their own exclusive line of green, envy-worthy pieces. They believe living green is not only better for the environment but essential in building a happier, healthier home.
Citron Gallery presents REFLECTIONS, a group exhibition featuring new works by a diverse range of national and international artists. Consisting of both literal and metaphorical meanings, reflections can appear in many different forms. The physical nature of light alters appearances and can reveal unexpected sensations. Reflections can also be internal; emotional, spiritual or cerebral, revealing distant memories. These artists have created works that aim to portray an inner dialogue for the viewer. Join us for an evening of art, music, light refreshments, and conversation.
Exhibiting artists include: Allison B. Cooke, Anna Carll, Dorothy Ganek, Eric Abrecht, Kieta Jackson, Kento Saisho, Lauren Betty, and Rand Kramer
Additional works by: Cliff Warner, Joshua Meyer
Opening Reception: Saturday, May 20th, 2023 | 5 PM – 8 PM
On View: May 20, 2023 – August 31, 2023
Location: 60 Biltmore Ave., #002 Lower Level, Asheville, NC 28801
Join artist Marsha Almodovar for an evening celebrating the feminine and Latinx creators. DJ Malintzin spinning beats and light bites at the free opening on May 20 from 6-9 in the evening. $6 Cuba libres y $7 mojitos – it’s a party!
“Creating these pieces of art has been an act of reclaiming autonomy of my own body. It has been a personal journey to heal generational trauma and brutality that happened to women from the island of Puerto Rico.” – Marsha Almodovar
In the environment of capitalism, we view nudity a functionality of sexual gaze when in fact our natural state of eroticism and sensuality flows into the creative parts of our lives including art, music, motherhood, and nature.
Paintings on display at Bottle Riot through July.
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Since 2018, the Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
Arts and culture are a fundamental part of our community. They help us connect with one another and better understand history, people, and new ideas. When people become involved in the design, creation, and upkeep of places, they develop a vested interest in using and maintaining these spaces. When neighbors have a true sense of “ownership” or connection to the places they frequent, the community becomes a better place to live, work, and visit.
Description & Eligibility
Organizations must have been in operation for at least one year and be physically located in Buncombe County. Priority is given to projects based in low-income neighborhoods and communities in need.
The arts must be centered in the proposed project. Funds may be used to cover expenses such as art supplies, professional artists’ fees and travel, space rental, advertising, marketing and publicity, website and electronic media, scripts, costumes, sets, props, music and equipment rental.
Funds are for projects taking place from July 1, 2023- June 30, 2024. This can be a reimbursement for projects occurring during this funding period that have already taken place or for projects that have not yet occurred. Projects must be completed by June 30, 2024.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
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Michelle Tway – fiber
Timothy Bridges – fiber
Martine House – mixed media
Noel Yovovich – metal
Deb Herman – fiber
The Focus Gallery is located on the second level of the Folk Art Center. The Folk Art Center is located at Milepost 382 of the Blue Ridge Parkway, just north of the Highway 70 entrance in east Asheville, NC.
This exhibition is hosted by the Southern Highland Craft Guild. The Guild is a non-profit, educational organization established in 1930 to cultivate the crafts and makers of the Southern Highlands for the purpose of shared resources, education, marketing, and conservation. The Southern Highland Craft Guild is an authorized concessioner of the National Park Service, Department of the Interior.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Spring Studio Tour Preview Exhibition
May 13 – June 4
This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.
This driving tour through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields, and miles of forests all while visiting the talented studio artists and galleries participating.
Please have a look at the tour website to begin planning your visit.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.
Art on 7th will present its May 2023 Exhibition titled “The Mystic River of Dreams.” The show runs May 18 through May 28 and will kick off with a wine and cheese reception on May 18 from 4:00 p.m. to 6:00 p.m. All are welcome to attend.
Many of the gallery artists will present work interpreting the exhibition theme, which promises a variety of imagery from the creative minds of contemporary abstract artists. Participating artists include Laurie Adams, Amy Casteel, Stephen Hackley, Courtney Hoelscher, Barbara Jones, Michelle Marra, Robin Pedrero, Christopher Peterson and Julie Wilmot. Paintings, sculptures, and copper are on the list of works planned for the exhibition.
According to gallery owner Julie Wilmot, “These pieces of art won’t be river scenes typically represented in WNC galleries. As a contemporary art gallery, it’s fun to take what might be a classic theme and give it a contemporary twist. Art on 7th has a number of landscapes, waterfalls, and mountain scenes on our walls, but none of it is representational artwork.” Identifying the gallery’s audience Wilmot says, “Art on 7th sells contemporary art that is in harmony with our clients’ mountain lifestyles. And there are plenty of people in the area who love the nature and mountains of WNC but aren’t necessarily intent on carrying a literal design and décor representation, as such, into their homes.”
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Join us at Catawba Brewing for an afternoon of improv comedy! “Move” workshop is focused on turning off your inner critic and embracing the moment. Joe Carroll will lead exercises that utilize movement and sound to get out of your head. Improv is a great way to build self-confidence, public speaking skills, and to connect with this awesome community. It’s also a lot of fun!
Open to all improv levels
ages 18+
Signup $40*
*sliding scale available
Instructor Bio:
Joe Carroll currently teaches improv Levels 1-4 at the Black Mountain Center for the Arts. He began improvising at Appalachian State University in 2007 and taught workshops and classes at the Asheville Improv Collective. Joe has performed at the Dirty South Improv Festival, NC Comedy Arts Festival, Asheville Yes Fest, AIC Fest, Hell Yes Fest, the Asheville Fringe Festival, the Secret City Festival, and Chicago’s Annoyance Theater. He currently performs in his one man show “JOLO”, the all-star ensemble “The No-See-Ums”, and comedy duo “Mabel’s Baby”.
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
The Blue Ghost Photography Tour (limited to 6 participants) will be a curated and semi-guided experience to allow for amateur and experienced photographers alike the opportunity to practice and perform long exposure photography of Blue Ghost Fireflies at a comfortable pace along the Cradle of Forestry’s paved trails.
The Blue Ghost Photography Tour is limited to 6 participants, will be a curated and semi-guided experience to allow for amateur and experienced photographers alike the opportunity to practice and perform long exposure photography of Blue Ghost Fireflies at a comfortable pace along the Cradle of Forestry’s paved trails.
The photo guide, Bobby Bradley, will start the night off with a sit down and equipment overview with the participants as well as review some images Bobby has made over the years and discuss techniques to achieve similar results. After discussing goals and equipment strategy, the group will go out on the trail to scout out locations and also learn about Blue Ghosts with a FIND Outdoors Naturalist. Once dark, the participants will split into pairs at 3 locations (2 participants at each location). The photo guide will rotate along the 3 locations to offer tips, tricks, and advice as well as set up his own cameras to shoot alongside and do show and tell. At approximately 11pm we will wrap up shooting and return to the building to review images and celebrate the night of shooting. Each participant will hopefully leave with a memory card full of images.
Bobby Bradley is a Brevard, NC based Photographer specializing in fine art landscape and nature imagery. He enjoys practicing techniques such as long exposure, multiple exposure blending, and creative post-processing techniques to get the most out of camera tools to achieve new and unique images in otherwise low light situations.
Please note there is a minimum number of 3 people required for this tour to proceed. If this number has not been met, we will reach out to you to reschedule.
7:40pm: Gates open (guests can check in)
8:00pm: Event starts indoors
8:30pm: Head outside onto paved trails to scout locations and learn about blue ghosts
9:30pm: Start shooting
11:30pm: Head inside to review and share shots
12:00am: Event ends & gates close
WHAT TO BRING
Required Equipment (no exceptions):
- DSLR or Mirrorless Camera capable of 30 seconds long exposure (no mobile phones)
- Lens 14mm – 100mm (35mm equivalent) at least f/4-5.6
- Steady Tripod
- Headlamp/flashlight
- Spare Camera Battery
Recommended Equipment
- Intervalometer (timer to allow for long exposures 30s+)
- Lens Options: Any Wide Angle, Medium, Telephoto/Macro will work. Wide captures lots of Blue Ghosts. Telephoto/Macro captures more closeups.
- Lens of any type at f/1.8 – f/2.8 are ideal for low light
- Camera Rain Cover
- Light Jacket
- Spare Camera Battery
- Headlamp/flashlight with red light
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Celebrate with us by contributing to the future of the arts in Western North Carolina.
Make your 75th Anniversary Spring Annual Fund donation today! |
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! The Diamond Anniversary is a time to honor our rich heritage and—more importantly—envision our future as the premier visual arts organization in this vibrant, creative region.
Founded in 1948 by a group of local artists to showcase the scope and depth of creativity in Western North Carolina (WNC), the Museum brings art of international significance to the region and encourages lively, diverse dialogue.
The Museum’s original home was a modest, unheated, three-room building on Charlotte Street in the former sales office of Dr. E.W. Grove. The building was designed by Richard Sharp Smith and provided to the Museum by the City of Asheville. Exhibitions by local painters and sculptors could only be staged in warmer weather, and Sunday afternoon receptions gave the community an opportunity to view original art and to listen to artists talk about their work. By the 1950s, the Museum had become an invaluable part of Asheville’s cultural life. It also began acquiring artworks for its Collection.
Three quarters of a century later, the Museum has evolved into the preeminent cultural and educational hub for WNC—welcoming tens of thousands of visitors annually, hosting several major exhibitions each year, holding scores of special programs, and housing its Collection of more than 7,500 works in its state-of-the-art Pack Square location. From its humble beginnings on Charlotte Street to its breathtaking permanent home in the heart of downtown Asheville, the Museum has remained dedicated to Its mission to engage, enlighten, and inspire individuals and enrich the community through dynamic experiences in American art of the 20th and 21st centuries.
The Asheville Art Museum was built, cherished, and supported by the community throughout the past 75 years. Our anniversary celebration will give back through community partnerships and special programs, and by creating new reasons to visit or become a Member. We hope you’ll join us at one (or all) of our Diamond Anniversary special events: the 2023 Gala on June 17th, the 75th Anniversary Community Day Celebration in August, and the 75th Anniversary Dance Party in November!
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