Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.

Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. “We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian. “The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.” A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty. Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson. About the Museum of the Cherokee Indian Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Every bite counts!

The Girl Scouts will set up on Saturdays to sell Girl Scout Cookies near the entrance of Sportsman’s Warehouse.

Hours of Operation – Please note dates and times are subject to change subject to troop availability and weather conditions.

January 22 – March 19, 2022
Saturdays: 11am-5pm

Speak the Speech is an 8-week deep dive into the technical fundamentals that will allow you to speak Shakespeare with accuracy and clarity. Skills covered include:

Paraphrasing for accurate understanding
De-constructing and understanding Shakespeare’s grammar and syntax
Identifying operative phrases and key words to unlock the audience’s understanding
Physical and vocal techniques for clarity
Developing and deepening imagery
Using scansion to discover hints to pacing, character, and unwritten stage directions
Memorizing meaning rather than speech patterns, for flexible, spontaneous, and responsive performance

The first four weeks of this course focus on tools for comprehension and speech, with an emphasis on prose. The second four weeks move on to verse, combining skills from the first half of class with scansion and deeper image work.

Students who took an abbreviated version of the class in the fall of 2021 said:

“I gained a significant amount of information from it. The format was incredible and I have come away from it with a better understanding of Shakespeare.“

“Instructor’s knowledge, command of material, keen observational skills, and specific, articulate feedback made the class engaging and useful.”

“It was interesting to see the other people’s work evolve as they used the tools learned in class.”

“The two hours flew by and I often wished we could keep working past stop time.”

February 12 – April 2, 2022
Saturdays, 11am-2pm

Ages 16 and Up

Bio for the Instructor:
Melon Wedick studied theatre (and philosophy!) at Oberlin College. She studied Shakespeare performance with Paul Moser and Hal Ryder, and was a founding member of the Certain Players (Randolph, VT) and founding co-director of the Greenville Shakespeare Festival (Greenville, NH). She has performed with the Certain Players, Greenville Shakespeare Festival (NH), Black River Theatre Company, Shakespeare NYC, and the Montford Park Players, among others, and has directed productions of Hamlet, Measure for Measure, and Coriolanus. Now the artistic director of Nemesis Theatre Company, Melon is passionate about clarity and comprehension in Shakespeare performance.

Asheville Gallery of Art March 2022 Exhibit, New Members Show“Color Dance” will feature works by four new gallery members: Anne Marie Brown, Raquel Egosi, JoAnn Pippin, and Cindy Shaw. The show will run March 1-31 during gallery hours, 11am-6pm. An event to meet the artists will be held at the gallery on First Friday, March 4, from 5-8pm at 82 Patton Avenue. These four exciting artists have selected “Color Dance” as the theme for their show. Paintings are generally static and are confined within a frame. The combined creative energy of these artists has seemingly moved beyond these limits, to create beautiful expressions of dynamic, moving shapes, captured within a spatial environment. They wish their works to evoke thoughts, emotions, and awareness to celebrate the sentient meaning of life. Please join us for “Color Dance” to revel in the paintings presented by these new gallery artists. They will deliver dynamic color, vibrancy, and hue into scenes that will dance their way into your heart. Anne Marie Brown began painting when, as a florist, she would paint small watercolors of her floral designs. She has exhibited in outdoor shows for over ten years and has had exhibitions in numerous galleries. Now settled in the mountains, she is inspired to paint the sweeping vistas and flora and fauna within. Anne Marie works in watercolor, gouache, oil, and acrylic, and hopes the images that touch her heart and canvas will touch yours as well. Color is music to my eyes. The song that is created on the canvas makes my heart dance. Raquel EgosiRaquel’s art career began in 1996 in Brazil. Studying with acclaimed artists and attending a variety of painting classes, she was active in her local art community, collaborating and setting up art shows. She currently participates regularly in gallery shows and museum exhibitions. Her art sells internationally, and she leads workshops for mixed media techniques in both the United States and overseas. Constructed using a variety of mixed media, my compositions are exceedingly rich in color and texture, with partial or fully figurative and abstract elements. JoAnn Pippin, her passion is to explore different watercolor techniques, with her subjects. Her paintings have been exhibited in juried art shows throughout the US, and her focus is on color, composition, and texture, to create light and mood through technique. The theme “Color Dance” is especially meaningful to watercolorists, because we literally watch color dance and blend when we add wet paint to wet paper. It is not simply mixing colors on the palette and placing them in our work, but the excitement of observing the action as they blend and mingle to create wonderful new hues. Cindy Shaw originally trained as an Architect and worked for many years on projects as well as teaching. However, when her husband’s career took her to rural Italy, she purchased art supplies and began to paint. While there, she enjoyed exploring the Italian countryside and capturing “le viste belle!”. Returning home to the USA, she has continued to grow and develop as an impressionist artist over the past decade. “Color adds depth and meaning, not only to our paintings, but also to our outlook on life. Color can be joyful, dramatic, and exciting.”

As the seasons change, awaken your senses to the natural world around you on this guided meditation experience with Namaste in Nature. De-stress during this peaceful hike focused on reconnecting with nature and yourself. This mindfulness experience will be centered on awakening.

Advance registration required.

Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art. 

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Black Mountain College: Idea + Place Lower Level Gallery with Companion Digital Exhibition How can an idea inform a place? How can a place inform an idea? Would Black Mountain College have had the same identity and lifespan if it had been located in the urban Northeast, the desert Southwest, or coastal California? How did BMC’s rather isolated, rural, and mountainous setting during the era of the Great Depression and the Jim Crow South influence the college community’s decision-making and the evolution of ideas upon which it was based? This exhibition seeks to delve into these questions and others by exploring the places of Black Mountain College: its two very different campuses, its influential predecessor the Bauhaus in Germany, and the post-BMC diaspora. Curated by Alice Sebrell, Director of Preservation

adVANCE! Modernism, Black Liberation + Black Mountain College Upper Level Gallery with Companion Digital Exhibition Featuring the work of contemporary sculptor Larry Paul King in conversation with Black Mountain College modernist masters including Jacob Lawrence, Gwendolyn Knight Lawrence, Josef Albers, Leo Krikorian, and Sewell Sillman. Premiering three Jacob Lawrence lithographs new to the BMCM+AC permanent collection. adVANCE! celebrates Black Mountain College’s role in early civil rights and the ongoing role of Black, modernist artists in the pursuit of liberation and justice. Curated by Marie T. Cochran, Founder of the Affrilachian Artist Project

Led by Stewart/Owen Co-Directors, Vanessa Owen and Gavin Stewart, this class begins with full body conditioning followed by a series of technical modern exercises, and culminates in either phrase creation or Stewart/Owen repertory. Dancers are encouraged to modify for their own bodies and spaces! We recommend this class to experienced dancers who are looking for a fast-paced contemporary class that pushes their physical and mental boundaries.

In person: $10, pay at the door

Online: $7 suggested donation, contact [email protected] for class link and details.

About Stewart/Owen Dance: Gavin Stewart and Vanessa Owen, a husband and wife duo, are the co-directors of Western North Carolina based Stewart/Owen Dance. Their choreography has been presented by festivals and companies across the U.S., and their careers have most notably taken them around the globe on fifteen U.S. State Department tours to teach, perform and choreograph contemporary dance with Washington D.C. based Company E. In 2017 they made North Carolina their home base where they work towards building a sustainable community for professional dance artists to set roots.They have choreographed music videos for artists such as Moses Sumney, Sylvan Esso and Ben Phantom. Gavin and Vanessa won the Audience Choice Award at the NYC Dance Gallery Festival 2018, were commissioned as Dance Gallery 2019 Level UP Artists, are recipients of a McDowell Regional Artist Project Grant, a North Carolina Artist Support Grant and were voted “Artists Who Most Pushed the Boundaries with the Human Body” by 2020 Asheville Fringe Arts Festival. Since the pandemic, they have focused on producing COVID-conscious dance experiences for live audiences, including drive-up performances and a guided walk-along dance exhibit presented in residence with Asheville’s beloved Wortham Center for the Performing Arts.

N. C. Wyeth, Eight Bells (Clyde Stanley and Andrew Wyeth aboard Eight Bells), 1937, oil on hardboard, 20 × 30 inches. Bank of America Collection

The Wyeths: Three Generations | Works from the Bank of America Collection provides a comprehensive survey of works by N. C. Wyeth, one of America’s finest illustrators; his son, Andrew, an important realist painter; his eldest daughter, Henriette, a realist painter; and Andrew’s son Jamie, a popular portraitist. Through the works of these artists from three generations of the Wyeth family, themes of American history, artistic techniques, and creative achievements can be explored. This exhibition will be on view in the Asheville Art Museum’s Explore Asheville Exhibition Hall February 12 through May 30, 2022.

N. C. Wyeth (1882–1945) has long been considered one of the nation’s leading illustrators. In the early 1900s, he studied with illustrator Howard Pyle in Delaware. In 1911, he built a house and studio in nearby Chadds Ford, PA. Later, he bought a sea captain’s house in Maine and in 1931 built a small studio, which he shared with his son, Andrew, and his daughters, Henriette and Carolyn. The exhibition includes illustrations for books by Robert Louis Stevenson and Washington Irving as well as historical scenes, seascapes, and landscapes.

Andrew Wyeth (1917–2009) is one of the United States’ most popular artists, and his paintings follow the American Realist tradition. He was influenced by the works of Winslow Homer, whose watercolor technique he admired, as well as by the art of Howard Pyle and his father, N. C. While Andrew painted recognizable images, his use of line and space often imbue his works with an underlying abstract quality. The exhibition includes important works from the 1970s and 1980s as well as recent paintings.

Henriette Wyeth (1907–1997) was the eldest daughter of N.C. Wyeth and an older sister to Andrew Wyeth. Like other members of her family, her painting style was realist in a time when Impressionism and Abstraction were popular in the early 20th century. She studied painting at the Pennsylvania Academy of the Fine Arts and was an acclaimed portraitist, though perhaps not as widely known as her father and brother. Most notably she painted the portrait of First Lady, Pat Nixon, which is in the collection of The White House.

Jamie Wyeth (born 1946), like his father and grandfather, paints subjects of everyday life, in particular the landscapes, animals, and people of Pennsylvania and Maine. In contrast to his father—who painted with watercolor, drybrush, and tempera—Jamie works in oil and mixed media, creating lush painterly surfaces. The 18 paintings in the exhibition represent all periods of his career.

This exhibition has been loaned through the Bank of America Art in our Communities® program.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Come lend a hand as the Elder & Sage Community Gardens prepare for their 6th gardening season. Some tasks will include: Raking and bagging leaves, laying pavers for their wheelchair accessible area, repairing garden boxes, shoveling soil, mulching beds, assembling a portable greenhouse, cleaning and organizing tools. Refreshments will be provided. Reach out to [email protected] for more info.

The Junior League of Asheville, Inc. (JLA) invites all community members of all ages to its fifth annual Volunteer Expo, on Saturday, March 12, 2022 at the Crowne Plaza Expo Center from 12 to 3pm. Modeled after a job fair, this free event will feature more than 40 local nonprofits looking to fill ongoing and future volunteer needs. Nonprofits in almost every area of community concern will be present at the event: health, poverty, legal aid, environmental stewardship, women’s issues, arts, civic leadership, technology, education and animal welfare.

Join us outside on our plaza for a free community event of performance and artmaking! We recognize that art can serve as a source of healing and point to more restorative solutions to critical community issues. Creative expression offers us the ability to process and unite. In conjunction with our loan of Félix González-Torres’ installation Untitled (L.A.) in Ruminations on Memory and in collaboration with community partners, we aim to provide a safe and welcoming space for all to reflect/connect.

Reflect/Connect presents poetry readings, dance performance, and audio recordings, as well as an opportunity to participate in collaborative artmaking.

12:00-12:45pm: Poetry reading, dance performance, audio recordings

12:45-2:00pm: Collaborative artmaking

Poetry readings: Readings by a select group of high school students participating in week-long poet-in-residence programs, Power of Youth, led by Torre White.

Dance performance: Watch the performance or be part of it! Register for the free re-connect movement workshop on 3/5/22 to participate in a cathartic experience of collaborative dance making and performing with Kathy Leiner and the Asheville Contemporary Dance Theatre. Participants are invited to perform the movement created in this workshop as part of the community event Reflect/Connect.

Collaborative artmaking: Create art with Liz Williams of Campaign for Southern Equality’s Southern Equality Studios! Individual artworks will be used together to create a community-based vision board that will take the form of a healing tapestry that speaks to the future while reflecting on the past. You can also view tapestries previously created by groups from Stephens-Lee Recreation Center, Western North Carolina Aids Project, Queer Artists Meet-Up, and Asheville School.

Generous funding for this program is provided by Art Bridges.

Whether you’re an experienced yogi, new to yoga, or just need some baby goats in your life, our Goat Yoga classes at Franny’s Farm are a fun interactive yoga experience to physically, mentally, and spiritually connect with goats. Namaaaaste!

Comfortable clothing and shoes (that are okay getting dirty!) are a must, sleeved shirts recommended. Children under the age of 12 may join for free with the purchase of an adult ticket! You are welcome to bring your own yoga mats, or plan on renting mats for $5 each the day of. Please park through the red gate by The LOVE Barn and enter the big brown Barnhouse through Franny’s Farmstore, where we have all sorts of goodies available for purchase!

This class will be led by Tara (Becky) Eschenroeder – A 500 hour E-RYT, YACEP, certified coach and mentor, and self-published author.

Goat yoga place inside our event barn, rain or shine! We have a handwashing station, hand sanitizer, and sanitizing wipes readily available when needed. You are welcome to wear a mask if you choose to do so.

Arguably the most talented of the three Lange brother artists, TL Lange was an actual rockstar in Atlanta before he was an art rockstar in Asheville. “He was going to participate in the Fall Studio Stroll (2001) but something came up. He dropped a couple of cardboard jericho cases with random unstretched canvases & paper pieces for me to sell. This work is from that batch. It has never been viewed by the public before; some are for sale & others are only being shown.” –Stephen Lange. Twenty of these TL Lange paintings will be included in this exhibition as well as prints of Anonymous Bathers, one of his most noteworthy creations.TL Lange was born and raised in Charleston before studying drawing and painting at Winthrop University in Rock Hill, SC. After spending about five years in Atlanta, where he first made a name for himself in the art world, he moved to North Carolina where he maintained his home and atelier until his untimely death at the age of 36. Lange started his work with “concrete visions”, and actually began several paintings at one time. He tried to allow some form of synchronicity to determine his next decision. As the artist said, “I make marks for the sake of themselves. I create error that I find attractive in all of our everyday lives. However, I leave it hanging three marks shy of discernment. What I mean by that is that I choose that it not be understood or to be scrutinized by its detail or its adherence to reality—only to be seen for its sense and its nostalgic response without my personal sentiment.” A figurative and abstract artist, TL Lange had exhibited in numerous, prominent galleries in his young career. A condensed list includes Artworks Gallery (Salt Lake City, UT), Art Works (Atlanta, GA), Human Arts Gallery (Atlanta, GA), Landsdell Gallery (Atlanta, GA) and Art Dallas (Dallas, TX), Mary Bell Galleries (Chicago, IL) and Foster White Galleries (Seattle, WA). TL Lange’s remarkable artwork can be found in many private, corporate, and public collections including Wentworth Galleries, Larson Juhl Frames, and Saks Fifth Avenue Corporation and Microsoft Corporation.

Presenter: Judy Deutsch, Extension Master Gardener^SM Volunteer

In Western North Carolina, roses are pruned in the early spring, traditionally when the forsythia blooms. It’s the time to remove unwanted or unhealthy canes, reduce size, and shape the rose for optimal growth and health.

This in-person program will cover proper tools for pruning and tips on how to prune.  A pruning demonstration will be done in the Rose Garden, and you will have the opportunity to prune as well. Please bring garden gloves and pruners, and dress appropriately for the weather. You will also have a chance to sharpen your pruners.

Regular Ticket includes:

☘️ 2 St Paddy’s Day Shots

☘️ Green Lanyard

☘️ St Paddy Day Drink Specials

☘️ DJs

☘️ Bar Crawl USA Signature Digital Map

VIP Ticket includes:

☘️ Green Mile Shirt

☘️ 2 St Paddy’s Day Shots

☘️ Green Lanyard

☘️ St Paddy Day Drink Specials

☘️ DJs

☘️ Bar Crawl USA Signature Digital Map

Bar Partners:

☘️ Daddy Mac’s: Registration

☘️ Banks Ave

☘️ Harvest Pizzeria

☘️ Twin Leaf

☘️ Jack of the Wood

☘️ Scandals: After Party

☘️ More to come!

FAQ:

☘️ Follow Bar Crawl USA to receive weekly updates including drink specials.

☘️ How will you handle Covid-19 limitations / if any?

We will follow any and all guidelines set forth by the city & state in regards to covid-19 safety measures.

☘️ Do I need a ticket?

Yes, you will not be able to get green mile shirt (VIP), lanyard, koozie, access to bars, discounted drink specials and other giveaways if applicable.

☘️ How do I get my VIP Green Mile shirt?

At day of event during check in.

☘️ Do I need to go to all of the bars? Is it guided?

You do not need to visit all the bars. We will have times next to each bar when they will be staffed & ready and when you should be there for wristband & crawl awesomeness.

☘️ Do I need to print my ticket? Does it need to match my name?

No, on your phone is preferred. Ticket does not need to match attendee name.

☘️ Can friends check me in?

Yes, we just need your ticket.

☘️ 21+?

This is a 21+ event.

☘️ Refunds?

We will give refunds up to 7 days from event. No exception.

☘️ Refunds?

We will give refunds up to 7 days from event. No exception.

The Super Glow Breathwork Experience: The Special Crystal Circuit, Healing Breathwork Journey

Our Signature Breathwork Journey for Vitality & Holistic Healing. We are very excited to invite you to join us in community for breathwork in front of a super powerful, high vibration crystal altar at Altar Alchemy. To breathe in front of this sacred altar is what we call “The Crystal Circuit”.

To practice with the breath is to practice connecting to the truth within. It’s to let go of all that’s ready to be released and open to that which is ready to be born. In this workshop we will be utilizing the scientifically proven, potent and effective modality of rebirthing breathwork to unveil and release stagnancy lingering in the body, mind, and spirit. By opening ourselves to the power of breath we are able to manually remove these energetic blockages, making available a clearer psyche and creative life force. This practice is transformational, insightful, a pathway for infinite possibility and heightened consciousness.

Breathwork’s natural benefits:

Rewire your emotional default settings

Stimulate your immune system

Open up to more life force energy

Clear patterns of sadness/anxiety/depression/addiction

Improve sleep

Detoxify your mind/body/spirit

Gain access to a greater sense of aliveness

Promote feelings of aliveness, peace & connection

Connect you to self-knowledge/intuition/higher wisdom

Awaken your authentic & embodied self

Discover your innate authenticity, freedom & joy

Help access your creativity & open your heart to deep gratitude & self-love

Breathwork is a safe & simple experiential process. During the breathwork session we breathe lying down for over an hour. This practice is available to everyone regardless of ability, age or experience.

We will use a connected & conscious breathing rhythm called “circular breath” to flood the body with O2. In addition, for those who desire It, you will be supported with our powerful, hands on reiki & energy work during the session. This breathwork journey will last for approximately 70 minutes and will be accompanied by a powerful musical playlist to assist the journey. There will be an opening & closing circle, before and after, to share intentions, guidance and reflections.

Come and explore the emotional, spiritual and transpersonal realms and come home to your own truth. Wear loose & comfortable clothing so that you can breathe & move without restriction. You will want to bring your own yoga mat, or anything that would help you to deepen into relaxation.

All are welcome. Join us!

“One breathing session was more powerful and beneficial to me than months of talk therapy! Brian & Annie are amazing!” -Stephanie F.

“Powerful work last night. I have not felt so safe and relaxed anytime in recent memory. The energy work that you two provided throughout the breathing process was exactly what I needed at those moments. I swear that I felt my muscles relaxing from the inside out of my chest and back. Thanks to Annie and Brian!” -Patrick C

“Thank you Annie and Brian for holding such a safe, supportive, healing space. What a powerful experience for me! I’m still feeling the effects from it.” -Julia P.

Brian & Annie have been leading workshops around the world for over fifteen years combined and are excited to share this special evening with you!

Carolina Ballet Theatre will pick up the spring season with a beautiful performance of Arabian Nights, which follows the escapades of an American sailor named Sinbad on his day off. Full of adventure and inspired by the movie Invitation to Dance, Arabian Nights is choreographed by Artistic Director Hernan Justo and Associate Artistic Director Anita Pacylowski-Justo.

HT’s The Staged Reading Series offers exciting script-in-hand readings of new plays by emerging local playwrights. Readings are followed by a talk back with the playwright and actors to provide feedback to the playwright.

Hendersonville Theatre is committed to exploring and developing new work for the American theater, supporting local playwrights with their creative process from conception to production.

The plays to be read on March 12 are Jack O’Lantern by Margie Royal and GPS by Patricia Vestal.

In Jack O’Lantern, an art gallery owner tries to persuade an artist to paint her portrait. The reading will feature local actors Sandra Whitmore and Natalie Broadway.

GPS is the story of a couple who makes the mistake of relying on their GPS while traveling in the mountains. It will feature local actors William Terranova, CC Blackburn, Beth Norris and Patricia Darcy.

Royal was a member of Hedgerow Theatre in Rose Valley, PA for many years, and several of her plays were developed and staged including Tales from Poe and the musicals The Scarlet Pimpernel, The Snow Queen, The Valentine, The Shivers and The Elves and The Shoemaker. Her short plays The Scarecrow, Berenice and The Disir were featured in HT’s Haunted Chilling Tales last October. She is a published novelist (Karma Train) and a member of the Dramatists Guild.

Playwrights who would like to submit works for consideration for the Staged Reading Series can follow the submission guidelines posted at www.HVLtheatre.org and email questions to [email protected].

The theater has moved the Staged Reading Series to a Saturday afternoon so that audiences can attend the readings and then socialize with dinner afterwards.

Join us at Archetype – North, March 11 – 12, for 2 special nights to hear the stories first hand from the Business owners and view the gallery in an intimate setting. All ticket sales will be dontaed to the Asheville Independent Restaurant Association.

In the early days of the pandemic, Carol set out with a camera to document the perseverance and strength of local businesses and the people that helped keep the lights on even when the doors were forced to close.

From March 13-17, the gallery will be open to the public to grab a beer and browse. On March 18th we are closing our doors to the public and throwing a special event celebrating the Asheville service industry and essential workers who made this possible. If you have some favorite establishments you love and woudl like to purchase an 8×12 mounted Photograph for them, please visit this site here. Your name will be printed on a card included with the print.

https://www.carolspags.com/curbsiderevival

We know how resilient and creative our community is, and so glad this time was captured in such a powerful way.