Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Registration is not required.
Drop in for this Friday’s Art Break and join guest curators Marilyn Laufer and Tom Butler as they lead an informal Gallery discussion about the new exhibition, Too Much Is Just Right, which showcases more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present.
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
LIZ HOPKINS (of DELTA RAE)
When Liz is not on the road or in the studio with Delta Rae, she is singing in professional musical theater productions, leading shows of her own around North Carolina, and practicing piano, teaching kids and adults to sing and now finally starting to write her own songs and put together plans for an album of her own. We’ve only just begun…
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Free and Open to Everyone
We are delighted to welcome David Childers and The Serpents to Bloom WNC’s Outdoor Concert Series!
David has been writing and performing songs for a diverse range of audiences, in many different places for the last 35 years. He plays solo and plays with a combination of ensembles generally called ‘The Serpents’.
For this Bloom WNC concert, David will be accompanied by Korey Dudley on bass, and Robert Childers on drums and both will also sing back up vocals.
Our very own Keri Ann has connected with the African Christian Fellowship to embark on a Mission trip this July to Malawi, Africa.
$10 cover charge, a raffle and an opportunity to donate!
To support this wonderful cause, Saint Paul Mountain Vineyard and Appalachian Ridge will kick off Spring with a 4 week Friday Night Jam’s Fundraiser at Appalachian Ridge from 6-9pm. �We will have live Music each Friday from 6-8:30pm. There will be a $10 cover charge, a raffle and an opportunity to donate. All of these proceeds go straight to the ACFUSA to provide and support primary health care needs to 6 villages in Malawi.
Friday Night Jam’s Malawi Fundraiser will take place every other Friday; Friday, April 14th- Live Music with Collin Cheek Friday, April 28th- Live Music with Hunnilicious Friday, May 12th- TBD Friday, May 26th- TBD
https://on.soundcloud.com/5nZvbWkijEmQ2uJc7
https://soundcloud.com/bunsenburn3r
www.soundcloud.com/natblackmusic
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Edvard Tchivzhel, conductor
John Wickey, harp
BRITTEN Soirées Musicales
RODRIGO Concierto de Aranjuez
R. STRAUSS Le Bourgeois Gentilhomme Suite
John Wickey began his professional music career as a child with the Michigan Opera Theatre Children’s Chorus. At the suggestion of management, he was encouraged to study piano with Albert Fillmore with the goal that he would one day become a conductor of the company.
The idea of conducting was never realized, as John took up the harp after seeing Detroit’s Cass Technical High School Harp & Vocal ensemble perform at a local concert. He became enamored of the harp and after two years of study at Cass Tech, with Patricia Terry-Ross, John was awarded a full tuition Dean’s Scholarship from Boston University to work with Lucile Lawrence, one of the preeminent harp pedagogues of our time and co-author of the Salzedo Method Book.
John Wickey holds a diploma in piano performance from the Detroit Community Music School, a Bachelors in Harp Performance from Boston University and a Masters from the University of Michigan where he studied with Lynne Aspnes.
John currently serves as Principal Harpist with the Greenville Symphony and is on faculty at Converse College and Anderson University. He performs regularly throughout the southeast region, most recently with Pan Harmonia, a series centered in Asheville, NC.
There’s no doubt that when it comes to rock & roll, the Rolling Stones define the genre and a generation. Jumping Jack Flash is considered by many to be the best Rolling Stones tribute band and has been wowing audiences for years performing on stages all over the world. Lead singer Joey Infante perfectly captures what it is about Jagger that makes him one of rock’s all-time icons. Join us on the Rock and witness what made the original bad boys of Rock among the greatest showmen of their time. “…Jumping Jack Flash makes you feel that you are truly at a Stones concert.” –Music Arts Monthly
Every Lucius song begins with what Holly Laessig calls “coffee talks,” in which she and Jess Wolfe share what’s on their minds—and in the spring of 2020, they had a lot to discuss. Since 2007, Laessig and Wolfe have written this way, learning each other’s stories by heart before weaving them into the lyrics and chord progressions of their inventive indie-pop anthems. Onstage, they’re two identically-dressed and coiffed halves of the same whole, the mirror image of each other at the microphone; off-stage, they step into their respective lives—separate, but close—as chosen family. They’ve shared countless joys as they’ve seen the world while touring behind their 2013 debut album, Wildewoman, and its follow-up, 2016’s Good Grief, but they’ve weathered profound losses and lows together, too. And when one of them experiences a seismic shift that shakes their world, the other is there to listen, and reflect, in order to help write through it.
Second Nature, Lucius’ third album, is the closest thing yet to the musical versions of these intimate conversations. Co-produced by Carlile, their longtime friend, collaborator, and champion, and Dave Cobb, whose production credits have earned handfuls of Grammys and industry-wide accolades, Second Nature is a new chapter for Lucius in more ways than one. Laessig and Wolfe found themselves gravitating less toward the folkier inclinations of Wildewoman or the experimental urges of Good Grief to express themselves, and more towards the four-on-the-floor inclinations of dance-pop. Carlile encouraged them to push their immense vocal power to its max in order to create “grandiose” moments.
Second Nature fuses funk and disco (which pulses through the title track and “Next to Normal”) with ‘80s new wave (“Heartbursts;” “LSD”) and millennial club catharsis (“Dance Around It”); it draws a throughline from Abba’s unabashed dance floor devotion to Kate Bush’s cerebral art-pop and the vibrant vulnerability of Robyn, all without sacrificing an ounce of Lucius’ own style and ingenuity. And though many of the melodies are synth-laden and steeped in endorphins, the lyrics are very much anchored in the uncertainty, fear, and difficult epiphanies Laessig and Wolfe faced as they wrote through their experiences—direct lines of dialogue seemingly pulled from their coffee talks. Many of the truths of Second Nature are hard to confront, but Lucius learned that there’s so much more to gain from facing the impossible than shying away from it—especially when you’ve got someone standing by your side through it all.
– ALL AGES
– PARTIALLY SEATED SHOW
– SEATED AND STANDING ROOM ONLY TICKETS AVAILABLE
LORETTA LYNN BIRTHDAY TRIBUTE (HOSTED BY CYNDI LOU & THE WANT TO)
CyndiLou & the Want To hosts our 4th annual birthday tribute to the legendary Loretta Lynn, and this year it’s bittersweet. Loretta left us last October at the age of 90. She also left a beloved catalog of songs that span a glorious and groundbreaking career. Come help us celebrate Loretta’s legacy with some of the region’s finest purveyors of country music.
- Live Music at Hickory Tavern, 9:00 p.m. until 12:00 a.m.
This ain’t no disco
It ain’t no country club either…
Giddy up girls, for THE DOLLY PARTY
The Dolly Parton Inspired Country Western Diva Dance Party! This is for the 9 to 5 workin’ girls with a calling from another era who just want something a little classic. Join us in Rainbowland where you’ll dance with somebody, hand in hand to the music of Dolly Parton, Tina Turner, Carrie Underwood, Reba McEntire, The Chicks, Loretta Lynn, Shania Twain, Whitney Houston, Kacey Musgraves, Donna Summer and more. So wrangle your country-diva dancing queens and come party!
Ages 18+
This ain’t no disco
It ain’t no country club either…
Giddy up girls, for THE DOLLY PARTY
The Dolly Parton Inspired Country Western Diva Dance Party! This is for the 9 to 5 workin’ girls with a calling from another era who just want something a little classic. Join us in Rainbowland where you’ll dance with somebody, hand in hand to the music of Dolly Parton, Tina Turner, Carrie Underwood, Reba McEntire, The Chicks, Loretta Lynn, Shania Twain, Whitney Houston, Kacey Musgraves, Donna Summer and more. So wrangle your country-diva dancing queens and come party!
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We’re offering TWO grade levels this summer for our workshops:
- Younger Ages (Rising First – Third Grade) and
- Older Ages (Rising Fourth – Tenth Grade)
Pricing
First Student: $350 per week
Sibling & Multiple Week Camp Discounts are available
Madagascar Workshop
June 12-16 & July 17-21
Get read to MOVE IT, MOVE IT!
Join Alex the Lion, Marty the Zebra, Melman the Giraffe, Gloria the hip hip Hippo and, of course, those hilarious, plotting penguins in this crack-a-lackin’ adventure from New York City to Madagascar.
Matilda Workshop
June 19-23 & July 24-28
It’s time to act like REVOLTIN’ CHILDREN!
Matilda is a little girl with astonishing wit, intelligence and psychokinetic powers. Matilda’s school life isn’t completely smooth sailing, however – the school’s mean headmistress, Miss Trunchbull, hates children and just loves thinking up new punishments for those who don’t abide by her rules. But Matilda has courage and cleverness in equal amounts, and could be the school pupils’ saving grace!
Shrek Workshop
June 26-30 & July 31-August 4
Come and let your FREAK FLAG FLY!
It’s a “big bright beautiful world” as everyone’s favorite ogre, Shrek, leads a cast of fairytale misfits on an adventure to rescue a princess and find true acceptance. When Shrek sets off with a wisecracking donkey to confront Farquaad, he’s handed a task — if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn’t be complete without a few twists and turns along the way.
The Little Mermaid Workshop
July 10-14 & August 7-11
Discover what it means to be PART OF YOUR WORLD!
In a magical underwater kingdom, the beautiful young mermaid, Ariel, longs to leave her ocean home — and her fins — behind and live in the world above. But first, she’ll have to defy her father, King Triton, make a deal with the evil sea witch, Ursula, and convince the handsome Prince Eric that she’s the girl whose enchanting voice he’s been seeking.
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Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.
About the STORY/ARTS RESIDENCY
Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.
Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:
• Connecting audiences and artists from varying creative backgrounds and interests
• Informing, inspiring, and invigorating through the arts
• Promoting and fostering self-inquiry and mindfulness
• Cultivating creative exchange and cultural insight
• Fostering authenticity and inclusiveness
In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.
Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.
We are excited to bring this special package to you and your loved ones. It’s super easy!
- Pick your show date – June 14, 17, 21, 24 (Evening only)
- Choose 2 Adult Seats and 2 Student Seats
- At Checkout, discount will be applied
Bibbidi-bobbidi-boo!
Your wish is granted!
If you have any problems, our Box Office is happy to help!
828.693.0731
