viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

With a creative community of juried members spanning over nine states, the Southern Highland Craft Guild fosters opportunities for makers to build, market, and maintain their creative livelihood through continuing education, retail outlets, and mentorship. We are invested in helping members achieve their goals and providing them with the resources to refine and sell their craft.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Rhythm & Brews Concert Series unfolds as a casual and welcoming event, occurring on the third Thursday of each month from June to October. South Main Street in Hendersonville transforms into a hub of local entertainment, where community members gather to enjoy live music, craft beverages, and family-friendly activities. Doors open at 5:15 p.m., initiating the evening with an opening act at 5:30 p.m., followed by the headlining performance from 7:30 p.m. to 9:30 p.m.

2025 Rhythm & Brews Concert Series Lineup:

July 17: Florencia & the Feeling [[Pop/Funk/Fusion]] with Lewendahl [[Blues/Rock/Motown]]

August 21: Maggie Baugh [[Country]] with Blake Ellege & Saddletramp [[Country/Southern Rock]]

September 18: Caitlin Krisko & The Broadcast [[Soul Rock]] with Hustle Souls [[Soul/Funk/Americana]]

October 16: BonaFide Soul [[Jazz/Funk/Soul] with Congdon Griffin Band [[Folk/Americana/Rock]]

The Beer & Wine Garden, a focal point for adults, features offerings from local establishments such as Sierra Nevada Brewing Co., Bold Rock Hard Cider, Guidon Brewing Co., Oklawaha Brewing Co., Dry Falls Brewery, Saint Paul Mountain Vineyards, and Flat Rock Cider Company. Notably, all net proceeds from adult beverage sales contribute to the Friends of Downtown Hendersonville, a 501c3 nonprofit dedicated to supporting the Downtown Program.

For families, the Hendersonville Honeycrisps & the Hendersonville Toy Company Kid Zone provide a range of kid-friendly activities, including hula-hooping and interactive exhibits.

Attendees are encouraged to bring camp chairs and picnic blankets to create a relaxed atmosphere. However, coolers and pets are best left at home to ensure the comfort and safety of all participants. Join us for a laid-back summer evening, filled with music, local brews, and community connections in the heart of Hendersonville.

WNC Songwriter Sessions at The Brandy Bar

Hey Neighbors! Another solid trio of wonder-filled songwriters will be sharing their lyrical and musical offerings for our July session at the coolest bar in Hendo. Beth Lee, Jefferson Ross, and Annie Wenz will lift your spirits and warm your hearts. Delicious cocktails + handcrafted songs + friendly folks = time very well spent. Come join us!

Beth Lee is an award-winning songwriter who migrated from Austin, TX to the Blue Ridge Mountains of Western North Carolina. Her writing is heavily influenced by bluegrass and classic country music. She is passionate about writing lyrically diverse songs – songs that invite the listener to go on a journey and to be taken away by the story.

Hosted by Todd Hoke and Annie Wenz. For more info: [email protected]

“If this is any indication of what Old Crow Medicine Show still has in store so many recordings in its career, we should count ourselves lucky.” – NPR Music

Old Crow Medicine Show began as street performers in 1998, busking their way from New York to Canada with infectious energy and raw spirit. Their big break came in Boone, North Carolina, where a chance encounter with folk legend Doc Watson led to an invitation to play MerleFest — and the rest is history.

More than two decades later, the band is a beloved staple of American roots music. They’re Grand Ole Opry members, two-time Grammy winners (including Best Folk Album for Remedy), and the force behind the double-platinum anthem “Wagon Wheel.” Their debut album O.C.M.S. is now certified Gold, and their latest release, Jubilee (Aug 2023, ATO Records), earned a Grammy nomination — proving that Old Crow is still blazing trails with heart, grit, and unmistakable sound.

Join us for a summer full of creativity in our fun and festive studio. Ages 8-12. Every camper will get at least one day on the potter’s wheel. Wheel camps will use the wheel each day in addition to other cool projects. Are you ready? Let’s start the show!

Kanuga is thrilled to announce the return of its Summer Day Camps for rising first through sixth graders, with five weeklong sessions planned for June and July 2025, at its Bob Campbell Youth Campus. Registration is now open.

In the serene mountains of Western North Carolina, campers will find fun and adventure in action-packed sessions staffed by well-trained, compassionate adults who specialize in keeping young children safe, entertained and engaged. Kanuga’s wooded campus offers children the opportunity to play, explore, swim in mountain lakes, hike to scenic vistas, paddle canoes, create arts and crafts and so much more.

Mondays through Fridays, 9:30 a.m. to 4:30 p.m. each day. $400–$460.
Day Camp A: June 9–13
Day Camp B: June 23–27
Day Camp C: July 7–11
Day Camp D: July 14–18
Day Camp E: July 21–25

With a creative community of juried members spanning over nine states, the Southern Highland Craft Guild fosters opportunities for makers to build, market, and maintain their creative livelihood through continuing education, retail outlets, and mentorship. We are invested in helping members achieve their goals and providing them with the resources to refine and sell their craft.

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.