Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

April is National Poetry Month and we invite all poets, would be poets and poetry fans to celebrate with Buncombe County Public Libraries.  We’ll be hosting the following free events at libraries all over the county.  For more information on any of these programs, contact your friendly neighborhood library.

Black Out Poetry Kits Available at the Library
All Month Long
Every Library

Come to any library and pick up a free kit to create a black out poetry masterpiece. Black out poetry doesn’t start with a blank page, it starts with a page of words taken from an old book. Poets will eliminate words to create a poem composed of the words left on the page. Visit any branch of Buncombe County Public Libraries in April to pick up your very own black out poetry kit featuring markers, inspiration and pages of print to begin your creation. When you’re finished, photograph your creation and upload it to facebook or instagram. Tag your library’s account and we’ll feature it as a post! You can also drop your poem by the library and we’ll post it for you. Kits are available while supplies last.

American Folk Art presents: The 9th Annual Face Jug Show:

April 6th – April 20th, 2021

2021 marks the 9th consecutive April that American Folk Art will devote to the regional tradition of Face Jugs. These jugs began to appear in these parts in the very early 1800’s. The addition of the Faces, snakes and other foreboding iconography was added to Moonshine jugs as a clever way to keep children from drinking the hooch stored within.

American Folk Art presents: The 9th Annual Face Jug Show:

April 6th – April 20th, 2021

Opens on our Website/Sales Begin: Tuesday April 6th at 11AM EST

Opens in the Gallery, 64 Biltmore Ave: Thursday April 8th – Tuesday April 20th, 2021

2021 marks the 9th consecutive April that American Folk Art will devote to the regional tradition of Face Jugs. These jugs began to appear in these parts in the very early 1800’s. The addition of the Faces, snakes and other foreboding iconography was added to Moonshine jugs as a clever way to keep children from drinking the hooch stored within.

“Take a Woolworth Walk on the Wild Side” – Participating local
artists will donate a percentage of sales of art depicting native wildlife in
a variety of mediums.

Woolworth Walk and participating local artists join to support
Appalachian Wild’s mission to help save injured and orphaned wildlife.
Appalachian Wild provides care for approximately 2,000 animals
annually.

Featuring more than 40 paintings and works on paper, Beauford Delaney’s Metamorphosis into Freedom examines the career evolution of modern painter Beauford Delaney (Knoxville, TN 1901–1979 Paris, France) within the context of his 38-year friendship with writer James Baldwin. The works in this exhibition bring into special focus Delaney’s intensified experiments with abstraction sparked by the artist’s 1955 move to the Paris suburb of Clamart, as well as the ways that the artist and Baldwin’s ongoing intellectual exchange shaped one another’s creative output and worldview from their first meeting in 1940 until Delaney’s death in 1979. This exhibition also calls attention to Baldwin’s role as “witness” to the painter’s evolution, which he deemed “one of the most extraordinary personal and artistic journeys of our time.”

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.

Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.

“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations

The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.

Two Ways to View

Virtual Tour

Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.

In-Person

The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.

Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.

On second Thursdays, local musicians enliven our spaces with music to complement your visit. As you stroll the galleries, a variety of tunes adds new dimensions to your viewing experience.