Dopapod will be performing LIVE on the Indoor Stage at Salvage Station

Performing original songs as well as classics of The Band, The Weight Band is led by Jim Weider, a 15-year former member of The Band and the Levon Helm Band. The Weight Band originated in 2013 inside the famed Woodstock barn of Levon Helm. Weider was inspired by Helm to carry on the musical legacy of the Rock and Roll Hall of Fame group.

On their new album, Shines Like Gold, The Weight Band presents a dynamic set of classic Americana that draws upon roadhouse rock, funky swamp pop, blues, country soul and folk music. Composed of band leader, renowned guitarist Jim Weider (The Band, Levon Helm’s Midnight Ramble Band, Jim Weider Band), keyboardist Brian Mitchell (Levon Helm’s Midnight Ramble Band), bassist Albert Rogers (Jim Weider Band, Jimmy Vivino), drummer Michael Bram (Jason Mraz) and keyboardist Matt Zeiner (Dickey Betts), the veteran quintet shares a deep appreciation and knowledge for this music, which Weider describes as the “Woodstock Sound.” The Weight Band continues to serve as its torchbearer, with Shines Like Gold representing a sublime example of these masterful roots musicians at work.

The Weight Band recorded Shine Like Gold live at Clubhouse Studios in Rhinebeck, NY, over four days – with minimal rehearsal during the height of the pandemic in 2020. Producer Colin Linden, an award-winning musician and Weider’s longtime collaborator and co-writer on several of the album tracks, was in Nashville. The arrangement, however, worked out perfectly, according to Weider. “He had a big hand and footprint on this record. Weider added, “We go back, so there is a comfortableness working with him.”

In 2017, The Weight Band performed on the PBS series Infinity Hall Live. The following year, their self-produced debut, World Gone Mad, was released to strong reviews. Billboard called it “excellent” while Goldmine Magazine hailed World Gone Mad as one of the year’s best indie albums. Most recently, the Weight Band put out Acoustic Live in 2021. This 11-track album features five songs recorded at the Big Pink on October 25, 2019, and six songs recorded the following night in Levon Helm’s barn/studio. Performances include memorable versions of “World Gone Mad,” Dylan’s “Highway 61 Revisited,” Jerry Garcia’s “Deal,” and several Band covers.

The Weight Band’s origins are tied to Woodstock and some of its most famous inhabitants,

The Band. Weider, a Woodstock native, served as The Band’s lead guitarist from 1985-2000, following Robbie Robertson’s departure. In the late 00s, he replaced Jimmy Vivino in the Levon Helm Band, which already included Mitchell. The connections extend further, as Rogers shared the stage with Helm and Hudson while in The Jim Weider Band and Bram drummed in the Chris O’Leary Band, an off-shoot of Helm’s band The Barnburners.

Following Helm’s death in 2012, Weider performed a few “Songs of The Band” concerts, which included Vivino, Byron Isaacs, Randy Ciarlante and Garth Hudson. The shows were so well received that Weider started the first version of The Weight Band with Ciarlante, Isaacs, Mitchell, and keyboardist Marty Grebb. Over the next several years, the group shifted from playing mainly Band songs to their originals. Along the way, band membership shifted too. When Isaacs left for the Lumineers, Rogers came aboard. Bram joined the group after Ciarlante’s departure. Following World Gone Mad’s release, Grebb bowed out and Zeiner stepped in.

Capacity is limited.
Tasting room by reservation only. Make reservations in-person on the day of your Winery visit.

To participate in this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

Reservations are required for all wine tastings and must be made on the day of your visit. Because our complimentary wine tastings fill up quickly, we recommend you reserve your tasting when you arrive for your visit.

$1 off draft beers every Thursday!

Imagine a solid trivia stack with a magnetic host in an outdoor intimate setting.  Then add the excitement of BYOB and pedaling around the City on a one-of-a-kind contraption.

Kinda like if Willy Wonka did Trivia… you will be completely entertained, with no sense left unfulfilled.

And come back for more as we have several questions sets available with a good ole just for locals option!

Trivia tours seat up to 15 people, 1.5 or 40 mins hours long.  Bring your own beer in cans or wine and your thinking while drinking caps on let’s do this thing!

Darrin Hacquard writes songs that connect. He’s funny, tortured, melancholy, and joyous. Sometimes he’s all of these at once. It’s an uncanny gift for empathy. He can see characters for not just what they are, but what they hope to be. His sonic landscapes are as diverse as the lyrical subjects that populate his songs. From Old Time, to Psyche-Rock, to Country, to Spaghetti Western, Darrin builds stories in a way that only he can, and tells them with unflinching vision and kindness.

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• 6:00pm – 8:00pm

  Open mic comedy every Thursday from 6-8pm at Ginger’s Revenge Tasting Room.

  Rotating hosts each week Clay Jones, James Burks and Katy Hudson

  No cover
  Signup starts at 5:30, and signup order will not necessarily be show order. Each comic gets 5 mins of stage time

Come enjoy an evening of live music, food and drinks at Isis Music Hall. Advanced Reservations are highly recommended.

Ages 21+

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
Pease Leave us a message with your daytime phone number and the # in your party, your call will be returned in the order it was received.

Capacity is limited.
Tasting room by reservation only. Make reservations in-person on the day of your Winery visit.

To participate in this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

Reservations are required for all wine tastings and must be made on the day of your visit. Because our complimentary wine tastings fill up quickly, we recommend you reserve your tasting when you arrive for your visit.

Stop by to enjoy a meal and watch the premiere screening of the documentary “Stewards of Sky Island” with producer Caleb Owolabi! A portion of proceeds from the weekend sales will be donated to Southern Appalachian Highlands Conservancy.

Earlier this year, Caleb and his crew joined SAHC’s Roan Stewardship team in the Highlands of Roan to learn about biodiversity in these globally important ecosystems, and how overuse in some areas is jeopardizing this special place. Education can help reduce recreational use impacts in fragile ecosystems. Explore the world of these unique ‘sky islands’ and be part of the effort to “Enjoy Don’t Destroy.”

This 45-minute documentary will show on repeat throughout the weekend fundraiser, with members of the production team visiting intermittently and additional info about SAHC available.

In order for your purchase to count towards the fundraiser, download or print a copy of the poster below from Blaze Pizza and show it when you order. For phone or online orders, be sure to INCLUDE CODE 1351A.

ASAP (Appalachian Sustainable Agriculture Project) has been creating connections between our region’s farmers, restaurants, and community for more than 20 years. We are celebrating the milestone anniversary of the organization and the end of the harvest season by coming together at the table to share an Appalachian Grown dinner. Join us for a one-of-a-kind meal prepared by some of the area’s best chefs, all sourced from local farms!

5 p.m. – cocktail hour and farmer chat
6:30-8:30 p.m. – dinner

Featuring chefs Melinda Aponte (YWCA), Kelsianne Bebout (BeeBowBakes), Matt Caudle (Cúrate), William Dissen (The Market Place), Luis Martinez (Tequio Foods), Eric Morris (Cultura), and Jen Pearson (Guadalupe Cafe)

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– ALL AGES
– PATIO SEATING IS FIRST COME FIRST SERVED

THE BLACK TWIG PICKERS
The Black Twig Pickers are a group defined by their forward thinking approach to a type of music most often associated with times gone by. Over the course of eight full-length records, including collaborative releases with Jack Rose and Charlie Parr, a split LP with Glenn Jones, and numerous EPs and singles, the group has established itself as a collection of dedicated practioners of old time music re-cast and shaped by their appreciation of modern improvisation, drone, and punk. While not at odds with the experimental scene that has fostered them or the old time circles they travel in, The Black Twig Pickers thrive in the in-betweenness of those two worlds, proving that the exploration of the outmost bounds of sound and the exploration of decades old tradition and community aren’t as different as one might think.

Rough Carpenters, which was recorded in the same two-day session as 2012’s Whompyjawed EP, can be seen as an inward-gazing foil to that EP’s long-form hoedown epics. With the addition of Sally Anne Morgan on fiddle to the trio of Mike Gangloff, Isak Howell, and Nathan Bowles, dance has become a more prominent part of the group’s formula. It wasn’t until Morgan joined the band that the band actually began to dance onstage. Also, on this album the group strays a bit farther outside their intensely local Southwest Virginia tradition than earlier records, incorporating a few more tunes with origins in Kentucky (“Banks of the Arkansas”) and West Virginia (“Little Rose”). The group’s repertoire is constantly growing as they turn to first-person sources, older musicians that were brought up in the old time scene and in some cases the children and families of deceased respected practitioners, and unreleased archival recordings passed among musicians. And while local and regional history is ever present in the music The Black Twig Pickers play, they turn songs that are many decades old into living artifacts, released from the restrictions of era by the personal convictions of the musicians.

This spirit of ecstatic abandon is conveyed through the percussive elements of The Black Twig Pickers’ music and more importantly, through a spontaneity and an unrehearsedness the band wears as a badge of pride. As Gangloff explains, “It’s not the melody, it’s the moss.” The sharp twang of the banjo, a spontaneous holler, a foot stomping along in time, and other seemingly incidental sounds become all important. Like the band’s previous Thrill Jockey full-length Ironto Special, Rough Carpenters was recorded with absolutely no overdubs and in as few takes as possible. The Black Twig Pickers are indeed rough carpenters, building unpolished but finely crafted records that embody the spirit of a timeless old-time scene.

Isak Howell — guitar, mouth harp, vocals Mike Gangloff — fiddle, banjo, vocals Nathan Bowles — banjo, washboard, bones, fiddlesticks, banjosticks, vocals Sally Anne Morgan — fiddle, hambone, vocals With Joseph Dejarnette — bass and vocals

John Bullard uses the metaphor of the hero’s journey to tell his own story and to introduce a captivating program of classical music on the banjo. In this interactive program John engages the audience and invites them to reflect on their own hero’s journey in life and in music.

Come enjoy an evening of live music, food and drinks at Isis Music Hall.  Advanced Reservations are highly recommended.

Godspeed You! Black Emperor released a string of albums from 1997-2002 widely recognized as redefining what protest music can be, where longform instrumental chamber rock compositions of immense feeling and power serve as soundtracks to late capitalist alienation and resistance. The band’s first four releases—especially  F#A#∞ (1997) and Lift Your Skinny Fists Like Antennas To Heaven (2000)—are variously regarded as classics of the era and genre. Godspeed’s legendary live performances, featuring multiple 16mm projectors beaming a collage of overlapping analog film loops and reels—along with the distinctive iconography, imagery and tactility of the band’s album artwork and physical LP packages— further defines the sui generis aesthetic substance, ethos and mythos of this group. GY!BE has issued two official band photos in its 25-year existence (the second, left, a 2010 recreation of the first from 1997) and has done a half-dozen collectively-answered written interviews over that same span. The band has never had a website or social media accounts. It has never made a video. Few rock bands in our 21st century have been as steadfast in trying to let the work speak for itself and maintaining simple rules about minimising participation in cultures of personality, exposure, access, commodification or co-optation.

Following a seven-year hiatus that began in 2003, Godspeed returned to the stage in December 2010 (curating the UK festival All Tomorrow’s Parties) and the band’s post-reunion period has now lasted over a decade, marked by hundreds of sold-out live shows and three additional albums, all of which have been met with high acclaim.

Led by songwriters Isaac Horn and Lincoln Mick, Nashville-based acoustic quartet The Arcadian Wild confidently inhabits and explores an intersection of genre, blending the traditional with the contemporary in order to create a unique acoustic sound that is simultaneously unified and diverse. Combining elements of progressive bluegrass, folk, and formal vocal music, The Arcadian Wild offer up songs of invitation; calls to come
and see, to find refuge and rest, or to journey and wonder.

OH JEREMIAH

Mississippi and Alabama got married and moved to Georgia to make music. Husband and wife team, Jeremiah and Erin Stricklin go by the moniker Oh Jeremiah to help them turn their talent and formal training into timeless stories set to the tune of life. The couple blends their folk and acoustic roots with indie-pop and americana threads that have led to several eye-catching and quirky music videos. Oh Jeremiah travels the country in the footsteps of greats like Paul Simon and Bob Dylan, adding their voices and melodies to the American tradition of musical storytelling. Their sophomore album Joymonger is available now

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
Pease Leave us a message with your daytime phone number and the # in your party, your call will be returned in the order it was received.

All ticket sales are final.

Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.

General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.

You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
Pease Leave us a message with your daytime phone number and the # in your party, your call will be returned in the order it was received.

All ticket sales are final.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Why should October have all the fun? It’s time to usher out the last of Autumn at our long-awaited 4th Annual Sausage Festival! A celebration of all thing’s sausage- sausage sales, sausage samples, sausage for sale off the grill, as well as hog butchery and sausage making demos brought to you by our butchery team.

WNC’s own Mountain Top Polka Band will be playing some high-octane Polka music to get your toes tapping! Since 2009, MTP has performed hundreds of events in six states around the south and southeast US, these guys are as entertaining as they are musically talented.

Family friendly games for fun and prizes, our now traditional Adults-Only-Musical Chairs Competition and both a kids and adults Costume Contest (think dirndl, lederhosen, Weiner-suit, get creative) with grand prizes of local food and activities! Local artist @FacePaintingAsheville will be there to paint faces and spread joy.

Food will be available for purchase during the event. Our crew will fire up the grill to serve up Pasture Raised Pork Sausages and Grassfed Beef Hot Dogs. Our favorite Kraut and Pickles repped by Fermenti Foods, a variety of mustards by Asheville’s own Lusty Monk Mustard, and of course Blunt Pretzels.

Can’t have sausages and pretzels without beer! We’ll be serving local beers, ciders, seltzers and non-alcoholic beverages to slake your thirst between Polkas, with a local brewery helping pour some serious pitcher specials of local suds.

A NOTE ABOUT SEATING: Our Big Barn has an official capacity of over 200- we do not have a seat for every single attendee but there will be picnic tables, cafe tables and benches available first come first serve. With this in mind, please feel free to bring picnic blankets or camp chairs. Tag!

PET POLICY: While we normally allow leashed pets on the grounds, we ask you leave your furry friends at home for this event.

Capacity is limited.
Tasting room by reservation only. Make reservations in-person on the day of your Winery visit.

To participate in this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

Reservations are required for all wine tastings and must be made on the day of your visit. Because our complimentary wine tastings fill up quickly, we recommend you reserve your tasting when you arrive for your visit.