Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.

Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.

“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”

Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.

The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.

Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.

In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.

Presenters:  Nancy Birmingham and Ralph Coffey, EMGVs and Four Seasons Garden Leaders

Do you ever think about redoing your garden?  Perhaps some plants didn’t do well or did too well.  Do you regret some of your plant selections or hardscape choices and think a redesign is needed? Has your original design vision changed?

Take advantage of this unique informal opportunity to visit and learn in The Learning Garden. Come ask questions and observe as Master Gardeners cut back, dig out, plan a walkway, and redesign the Four Seasons Garden area.

Registration is not required; just drop-by and learn! Please dress appropriately for the weather.

Hit the trails and learn more about The North Carolina Arboretum’s botanically diverse forest with a guided trail walk! April through October, this free hiking program is led by trained volunteer guides who take small groups of participants along woodland trails and through a variety of forest types. Depending on the season and each guide’s area of expertise, topics of discussion may include wildflowers, plant and tree identification, natural history and more.

Guided trail walks are limited to 15 people, including the guide, and are not recommended for guests under 16 years of age. Groups depart from the Baker Visitor Center Lobby on Tuesdays at 1 p.m. and Saturdays at 10 a.m. and 1 p.m..

Walks last 1.5 – 2.5 hours, are approximately one to two miles in length. As this program is held rain or shine, all participants should dress appropriately for the weather.

There is no pre-registration; walks are first-come first served and sign up sheets are located in the Baker Visitors Center.

Walks are FREE; however, donations to The North Carolina Arboretum Society are appreciated. Regular parking fees apply. Arboretum Society Members always park free.

Know Before You Go

• Guided Trail Walks are not recommended for guests under 16 years of age.
• Guided Trail Walks are rain or shine and all participants should be dressed comfortably and for the weather.
• Hikes cover 1-2 miles and last 1.5-2 hours.
• Well-behaved leashed pets are welcome to accompany their owners. In the rare case that a pet is disruptive or negatively impacts the experience, the pet and its owner may be asked to excuse themselves from the guided walk.
• COVID-19 Safety: In order to hear the guide and fully participate in the trail walk, participants will be in close proximity to one another for extended periods of time. While face coverings are not required, participants should use their best judgement to keep themselves and others safe while enjoying the trails. Individuals who are experiencing flu-like symptoms or suspect they may have been exposed to COVID-19 should not participate.
• At this time, no more than 6 spaces may be filled by a single family/group through pre-registration for any one Guided Trail Walk. If additional spaces are available on the day of the Walk, additional members of the family/group may participate. We apologize for any inconvenience and look forward to welcoming larger groups in the future.

Healing Dolls Exhibition

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.

The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.

Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.

Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.

Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

FREE RANDOM ACT OF FRINGE

CHANGE THE MOON
BY STRANGE DAUGHTERS BUTOH

What is waking life and what is dream life? Change the moon is a trio of butoh dance solos inspired by women in magical realism. Each structured improvisation will take place in a different outdoor space, exploring the reality of the site in juxtaposition with the supernatural and magic, both seen and unseen.

• The Voice in Isabel Fleiss’s Office by Jim Haverkamp
• Creel by A. Eithne Hamilton / Pipsissewa Movement Project
• Upside Down Plain Face by Evening Squire Productions
• The Secret History of Tardigrades in Early Soviet Cinema by Jeffrey Turboff
• GUYS: JAKE  by Greg Smith
• The King in Yellow by Cole Frederick
• Formaldehyde by Oğuz Yenen

tickets  Death To All Tickets | Asheville, NC | The Orange Peel (etix.com)

Raymond McAnally will lead a virtual writing workshop titled “Using Acting Techniques to Write Clear Characters.”

Have you ever had trouble differentiating one character’s voice or reactions from another on the page? Do characters with strong or surprising points of view seem to evade you? Then spend a workshop with writer/actor Raymond McAnally to learn how he uses his experience as an actor to write new characters and find the decisions and actions that draw us to them.

This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Microsoft Teams for the virtual connection. A link will be emailed to participants the day before the workshop.

Raymond McAnally is an award-winning actor, a produced writer, and university lecturer.  Television acting credits include a supporting lead role in Black Mirror: San Junipero, winner of the 2017 Emmy for Best TV Movie; Guest starring roles on Better Call Saul, Modern Family, Chicago Fire, Rizzoli & Isles, Law & Order SVU, Royal Pains, and 30 Rock; as well as roles on Boardwalk Empire, Nurse Jackie, Mozart in the Jungle, among others.  He has film credits too numerous to mention here.

As a playwright, Raymond’s full-length solo-play, “Size Matters,” received its world premiere at Ensemble Theatre Cincinnati in May of 2014.  Directed by Tony Award-winning former Cincinnati Playhouse Artistic Director Ed Stern, the show ran for three weeks; garnering outstanding reviews, standing ovations, and sold-out performances.  The show was filmed before a live audience in 2015 and is now a comedy special available for streaming on Amazon Prime.  Raymond’s short plays, “The Odd Ball” and “Homeland”, have been produced at festivals on both coasts and his short play, “The Next”, will be published the Winter of 2019 in an anthology by New World Theatre.  In 2018, Raymond completed a playwriting fellowship with New World Theatre in Concord, New Hampshire.  In 2019, Raymond’s full-length play “The Cruelty of Children” was a semi-finalist at the O’Neill Center.  From 2010 to 2014, Raymond was the head content writer for the online production company Daily Fiber Films, which produced and distributed over sixty online comedy shorts, written by Raymond, and featured by FunnyOrDie.com, Fullscreen, CNN, New Media Rockstars, and The Food Network.  His short comedies also screened at festivals from coast to coast and earned “Best of the Fest” awards at L.A. Comedy Shorts Film Festival and the New York Friar’s Club.  In 2017, Raymond’s independent pilot “DPW” was filmed on location in Tupelo, Mississippi.

Raymond is currently a part-time lecturer for the Rutgers Arts Online department, Mason Gross School of the Arts.  He has been a lecturer at universities and guest artist at professional training programs since 2005.  He holds an MFA in Acting from MGSA, Rutgers University and a BA in Philosophy from Sewanee.

At age 86, Buddy Guy is a Rock & Roll Hall of Fame inductee, a major influence on rock titans like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, a pioneer of Chicago’s fabled West Side sound, and a living link to the city’s halcyon days of electric blues. Buddy Guy has received 8 GRAMMY Awards, a 2015 Lifetime Achievement GRAMMY Award, 38 Blues Music Awards (the most any artist has received), the Billboard Magazine Century Award for distinguished artistic achievement, a Kennedy Center Honor, and the Presidential National Medal of Arts. Rolling Stone Magazine ranked him #23 in its “100 Greatest Guitarists of All Time.”

– PARTIALLY SEATED SHOW
– GA SEATING IN FIRST COME, FIRST SERVED. 

THE MOTH resumes their recurring monthly Asheville StorySLAM at The Grey Eagle at 7:30pm! This month’s theme is….

• Opprobrium by Mouse House Productions
• The Primordial Impasse by Marco Joubert
• A Flame in Our Midst by Elvert Bañares
• Voyager Birdman by Gerald Habarth
• Moth by Kate Weare & Jack Flame Sorokin
• That Which Fades by Leah Moth
• Cook With the Heart by Evening Squire Productions