Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Preservers, Innovators, and Rescuers of Culture in Chiapas features eleven textiles by acclaimed Indigenous artisanas (artists) from Chiapas, Mexico commissioned by US-based fiber artists and activist Aram Han Sifuentes. As part of their 2022 Craft Research Fund Artist Fellowship, Han Sifuentes traveled to Chiapas to understand the function of garments and textiles within the social and cultural context of the area and to learn the traditional practice of backstrap weaving. Through the works on view, combined with a series of interviews Han Sifuentes conducted during her research, visitors learn about the artisanas and their role as preservers, rescuers, and innovators of culture and as protectors of Mayan ancestral knowledge. Together, these works present an approach to connecting and learning about culture through craft practices.
Han Sifuentes is interested in backstrap weaving because it is one of the oldest forms used across cultures. The vibrant hues and elaborate designs of each textile express the artisanas identities and medium to tell their stories. To understand how these values manifested in textiles made in Chiapas, Han Sifuentes invited the artisanas to create whatever weaving they desired over the course of three months. This is unique because most textiles in the area are created to meet tourist-driven and marketplace demands. Incorporating traditional backstrap weaving and natural dye techniques, some artisans created textiles to rescue or reintroduce weaving practices that are almost or completely lost in their communities, while others were created through material and conceptual experimentation. This range of approaches reflects how artistanas are constantly innovating while at the same time honoring and keeping to tradition.
Preservers, Innovators, and Rescuers of Culture in Chiapas is on view from November 17, 2023 to July 13, 2024.
Aram Han Sifuentes is a recipient of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.
The featured artisanas include: Juana Victoria Hernandez Gomez from San Juan Cancuc, Maria Josefina Gómez Sanchez and Maria de Jesus Gómez Sanchez from Oxchujk (Oxchuc), Marcela Gómez Diaz and Cecilia Gómez Diaz from San Andrés Larráinzar, Rosa Margarita Enríquez Bolóm from Huixtán, Cristina García Pérez from Chalchihuitán, Susana Maria Gómez Gonzalez, Maria Gonzalez Guillén, and Anastacia Juana Gómez Gonzalez from Zinacantán, Angelica Leticia Gómez Santiz from Pantelhó, and Susana Guadalupe Méndez Santiz from Aldama
Join us April 18-20, 2024, for QUILTFEST GREENVILLE, SC! Experience the ultimate in QuiltFest hospitality in one of the South’s most beautiful cities. Enjoy the entries to our National Spring Competition and shop the aisles of the Merchants Mall, or discover our workshop offerings and learn the newest quilting techniques in the industry. Located at the James H. Woodside Conference Center of the Greenville Convention Center, South Carolina you don’t want to miss this spectacular springtime quilt festival at one of America’s most up-and-coming destinations.
For more information: QuiltFest Greenville, SC » Mancuso Show Management
For Directions: https://maps.app.goo.gl/Lr6E9RH4T28PRtF86
Join us for Record Store Day at Harvest Records from 10am-6pm! We will have loads of limited RSD releases plus tons of fresh usd goods, free beer, DJs, other freebies, and good times!
Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.
Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.
Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.
And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!
Saturdays from 10:30 AM – 12 PM
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Come join us at the library for a spring fairy house crafting event. Supplies will be provided, but you are encouraged to take a walk to gather extra materials that you might want to use to create your fairy home. Just remember to use only bits of the wilderness that have already fallen down. The fairies don’t like it when their neighborhoods are tampered with. This program is designed for children ages 5 and up. Registration is required. Please stop by the Weaverville library or call 828-250-6482 to reserve your space! There will be use of hot glue at this program which will require adult supervision. |
Join us for a North Carolina winery tour and celebrate a date night, bachelorette party, retirement, family, or a weekend away while sampling our favorite local beverages along the way. Our standard tour includes visits to three Asheville area vineyards. With safe and reliable transportation provided, you can sit back, relax and just have fun.
Included:
- Round trip transportation*
- Three vineyard visits
- Tastings at two of your three stops. Let’s just say that the pours at the first couple of locations are generous so we like to leave the third-stop beverage choice up to you.
- Time commitment = up to 5 hours
Want to include specific vineyards on your Asheville wine tours? If you have “must-see” wineries in mind or want to craft a full day catered to your group’s interests, we’re always happy to create a custom experience. Reach out any time!
TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.
Ride this excursion via Steam or Diesel locomotive power!
Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our First Class dining menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!
Itinerary
| 30m before departure | Boarding begins at Bryson City Depot |
| See schedule for departure time | Depart Bryson City, NC |
| 1h 45m | Reach top of the line |
| 2h 00m | Begin return |
| 2h 30m—3h 30m | Layover |
| 3h 30m | Depart Layover |
| 4h 30m | Arrive at Bryson City Depot |
| Time from Departure | Activity |
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Passengers will enjoy a full service All-Adult First Class ride in our First Class cars with a private attendant and plush, well-appointed dining seating. A narrator will accompany the ride to present each pour to guests and share knowledge and history of the wines selected. Passengers on this specialty car will enjoy an exclusive sampling of cheeses and a surf and turf meal prepared fresh. We have carefully selected our wine samples to accompany the meal. All passengers will receive a GSMR souvenir stemless wine glass, four samples of selected wine, and a dessert that’s perfect for the season! Uncorked is offered on the Nantahala Gorge Excursion, departing on select dates. See schedule for departures. Tickets for this specialty experience starts at $169 per person (Adults 21+ only). Due to the exclusivity of this specialty car, tickets will be selling fast, so make sure to reserve your seat today!
On Your Plate
- Starters
- Enjoy a sampling of Cheddar, Pepper Jack & Swiss
- First Course
- Fresh Baby Spinach topped with Chef’s choice of dressing.
- Vegetarian option: Spinach Salad with Lemon Poppyseed Vinaigrette.
- Main Course
- Surf n’ Turf seasonally prepared at Chefs’ discretion accompanied by a selection of vegetables and roasted potatoes.
- Vegetarian option: Quinoa and grilled Tofu with seasonal vegetables and a sweet chili sauce.
- Dessert
- Chef choice
When storytelling, native wisdom and nature’s intelligence converge, something beautiful can arise. That’s the theme of this new film that documents the Cherokees connection to nature. Join Conserving Carolina for a screening and discussion about this new film by David Weintraub the Center for Cultural Preservation.
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.
This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.
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Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum. |
11am – 5pm Tuesday through Saturday
Born in Cleveland, Ohio, Joseph Fiore (1925-2008) first enrolled at Black Mountain College for the Summer Session of 1946, the summer that Josef Albers invited Jacob Lawrence to teach painting at BMC. Over the next three years, Fiore also studied with Ilya Bolotowsky, Willem de Kooning, and Jean Varda. In 1949, after Josef and Anni Albers’ departure, Joe was invited to join the faculty, and he taught painting and drawing until 1956 when the college leaders decided to close.
After BMC closed, Joe and his wife Mary, whom he met and married at BMC, moved to New York City. There he became involved with the 10th Street art scene of the late 1950s and 1960s, a group of galleries that exhibited the work of young artists on the rise. Eventually he resumed his teaching career at the Philadelphia College of Art, Maryland Institute College of Art, and the National Academy.
In May of 2001, Joseph Fiore was awarded the Andrew Carnegie Prize at the National Academy of Design in New York. The Carnegie Prize is awarded “for painting” at the National Academy’s Members’ Show.
This exhibition consists of paintings in our collection donated by the artist and by The Falcon Foundation. All of the paintings were made at Black Mountain College and show Fiore’s distinctive use of color and his ability to work comfortably in the spaces between abstraction and representation.
Curated by Alice Sebrell, Director of Preservation
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Join Alexis from Cisco Pilates Asheville for a free Pilates mat class! The class is beginner friendly. This will be offered in-person at Pack Library or from the comfort of your own home. You choose! To register for these classes, please go to: www.ciscopilates.com… These classes are offered to the public free of charge. We will have some yoga mats on hand for the in-person participants, but feel free to bring your own equipment and water bottle! If you have any questions, please call Jen at 828-250-4700 or email [email protected]. |
Bender Gallery Artists Featured in
Asheville Art Museum Exhibition
The New Salon: A Contemporary View
The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.
Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville.
Learn More
Kukula, Impossible Voyage, oil on board, 48 x 24 inches
Kukula (b. 1980, Israel)
Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference.
Available Work
Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches
Yui Sakamoto (b. 1981, Japan)
Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure.
Available Work
Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches
Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024.
Available Work
Our pick-your-own tulips are a spring crop, and you are invited to pick as many of these beauties as you like. We charge $2 per stem. You will not need clippers. You can bring your own container or buy one from us.
Tulip season will start on Friday, March 22, 2024.
Hours:
Friday: 11 a.m. to 4 p.m.
Saturday: 11 a.m. to 4 p.m.
Sunday: 1 to 4 pm.
Exhibition and Public Programming
Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.
Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.
Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.
Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.
The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.
In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.
Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.
Images:
Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.
Vera B. Williams, Cover for Liberation Magazine, November 1958.
Join us Saturdays, March 30 and April 20, 11 a.m.-noon at LEAF Global Arts! $8.
The What’s Shaking? Music and Dance Workshop is a live, interactive 60-minute immersive class for young people (ages 0-7) and their adults. The class include Mr. Ryan’s original poems, songs, and a few classic covers. Shakers, children’s instruments, and scarves are shared for a “drum jam,” call-and-response games, dance breaks, and more!
Stay for Culture Keeper Adama Dembele’s Yala Cultural Tour from noon-2 p.m.
Join us for a free lunch & learn session featuring speaker Nicholas Thorne, as he discusses the significance of river cane to the Eastern Band of Cherokee. Learn how to distinguish river cane from non-native invasive bamboo and understand its importance in preserving indigenous culture and promoting stream health/ecological balance.
Event Outline:
– Nicholas Thorne Speaking and Presenting
– Time of Question and Discussion
– Walk along the Wilma Dykeman Greenway: Learn firsthand about RiverLink’s river cane restoration project and how to ID river cane.
Registration is required, space is limited. Please contact [email protected] if you have any other questions or cancellations.
We look forward to seeing you there!
This event is funded by the Cherokee Preservation Foundation. 
Visit LEAF Global Arts every Saturday for an in-house cultural exchange with Adama Dembele. Experience the Ivory Coast with our Culture Keeper from the House of Djembe.
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The “How it Feels to be a Mother” Movement is a groundbreaking initiative dedicated to embracing the emotional complexity of motherhood. We provide a supportive platform for mothers to share their authentic experiences, free from judgment. Join us for insightful conversations and connections with mothers of all ages and stages of parenting.
Main Sponsors: Foxy Media and Marketing, Mojo Coworking, Asheville Video Marketing
Supporters: Flaming Lily Studios, Hone Creative Studio
Experience an array of vendors and interactive stations, including:
Temple Chiropractic
The Babywearing OT
Everyday Orthodontics
Hornsby Creative Group
AND MORE!!
Doors open at 1PM to sign up for photos.
Photos will start after a brief presentation.
Photos are first come first serve by signing up at the event.
flaminglilystudios.com
For more information, visit howitfeelstobeamother.com.
Join the conversation.
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Join professional photographer & amateur archivist Eric William Carroll for his Scrapbook Office Hours! Eric will have basic scrapbooking supplies on-hand, as well as his instructions for a “screenshot scrapbook” which anyone with a smartphone or tablet can partake in. Attendees are encouraged to bring their own scrapbooks to share and/or scraps to work with (printed photographs, newspaper clippings, etc.). Enjoy the company of others as we celebrate the scrapbook in all of its forms! Thursday, April 11, 2024, 3 – 5pm at the Black Mountain Library, 105 North Dougherty Street An artist talk and exhibition opening featuring Carroll’s research into the scrapbooks of BCSC will also be held Tuesday, April 23, 2024, 6 – 8pm in Special Collections at Pack Memorial Library. Eric William Carroll is Buncombe County Special Collections’ 2024 Carolina Record Shop artist resident. This residency is made possible in part by the Trust Fund for Buncombe County Public Libraries. |
We’re back for another fun spring market full of of artists, makers, and delicious cocktails!
Join us in the South Slope brewing district for the South Slope Makers Market & Bar Hop to shop local artists, makers and vintage vendors with a drink in hand!
Find vendors, drinks and food at all of these fun locations! 👇
Green Man Brewing
27 Buxton Ave
Urban Orchard Cider Co
24 Buxton Ave
Twin Leaf Brewing
144 Coxe Ave
The Funkatorium
147 Coxe Ave
Hi-Wire Brewing
197 Hilliard Ave
Products will be a wide variety of handmade and vintage goods including original art, home decor, clothing, paper products, metal working, jewelry, soap, candles, and a whole lot more!
No MLM or direct sales will be present.
This event is FREE to attend! You only pay for the items you wish to purchase and the drinks you want to consume.
This is a family friendly event, however please note alcohol will be present due to the nature of the venues.
If you are 21 or older and choose to drink, please drink responsibly.
2024 Gardening Series
Sign up for one or sign up for the whole series!
Classes will occur over four Saturdays, April 13 – May 4, from 2-4 pm. Each class is $25.
April 13 Class – Garden Planning and Prep
We will discuss what goes into garden planning through setting priorities, observation, mapping, budgeting, and succession planting. The class will include tips for choosing what to grow and how much to plant. Learn what is needed to start and care for plants, whether you are growing from seed indoors, purchasing transplants, and/or direct seeding; this will include discussions of useful tools and how to use them. This class will also include some hands-on transplanting. We will also review some great perennial edibles and how to care for them year-round.
April 20 Class – Soil Management and Care
In this class, we will dive into soil management. We will talk about the principles of healthy soil and how to amend your soil naturally and affordably, including discussions on composting, compost tea, and vermicompost. We will experience different strategies to build a raised bed, clear space for a new one, or revive an old garden bed. Get ready to get your hands in the dirt!
April 27 Class – From Lawn to Garden: Making the Most of Your Space
We will meet at Laura Ruby’s West Asheville garden for our third class together. Delve into the wide world of garden pro tips, tricks, tools, and secrets! This class will cover ideas and options for making your garden more manageable, fun, and productive through systems thinking. See established gardens and ways to adapt to your needs and growing space. You will also see how fruit production can be integrated with growing flowers and veggies.
May 4 Class – Summer Garden Management and Preservation
We will reconvene at Peace Gardens & Market for our final workshop, discussing succession planting, summer weed and pest management, and preserving the harvest (what to do with all those tomatoes and more!). We will share tips for keeping your body and energy up throughout the season to sustain you through the joy of harvests and eating your home-grown produce.
Other topics to be covered, time permitting:
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DIY structures, e.g., trellis, rainwater collection, bed building
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Early spring weeds, what’s edible, early tips for managing weeds
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Common garden pests & how to deter them
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Reading a soil test
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Cover cropping and NPK
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Common problems in the garden
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Maximizing your space
Murder and blackmail are on the menu when six mysterious guests assemble at Boddy Manor for a night they’ll never forget! Was it Mrs. Peacock in the study with the knife? Or was it Colonel Mustard in the library with the wrench? Based on the cult 1985 Paramount movie and inspired by the classic Hasbro board game, CLUE is the ultimate whodunit that will leave you dying of laughter and keep you guessing until the final twist.
“A very fun whodunit that strikes contemporary parallels on the way to its grand reveal.”
– The New York Times
“Reminds you what a breezy night of pure entertainment feels like.”
-TheatreMania
“An intriguing must-see production”
– Broadway World
©Hasbro. All rights reserved.
An Earth Day Forest Bathing Retreat
Begin your Earth Day (April 22) festivities by celebrating spring while cultivating your relationship with Mother Earth, yourself, and others during this rejuvenating afternoon nature immersion retreat.
Your guide, Christa Hebal, will lead you on a gentle journey through the spring forest, weaving mindfulness, breathwork, forest bathing (Shinrin Yoku) and nature therapy together for a restorative afternoon on some of the trails less traveled at the North Carolina Arboretum. We’ll celebrate the experience in community, enjoying a wild-foraged tea ceremony and snacks. Bring an open mind and an open heart. All are welcome. Presented through Adult & Continuing Education Programs in collaboration with Asheville Wellness Tours.
Christa Hebal is a certified Nature and Forest Therapy Guide by the Association of Nature and Forest Therapy. Born and raised in the mountains of NE Tennessee, she has lived in Asheville for 23 years. Christa has an adventurous heart, and loves to help others encounter wholeness through embodiment and nature connection practices. She has had a professional bodywork practice for 17 years as a nationally certified Massage Therapist, and is also a practitioner of Ortho-Bionomy®, Usui Reiki Master, Certified Pediatric Massage Therapist, Clinical Aromatherapist, and Certified Traditional Herbalist. She is also certified in CPR and Wilderness First Aid.