Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.

Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.

Baker Exhibit Center

Where can you see a butterfly with a five foot wingspan, or a longhorn beetle with antennae more than twelve feet across? The answers can be found amongst the enormous sculptures on display in BUGS: Outside the Box!

Scientifically exact, with a keen attention to detail, the exhibit features a virtual army of giant bugs with one aim in mind – educating the public and shining a light on museum collections, taxonomy, and the power of magnification.

Among the highlights of the exhibit is a rarely seen long-arm beetle more than ten feet in height, a collection of heavily armored stag beetles with impressive jaws and horns as long as your arm, and an insight into the amazing intricacy of the physiology of each insect on display. Alongside these impressive works of art is the insect in question represented at life size,  and detailed information on the life habits, location, and other facts unique to each insect and its family.

• Parking Fees
  • Personal/Standard Vehicle (up to 20′ long): $20
  • Large vehicles (21′-29′ long): $60
  • Busses and Oversize Vehicles (30′ long+): $125
  • Members: Free

  Apart from the parking fee, there is no other admission charge to enter the Arboretum or our facilities, except in the case of advertised ticketed events.

Splasheville

Splasheville is located in Pack Square Park on 80 Court Plaza. The free splash pad’s regular daily hours are 9.m-8:30pm, but may close for special events or during inclement weather. Check the calendar for scheduled closures.

The Village Potters Clay Center (TVPCC), announces the opening of “Nurtured by Nature”, a special exhibit featuring new works by each of the six resident potters of TVPCC.

When you have six wildly talented, skilled, and creative artists working together, it can be a challenge to pick a singular theme for a show. But it didn’t take long before the resident potters at TVPCC realized that they each had a connection to nature, and it expressed itself in different ways in their lives and work.

Sarah Wells Rolland grew up in Florida near the water and life that grew in and around it. For this exhibit, she has created singular pieces using broad strokes through slip to emulate Water Grass, and her deliciously beautiful glazes invite you to touch. You can almost feel a soft Florida breeze!

Judi Harwood has her work already rooted deeply in nature, using corn husks, bamboo leaves, and other organic materials in her sagger fired vessels. On a recent trip to the beach, she noticed an amazing pattern in the sand from the ebb and flow of the tide dragging shells across the sand. She knew instantly that she needed to carve a similar design in her pieces for Raku and other alternate firing processes, and you will find those pieces in this exhibit.

Caroline Renée Woolard has always had a deep love for nature, in particular the forest and the element of water and the rhythm of waves. You will find these things in the movement of her slip application, and in her carved mushrooms that invite a child-like sense of wonder and joy.

Katie Meili Messersmith is a self-proclaimed math nerd, and she loves the beauty of sequencing and patterning that she achieves in her slip dot applications on her pots. She also sees this beauty of math sequencing in nature, like in the petals of flowers, and has explored this in her work in a stunning series of bowls.

Julia Mann’s work has always been inspired by her love of nature and love of season, as well as her love of women and love of Goddess. Venus of Willendorf remains a guiding influence on her work more than twenty years after carving her first form. Julia has created new Venus pieces as well as pieces inscribed with other symbols of nature that inspire her, from spider webs to trees and mountains.

Lori Theriault grew up on the edge of the woods in central Vermont, and spent many afternoons hiking in the trees, touching each bark to feel what she saw. She also spent many nights star gazing with her father, waiting for an Apollo rocket to fly overhead. Lori represents her love of trees and flowers in functional work with her wax resist designs, and she is exploring more sculptural work in her “Vincent Series” that celebrates her love of a star-filled sky and her love and admiration for Van Gogh’s impasto technique in ‘Starry Night’.

Nurtured by Nature will be on exhibit through the end of June at The Village Potters Clay Center. The gallery is open daily, 10am-5pm.

The Village Potters are Sarah Wells Rolland, Judi Harwood, Lori Theriault, Julia Mann, Katie Meili Messersmith, and Caroline Renée Woolard, along with Director of Operations, Keira Peterson. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel, hand building, and sculpture for adults, an Advanced Ceramic Studies Program, and online demonstrations and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

Upstate artist Logan Foster, aka Divinity, welcomes those viewing her oil and acrylics works and poems into her daydreams to help them recapture feelings from childhood in her upcoming exhibition “Daydreamin’: Love Is Blue,” set for June 4 through 29 in Gallery III of the Artists Collective | Spartanburg.

An artist’s reception will be held Thursday, June 20, as part of Spartanburg ArtWalk.

All Month Long in June at the Swannanoa Library

Join us at the Swannanoa Library to create a collage mosaic Juneteenth Flag. While communally creating this flag, learn the history and meaning of this flag and all that it represents.  This program will continue for entire month of June where the community can add to it over time. All ages are welcome to contribute.

Explore Asheville with the whole family!

Age Restrictions

All Ages Welcome!
(Content is geared towards ages 5-12 years old)
Children must be accompanied by an adult.
Children 3 and under do not need a ticket if they are sitting in an adults lap.

Duration

60 Minutes

What’s Included

Crazy funny guide
Off-bus characters
Fun facts about Asheville
Age-appropriate jokes

About

Now’s your chance to bring the whole family on the big purple bus! Educational and entertaining, LaZoom’s Kids’ Comedy tour features a perfect blend of Asheville information and kid-centric comedy. Geared specifically towards the 5-12 year old crowd, you’ll learn about our city’s history and see the sights in true LaZoom style – complete with our famously outlandish tour guides, hilarious comedy skits, and all sorts of special appearances! Perfect for birthday parties or school field trips, it’s the best thing to do with your kids in Asheville. It’s a show on wheels!

The tour is 60 minutes long and includes no stops. The tour is hosted by a zany tour guide, and along the way other characters will hop on the bus and perform kid-centric sketches (Candy Pirate, Ninja, and a Levitator) The tour is not only fun – it’s educational! Kids and adults will learn new and interesting facts about Asheville along the way. There must be 1 adult for every 4 children. We do not allow any unaccompanied children. Children 3 and under do not need a ticket if they are sitting in an adults lap.

Waitlist

If your desired time and availability is full, then please give us a call to be added to the waitlist.

A lively language enrichment story time designed for children ages 4 to 18 months.

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Robert Turner (1913-2005) arrived at Black Mountain College in 1949 to establish the first studio pottery program at the College. He worked with student architect Paul Williams to design the Potshop and stayed until 1951 as a teacher and potter. There he formed lifelong friendships with M.C. Richards, Joe Fiore, and Natasha Goldowski Renner, and was part of the lively mix of art and ideas generated by Clement Greenberg, Katherine Litz, Kenneth Noland, Theodoros Stamos, and many others. Turner’s education prior to his arrival at Black Mountain included Swarthmore College, Pennsylvania Academy of Fine Arts, The Barnes Foundation, Penland School of Crafts, and Alfred University.

After Black Mountain, Turner and his family moved to Alfred Station, NY where they bought a farm, and he established a successful studio pottery practice and actively exhibited his work in galleries across the U.S. In 1958 he began teaching pottery and sculpture at Alfred University where he would lead the ceramics program until his retirement in 1979. In addition to his influential teaching position at Alfred, Turner taught at Penland, Haystack, and Anderson Ranch helping a new generation of artists and potters develop their work and establishing his own reputation as a gifted teacher.

Robert Turner’s travels to Africa and to the American Southwest proved to be important life experiences and important to his growth as an artist. Over his lifetime he received many awards for his work, but his humble, gentle demeanor and Quaker background helped keep him centered while also remaining open to exploration and discovery in nature and life.

The exhibition will include work by some of Turner’s students and colleagues at BMC, Alfred University, and Penland as well as work by contemporary ceramic artists whose work fits within the context of the show. Artists include: Meredith Brickell, Cynthia Bringle, Marjorie Dial, Cynthia Homire, Bill C. Jones, Bobby Kaddis, Karen Karnes, Eric Knoche, Jeannine Marchand, Neil Noland, Daniel Rhodes, M.C. Richards, Gay Smith, Tom Spleth, Adele Suska, Lydia C. Thompson, Xavier Toubes, Jerilyn Virden, Peter Voulkos, David Weinrib, and Kensuke Yamáda.

I wanted to work with clay so that the way it moved, the vitality of clay, is not meeting something that’s been on the drawing board. It’s using clay with abstraction to start with and then seeing what it’s going to do, how it will move and change, and always surprise you.

Curated by Alice Sebrell, Director of Preservation

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

When one thinks of the necessities of life, one element immediately comes to mind: water. When one thinks of modern abstraction, the dynamic realm of contemporary art where boundaries are blurred and creativity knows no limits, one name shines brightly: Patricia Hargrove.

The Asheville Gallery of Art proudly presents its June exhibit of Hargove’s series that depicts the powers of water to energize, refresh and heal the soul and body. This masterful exhibit runs June 1-30, with an opening reception on Friday, June 7 from 5-7:30pm. Everyone is welcome.

Buncombe County Public Library is thrilled to announce The Hop Ice Cream as a proud supporting partner of this year’s Summer Reading Program to encourage youth literacy in our community. The Hop will provide free ice cream at the Summer Library Fest on Saturday, June 8 from 10 a.m.-noon at East Asheville Library. For added fun, The Hop owner Greg Garrison will collaborate with Secret Agent 23 Skidoo to provide a special dance performance to families in attendance.

Any kid or teen who visits a Buncombe County library to pick up their summer reading activity sheet will also receive a 10 percent off coupon redeemable at any Hop location or at Pop Bubble Tea. Return your completed activity sheet to any branch and receive a bookmark for a free kiddie scoop of ice cream at any Hop location. You must complete 10 or more activities on your sheet to be eligible for ice cream – and you can also select a free book of your choice!

Summer Reading runs from June 1 to  August 31 and is open to anyone from birth to age 18.  If you have any questions, just contact your friendly neighborhood library.

Want to learn more about managing depression and nervous energy? Got questions about medications or  emotional implications of chronic illness? Join Vaya Health’s Geriatric and Adult Mental Health Specialty team for a series of classes at the Enka-Candler and Leicester Libraries

Classes are free to attend, but registration is required. Please visit the Vaya Health calendar to register. Everyone is welcome.

Receiving a chronic illness diagnosis can produce a range of emotional responses. In this training, we will explore the physical and mental impact of these conditions. Understanding can help us remain proactive, be resilient and promote better outcomes.

Join us for a relaxing ride through quiet countryside on your way to small-town life in Western North Carolina on the Tuckasegee River Excursion. Departing from Bryson City, this 4-hour excursion travels 32 miles round-trip to Dillsboro and back to the Bryson City Depot. Pass by the famous movie set of The Fugitive starring Harrison Ford!

The Tuckasegee (tuck-uh-SEE-jee) River Excursion includes an 1 hour and 20 minute layover in the historic town of Dillsboro, where you’ll find more than 50 shops, restaurants, a brewery, and country inns. There is time to shop, snack, and visit the many unique shops before returning to Bryson City. Please refer to the map below for a layout of Dillsboro.

Itinerary

Below is an outline of this train’s excursion. Please refer to this train’s schedule for exact departure times.

Given the nature of railroading, durations are approximate and subject to change with

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