Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Don’t miss a fantastic evening of riveting marches, patriotic favorites,
and virtuosic soloists as the Piedmont Wind Symphony turns back
time to become The Sousa Band!

Led by Sousa specialist and Conductor Emeritus at UNCG, John Locke,
the band will be in full costume, and the hall will be decked to
resemble the days of Sousa’s Band as it traveled around the world
to packed and enthusiastic audiences. You won’t want to miss
this performance!
John Locke, Guest Conductor/ Sousa Impersonator
Ashley Hall, Cornet Soloist
John Beck, Xylophone Soloist
Mark A. Norman, Piedmont Wind Symphony, Music Director/Conductor

A unique program of storytelling and music is offered to the public on Sunday
afternoon, April 23rd, at the Episcopal Church of St. John in the Wilderness, Flat Rock, NC.
The 4:00 p.m. concert features Becky Stone, a talented musician, actor, and teller-of-folk tales.
Each performance of Becky’s is one-of-a-kind, created with a specific audience in mind. As she
explains, “I love world tales and bringing the music of language and other dialects to the
audience. And there is always the possibility that I will bring an African version of a Bible story.”
Becky incorporates music and audience participation in her programs which frequently leave
children and adults enthralled.
For over 30 years she has performed in the Carolinas and Tennessee with drama, educational, and
religious groups as well as at Storytelling festivals.

Friends of Music present this concert at the Parish Hall of St. John in the Wilderness, located
across Rutledge Drive from the church, 1895 Greenville Highway in Flat Rock.
No advance registration is necessary.
For more information visit www.stjohnflatrock.org

The Asheville Only One Earth Coalition is throwing a party for Earth Day!
Enjoy an evening of music, food, and drink with some local activists and other beautiful earthlings.
This event will be a benefit for Southside Community Garden.
Admission at the door will be on a sliding scale of $10 – $25, but no one will be turned away for lack of funds.
They will also have a raffle, which will include art, gift certificates, and various fun stuff.

Activists from some of the Coalition organizations will have tables to share information about what they are doing to make this world a better place.  Come join us as we celebrate Earth Day and our hopes for a better world!

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

VANESSA COLLIER

Last year, Moonchild (Amber Navran, Andris Mattson, and Max Bryk) released their fifth studio album ‘Starfruit’ which was nominated for Best Progressive R&B Album at the 2023 65th Annual GRAMMY Awards.

Bringing together a host of beautiful melodies and personal lyrics, Moonchild’s most recent LP ‘Starfruit’ beholds offerings from Lalah Hathaway, Alex Isley, Tank and The Bangas, Rapsody, Ill Camille, Mumu Fresh, Chantae Cann and Josh Johnson. Across ‘Starfruit’ [2022], ‘Little Ghost’ [2019], ‘Voyager’ [2017], ‘Please Rewind’ [2015] and ‘Be Free’ [2012], Moonchild have received press accolades from Pitchfork, Clash Magazine, NPR, SoulBag, NME Magazine, Wordplay Magazine, HYPEBEAST, Stereofox, Paste Magazine, Vinyl Factory, The Fader, Complex, Okayplayer, UPROXX, Billboard, France Inter, Rated R&B and Soul Bounce.

Alongside their GRAMMY nomination, Moonchild have charted on the Billboard’s genre charts and been named Soul Act of the Year by Jazz FM. The group have also seen a huge amount of radio support from BBC Radio 1’s Clara Amfo, Sian Eleri and Phil Taggart; BBC 1Xtra’s Jamz Supernova andEmmavie; Jamie Cullum (BBC Radio 2); BBC 6Music’s Gilles Peterson, Cerys Matthews, Mary Anne Hobbs, Don Letts, Tarzsa Williams; Children Of Zeus (NTS); Marshmello (NTS); across KCRW (Anthony Valadez, Morning Becomes Eclectic, Anne Litt, Raul Campos, Scott Dallavo, Ro Contreras); Bandcamp Weekly; Erica McKoy (Worldwide FM); Ashley Beedle; Asya Shein (Fusicology); Huw Stephens (BBC Radio Wales), Late Nights (Triple J) and playlisting on BBC 6Music and Jazz FM.

Moonchild have collaborated and toured with highly respected names from across music including Kamasi Washington, Stevie Wonder, The Internet, Jill Scott and built up a host of iconic supporters from Robert Glasper (who has collaborated with Amber on his own projects) and Laura Mvula to James Poyser, Jazzy Jeff, 9th Wonder and Tyler, The Creator.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.

Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.

“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”

Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.

The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.

Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.

In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.

Laura Gaskin will be demonstrating how she “paints with stitches” to create her captivating images. She will be in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Lee Entrekin will be demonstrating how he turns long pieces of wood into beautiful musical instruments – and he’ll play for you, too! Lee will be in the lobby of the Folk Art Center on the Blue Ridge Parkway. Visitors are encouraged to watch and ask questions while the demonstrators work and talk about their creative process! Call ahead for the latest updates: 828-298-7928.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Over her forty-year career, Natalie Merchant has attained a place among America’s most respected recording artists. She has earned a reputation for being a songwriter of quality and a captivating stage performer and has distinguished herself as a social justice and environmental activist. Merchant began her musical career as the lead vocalist and lyricist of the pop music band 10,000 Maniacs and released one platinum, two double-platinum, and one triple-platinum records with the group. Merchant left the group in 1994 and has subsequently released nine albums as a solo artist with a combined sales of seven million copies. Merchant’s ninth solo studio album Keep Your Courage will be released on April 14, 2023.

Merchant has collaborated with a wide range of artists, including Billy Bragg, Gavin Bryars, David Byrne, The Chieftains, Cowboy Junkies, Philip Glass, Kronos Quartet, Ladysmith Black Mambazo, Mavis Staples, REM, and Wilco. She served on the New York State Council on the Arts from 2007–2011 at the appointment of Governor Elliot Spitzer and was recently appointed to the Board of Trustees of the Library of Congress’ American Folklife Center by New York State Senator and Majority Leader Chuck Schumer. Merchant’s awards include: The Library Lion Award from the New York Public Library (2011), The American Society of Authors Composers & Publishers (ASCAP) Champion Award, and The John Lennon Real Love Award.