Feeling a bit in the doldrums these days? Could you use good a pick-me-up? It might be time to indulge in some comfort food—particularly some super colorful superfood comfort from a winter farmers market. We’re talking about making sweet potato gnocchi.
Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Sunday, February
28, 2021
Virtual Exhibition – Opening the Door to Change: Educating Rural Appalachia
Mel Chin’s Wake Sculpture
Beginner Wheel: Welcome to the Wheel! Instructor: Julie Cantwell
Fresh at Farmers Markets This Week
2021 WNC Regional Scholastic Art Awards Exhibition
Across the Atlantic Exhibition
Asheville Art Museum: New Exhibition— Meeting the Moon
Connecting Legacies: A First Look at the Dreier Black Mountain College Archive
Fantastical Forms: Ceramics as Sculpture Asheville Art Museum
BEER Release: Black Is Beautiful! Donations to Know Your Rights Campaign
Marco Reichert “Man and Machine” Art Exhibit
JAZZ BRUNCH Free · One World West
Food Truck Sundays
Opening the Door to Change presents the history of education in Western North Carolina, with a particular emphasis on Madison County, from the mid-nineteenth century through the late twentieth. Here, learning has taken many forms, from in-home instruction, common, subscription, and religious schools, to colleges of farming and craft. The curriculum of these schools, as well as their very construction, and in some cases closing, was deeply entwined with the changing needs and values of the Western North Carolina Appalachian community.
The exhibition focuses on the dynamic relationship between community values and education, with a special focus on how students and their families navigated the economic, geographic, and racial challenges to education. Trends and changes in curriculum, assessment, and classroom design will also be explored.
The virtual exhibition will feature didactic panels showcasing a survey of schools within Madison County and highlighting the effect community values had on the curriculum, function, and format of these institutions. Online visitors may also get a sneak-peak at an original film, produced by the Museum, presenting the oral histories of several Madison County residents sharing their personal recollections and memories of past school-days.
Additional films will spotlight the Historic Mars Hill Anderson Rosenwald School and Laurel School, with first-hand accounts from former students and teachers.
This virtual exhibition is sponsored by the Madison County Tourism and Development Authority.
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Sundays, 10am – 12:30pm
January 10th – February 28th
Everyone approaches clay a little differently and that is part of the beauty! In this entry level throwing class, we take the philosophy that if it’s working for you and feels good, you’re doing it right! That being said, we will also demo the most successful methods for throwing mugs, bowls, vases, plates, and just about anything else you want to learn to throw on the potter’s wheel!
Level: All Levels
Tuition: $315 + $60 Lab Fee
2021 WNC Regional Scholastic Art Awards
February 6–March 8, 2021
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
January 22–April 19, 2021
LOCATION:
Appleby Foundation Exhibition Hall
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
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There are convenient public parking garages located
nearby. The largest is under the Aloft Hotel with an
entrance to the garage on both S Lexington Ave
at the rear of the hotel as well the front of the hotel
on Biltmore Ave. The is also an open air parking lot
at the corner of Aston St and S Lexington Ave.
JAZZ BRUNCH @ ONE WORLD WEST
EVERY SUNDAY FROM 1:30-4PM
FIRST SET BY THE HOUSE BAND & SECOND SET IS A JAZZ JAM
FIRST SET BY THE HOUSE BAND & SECOND SET IS A JAZZ JAM
WEEKLY BRUNCH MENU FROM UMAMI MAMI
In conjunction with Sunday Sessions Live (and virtual) music: Food Truck Sundays will bring a new or rotating “staff favorite” cuisine each week to the Beechams Curve offerings.
Gan Shan West, our main culinary provider 6 days a week, is closed on Sundays. Enjoy the convenience, delicious variety and the music – all in one Sunday Funday stop!
Monday, March
1, 2021
Grassroots Arts Program Grant
Mel Chin’s Wake Sculpture
Fresh at Farmers Markets This Week
2021 WNC Regional Scholastic Art Awards Exhibition
Across the Atlantic Exhibition
Asheville Art Museum: New Exhibition— Meeting the Moon
Connecting Legacies: A First Look at the Dreier Black Mountain College Archive
Fantastical Forms: Ceramics as Sculpture Asheville Art Museum
BEER Release: Black Is Beautiful! Donations to Know Your Rights Campaign
Blue Monday with Mr Jimmy at the Joint Next Door
Since 1977, the North Carolina Arts Council’s Grassroots Arts Program has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils.
Funding for the 2020-2021 grant cycle will focus on operating expenses for nonprofit arts organizations. Multicultural organizations will receive priority. To be considered an organization of color, the majority of their board and executive leadership must be people of color. No funding match will be required.
The Grassroots Grant Program is made possible by individual and private contributions to the Asheville Area Arts Council’s—and by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources.
Wake, Mel Chin’s giant animatronic sculpture, installed in New York City’s Times Square last summer, will be on view in Asheville through March 15, 2021, at 44 Collier Avenue. Chin, a WNC based conceptual artist, was named a MacArthur Fellow in September 2019.
Wake was commissioned as part of Mel Chin: All Over the Place, a multi-site survey of his works from across many decades that took place in several New York City locations. A collaborative group, led by UNC Asheville’s STEAM Studio and The Community Foundation of Western North Carolina, formed to plan and raise funds for the sculpture to be seen locally.
Wake – 60 feet long, 34 feet wide and 24 feet high, conceived and designed by the artist – was engineered, sculpted and fabricated by an interdisciplinary team of UNC Asheville students, faculty, staff and community artists led by Chin. The sculpture is interactive and features decks and places to sit and contemplate.
Wake evokes the hull of a shipwreck crossed with the skeletal remains of a marine mammal. The structure is linked with a carved, 21-foot-tall animatronic sculpture, accurately derived from a figurehead of the opera star Jenny Lind that was once mounted on the 19th century clipper ship, USS Nightingale. Jenny Lind moves subtly as she breathes and scans the sky.
Visitors can experience Wake daily from 9 a.m. to 9 p.m. at 44 Collier Avenue. For more details and a schedule of programming, visit ashevillearts.com.
Feeling a bit in the doldrums these days? Could you use good a pick-me-up? It might be time to indulge in some comfort food—particularly some super colorful superfood comfort from a winter farmers market. We’re talking about making sweet potato gnocchi.
2021 WNC Regional Scholastic Art Awards
February 6–March 8, 2021
The Museum, with the assistance of its volunteer docents and support from the Asheville Area Section of the American Institute of Architects, is proud to sponsor the WNC Regional Scholastic Art Awards. Students in grades 7–12 from all across our region are invited to submit work for this special juried competition. The Museum works with the Alliance for Young Artists & Writers to facilitate regional judging of student artwork and recognition of our community’s burgeoning artistic talent.
In early spring each year, award winners are featured in an exhibition, and are honored at a ceremony. Regional Gold Key recipients’ work is sent to the National Scholastic Art competition hosted by the Alliance for Young Artists & Writers.
Across the Atlantic
Across the Atlantic
American Impressionism Through the French Lens
January 22–April 19, 2021
LOCATION:
Appleby Foundation Exhibition Hall
This extraordinary exhibition, drawn from the collection of the Reading Public Museum, explores the path to Impressionism through the 19th century in France. The show examines the sometimes complex relationship between French Impressionism of the 1870s and 1880s and the American interpretation of the style in the decades that followed. More than 65 paintings and works on paper help tell the story of the “new style” of painting which developed at the end of the 19th century—one that emphasized light and atmospheric conditions, rapid or loose brushstrokes, and a focus on brightly colored scenes from everyday life, including both urban and rural settings when artists preferred to paint outdoors and capture changing effects of light during different times of day and seasons of the year.
Across the Atlantic: American Impressionism through the French Lens is organized by the Reading Public Museum, Reading, Pennsylvania.
Generous support for this project provided by Art Bridges and The Maurer Family Foundation.
The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.
2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.
This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).
“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”
This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.
This exhibition features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Museum’s Black Mountain College Collection to explore the connections between artworks and ephemera. This exhibition is organized by the Asheville Art Museum and curated by lydia see, fall 2020 curatorial fellow, with support from a Digitizing Hidden Collections grant through the Council on Library and Information Resources.
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The Asheville Art Museum presents Fantastical Forms: Ceramics as Sculpture on view at the Museum November 4, 2020 through April 5, 2021. The 25 works in this exhibition—curated by associate curator Whitney Richardson—highlight the Museum’s Collection of sculptural ceramics from the last two decades of the 20th century to the present. Each work illustrates the artist’s ability to push beyond the utilitarian and transition ceramics into the world of sculpture.
North and South Carolina artists featured include Elma McBride Johnson, Neil Noland, Norm Schulman, Virginia Scotchie, Cynthia Bringle, Jane Palmer, Michael Sherrill, and Akira Satake. Works by American artists Don Reitz, Robert Chapman Turner, Karen Karnes, Toshiko Takaezu, Bill Griffith, and Xavier Toubes are also featured in the exhibition.
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
Enjoy the friendly local atmosphere, great food and drinks, and live blues from Mr Jimmy at the Joint Next Door in Fairview NC every Monday at 6pm
Tuesday, March
2, 2021
Fresh at Farmers Markets This Week
Desire Paths Art Exhibition
BEER Release: Black Is Beautiful! Donations to Know Your Rights Campaign
Act Out Theatre Class Ages 8-12
Early TUESDAY Jam ft. The Trilateral Omission LIVE
Dark City Poets Society
Think + Drink- meet to listen, learn, think, and socialize with others
Feeling a bit in the doldrums these days? Could you use good a pick-me-up? It might be time to indulge in some comfort food—particularly some super colorful superfood comfort from a winter farmers market. We’re talking about making sweet potato gnocchi.
Desire Paths looks at makers within the discourse of craft and those existing on the periphery of the craftscape who focus on the movement of the body towards something desirable. These desires of the body are in relationship to nature, technology, self, and society. Using architectural theory and queer curatorial strategies, Desire Paths examines the possibilities and futures of bodies, revealing connections between the corporeal and craft.
“Desire paths,” a term taken from urban planning, are lines trodden in the landscape when constructed walkways do not provide a direct or desired route. Through action, repetition, and intentionality, desire paths are crafted modifications to the landscape that allow for a body to move towards a horizon. The format of the works include traditional craft media, performance, video, and interactive web-based work. Through this variety of media and performative tactics the makers in Desire Paths consider how we view, value, and ascribe meaning to a body/the body/the others body. They show us the power and agency held in body and present us with crafted visions of the body that confront and expand expectations
The works in this exhibition reclaim the concept of craft from its historical associations with the decorative, frivolous, feminine, indigenous, and the other. The makers use the medium of craft, and the action of crafting, to produce powerful representations and counter narratives to dominant culture.
Two Ways to View
Virtual Tour
Online visitors can register to attend a virtual tour of this exhibition. This is a free event. A $5-10 donation at time of registration is recommended.
In-Person
The Center is offering free, unguided visits and affordable tours of its exhibitions to the public. Guests can reserve a 30-minute visit to explore the current exhibitions, learn more about the Center’s national impact in their Craft Research Fund Study Collection, and enjoy interactive activities. The Center is open to the public Tuesday-Friday, 11 am -5 pm. Hours of operation may be subject to change.
Center for Craft is monitoring the effects of COVID-19 on the community and following the instruction of federal, state, and local health departments. Our top priority is always the health and safety of our staff, coworkers, and visitors. At this time, the Center can only allow a maximum of five guests in its public space at once and will require the use of masks or face coverings by all visitors, including children. The Center reserves the right to refuse entry to any visitor that will not comply.
Black Is Beautiful is a collaborative effort in partnership with our friends at @weatheredsoulsbrewing whose shared mission is to bring awareness to the injustices that many People of Color face daily. Additional proceeds from select retailers will be donated to the Know Your Rights Campaign.
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Originally hosted at the legendary Tressa’s, the Early Tuesday Jam has a new home at The One Stop at Asheville Music Hall in Downtown, Asheville.
Early Tuesday Jam at The One Stop features a 4-piece House Band, called The Trilateral Omission.
Early Tuesday Jam at The One Stop features a 4-piece House Band, called The Trilateral Omission.
Every Early Tuesday Jam is LIVE and always different!
We do what we can to allow for as much diversity in song selection/style/genre to reflect a cross-section of the Asheville music scene and our world at large.
We do what we can to allow for as much diversity in song selection/style/genre to reflect a cross-section of the Asheville music scene and our world at large.
See you this Tuesday and next Tuesday
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Share poetry in this inclusive group, either your own or by a favorite poet. Critiquing By request. You will receive a separate email with the Zoom link and log-in information. |
Come join us for a rich, topical discussion on the first Tuesday of the month. We come together to share perspectives and insights on subjects of interest in a welcoming and civil forum. We usually feature a TED Talk or YOUtube video for 15 minutes or so, followed by some questions for everyone to discuss. Topics are chosen by members and have ranged from mindfulness to addiction and everything in between. Feel free to eat your dinner or slurp your drink during the meeting–we’ll remind you to mute. For now, while we are taking COVID-19 precautions, our meetings will be online via ZOOM. Free to the public.
Past THINK AND DRINK TOPICS are varied and have been on:
Mindfulness- by Gaillee
Clothes-Do they Matter- by Jason
Working with Millennials – by Karen Eve
What we’re about
Think & Drink…Enjoy tea, coffee, libations and snacks with other people interested in exploring and discussing the challenges, opportunities, and issues of the 21st century on the 1st Tuesday of each month at 5:30 pm. It’s for anyone who is curious or just trying to maneuver life positively, holistically, and constructively. Our open meetings will be fun and include social time for conversation followed by relevant topics and respectful discussions. Topics may be presented by members via TED talks, You Tubes, films or other media, and be facilitated and open for discussion afterwards. We are open to all genders, races, interests, and ages. Bring your well-behaved kids . Bring ideas and open minds to engage, and intersect with others. The group members will determine topics and style as Think & Drink evolves.
Think & Drink should be a community group that is…
• Open and inclusive
• Welcoming & Safe
• Fun & Happy
• Participatory
• Respectful & Non-judgmental
• Confidential
• Productive
• Valuable
Eat, drink from 5 to 5:30 or so, then Think about our Topic and Discuss. Our one request is that all of those in the discussion remain respectful of one another. Think & Drink is a judgement-free zone, which doesn’t mean you have to agree with anyone here, but that you remain respectful of where every person is on their journey in life and to have FUN!