Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Join us for a weekly mountain music JAM with players in a round, where the session is focused on regional fiddle tunes and songs! You are welcome to come and listen or to learn and join in. This event supports the Henderson County Junior Appalachian Musician (JAM) Kids Program. Free but donations are accepted. Weekly event takes place at Oklawaha Brewing Company.
UPDATE: This will be a fully virtual event. Please click here to register for the VIRTUAL event. The link required to attend will be emailed to registrants prior to the event.
If you decide to attend and purchase the authors’ books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!
All seventeen-year-old Maggie Warshauer wants is to leave her stifled life in Filliyaw Creek behind and head to college. An outsider at school and uncertain of her own sexual identity, Maggie longs to start again somewhere new. Inspired by a long-dead biologist’s journals, scientific-minded Maggie spends her days sailing, exploring, and categorizing life around her. But when her beautiful cousin Charisse disappears on prom night and is found dead at the marina where Maggie lives, Maggie’s plans begin to unravel. A mysterious stranger begins stalking her and a local detective on the case leaves her struggling to hold on to her secrets—her father’s alcoholism, her mother’s abandonment, a boyfriend who may or may not exist, and her own actions on prom night. As the detective gets closer to finding the truth, and Maggie’s stalker is closing in, she is forced to come to terms with the one person who might hold the answers—herself.
A former farmer, sailor, and journalist, Valerie Nieman is the author of five novels, one short story collection, three collections of poetry, and two poetry chapbooks. To the Bones, her genre-bending novel about Appalachia published by West Virginia University Press in 2019, was a finalist for the Manly Wade Wellman Award and the Killer Nashville Award. Her work has appeared in dozens of journals including Monkeybicycle, StorySouth, and The Georgia Review and received fellowships from the North Carolina Arts Council and the NEA, among others. Nieman recently retired from teaching at North Carolina A&T. Learn more at valnieman.com.
Jamie Mason was born in Oklahoma City and grew up in Washington, DC. She’s most often reading and writing, but in the life left over, she enjoys films, Formula 1 racing, football, traveling, and, conversely, staying at home. Jamie lives with her husband and two daughters in the mountains of western North Carolina. She is the author of Three Graves Full, Monday’s Lie, and The Hidden Things.
you all!
This club meets in-person and virtually. If you are interested in attending, please email [email protected] for more info and instructions!
Join host and Malaprop’s bookseller Patricia Furnish to discuss a range of books across different periods of history. The club tackles challenging subjects, hence “NOTORIOUS.” Click here to see a full schedule of what the club is reading. Club attendees get 10% off the book at Malaprop’s!
The club meets at Malaprop’s on the 3rd Thursday of every month at 7:00 pm.
The Travis Book Happy Hour is a 90 minute variety show hosted by Travis Book; bassist, songwriter, and vocalist in the Grammy Award winning bluegrass band, The Infamous Stringdusters, streaming live from the historic Grey Eagle in Asheville, NC. Born from his desire to bring musicians and friends together for collaboration and conversation, Travis launched the series in the summer of 2020 amidst the uncertainty of the Covid-19 crisis and a country divided. Faced with a cascade of existential questions about the nature of life and of being, Travis sought an outlet for inquiry, and individuals to help him dig deeper into what it means to be a musician and a creative being in the context of an ever-changing world. Unique, spontaneous musical collaboration with friends and contemporaries leads to singular moments of harmony and the occasional musical train-wreck… The Travis Book Happy Hour is his attempt to shine light into the darkest corners of our lives; to dive deep into the nature of our being and emerge bathed in the love, happiness, grace, and gratitude that’s available to us all, and hopefully, to make some beautiful, meaningful music along the way.
CRIS JACOBS
When Cris Jacobs began dreaming about a follow-up to his critically acclaimed 2016 album Dust to Gold, he realized early on he’d have to do things differently this time around. His life had changed drastically since writing those songs: he’d toured extensively and attracted a legion of new, devoted fans; he’d come off the road into a world, with its divisive rhetoric and troubling headlines, he no longer recognized; and, most importantly, he’d gotten married and had his first child. Things had changed, and Jacobs had, too.
Color Where You Are is the work of an artist at an exciting new stage in his life and career, ready to use his talents to share a little beauty with the loved ones and fans who have already given so much to him. The title nods to Jacobs’ experience writing the album, which, as he puts it, he had to do “between tours, coming home, changing diapers, fixing things around the house…. You name it.” He no longer had the luxury of waiting for inspiration to strike, so he colored where he was.
“It was a new discipline for me and a new level of focus that I think brought out the best work,” he explains. “I feel like I grew up a little bit. There are people in my life who I truly care about and things in the world I feel deeply about. That really pushed me in a stronger direction and forced me to feel things on an honest level.”
Opening track “Painted Roads,” with its soulful groove and clever arrangement, is the perfect encapsulation of just how far Jacobs has come since releasing Dust to Gold. Jacobs is self-assured and confident in his soulful, infectious vocal, while his lyrical craftsmanship shows Jacobs to be a thoughtful songwriter who continuously strives to grow and evolve.
“It’s about choosing to live in the present, and see the everyday details of the world, rather than postponing living or paying attention in hopes of some distant prize or destination,” Jacobs says of “Painted Roads.” “We get so caught up in ‘success’ and ambition, and are so goal-oriented, that we sometimes lose sight of the beauty in the everyday. ‘Color where you are’ is the notion of creating beauty now, no matter the circumstance.”
“Painted Roads” was one of the first songs Jacobs and the band (who co-produced the album together) recorded for Color Where You Are, with his band mates taking Jacobs’ original Tom Petty-inspired arrangement and giving it an off-kilter, syncopated groove. For the first time, Jacobs wrote the bulk of the album’s songs in the studio, camping out at Richmond’s Montrose Studios to flesh out “germs and ideas that had been floating around” with band members Todd Herrington (bass), Dusty Ray Simmons (drums/percussion) and Jonathan Sloane (guitar).
“I booked the studio time and put a gun to my head and that sometimes works,” Jacobs says. “In this case it did. It feels like a specific time period and specific vibe and emotional space that came through in all of these songs. It was a really organic process.”
While life as a family man changed Jacobs’ perspective (and schedule), current events also had a profound impact on Jacobs’ songwriting, with commentary on social and political issues finding its way into tracks like “Afterglow” and “Under the Big Top.” Color Where You Are is a hopeful affair, though, with Jacobs employing thoughtful criticism and messages of empowerment instead of wallowing or ruminating.
“The political climate is causing a different sort of energy and angst in me that’s never been there before,” he explains. “It’s not a political album by any means, but those forces out there certainly dictated a lot of the writing on this record.”
On “Afterglow,” Jacobs searches for optimism and healing in trying times. His emotional vocal is buoyed by a passionate, swelling performance from the band, making the track one of Color Where You Are’s most poignant moments. “It’s about the hope that after the storm we are currently trying to survive in, we will see true light like never before,” Jacobs says. “That the constant threats to our foundations will cause us to examine and strengthen them, and come out the other side with stronger hearts and clearer vision. ‘There will come horses, there will come voices’ — that we will be forced to show our true hand like never before because of our dire need to defend it.”
Elsewhere, on “Under the Big Top,” Jacobs channels swampy, gritty Southern rock influences to shine a light on narrow-mindedness and lazy thinking. Crunchy riffs and a fat bass groove make the track, despite its heady message, one of the album’s many songs you can’t help but move to.”
‘Under the Big Top’ is commentary on society’s evolution into gullible, easily distracted, lazy-mindedness,” Jacobs says. “’Pretty lights junkie like a moth to candle,’ always distracted by the brightest, loudest, biggest, rather than remembering how to seek for ourselves and find truth and love. We instead over-consume and are given every opportunity to do so. What we end up with is a circus of sorts, with tricksters and hucksters and loud mouths with no real value taking up all of our attention and ruling us, because we are too easily manipulated.”
Grooves abound on Color Where You Are, as on standout track “Rooster Coop,” which finds Jacobs and the band sniffing around the henhouse over greasy slide guitar, a deep, deep pocket and a truly funky bass line. “All I knew was that I wanted to write a song that merged country and funk,” Jacobs says of “Rooster Coop.” “We started out with the main groove of the tune and the first line that popped into my head was, ‘There’s something funky in the barnyard.’ So naturally, I wrote a song about a scandalous love tryst amongst farm animals.”
Spanning rock, folk, soul and funk and drawing from inspiration that runs the gamut from the henhouse to the White House, Color Where You Are is a kaleidoscopic portrait of Cris Jacobs as a songwriter, musician and bandleader. It’s the work of a devoted father and an empathetic member of the human race. More than that, it’s a reminder that there’s beauty to be found everywhere, if you just take a moment to color where you are.
“What am I trying to do with my music?” Jacobs muses. “The simple answer is this: I’m trying to connect with people. To express real-life human emotions and make people feel things. To connect my love of music with my love of writing and conjure up all of the joy and emotions that those things bring to me. To hopefully have people walk away feeling lighter or happier or more inspired to go be a better person somehow after listening… I want to create a body of work that my family will be proud of one day, and to show that I had compassion to the human condition and wasn’t just a self-indulgent show off.”
Stand-Up Comedy Open Mic in downtown Asheville
Comedy Open Mic at Asheville Music Hall in downtown Asheville. Every Weds. 8pm. Doors and comic sign up at 7pm. Free
What makes a place idyllic?
Start with an emerald river that flows from ancient mountains. Add an abundance of living creatures that co-evolved over millennia. Bring in humans who honor their place in the interconnected web. And rebuild a vital stream that supports us all.
Your support and engagement helps ensure the health of this watershed for the ages! We can’t do it without you.
If you’re behind on your water bill or afraid your water might get cut off, a new resource might be able to help you. On Jan. 4, the Buncombe County Board of Commissioners approved more than $450,000 in federal funding for the Low-Income Household Water Assistance Program (LIHWAP). The initiative is aimed at preventing water disconnections and helping reconnect drinking and wastewater services.
The LIHWAP will be administered by Buncombe County-based Eblen Charities. The nonprofit will make payments directly to utilities on behalf of qualifying households. The program is slated to run through Sept. 30, 2023 or until funds are exhausted.
Eligibility requirements
Households that currently receive Food and Nutrition Services (FNS), Temporary Assistance for Needy Families (TANF) or Work First services, or those that received Low-Income Energy Assistance Program (LIEAP) services from Oct. 1, 2020-Sept. 30, 2021, are automatically eligible to receive this benefit if their water services have been cut off or are in danger of being cut off.
For additional eligibility information or to apply, please contact Eblen Charities at (828) 255-3066.
Last year residents from across Buncombe County captured the magic of the native pollinators at work in their yards and gardens. We were so AMAZED at last year’s entries, we had to see what ya’ll would come up with this year.
So, we brought back our native pollinator photo contest — BUT entries are only open for a week this year.
Categories: Adult (18+) and Youth
Grand Prize: Framed print of winning photograph from Blackbird Frames
1st Prize Adult: $100 Gift Certificate from Reems Creek
Other Prizes:
$50 Gift Certificate from Carolina Natives Nursery
Jars of Honey
And more!
Not Enough O Negative Blood Available to Sustain Local Hospitals, Program to Help Victims of Uvalde Shooting Also Announced
The Blood Connection’s O negative blood supply has now reached a critical level. Because The Blood Connection (TBC) is the primary blood provider for hospitals in this region, the need for O negative blood donations is dire. The combination of already low supply, the approaching summer season, and sustained low donor turnout could result in an O negative blood shortage soon, which could disrupt patient care.
Last week, TBC was activated through the Blood Emergency Readiness Corps (BERC), to send O negative blood to South Texas after the devastating school shooting. The need for O negative blood has since been highlighted by that tragedy but has unfortunately not resulted in an increase in O negative donations. Adding to the issue, the summer months are usually the hardest season to collect enough, exacerbated by an increase in travel and traumas. It is estimated that summer travel will increase by 16% and 75% of Americans are expected to take a summer vacation, indicating this travel season is set to be the busiest since the pandemic – a sign that people are returning to normal. As that happens, the fear is that patients like Kristen Odom will continue to be overlooked.
“During my labor, unbeknownst to anyone…I was bleeding internally but no one knew it and it was not discovered until immediately after our daughter was born,” says Odom. “I will never forget one anesthesiologist yelling over the team, referring to blood, ‘I don’t care where you get it, but I need it, and I need it now.’ After I came out of ICU, my husband and I realized how much blood I needed, and the fact that donated blood was the key factor that turned everything around.”
O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC aims to have a 5-7 day supply of O negative blood but has recently had a one day supply. In some instances, one trauma case alone can use up that supply.
TBC has also announced a program that uses blood donations to help victims of the Uvalde shooting. TBC blood donors now have the option to convert their reward points into a monetary donation to the Robb School Memorial Fund (One Star Foundation) through the TBC online store. These funds will be used locally to support the families and community affected in Uvalde, Texas.
Blood donors of all types are urgently needed through the summer. Community members are urged to roll up their sleeves and donate blood. One donation can help up to three people. ‘Freedom Week’ at TBC was formed many years ago to anticipate and prepare for the decrease of blood donors in the summer months. This year, Freedom Week is June 26 through July 10. TBC will be thanking blood donors who give from June 26th – July 10th with a commemorative t-shirt and an eGift card valued at $20. The blood donation is priceless.
The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.
House of Operation:
WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week
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Join us on the magical Fairy Trail where your imagination is the only limit.
Developed by Fairies and dedicated volunteers, Bullington Gardens’ Fairy Trail is a whimsical treat for the young and the young at heart. Featuring charming vignettes and villages, the fairy trail will charm you with its thoughtful design, eye catching displays and secret woodland trail.
Rules of the trail:
Do not move or rearrange fairy displays. The fairies are very fond of their own decorating.
Do not leave trash on the trail. Fairies do not like litter in their town.
Please ensure children and pets are supervised at all times. Dogs and loud noises can scare the fairies into hiding.
Do not disturb wildlife or vegetation. The fairies depend on the vegetation to build their homes.
The trail is one way only. Please stay on the trail at all times.
P.S. the Fairies would like us to remind you that we are a non-profit and donations are greatly appreciated. Help us keep the fairies living in the style with which they’ve become accustomed.
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LEAF Schools & Streets invites your students to join us at LEAF Global Arts for summer camp!
There will be three camps which will run 9am to 5pm at LEAF Global Arts Experience Downtown Asheville. Morning drop off is between 8:30am and 9am and pick up is from 5pm-5:30pm. Snacks will be provided, and students should bring a bagged lunch and a water bottle to camp every day.
We will kick off our first two summer camp weeks with two Hip Hop Dance camps for rising 1st through 6th graders. These camps will be led by LEAF Master Resident Teaching Artist Otto Vazquez, and will introduce students to the stylings, history, and culture of hip hop dance. Mr. Otto is sure to teach your kiddo some smooth moves! This camp runs two separate weeks: June 20th – June 24th, and June 27th – July 1st.
Cost for these week-long camps is $230 per week. Scholarships are available. Please inquire by emailing Erinn at [email protected]. LEAF Global Arts Summer Camps are made possible by the generous support of LEAF Members and in part by a partnership with Open Doors of Asheville.
Core classes include acting, dance and movement, music, costume design, improv, and physical comedy. Additional classes, daily activities, and instructors vary by session, so join us for one week or several! There will not be a final showcase for Youth Camp. Masks are currently optional for all students, regardless of vaccination status. Campers should plan to bring their own lunch, water bottle, and snacks from home.
CLICK HERE TO APPLY FOR A SCHOLARSHIP
Please do not purchase registration prior to applying for a scholarship. Applications must be received at least two weeks before the first day of the camp session for consideration.
Core classes include acting, dance and movement, music, costume design, improv, and physical comedy. Additional classes, daily activities, and instructors vary by session, so join us for one week or several! There will not be a final showcase for Youth Camp. Masks are currently optional for all students, regardless of vaccination status. Campers should plan to bring their own lunch, water bottle, and snacks from home.
CLICK HERE TO APPLY FOR A SCHOLARSHIP
Please do not purchase registration prior to applying for a scholarship. Applications must be received at least two weeks before the first day of the camp session for consideration.
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
Current students, alumni, staff, faculty, and faculty emeriti of the UNC Asheville Department of Art & Art History are participating in THRIVE ! – an invitational exhibition of small works on paper.
“I wanted to express this idea that despite COVID, and despite our department’s relocation during renovation – art thrives here, it is the constant that cannot be disrupted,” says THRIVE ! curator Leisa Rundquist, professor of art history and curator of art collections at UNC Asheville.
The informal arrangement installation will be displayed in the hallway gallery next to the S. Tucker Cooke Gallery in Owen Hall through August 1.
Viewing is available during open Owen Hall hours. 9:00 AM – 5:00 PM (M – F)
Community Expectations
As members of this community, we care about everyone. Faculty, staff, students, and visitors have a shared commitment to take the necessary precautions to avoid spreading COVID-19 while following all recommended health guidelines. Please see UNC Asheville’s Community Expectations. Be respectful of individual choice to wear or not wear a mask in any situation; wear a mask when and where encouraged, following guidelines and precautions outlined by the CDC.
Accessibility
Find accessibility information for campus buildings at maps.unca.edu. For accessibility questions or to request event accommodations, please contact [email protected] or 828.250.3832.
Visitor Parking
Visitors must have a permit to park on campus — please visit the Transportation website to register.
Old Kentucky Home -The Thomas Wolfe Memorial
American Novelist Thomas Wolfe (1900-1938)
Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.
House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.
Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free
Hours of Operation
The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder, in addition to a host of fun new songs, Willy Wonka is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth.
Taught by herbalist Michelle Bouton, this herbal intensive onsite at the Arboretum encourages us to remember the excitement and mystery of getting to know a plant. Move beyond the field guide for a heart-centered approach to plants, engendering reciprocal relationship as practiced by earth medicine-based cultures. Starting with gratitude and balance results in powerful medicine! We will explore ethical considerations of planting and harvesting and how we can support resilience of at-risk species in our area before diving into into hands-on medicine-making together.
Description: Known for her leadership with the national Foodscape movement and her lively, information packed presentations, Brie Arthur is a celebrated speaker and bestselling author. With two decades of experience as a professional horticulturist, propagator, and communicator Brie shares her expertise with audiences around the country and is a correspondent on the Emmy award winning PBS Television show “Growing a Greener World”. Follow Brie’s gardening journey through her YouTube channel, Brie the Plant Lady. One garden at a time, every little bit of habitat makes our world a better place.
Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)
The Garden Helpline is open March 2 through October 27 in 2022.
Extension Master GardenerSM volunteers will be staffing the Helpline as indicated in the schedule below. You may send an email or leave a voicemail at any time and an Extension Master Gardener volunteer will respond during Garden Helpline hours. When emailing, please include a photo if it helps describe your garden question. Soil test kits can be picked up at the Extension office, 24/7, located in a box outside the front door.
Two ways to contact the Garden Helpline
Call 828-255-5522
Email questions and photos to [email protected]
Garden Helpline Hours
March: Monday 12:00 – 2:00; Wednesday 10:00 – 12:00
April – September: Monday and Wednesday 10:00- 2:00; Tuesday 10:00-12:00;
Thursday 12:00-2:00
October: Tuesday 10:00-12:00; Thursday 12:00-2:00
We are here to help and support you! Please contact us; we look forward to answering your gardening questions.
