Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
We need your help and the help of your network to make this holiday drive as successful as possible in putting new books into the hands of Buncombe County elementary and middle school students during the holiday break.
What better way to spread holiday cheer than by donating books? Imagine the joy on a child’s face when they receive a brand-new book. It’s like sprinkling a little bit of magic into their lives!
We’ve partnered with over a dozen local organizations serving K-12 students throughout the county. They’re eagerly waiting for book drop-offs like kids waiting for the first snowfall! 
You can make a positive impact right now by donating directly using the button below, or why not turn giving back into an outing?
Holiday Book Drive 2023 (givebutter.com)
Visit the Barnes & Noble on Tunnel Road at the Asheville Mall to shop in-store and donate them on the spot.
In early 2024, 50 organizations will be awarded $500 in funding and a collection of gardening supplies for their youth garden program.
Since 1982, the Youth Garden Grant has supported school and youth educational garden projects that enhance the quality of life for youth and their communities.
In early 2024, fifty organizations will be awarded $500 in funding and a collection of gardening supplies for their youth garden program.
¡Pueden aplicar a los programas en español! Para ver esta oportunidad de subvención en español, visite nuestra página web en español.
Eligibility
Any organization in the United States or US Territories planning a new or improving an existing garden program that serves at least 15 youth between the ages of 0 and 18 is eligible to apply.
KidsGardening grantees from any 2022 or 2023 grant program (Budding Botanist, GroMoreGood Grassroots, Lots of Compassion, and Little Seeds Pollinator Pals) and previous Youth Garden winners from any year are not eligible.
Organizations must:
- Support, work with, or serve communities with a majority of individuals that are under-resourced (systematically denied resources and opportunities based on race, gender, ethnicity, income level, abilities, geographic location, etc., or currently experiencing hardship such as a natural disaster, etc.)
- Have fifteen or more youth participate in the garden program.
- Have received less than $10,000 in grants for the garden program during 2022 and 2023 combined.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
The Council on Aging for Henderson County (COAHC) wants to make sure all seniors receive a gift this holiday season, and they need your help. For the 25th year, the COAHC will be collecting shoebox gifts filled by community members, then deliver those gifts to Henderson County seniors. Last year they delivered more than 350 boxes to COAHC clients. This year all additional boxes will be donated to clients of Henderson County Department of Social Services Adult Services.
Participants fill a shoe box with small, useful items and gifts, such as hygiene items, gloves, large-print books and puzzles, notepads, calendars, flashlights, and any other small gifts a senior would appreciate. Then bring the wrapped shoebox to the Council on Aging office (105 King Creek Boulevard) during their business hours: Mon-Fri, between 9am and 4pm. Please mark if the box is for a male, female or either. Gift collection ends on Friday, December 8th.
This gift drive is in conjunction with a Meals on Wheels gift drive for requested items from their clients. Participants can choose a client, shop for their requested items, then bring the wrapped gift to the Council on Aging office, where volunteers will distribute the gifts to clients in late December.
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
50% OFF from Monday, Nov. 13, to Saturday, Nov. 18. Handcrafted goods include pottery, jewelry, woodworking, glass, fiber, books and more. The sale is in-person only, so make sure you stop by.Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
- Guided comedy tour bus of historical Asheville
- 90-Minutes – tours run daily
- 15-minute break at Green Man Brewing
- $39 per person (ages 13+ only)
Tyger Tyger Gallery is pleased to present Reckoning: Adornment as Narrative, a group exhibition curated by Asheville-based artist and curator Erika Diamond.
Reckoning: Adornment as Narrative is an exhibition of diverse practices, anchored at three points: methods of reckoning; the function of adornment; and the fusing of personal and cultural narrative. It features acts of glitz, embellishment, and homage by Shae Bishop, David Harper Clemons, Kashif Dennis, Annie Evelyn, Margaret Jacobs, Julia Kwon, Katrina Majkut, Heather Mackenzie, and Luis Sahagun. Through material language, each artist tells the story of their identity. Inherent to these stories are contradictions—between labor and value, feminine and masculine, natural and fabricated.
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| Images: Left: Minna Wright Citron, Squid Under Pier, 1948, color etching, soft-ground, and engraving on paper, edition 42/50, 15 x 17 7/8 inches, 2010 Collections Circle purchase, Asheville Art Museum. © Estate of Minna Citron/Licensed by VAGA at ARS, New York. Right: Dorothy Dehner, Woman #2, 1954, watercolor and ink on paper, 22 3/4 x 18”, courtesy of Dolan Maxwell. |
The Asheville Art Museum is pleased to announce the upcoming exhibition American Art in the Atomic Age: 1940–1960, which explores the groundbreaking contributions of artists who worked at the experimental printmaking studio Atelier 17 in the wake of World War II. Co-curated by Marilyn Laufer and Tom Butler, American Art in the Atomic Age which draws from the holdings of Dolan/Maxwell, the Asheville Art Museum Collection, and private collections will be on view from November 10, 2023–April 29, 2024.
Atelier 17 operated in New York for fifteen years, between 1940 and 1955. The studio’s founder, Stanley William Hayter (1901–1988) established the workshop in Paris but relocated to New York just as the Nazi occupation of Paris began in 1940. Hayter’s new studio attracted European emigrants like André Masson, Yves Tanguy, and Joan Miró, as well as American artists like Dorothy Dehner, Judith Rothschild, and Karl Schrag, allowing for an exchange of artistic ideas and processes between European and American artists.
The Asheville Art Museum will present over 100 works that exemplify the cross-cultural exchange and profound social and political impact of Atelier 17 on American art. Prints made at Atelier 17—including those by Stanley William Hayter, Louise Nevelson, and Perle Fine—will be in conversation with works by European Surrealists who were working at the studio in the 1940s and 1950s. The exhibition will also feature a selection of domestic mid-century objects that exemplify how the ideas and aesthetics of post-war abstraction became a part of everyday life.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Opening Reception for the Artist Nov. 3, 6-8PM.
Tracey Morgan Gallery is pleased to present A Mirror, Not a Window, an exhibition of new and recent work by artist Hannah Cole. This is Cole’s second solo exhibition with the gallery. A reception for the artist will be held Friday, November 3 from 6-8PM.
This collection of paintings and sculptures continues Cole’s interest in creating, completely by hand, reproductions of small details and objects culled from her everyday life, turning the viewer’s attention to often overlooked aspects of our surrounding environment and reframing the very definition of representational art. With nods to pop art, trompe l’oeil, and modern American painters, Cole poses big questions about the nature of the artist’s hand, and the drive to (re)create.
A grouping of wall sculptures of nearly exact replicas of books which are hand-painted on wood blocks are included in the exhibition. These books are all non-fiction, mostly art related, though now un-readable. Instead of looking to books for answers, these objects force the viewer to provide the substance. The most self-referential of the group is Jean Baudrillard’s Simulacra and Simulation in which the French philosopher talks in dense prose about our culture of signs and signals eventually becoming copies without any originals. In Cole’s tongue-in-cheek nod, her faithful replica of Baudriallard’s philosophical work becomes an art object whose meaning has shifted completely from the original. Cole’s painted wood block cannot be read and has no actual utility at all, except as an object to contemplate.
A recurring element in Cole’s paintings is a hand-rendered tape measure running along the edge of her canvases. By including this common, easily recognizable object, Cole calls to question the “truth” of representation. Can we trust these measurements simply because they have identifiable markings? Other paintings on Styrofoam show painted wood grain edges, subverting the viewer’s expectation of where the painting itself is, and what it’s made of. We expect a painting to be on the outward-facing surface, but what if the faithful representation is painted on the sides?
In this contemporary age of Artificial Intelligence flooding us with copies, reproductions, fakes, and deliberate decep-tions, anxieties regarding authenticity and authorship run high. Cole’s work invites contemplation of these deeply philosophical issues with a playful tone, presenting serious questions by way of common objects.
Hannah Cole studied at Yale University and Boston University. Her work has been exhibited at The Turchin Center for Visual Arts, NC; the Drawing Center, NY; the University of Maine Museum of Art; the Sherman Gallery at Boston University, MA; Tiger Strikes Asteroid, Greenville, NC; and the North Carolina Museum of Art, Raleigh, among other national and international institutions. She currently lives and works in Asheville, NC.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
Tracey Morgan Gallery is pleased to present an exhibition of paintings by artist Stella Alesi in our project space. This is Alesi’s first exhibition with the gallery and is presented in conjunction with Hannah Cole: A Mirror, Not a Window in our main gallery space. A reception for both artists will be held Friday, November 3 from 6-8PM.
The works on view are from the SQUISHY series, a group of geometric, abstract oil on oil paper paintings. With the use of simple shapes and a limited color palette, these works explore the visceral experience of living at this current moment. Alesi’s colorful, “squishy” shapes bend to the demands placed on them by their seemingly heavy, unforgiving counterparts. With this work, Alesi confronts contemporary issues such as climate change and political turmoil, as well as personal trials, using basic shapes, both hard and malleable to express a state of being. The shapes are gestural, fluid, and animated – sometimes resembling body parts even in their minimalism. The effect is a playful interpretation of heavy topics – a visual play on the deep and multi-layer well of human emotions.
Stella Alesi works across several styles and mediums, including drawing, painting, photography, collage, and large wall works. Their practice is characterized by a willingness to try new approaches in the ongoing investigation into new materials and visual languages, always exploring new ways to represent the visceral nature of the human experience. Born on Long Island, New York in 1963, Alesi was raised in New Jersey. They studied at Parsons School of Design, New York City; University Hampshire, Durham; and University of Massachusetts, Amherst. Their work has been purchased by many private and commercial collections. Career highlights include a recent solo exhibit (spring of 2023) at the Northern-Southern gallery, Austin, TX and a large-scale permanent installation in the lobby of The Foundry, Austin TX. Alesi currently lives and works in both Austin, TX and Asheville, NC.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Asheville’s only and original DRAG QUEEN BAR CRAWL!
Experience Asheville’s one-of-a-kind Drag Queen Bar Crawl, a unique fundraiser supporting local non-profit organizations. “Beer Flight” offers an unparalleled opportunity to discover the vibrant craft brewery scene of Beer City while enjoying the delightful company of our hilarious drag queen flight attendant. Perfect for special occasions, including birthdays, weddings, and even divorce parties, this event promises a memorable and enjoyable experience for all fans of drag and beer alike. Don’t miss out on this exciting opportunity to support local non-profits and have a blast doing it!
The two-hour tour promises a side-splittingly funny experience, featuring:
- The beer! The drag queen! FUN!
- 2-3 Flights of craft beer/seltzer/wine/sours ($45 value)
- Souvenir sticker ($5 value)
- Mid-flight snack (priceless!)
- VIP seats at an after-party event*
- No cover and no waiting at venues
- Photo ops with your drag queen guide
- See FAQs at the bottom of this page
- *After-party not available on all tours; ask!
Prepare for takeoff as Bearded Lady Productions presents a first-class “beer flight” bar crawl tour featuring the company of a hilarious drag queen wannabe flight attendant. You won’t want to miss this two-hour tour, where you’ll get to enjoy fine brews, seltzers, wines, and sours from multiple iconic downtown breweries, all while being entertained by a fabulous drag queen leading the way. Tickets for the first-class “beer flight” tour include the tour itself, all beverages along the route, fun surprises, and other perks. Seating is limited, so book your tickets now at https://www.AshevilleDragBrunch.com. You won’t want to miss this chance to experience the best of Asheville’s craft brewing scene while being entertained by a top-notch fabulous queen.
The tour has multiple dates and most tours end with VIP seats at a 2-hour special event, drag karaoke or drag music bingo. And don’t worry if a real airplane is not available for the tour, as the one-mile trip will be on foot. But that won’t stop you from experiencing the high-flying adventure that “Beer Flight” has planned for you. The after-party event is not available on all tours, so be sure to ask about it when booking your ticket. This is the perfect way to spend an afternoon or evening, so grab your friends and get ready for an unforgettable experience. The sky’s the limit with this unique first-class experience!
Upon arrival at one of Asheville’s premier craft breweries, guests will be greeted by a world-class drag queen who will serve as their stewardess for the night. As guests wait for the “flight” to board, they will have the opportunity to mingle with their fellow passengers. The tour will then take off, with the drag queen leading the way through the vibrant streets of Asheville. Although a real airplane may not be available, all seats are first-class and drinks are included. Guests will be treated like royalty, with no cover and no waiting at the breweries along the route, and a guided tasting of each flight.
Join us on the evening of Friday, November 17 from 5-7pm ET to celebrate the opening of three new exhibitions and have the opportunity to hear from our featured artists. This opening reception celebrates the culmination of each exhibition: Hammer and Hope, Preservers, Innovators, and Rescuers of Culture in Chiapas, and Connections in the Making.
This event is free, accessible, and open to all.
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
GHOST COMEDY BUS TOUR
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
- Guided comedy bus tour of Haunted Asheville
- 60 minutes; tours run nightly after dark
- $33 per person (Ages 17+ only)
- Departs from 76 Biltmore Avenue
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Standup Comedy at plēb urban winery in the River Art District
Get ready to laugh until your sides hurt at the hilarious Standup Comedy event happening at plēb urban winery in the vibrant River Art District of Asheville, NC. Join us on Fri Nov 17, 2023 at 7p-9p for an evening filled with non-stop laughter, good vibes and great wine!
Located at 289 Lyman Street, Asheville, NC 28801, at plēb urban winery you can sit back, relax, and enjoy the comedic talents of some of the funniest regional standup comedians.
Whether you’re a comedy enthusiast or simply looking for a night of entertainment, this event promises to deliver big laughs and a memorable time. Don’t miss out on the chance to witness the best comedy Asheville has to offer.
Hosted by Hilliary Begley!!!!
Hilliary will make you cry with laughter with her larger than life personality!! Voted Asheville’s Favorite comic in the Mountain Xpress. Film debut in the Netflix original Dumplin’ as Aunt Lucy, or “Jennifer Anniston’s fat sister,” In Austin Film Festival winning movie When We Last Spoke with Cloris Leachman, now streaming on Amazon Prime. https ://youtu.be/legRwEg4j-o
Featuring Peter Smith-McDowell!!
Petey was voted one of Asheville’s favorite comics in the Mountain Xpress! He has been traveling around the country telling jokes since 2009. He is one of the producers of the longest running comedy room in Asheville, The Disclaimer Lounge. Besides his standup comedy, Petey is Asheville native and known for his hysterical Asheville memes on Instagram : instagram.com/peteysmithmcdowell
Featuring Jason Webb!
Jason is Co-Creator and Co-Host of Follow That! at The Comedy Store on Sunset.Festivals: Bridgetown Comedy Festival, San Francisco Sketchfest, Laughing Skull Comedy Festival (Best of the Fest) !0,000 Laughs Comedy Festival (Best of the Fest), Orlando Indie Comedy Festival, Bird City Comedy Festival, Blue Whale Comedy Festival, Big Pine Comedy Festival, Orlando Indie Comedy Festival.
Featuring Jess Cooley!
Jess is a writer and stand up comic from Upstate South Carolina, where he learned how to walk, and talk, and eat food like a real boy. Currently based in Asheville, NC, his comedy involves personal subjects like Autism, religion, and the loss of his favorite sex toy during a home invasion. His unique and colorful perspective brings his stories to life, and his demons to the spotlight.
Featuring Cary Goff!
Cary is considered the Godfather of Comedy in Asheville. Cary started the Disclaimer Comedy Mic in 2009 and it is still going strong today at The Asheville Music Hall. Cary has had humor columns in multiple magazines. He’s the dad you always wanted, except FUNNY!!
Food truck will be available for the whole show!
Grab your friends, bring your sense of humor, and join us at plēb urban winery for an evening of laughter and good times. Get ready to roll on the floor laughing at this unmissable Standup Comedy event!
Artsville Collective proudly presents the Virtual Gallery of Artists (VGA) program,
an initiative designed to help elevate the careers of local artists. VGA offers artists a unique
opportunity to gain global exposure, valuable marketing skills, and an array of promotional
resources. The VGA program invites individual artists to apply for three months of marketing
exposure through print, digital, and podcast platforms. Artsville provides guidance on building
relationships with the press and art buyers, empowering artists by coming alongside them and
forming connections. Notably, Artsville does not take any commissions on art sales, ensuring
artists keep their full earnings.
Nine artists introduced in first cohort from Oct- Jan include a carefully curated group
showing diversity in age, mediums, experience and exposure in the art markets so they may also
learn from each other. Meet Amy Massey, Candice Hensley, Elizabeth Walton, Georgia Deal,
Jean McLaughlin, Joseph Pearson, Max Cooper, Selene Plum, and Wendy Newman.
Accessible only online, Artsville’s VGA also provides VGA artists a comprehensive toolkit,
including newsletters, podcasts, discussion groups, and learning programs. Committed artists
who actively participate can earn recognition and further opportunities, such as involvement in
Artsville events, pop-up exhibits, and networking groups. In preparation for the holiday season,
Artsville will also present a curated holiday catalog of handmade gifts, offering a unique
opportunity for VGA participants to showcase their work to a wider audience.
Artsville Collective is dedicated to supporting and empowering the artistic community in
Western North Carolina. For further information about Artsville programs and opportunities,
contact Meredith McBride at [email protected] or 828-216-8050. Images and
Instagram- ArtsvilleUSA
Facebook- ArtsvilleCollective
The Asheville Art Museum is excited to be celebrating its 75th anniversary this year! Over the past seven and a half decades, the Museum has served as the hub for artistic inspiration and education in Western North Carolina, bringing together artists and art enthusiasts from all walks of life.
As we approach the holiday season, we reflect upon the transformative power of art and the indelible impact it has on the young minds that visit the Museum. This year, we are especially grateful for the enriching experiences made possible by the Museum, experiences that extend far beyond the confines of our walls and into the hearts and minds of future generations.
Imagine the excitement of a 10th-grade class stepping through the Museum doors, wide-eyed and curious, ready to embark on a journey of artistic discovery. Your support of the Annual Fund has played a pivotal role in shaping these moments of inspiration, allowing us to provide an immersive and educational environment that fosters creativity.
During their recent visit, students were transported into the vibrant world of art, exploring diverse exhibitions that span decades and cultures. The Museum’s thoughtfully curated exhibitions became a canvas for their imagination. Witnessing the awe in their eyes as they encountered the beauty of creativity was a testament to the lasting impact of your generosity.
The following message was forwarded to the Museum’s Learning and Engagement department by Jennifer Riels, an educator and parent. “Our class of 10th grade students came to the Museum on Monday, October 30. It was wonderful. I can’t remember the name of the man who led our tour, but he did a phenomenal job asking questions and connecting the art to math. We enjoyed our visit and are grateful for the opportunity that the Asheville Art Museum provided our students!”
Your continued support and dedication not only facilitates these eye-opening field trips but makes it possible for the Museum to expand its educational outreach programs. Through your contribution, we can continue to inspire the next generation of artists, thinkers, and visionaries.
In the spirit of gratitude, we invite you to donate to our Fall Annual Fund. Your support ensures that we can continue to provide transformative experiences, empowering students to think critically, express themselves creatively, and develop a lifelong appreciation for the arts.
Your support is not just an investment in the Asheville Art Museum; it is an investment in the cultural enrichment of our community and the development of young minds. Together, we can continue to create moments of inspiration that resonate for a lifetime. Make your gift today by clicking the DONATE NOW button, visiting www.ashevilleart.org/donate or calling 828.253.3227 x114.
Asheville Outlets will again host the Venardos Circus, a Broadway-style animal-free circus, with its all-new “Let’s Build a Dream” Tour from November 2-19, 2023. This season the wondrous Venardos Circus cast will take audiences on a journey under the big top as it unveils a fresh, magical, and all-new experience for fans. The show features an original score, amazing performers, stunning lighting, and dazzling costumes. The 2023 Venardos Circus is traveling with a new, custom-crafted, Italian-made red-and-white striped tent that offers expanded seating around a central stage for an immersive experience.
Additionally, Venardos Circus will host a special Sensory Friendly Performance on Saturday, November 4 at 11am. General Admission tickets start at $16.95 for youth under age 12 and $27.95 for adults. For schedules and more information, please visit VenardosCircus.com or ShopAshevilleOutlets.com.
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Did you know you could take a course in the Cherokee language for free with your library card?
Buncombe County Public Libraries offers access to Transparent Languages for online language instruction from home computers, laptops and mobile devices. To log in, your ID is your library card number and your PIN is the last four digits of your phone number.
Transparent Languages partners with 7,000 Languages, a nonprofit organization working to empower communities around the world to sustain their endangered languages. As a result of this collaboration, the library can offer free instructional courses for over 25 indigenous languages, including Cherokee.
Cherokee is spoken by about 2,000 people mainly in Western North Carolina, Oklahoma, and Arkansas. 7,000 Languages partnered with the Cherokee PINS Project Foundation to create two beginner Cherokee courses. The Cherokee Alphabet Course teaches the shapes, names, and pronunciation of the Cherokee syllabary. The Cherokee Beginner Course introduces learners to a common, practical language that they can hear, write, and speak throughout the course. Language learners can practice their listening and speaking skills with voice recognition software guided by native speakers.
Both of these courses, along with hundreds of other language courses, are available free with your library card. If you have any questions, let us know.
Repticon hosts reptile & exotic animal shows in many major cities throughout the United States. These events are filled with an outstanding mixture of vendors, breeders, educators and animal lovers. Our family-oriented, fun-filled events offer guests the opportunity to learn about the less common reptiles and exotic animals that are not normally seen in local pet stores.
If a member of your family needs a new “critter” to love, this is the place to get it! Guests can shop for a new family pet among the hundreds of reptiles, amphibians, invertebrates, arachnids, and small exotic animals offered by our vendors. Our shows are also the perfect place to get merchandise, cages, supplies, and feeders, as well as to get expert advice about caring for your new family member.
A Helping of Graditude
River lovers are encouraged to support RiverLink and other community nonprofits through Give!Local, the annual philanthropy program organized by MountainXpress. The first 10 donors of $100 or more to RiverLink will be entered into a drawing for a kayak tour on the French Broad River with Renee Fortner, RiverLink’s expert water resources manager. First Bank is waiving transaction fees, so 100 percent of your donation goes to the nonprofits you select.
Participate in Give!Local
RiverLink deeply appreciates the contributions this community makes directly to the organization — whether as gifts of stock, required IRA distributions, donor-advised funds, donations made in memory of others, and all the ways you give. Please reach out to Susan Andrew at [email protected] for assistance with any of these giving modes. And anyone can use the handy Donate button at the bottom of our newsletters. Thank you! Sincere gratitude to RiverLink’s recent business supporters — we are honored by your contributions:
- Astral
- Bottle Riot
- Burial Beer Co.
- Cedar Rock Adventures
- Curtis Wright Outfitters
- East Fork Pottery
- Edgewater Resources
- Ferguson Waterworks
- Fresh Market
- Hellbender Paddleboards
- High Five Coffee
- Preserving a Picturesque America
- Whole Foods
- Wrong Way River Lodge & Cabins
The trees that directly protect our homes and neighborhoods from flooding, extreme heat, pollution, and soil erosion are the most vulnerable to development and the pressures of a changing climate. They also have an immense impact on how vulnerable we are to those same conditions.
Asheville GreenWorks is leading local efforts to protect our urban trees and restore our tree canopy, but it takes ALL of us. You can help create a better future by donating today — no contribution is too small to make an impact.
Daily | November 17-January 1
Load up your vehicle with friends and family and take a cruise through the fan-favorite Shadrack’s Christmas Wonderland Drive-Thru Light Show! Featuring hundreds of thousands of dazzling lights dancing to the tune of holiday classics on your car radio, this immersive experience has become a holiday tradition for many. Tickets are per carload, available online or at the gate.
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