Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Grey Eagle and Worthwhile Sounds Present Golden Folk Sessions
On Tuesday, May 20, the chamber ensemble of the Asheville Symphony Chorus will present an intimate program of pieces from composers such as James Erb, Moses Hogan, and Bryan Kelly.
URLs:
Facebook: https://go.evvnt.com/3046446-2?pid=10412
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Date and Time: On Tue, 20 May 2025 19:00 – 20:00
Venue details: St George’s Episcopal Church, 1 School Road, Asheville, North Carolina, 28806, United States
Category: Live Music | Choral
Prices:
Adult General Admission: USD 26.00,
Youth General Admission: USD 16.00
Artist: The Asheville Symphony Chamber Chorus
Sturgill Simpson presents Who the F**k is Johnny Blue Skies? tour, coming to Harrah’s Cherokee Center – Asheville on May 20-21, 2025.
General Admission Only
Insane Clown Posse is perhaps the most notorious and controversial rap duo in the history of music. Over the last 30 years, ICP rose from being scrubs on the streets of Detroit to becoming bonafide pop culture icons and Gold and Platinum selling recording artists.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
Head on out to the ballgame at McCormick Field. Asheville is taking on Greensboro. Game starts at 11:05am.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
UNC Health Pardee is hosting weekly open house hiring events at our Human Resources office in Hendersonville!
This event is open to all candidates who are interested in Pardee as a career destination. Candidates may walk in to apply for jobs.
Our recruiting team will be available to you one-on-one to answer any questions, help with applications, and share more about what it’s like to be part of Pardee’s one great team.
Join us at the Black Mountain Library where local air quality staff will provide updates on post-Helene conditions, tips for protecting against pollution and wildfire smoke, and information on finding reliable air quality information.
Eager to reset your inner being to peace and tranquility? It’s time for Humpday Harmony with a soothing Sound Bath!
Join your host Kristin Hillegas, for a one-hour Serenity Sound Bath and experience a deeply immersive, full-body sound and vibrational experience. A sound bath can cleanse your soul, restore your balance, surround you with peace and tranquility and stimulate healing.
Note: Please bring a yoga mat/pillow/blanket since you will be lying on the floor. Wear warm, comfortable, and flexible clothing.
The Sound Bath will take place upstairs in the Education Building. Choose your space starting at 6:15 PM, doors close promptly at 6:30 PM.
This service is being offered on a Love Offering basis. Donations allow us to continue to provide these immersive experiences. (Retail Value $25)
Accessible parking is available in the Center for Spiritual Living Asheville upper parking lot. The entrance to the upper parking lot is off of S. Bear Creek Rd between Science of Mind Way and Sand Hill Rd.
There is a boardwalk from the upper parking lot to the building entrance.
The Grey Eagle and Worthwhile Sounds Present Richard Shindell with Many a Ship.
Sturgill Simpson presents Who the F**k is Johnny Blue Skies? tour, coming to Harrah’s Cherokee Center – Asheville on May 20-21, 2025.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.
For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.
This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.
In this series of classes learn about tree health care and maintenance.
By cultivating and protecting healthy diverse habitats for pollinators, for wildlife, for healthy flora and fauna, we benefit the individuals who live in and enjoy these spaces and for our community, as a whole. By creating natural areas in your yard and leaving the leaves each fall you can benefit many kinds of insects, amphibians, reptiles, birds and mammals which depend on the native plants and their fallen leaves and seeds for shelter, food and habitat.
Join Steve Pettis, Henderson County Commercial and Consumer Horticulture Agent and host of the Gardening in the Mountains Radio Show and Podcast to learn how we can do things better!
May 22, 2025, 1:00-3:00pm.
Learn how to make altered books and make a page for one of the volumes of Turning the Page on Helene. All supplies are provided free of charge. No previous art experience is necessary.
Turning the Page on Helene is a community-based art project that is using the transformative power of altered books to tell our communities’ stories of Hurricane Helene through the visual arts. The goal is to create a safe space for community members to share experiences of the hurricane as well as their hopes for rebuilding a better and brighter future.
Head on out to the ballgame at McCormick Field. Asheville is taking on Greensboro. Game starts at 6:35pm.
On Thursday, May 22, 2025, A.C. Reynolds High School our annual Memorial Day concert along with the ACRHS Chorus and ROTC.
The Grey Eagle and Worthwhile Sounds Present Reasonably Priced Babies: The Hasta La Vista Show!
SEATED SHOW
LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE
Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.
The 16th ABSFest: Asheville Burlesque & Sideshow Festival opens at the Crow & Quill, with our ABSFest Speakeasy. Local live music sweethearts Drayton & the Dreamboats play jazz all night with bellydancers, sword- swallowing and more. Hosted by international Jester, Paolo Garbanzo. Tickets at the Door.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.