This absurd farce asks, “If we had to start the human race over with only four highly flawed individuals, would we be up to the task?”

Karl, the Magnificent!

by William Missouri Downs

THE STORY: Maggie and Raymond have just flunked their hostile workplace training seminar. The only way they can keep their jobs is to put their microaggressions aside and attend the birthday party for the employee they bully the most, Karl, the office nerd. They don’t know that Karl is the only person on earth who can save humanity from destruction. That’s right, the world is ending, and Karl is the savior. Or is Karl just an evil genius who has staged the evening to seek revenge? Karl, The Magnificent is an absurd farce that asks the question, “If we had to start the human race over with only four highly flawed individuals would we be up to the task?” Or are Homo sapiens a lost cause, an evolutionary mistake, a dud?

-summary from New Play Exchange

In keeping with our Mission Statement, BC Theatre Dept. seeks to encourage student and community growth and purposeful interaction with a range of ideas. We mindfully tell this story with the deliberate aim of ensuring both open-mindedness and personal safety.

INFORMATION ABOUT TALKBACKS AND RECEPTIONS!

Thursday, 10/5 7:00p performance: Check back here for more information coming soon!

Friday, 10/6 7:00p performance: Check back here for more information coming soon!

Saturday, 10/7 7:00p performance: Check back here for more information coming soon!

CAST

Karl / Karl the Magnificent: Sierethene Chepes

Punk Waitress: Lyric Contarino

Maggie: Mickey Lasco

Raymond: Taylor Sparrow

CREATIVE TEAM

Director: Grace Dempsey

Faculty Mentor / Intimacy Director: Abbey Toot

Lighting Designer: Andrea Boccanfuso

Sound Designer / Fight Consultant: Dan Toot

Scenic Designer: Emily Rich

Costume Designer: Sarah Haga

Hair and Makeup Designer: Naomi Firebaugh

Production Stage Manager: Roxxane Petryshak

Assistant Stage Manager 1 / Dramaturg / Community Engagement: Oliver Morgan

Assistant Stage Manager 2 / Dramaturg / Community Engagement: Roz Xenakis

Light Board Op: Ava Bonner

Sound Board Op: Eli Hughes

Props Supervisor: Lacey Treese

Props Assistant: Graycie Barnett

Costume Shop Manager: Gwyn Jennings

Wardrobe Supervisor / Dresser 1: Evy Higdon

Dresser 2: Marina Mullin

Hair and Makeup Applicator: Camille Bonnin

Scenic Charge: Anna Ervin

Scenic Paint: Nell O’Brien

House Manager: Jodi Wyse

Box Office Manager: Abby Reeves

Video Manager: Scott Douglas

Usher / Video Crew: Sidi Podolan, Erick Meglii, Jaylen Dickerson

 

 

Join us for a beautiful sound healing concert inside the Salt Cave. The concert will be preformed by Billy From @Skinny Beats Sound Shop. Come enjoy the sounds of the handpan, gong, crystal bowls as well as many other various instruments. The music will vibrate through the walls of the salt cave and reach to the deepest part of your soul. These two treatments combined create wonderful space for deep healing.

StrathSpan creates a musical tapestry of the rich tones of cello interwoven with the lyrical voice of the violin. The sound of StrathSpan starts with traditional Scottish pipe and fiddle tunes, layering innovative harmonies and rhythms. The repertoire ranges from elegant marches and strathspeys to driving reels, from lively jigs to soulful airs, with occasional forays into Irish, Scandinavian, and Breton traditions. The resulting music evokes the timeless sensations of heartbeat and laughter, waves and sea creatures, joyous dance and ancient ceremony.

The Sublime Theater presents the world premiere of David Brendan Hopes’ “Ben & Angela,” starring Scott Fisher & Kirby Gibson, directed by Steven Samuels. “No matter how long people have been doing it, marriage remains a mystery. In “Ben & Angela,” a young couple follow the twisty, sometimes hilarious, road from first infatuation through the kinks and perils of living life together for the long haul. They each know the other’s weakness. They each know each other’s strength. They know what it will look like when it is perfect.”

John Devlin, conductor
Christylez Bacon, beatbox and rap
Caroline Shaw: Entr’acte
Evan Meier/Christylez Bacon: Migrations in Rhythm: A Concerto for Beatbox and Rhyme
Dmitry Shostakovich: Symphony No. 5

Caroline Shaw’s Entr’acte is a Haydn-inspired strings-rich piece that will pull you in. It’s what critic James Bennett called “juicy and ebullient…culminating with a succession of full-bellied chords that I may one day make my ringtone.”

Washington DC native and Duke Ellington School for the Arts alum beatboxer Christylez Bacon has created something totally new with this intersection of symphonic and hip hop tradition. You may have seen this Grammy nominee onstage with the National Symphony at the Kennedy Center.  He says, “The music is the lure and the lyric is the education that will destroy the many barriers that prevent us from recognizing our connections with each other.”

Soviet composer Dmitry Shostakovich premiered his fifth symphony in 1937 to overwhelming acclaim, with the audience standing to applaud for more than 40 minutes. This darkly dramatic work is the best one to start with if you’re experiencing Shosty (as musicians have nick-named him) for the first time. A simple internet search will reveal more details of the political turmoil surrounding Shostakovich’s previous compositions and the safety he reclaimed after writing this symphony, so do yourself a favor and dig in to what it was like to be an artist in 1930s Leningrad.

CLICK TO LEARN MORE ABOUT THE CONDUCTOR & GUEST ARTIST

https://krugerbrothers.com

Born and raised in Europe, brothers Jens and Uwe Kruger started singing and playing instruments at a very young age. Growing up in a family where music was an important part of life, they were exposed to a wide diversity of musical influences. The brothers were performing regularly by the time they were eleven and twelve years old, and they began their professional career in 1979. Jens’ and Uwe’s first public performances were as a duo, and in just a few years they were busking on the streets of cities throughout eastern and western Europe.

CBS Records contracted with Jens and Uwe when Jens was just seventeen years old, and shortly thereafter, the Krugers hosted a radio show on SRG SSR, the Swiss Public broadcast group. Several years later, the brothers teamed up with bass player Joel Landsberg, a native of New York City who also had a very extensive musical upbringing in classical and jazz music (studying with jazz great Milt Hinton), thus forming a trio that has been playing professionally together since 1995. Together, they established the incomparable sound that The Kruger Brothers are known for today. The trio moved to the United States in 2002 and is based in Wilkesboro, NC.

Since their formal introduction to American audiences in 1997, The Kruger Brothers’ remarkable discipline, creativity and their ability to infuse classical music into folk music has resulted in a unique sound that has made them a fixture within the world of acoustic music. The honesty of their writing has since become a hallmark of the trio’s work.

In their ever-expanding body of work – Jens Kruger (banjo and vocals), Uwe Kruger (guitar and lead vocals), and Joel Landsberg , (bass and vocals) – The Kruger Brothers personify the spirit of exploration and innovation that forms the core of the American musical tradition. Their original music is crafted around their discerning taste, and the result is unpretentious, cultivated, and delightfully fresh.

All Ages are Welcome!

Advance Seated Tickets: $35

Day of Seated Tickets: $40

Advance Premier Seated Tickets: 45

Day of Premier Seated Tickets: $50

Advance Standing Room Tickets: $25

Day of Standing Room Tickets: $30

Our Black Box series continues as we welcome to the stage the magnificent work of William Shakespeare. Surrender to a haunting story of ambition and its dark consequences, as a military hero and his wife conspire to seize political power. A terrifyingly prophetic tale of revenge, murder, and madness, Macbeth lays bare the fallout when the darkest side of humanity cheats its way into a position of power.  One of Shakespeare’s bloodiest, scariest, and yet, most popular tragedies.

Written by Will Storrs
Directed by Deanna Braine Smith
Just in time for Halloween, local playwright Will Storrs brings us this World Premiere reimagining Alice and the characters of Lewis Carroll’s story in a seasonally-appropriate way. Sure to be a horribly good time!
 
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.

Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.

Step into a world of magic, mystery, and self-discovery with the Tony Award-winning musical, Pippin. This Broadway classic, with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson, tells the captivating story of a young prince on a daring quest for the ultimate meaning of life and fulfillment. From spectacular circus-inspired performances to stirring, emotionally-charged songs, “Pippin” unfolds as an exploration of the highs and lows of glory, love, and ambition. It’s a compelling narrative that continually asks one poignant question: is it more rewarding to live a simple life or to persist in relentlessly pursuing extraordinary feats? With its rich, allegorical storyline and memorable melodies, Pippin promises to enchant audiences, leaving them musing long after the final curtain call.

A talkback with the cast & crew of Pippin will be held following the performances on September 17th & 24th.

By Abby Auman
Directed by Jessica Johnson

It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: this is an immersive experience and there will be blood, so much blood.

**Content notification: language; violence; blood; gore; strobe light effects; audience-immersive scenes that may include audience members being splattered with stage blood and gore.

THE SPLATTER PLAY
By Abby Auman
Directed by Jessica Johnson

It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.

Theme Park Transforms from Wild West by Day to Ghost Train at Night

The spooktacular season of Tweetsie’s Ghost Train^® Halloween Celebration, a popular fall family tradition, begins Friday, September 22, and continues every Friday and Saturday night through October 28.

Daytime guests can still enjoy all of Tweetsie’s Wild West adventures, rides and attractions. . . but when the sun goes down, the park gets a full makeover complete with costumed characters, decorations, music and Halloween-themed attractions.

Younger children will love the dance parties, trick-or-treat stations, themed photo opportunities, and the Palace Spooktacular Show.

Braver kids and adults will appreciate the scary night-time journey on the Ghost Train, walking through the hallowed halls of the Haunted House and exploring the murky Freaky Forest.

And, everyone will love the park’s most popular amusement rides after dark in the Creepy Carnival.

The park opens at 7:30 pm with the first train scheduled for 8:00 p.m. On October Saturday nights starting on the 14, 21, and 28, the park opens at 7:15 p.m. with the first train scheduled for 7:30 pm.

Tickets are $60 for adults, $40 for children (ages 3-12) and free for children age 2 and under. They are sold in advance for a designated night with a scheduled train ride departure time. A limited number of guests will be admitted each evening, so visitors are encouraged to purchase tickets well beforehand to avoid missing out on all of the spooky fun.

Eyes Up Here Comedy is a night featuring all femme comedians and this month we have a special show featuring women from Nashville.

Modelface Comedy presents Eyes Up Here Comedy at Ginger’s Revenge!

Eyes Up Here Comedy is a night featuring all femme comedians and this month we have a special show featuring women from Nashville and hosted by local favorite Erin Terry.

Featuring Cortney Warner, Ritu Tirthani and more!

ages 18+

doors at 7:30pm, show at 8pm

Tickets $15 advance, $18 day of

No introduction is needed for this country music icon and fan favorite on the Wortham Center stage. With a soothing yet powerful voice, the legendary hitmaker brings elements of traditional country, folk, bluegrass and gospel to her music, fusing these influences with all the intimacy, heartfelt honesty and musical authenticity of a singer-songwriter. A performance from this multi-Grammy-winning artist is not to be missed.