The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

Help local underprivileged students start the school year with the supplies they need for success! Asheville Outlets will host a Pack 2 School Supplies Drive from Saturday, July 10 through Saturday, August 7, 2021. Throughout the five-week drive, marked bins will be available in the food court for donation drop-off. Student supply needs include: #2 pencils, erasers, colored pencils, crayons, glue sticks, school scissors, folders, spiral notebooks, marbled composition notebooks, dry ease markers (pencil & regular size) and pencil pouches. Classroom needs include white & color copy paper, Band-Aids, Kleenex, hand sanitizer, Ziploc bags, disinfectant wipes, and hand soap. School children at four local elementary schools will be the recipients of supplies collected during the program. The campaign will conclude on Saturday, August 7 with a live remote broadcast with iHeart Radio and gift card giveaways. For more information, visit ShopAshevilleOutlets.com.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Jack’s Bluegrass Brunch is every Sunday! Our menu kicks off at 12Noon with live tunes by Supper Break from 1-3pm. Try our $6 Bloody Mary or Mimosa, or grab a $15 Bottles of Champagne & OJ! Try one of our tasty brunch specials or order from our artisanal sandwich menu. Sláinte Y’all!

Jackson Arts Market is WNC makers and music festival every Saturday rain or shine on Main street in downtown Sylva 1 – 5. Connect with local creators where everything for sale is handmade. Learn their artistic processes with demonstrations and workshops with live music.
more info at jacksonartsmarket.com

Bender Gallery is honored to present One Day I Will Disappear, a solo exhibition of current paintings by Czech American artist Tom Pazderka. His captivating work is deeply personal and is an elegant metaphor for life’s darker side: of landscape, of nature, of memory. The exhibition runs from July 3 through August 31 during regular business hours. There will be an opening reception for Pazderka on Saturday July 3, from 6 to 9 PM by RSVP only.

Pazderka is a painter, an installation artist, an intellectual, and a writer who spent his undergraduate years in the Asheville area. He was born near Prague in 1981 during the waning of the Communist era in Czechoslovakia. He lived in a panelák, a Soviet-style concrete apartment block, until emigrating to the US in 1994 at the age of twelve. Contrary to what we may envision in America, Pazderka has fond memories of his time there. Although life was basic and creativity was not encouraged, his family was never in need and they enjoyed regular visits to their family cottage in the country. However, most of Pazderka’s life has been lived in the US and he also considers himself American. His work and life are deeply influenced by what he describes as the “incompleteness of the immigrant experience”. Pazderka explores humanity’s quest for a universal truth. The work reflects his reverence for history and the failed Soviet promise of utopia of his native land. It is thus a balancing act between this history and his assimilation into the capitalist consumer culture of the United States.

The works shown in One Day I Will Disappear consist of oil, ash, and charcoal paintings on burned panel and paper. They feature clouds, mountains, portraits, ephemera, and remnants of nature. They are conceptually dark, yet haunting and beautiful at the same time. Pazderka uses humble materials such as found plywood panels that he burns with a torch before beginning the painting process. He transforms the painting surface with the destructive, yet creative power of fire. He states, “Materials and process are components of the work that are as important as the image and what the work is about”.

Pazderka chooses to work in a colorless palette reminiscent of aged black and white photographs. He explains, “Photographs interest me because it is a tangible memory, but photographs are really residue of the photographic process.”  They are themselves a memory of a memory. Much of Pazderka’s work is based on old family photographs and photos taken from nature and architecture relaying the past, the present, and the hope of a better future. The work appears otherworldly and fleeting, like ghosts of his memories. In Pazderka’s words, “The present is all there is in the end.”

Pazderka holds a BFA from Western Carolina University and an MFA from U.C. Santa Barbara. He has received many awards and fellowships and has held residencies in the US, France, and the Czech Republic. He lives and works in Ojai, CA.

Show & Tell returns to Rabbit Rabbit in Downtown Asheville for the summer! Join us at our new favorite outdoor venue in Downtown Asheville with a one-day celebration of local + indie craft, design, and vintage. We can’t wait to see you!

Sunday, July 18th
12-6pm
Rabbit Rabbit
75 Coxe Ave, Asheville, NC 28801
FREE! No admission

Featuring the the best in handmade, vintage and fair trade with 50+ vendors in our curated pop up shop or the market area featuring a selection of in-person vendors. Shop vintage clothes, housewares, vinyl records, handmade jewelry, ceramics, apparel and more.

Grab some tacos from AVL Tacos and a brew from Asheville Pizza & Brewing while you’re there!

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We have been an active club since 1924. We currently have 65 active members of all collecting interests and meet once per month to share programs, auctions, ideas, buy, sell & trade stamps, and just plain camaraderie. Many of our members have extensive collecting, exhibiting, or speaking experience, and discussions are always interesting and rewarding. New and developing collectors will find an audience ready and willing to help with expanding one’s knowledge and enjoyment of the hobby.

Western North Carolina is in an interesting geographical location: we get visitors from the north during the winter, from the south during the summer, and many people who decide they’ve had enough of either of those climates to move here permanently! We urge visitors of any age with philatelic interests to join us, even if only for a short time. We may even convince you to enjoy our region full-time!

Membership

We welcome collectors of all ages and interests.
Dues are $10.00 a year and includes our bimonthly newsletter “The Smoky Mountain Philatelist”, complete membership list that includes “what we collect” and notices about our meetings with urging to attend and share your interest with us.
Download the Membership Application in .pdf format.

EVERYTHING IS ROSIE

SPECIAL EVENT

Everything is Rosie tells the story of Rosemary Clooney’s rise to top of the Billboard charts in the 50’s, her success in Hollywood in films like WHITE CHRISTMAS followed by her mental breakdown, and finally her triumphant return to the top of the jazz charts in the 80’s and 90’s. It is a compelling story of heartbreak, tragedy, perseverance, and triumph. As Wendy takes the audience on a riveting trip through Rosemary’s life, she interweaves some of Rosemary’s most beloved hits such as “Come On A My House”, “Half as Much”, “Hey There”, and Tenderly” as well as songs from her movie musicals including WHITE CHRISTMAS and jazz standards by composers such as George Gershwin, Duke Ellington, and Harold Arlen

In conjunction with Sunday Sessions Live (and virtual) music: Food Truck Sundays will bring a new or rotating “staff favorite” cuisine each week to the Beechams Curve offerings.
Gan Shan West, our main culinary provider 6 days a week, is closed on Sundays. Enjoy the convenience, delicious variety and the music – all in one Sunday Funday stop!

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Persephone is 29, unemployed, broke, and trying to figure out what to do next. She’s living with her mother, who’s driving her crazy. Enter Hades – the attractive bad boy who might just offer the escape she needs. The question is – what is Persephone willing to give up for her freedom?

Double duos Aditi and Jay (of Shantavaani) and Angie and Cas (of the Blushin’ Roulettes) join together as The Appalucians. The original folk and roots band from the hills of North Carolina blend lyrical depth, humor and harmonies to create their signature sound.

Come enjoy an evening of live music, food and drinks at the Isis Music Hall. Reservations are highly recommended.

A fresh, progressive bluegrass group birthed straight from the mountains of Asheville, North Carolina, Fireside Collective blends the characteristic interplay of bluegrass instrumentation and harmonies with strong original material and exuberant energy to deliver a blast of electrifying creativity to the music scene. They draw on folk, blues, funk and a wide variety of bluegrass sounds to create a distinctive body of work that’s all their own.

Please note: Auditorium seating is reserved.  Lawn seating is general admission.

Donors of $75 or more receive priority access to this event beginning June 1.