Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Immerse yourself with the healing vibrations of a Sound Bath!
Join your host Kristin Hillegas, for a one-hour Serenity Sound Bath and experience a deeply immersive, full-body sound and vibrational experience. A sound bath can cleanse your soul, restore your balance, surround you with peace and tranquility and stimulate healing.
Note: Please bring a yoga mat/pillow/blanket since you will be lying on the floor. Wear warm, comfortable, and flexible clothing.
The Sound Bath will take place upstairs in the Education Building. Choose your space starting at 1:00 PM, doors close promptly at 1:15 PM.
This service is being offered on a Love Offering basis. Donations allow us to continue to provide these immersive experiences.
Accessible parking is available in the Center for Spiritual Living Asheville upper parking lot. The entrance to the upper parking lot is off of S. Bear Creek Rd between Science of Mind Way and Sand Hill Rd.
There is a boardwalk walk-way from the upper parking lot to the building entrance.

When you hear Gabriel Fauré’s haunting Élégie as performed by Principal Cello Seth Russell, you will feel something. We don’t presume to tell you what, but sensitive artistry is required, and Seth has it in spades.  The last movement from the Pelléas et Mélisande suite was played at the composer’s own funeral is beautiful enough to make the rest of us cry too.

Speaking of feelings, your patriotism will surge as you hear the sweeping sounds of Aaron Copland’s Appalachian Spring.  How could one person so perfectly encapsulate what America sounds like? The richness and pain and expansiveness and playfulness you hear in this piece composed for chamber orchestra in 1944 is Copland’s calling card. Fiddler Mark O’Connor and Bassist Edgar Meyer collaborated to create Appalachia Waltz in 1993 as a poignant expression of longing for home.

This concert experience might remind you of what it feels like to be on the top of a mountain watching the sunrise.

Thomas Joiner, conductor
Seth Russell, cello
Gabriel Fauré: Pelléas et Mélisande suite for orchestra
Fauré: Elégie
Aaron Copland: Appalachian Spring
Mark O’Connor: Appalachia Waltz

When you hear Gabriel Fauré’s haunting Élégie as performed by Principal Cello Seth Russell, you will feel something. We don’t presume to tell you what, but sensitive artistry is required, and Seth has it in spades. The last movement from the Pelléas et Mélisande suite was played at the composer’s own funeral is beautiful enough to make the rest of us cry too.
Speaking of feelings, your patriotism will surge as you hear the sweeping sounds of Aaron Copland’s Appalachian Spring. How could one person so perfectly encapsulate what America sounds like? The richness and pain and expansiveness and playfulness you hear in this piece composed for chamber orchestra in 1944 is Copland’s calling card. Fiddler Mark O’Connor and Bassist Edgar Meyer collaborated to create Appalachia Waltz in 1993 as a poignant expression of longing for home.
This concert experience might remind you of what it feels like to be on the top of a mountain watching the sunrise.

Thomas Joiner, Conductor

Thomas Joiner has appeared as a conductor, violinist, chamber player, and teacher throughout the United States and eleven foreign countries. As Professor Emeritus of Violin and Orchestral Activities at Furman University, he conducted the Furman Symphony Orchestra in orchestral, operatic, and oratorio performances. As Music Director of the Hendersonville Symphony Orchestra for 21 years, Joiner’s creative programming led to growth, community support, sold-out performances, and annual curriculum-based concerts for 3rd and 6th graders.
As a guest conductor, Joiner led the Orquestra da Camera Theatre Sao Pedro during two residencies in Porto Alegre, Brazil, the Greenville Symphony Chamber Orchestra, the Asheville Lyric Opera, the Philharmonic Orchestra of the Masterworks Music Festival, and All-State Orchestras in Alabama, Georgia, and South Carolina.
As an orchestral violinist Joiner has shared the stage with conductors Robert Shaw, Jorge Mester, John Nelson, and Keith Lockhart and soloists Renee Fleming, Frederica von Stade, Peter Serkin, Itzhak Perlman, Yo-Yo Ma, Gil Shaham and Joshua Bell. As an Artistic Ambassador for the United States Information Agency, he presented seventeen violin recitals with pianist Douglas Weeks during a five-week tour of western Africa and the Middle East. During a sabbatical Joiner studied in Paris with eminent maestro John Nelson. He has twice served as visiting professor at the Academia dell’Arte in Arezzo, Italy.
For many years Joiner held the Dr. & Mrs. William J. Pendergrast, Sr. Artist Chair at the Brevard Music Festival where he served on the conducting staff and as a concertmaster of the Festival Orchestra. He was honored with his wife, violist Anna Barbrey Joiner, with the Distinguished Alumni Award. Previous positions include Professor of Violin and Orchestral Activities at the University of Georgia School of Music, Associate Principal Second Violin of the Indianapolis Symphony Orchestra, first violinist with the Louisville Orchestra, SC president of the American String Teachers Association, and a national board member of the Conductors Guild.
Joiner earned the DMA in Violin Performance from Florida State University, the MM in Church Music and Musicology from Southern Baptist Theological Seminary, and the BM in Violin Performance from Furman University. He is a native of Rock Hill, SC where he was drum major of the Rock Hill High School Bearcat Band!

Guest Artist: Seth Russell, Cellist

Dr. Seth Russell performs internationally as a chamber musician, soloist, and orchestral player. Audiences have praised his technical wizardry, adventurous programming, and inspiring musicianship. He has performed solo and chamber music recitals in venues such as Carnegie Hall’s Weill Recital Hall, Boston’s Jordan Hall, Eastman’s Kodak Hall, and Taipei’s Elite Performance Hall. In 2017 and 2019 he was awarded a top prize in the New York International Artists Competition. He is currently in his second season as Principal Cellist of the Greenville Symphony Orchestra in South Carolina.
Seth is passionate about creating new ways to connect with audiences. He recently formed the Parrish Cello Trio with cellists Jamie Clark and Kenny Lee in Spring of 2022. In October 2022 the trio had their inaugural residency in Greenville, SC. The trio led a masterclass with local students and performed a featured concert of diverse genres and arrangements at the Fine Arts Center. In 2014, Seth formed the Oceanus Quartet with colleagues in Boston, which received a New England Conservatory Entrepreneurial grant for a tour of Taiwan in May-June, 2015. The quartet performed and coached students at universities, schools, and concert halls throughout Taiwan. Seth was also a founding member of Phoenix, an innovative chamber orchestra in Boston that creates unique concert experiences through programming, venue, and audience engagement. Now in its ninth season, Phoenix has won the Improper Bostonian’s “Boston’s Best Classical Ensemble,” and was reviewed by the Boston Globe as “eminently worthy of your attention.”
Dedicated to pedagogy and music education, Seth has worked with students of diverse levels and backgrounds. In 2015-16 he served as the Visiting Assistant Professor of Cello and cellist of the Ceruti Quartet at University of Memphis in Tennessee. His private students have been accepted into the “Rising Stars” Piccolo Spoleto Festival, the University of North Dakota, and Oberlin Conservatory. He has served on the faculty of several summer music festivals, including the Longhorn Music Camp, Furman Orchestra Camp, and MasterWorks Festival.
Seth holds a Bachelor’s degree in Cello Performance and a Performer’s Certificate from the Eastman School of Music where he studied with David Ying. He received a Master’s degree in Cello Performance from New England Conservatory where he studied with Paul Katz. He studied with Bion Tsang at the University of Texas at Austin where he received his Doctorate of Musical Arts degree in 2019. His Doctorate research document, “House Concerts: Classical Music at the Heart of Community,” highlights the crucial role of house concerts in the history of classical music as well as the modern music scene. Seth has also studied with Lluis Claret, Gary Hoffman, Ralph Kirshbaum, and Pieter Wispelwey, and worked with the Ying, Borromeo, Brentano, Shanghai, and Miro Quartets. Seth and his wife Chelsea are natives of Greenville, SC.

Jack’s long-running Traditional Irish Music Session is the perfect way to enjoy the Celtic-influenced sounds of talented pluckers from all over WNC & further afield! Stop in to enjoy a pint or afternoon Irish coffee with the music! Sláinte!

flipturn makes indie music for endless summers, sun-streaked days, and introspective nights. It’s a cinematic sound rooted not only in the Florida towns where the musicians first banded together as teenagers, but also in the anthemic live show that’s taken flipturn from coast to coast. In the time since their formation, flipturn has mushroomed to reaches far beyond the walls of the Fernandina Beach garage they first practiced in. Built up by Dillon Basse (lead vocals/rhythm guitar), Tristan Duncan (lead guitar), Madeline Jarman (bass), Mitch Fountain (synth), and Devon VonBalson (drums), the band has long prepared for the release of their debut album Shadowglow; a snapshot of a band caught halfway between youthful optimism and adult precision, with songs that target the head as well as the heart. With over 100 million streams on Spotify alone, countless sold-out headline shows across the US, and tours with Mt. Joy, Rainbow Kitten Surprise and Wilderado, the band has more than proven their place in the indie scene. 2022 saw flipturn join the prestigious lineups of Bonnaroo, Lollapalooza, Shaky Knees, Hangout, SunFest, and Levitate. flipturn recently signed with Dualtone Records to further amplify the release of their debut album, joining their legendary roster of the likes of The Lumineers, Chuck Berry and Shakey Graves.

“Quite splendid togetherness as a group”
(Seen and Heard International)

Calefax Reed Quintet is the inventor of a completely new genre, the reed quintet, and is known for virtuosic playing, brilliant arrangements, and innovative stage
presentations. Formed in the Netherlands thirty- five years ago, the ensemble has a wide-ranging repertoire from early music of the twelfth century to the present
day. The players have created their own arrangements and play commissioned works for oboe, clarinet, saxophone, bass clarinet, and bassoon. They find inspiration in world music, jazz, and improvisation.

The quintet has won many prizes and has toured worldwide, including performances in Russia, China, Turkey, India, Japan, South Africa, Brazil, England, and the United States. Serving as an inspiration to young reed musicians, the ensemble has created the annual PAN-Festival, which the players describe as “a colorful potpourri of musical exploits” in which Calefax serves as both host and performer.

PROGRAM
Calefax Reed Quintet

George Gershwin – An American in Paris
Antonín Dvořák – Quintet Op. 97
Claude Debussy – Preludes
(plus shorter pieces)

Tickets are sold by subscription.  For more information or to purchase individual tickets, contact Tryon Concert Association:

888-501-0297 or contact through partner website.

Ages 18+

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us in LEAF’s ONEmic Studio generously supported by the Ben Gradison Memorial Fund, which was created to carry on Ben’s mission of connecting cultures and building community through recording studios both locally and globally.

Internationally, the Ben Gradison Memorial Fund has been an integral support for setting up ONEmic studios in Haiti and Costa Rica, in conjunction with LEAF International.

Through LEAF’s partnership with Asheville Parks and Recreation, the ONEmic Studio continues to fulll Ben’s mission of creating opportunities for local youth to nd their voice through music and the arts.

In honor of Ben Gradison (1984-2012)
Teaching Artist
Ben Gradison Memorial Fund

To help us in carrying on Ben’s dreams and dedication, please make donations to:
LEAF Schools & Streets
c/o Ben Gradison Memorial Fund

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

What is sound? How does a person hear and listen to music? Why is it one of the most powerful expressions of humanity? All that exists creates sound. The tiniest elements of everything on this planet move, vibrate, and therefore create resonance or sound. This powerful force has the ability to heal and create or confuse and destroy. Once we understand what sound truly is, we have the ability to influence our consciousness, as well as our environment. Imagine a space where people of all ages can explore sound, view and play with instruments from around the world, and experience through music the commonalties of cultures. Music influences our social, emotional, cognitive, physical, spiritual, and creative selves. People will be able to understand the science behind how they listen and enjoy discovering about brainwave states and how sound effects the mechanics and of the body. That’s exactly what you can do in the LEAF Instrument Petting Zoo!

LEAF Lights Junior Class with Melissa

Master drummer, Sonny Thornton, is performing live jazz at Coffee Underground on Tuesday, April 9th at 7pm. Tickets are $20 and may be purchased online or at the door (if not already sold out). All ages welcome!

The 42nd Annual Spring Sing, sponsored by The Rotary Club of Pleasantburg and Greenville County Schools, showcases the talents of over 500 elementary and middle school singers in a professionally directed performance in the Concert Hall of the Peace Center. This unique youth music program is more than a grand performance – it is the culmination of months of focused music education, rehearsal, and professional development in music education by Greenville County Schools students and educators.

Join us for this celebration of the performing arts in our community; experience the joy our students and teachers find in their explorations of the world of music.

sold out

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

Join us in LEAF’s ONEmic Studio generously supported by the Ben Gradison Memorial Fund, which was created to carry on Ben’s mission of connecting cultures and building community through recording studios both locally and globally.

Internationally, the Ben Gradison Memorial Fund has been an integral support for setting up ONEmic studios in Haiti and Costa Rica, in conjunction with LEAF International.

Through LEAF’s partnership with Asheville Parks and Recreation, the ONEmic Studio continues to fulll Ben’s mission of creating opportunities for local youth to nd their voice through music and the arts.

In honor of Ben Gradison (1984-2012)
Teaching Artist
Ben Gradison Memorial Fund

To help us in carrying on Ben’s dreams and dedication, please make donations to:
LEAF Schools & Streets
c/o Ben Gradison Memorial Fund