Join Reiki Master Teacher and Yoga Nidra Facilitator, Kate Wargo of Woven Light LLC in a soothing Yoga Nidra (Yogic Sleep) practice guiding you into the “in between”; that space between being awake and being asleep. Within this space, a dream will be induced taking you into a state of consciousness that can bring about immense healing in your conscious, subconscious, and unconscious mind. The cave will transform into a “Nidra Nest” with zero gravity chairs, blankets, and bolsters to fully support you, whether sitting or lying down, for the entire experience. Release stuck emotions, rest, and rejuvenate!
We will be weaving in Reiki (Energy Healing) into this beautiful session to deepen our practice!
https://ashevillesaltcave.com/…/schedule/30-yoga-nidra

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Spiritual Open House: A Community Gathering for Insight and Connection

Discover a space where the spiritual community comes together to share energy, guidance, and meaningful experiences. The Spiritual Open House invites you to explore new perspectives, recharge your spirit, and connect with like-minded individuals in a relaxed, welcoming environment.

✨ What Awaits You:
Each Saturday, spiritual practitioners gather to offer their unique gifts and services. From intuitive readings to creative experiences, there’s always something inspiring to discover. The offerings vary weekly, ensuring a fresh and exciting experience every time you visit.

✨ While You’re Here:

Relax in our cozy seating area with hot herbal tea.
Browse the Lightworker Library filled with inspirational resources.
Explore oracle cards and tap into your intuition.
Whether you’re seeking insight, connection, or a peaceful moment of reflection, the Spiritual Open House is here to support you on your journey.

Where: Energetic Experiences, just 7 minutes from downtown Asheville.
When: Saturdays from 12 – 4 PM

Come as you are and see where your intuition leads. We look forward to welcoming you! ✨

SoulCollage® is a playful and transformative method that helps us acknowledge all aspects of self. The process helps us discover our unique inner/outer guides and challengers in life. Together we will explore and express ourselves by making our own personalized deck, sharing cards, journaling, and consulting our cards about our own life questions. We will use simple tools—images, 5×8 cards, scissors, and glue, so no artistic experience needed!

Open Studio is a time when supplies and space will be available to create cards for your deck. You can drop in for a little while or stay the entire time. New and experienced practitioners welcome! While this is mainly time for independent creation, Michelle will be there to chat, answer questions, provide tips, and guide you through the process. If you’ve been curious about SoulCollage® this is a great way to get started.

Bring your water bottle and something to journal with. All other supplies will be provided.

Materials Fee Contribution: $5.00/Card

About Your Guide: I’m Michelle, an avid SoulCollage® Creatrix and lifelong educator who knows we are a network of connected humans. I believe we each have the capacity to improve our world by intentionally directing our individual and collective energies. I spend my time and energy expanding ideas, people, and communities that are lighting up the world with their precious energy. I’m excited to create with you!

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Quantum Energy Healing: Group Session & Journey

The medicine is inside of you.
Waiting to be awakened & activated.

Repair the nervous system, release limitations, clear trauma, resolve imbalances, restore health, expand your gifts, find deeper alignment to spirit, align to your divine purpose & embody more of your light.

Each person in group receives an entire hour of energy work and the specific codes to support them on their unique path.

This will activate the body’s self healing capabilities leading you towards your unlimited potential.

Make a cozy nest, sit or lay in meditation & be guided on a journey to activate your potential while clearing what’s in the way. Allow yourself to be transported into your inner world where messages, clarity & inspiration are found while alignment & transformation is experienced.

Quantum Activations*
Breathwork*
Guided Journey*
Energy Work/Clearing*
Light Codes*
Healing for mind, body, spirit*
Sweet community vibes & a time for you to receive, release, realign & recalibrate. Space after for optional connection & sharing.

Sliding Scale $20-$40: Cash, Venmo, PayPal

SoulCollage® Card Reading Group

Monday, June 30th 3:30-5:00 PM
Energetic Exchange: $20-$30

As we lovingly create our SoulCollage® cards they are imbued with bits and pieces of ourselves. This means our decks can act as a key that accesses our infinite inner wisdom.

The voice of our cards are meant to be heard, consulted, and played with. Bring your journal and cards to this interactive workshop and explore a variety of methods for doing your own SoulCollage® readings. Ideally you will have at least three cards that you’ve created.

If you have not yet started crafting your own deck, bring your favorite oracle deck or borrow one from the library in the event space. New and experienced practitioners are welcome.

If you’re interested, but the day/time doesn’t work for you, reach out to Michelle: [email protected]

About Your Guide: I’m Michelle, an avid SoulCollage® Creatrix and lifelong educator who knows we are a network of connected humans. I believe we each have the capacity to improve our world by intentionally directing our individual and collective energies. I spend my time and energy expanding ideas, people, and communities that are lighting up the world with their precious energy. I’m excited to create with you!

Botanical Drawing for Beginners with Camille Daunno

Tuesday, July 1  |  11 am – 1 pm

During this beginner level class, you will learn several drawing techniques including line, shading, pen and ink. We will discuss composition with contour, contrast and texture and how to use watercolor to complete your drawing. We will experiment with different techniques to enhance your personal style. All materials and supplies will be provided.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Group Heart & Sound Magic

Open and release….An evening with our hearts including meditation, story telling, astrology, movement, Self expression and a Gong Sound healing journey.

In a rapidly changing world and paradigm, let’s gather to anchor light for the collective. We are the ones who are called for this deeper level of journey and service.

Join multi-creative Sammy Vanek & sound awakener David Heiss for an evening of deep meditative contact, individual expansion, and group-heart spellcasting with our collective.

The flow for the evening: we’ll settle into a meditative space led by Sammy, deepen with a legendary sound journey by David, and invite group vocal expression to release what’s ready be set free.
For It’s all about the experience and what you do with it!
Let’s deepen, bloom, and have some fun while we do it.

Suggested Donation scale between $22-$44

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

Gallery hours: Wed-Sat / 11am-5PM

Tracey Morgan Gallery is pleased to present the second part of our third solo exhibition with photographer James Henkel whose exhibition “Cyanosure,” originally installed in the fall of 2024, was disrupted by Helene. We are excited to present this new iteration which includes the addition of a series of new work.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Monthly Visitor is a new class series by Period Nirvana. Every month, we will host a speaker to teach a class or lead a workshop in their area of expertise. We’ll be kicking off the series with a basic course on pelvic floor anatomy, common issues such as stress/urge incontinence, and pelvic pain. The class will be about an hour long with the opportunity to shop for menstrual care and wellness products afterwards. Enjoy 15% off your purchase as a thank you for purchasing a ticket and attending!

Get to know the speaker, Dr. Rachael Paszko!

“My journey as a physical therapist has developed greatly through the years. After graduating from Wheeling University in 2016, I spent time working in Virginia and West Virginia before falling in love with Asheville, North Carolina. I completed an orthopedic residency program in orthopedics in 2020 and became an Orthopedic Certified Specialist by the American Board of Physical Therapy Specialties (ABPTS). Since that time, I have also found my passion for treating individuals experiencing pelvic floor dysfunction. It quickly became clear to me that symptoms of urinary and fecal incontinence, frequency/urgency, pelvic pain, pain with sexual activity are under-reported and under-treated. I love empowering individuals to reclaim their confidence and help lift the feelings of isolation associated with it! I have completed extensive training to treat the pelvic health population through Herman and Wallace Pelvic Rehabilitation Institute, earning the Pelvic Rehabilitation Practitioner Certification, and Institute of Clinical Excellence.

Pelvic Health training through Herman and Wallace Pelvic Health Institute: Level1, 2A, 2B, 2C, Capstone. Institute of Clinical Excellence Pregnancy and Post-Partum Level 1 and 2.”

The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.

Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.

The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.